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  • #1938
    ÉricÉric
    Keymaster

      Yurick wondered for a moment what action was required behind “floating downstream”, the motto that his friend Finn was brandishing with renewed fervor at each of their encounters.

      Perhaps it was actually a “non action”, and that reminded him of all the Taoist texts he had loved to read when he was younger. One of the tenets of the philosophy of Taoists was wu wei 無為 or “non action”, but this was not meant as being lazy and passive, quite the contrary… A bit of a mind-stretching concept:

      WU WEI (from the 道德经 Dao de jing, attributed to Lao Zi)

      The Sage is occupied with the unspoken
      and acts without effort.

      Teaching without verbosity,
      producing without possessing,
      creating without regard to result,
      claiming nothing,
      the Sage has nothing to lose.

      When he had asked his friend Elias about this, Yurick got that answer,

      “We have spoken previously of how you each have divorced yourselves from essence, and subsequently have forgotten your own native language. You now incorporate a desire to be connecting with essence, to be dissolving of the veils that exist between the focus and the entirety of the whole. In this, it communicates to you, but you have forgotten your language! Therefore, be not in distress; and allow yourself the opportunity to be assimilating a new language, and not pressing yourself to be attempting to interpret within your present language.” [session 100, June 16, 1996]

      and that completed nicely another thing he had previously heard from him, speaking about our natural language in essence:

      “Be listening to your impressions and be recognizing of your impulses, and DO NOT be denying of your impulses! This is your language to yourself from essence, and it is not harmful to you. It naturally moves you into the most efficient directions, but you are taught within your belief systems to be discounting of your impulses and to be suspect of your impulses, for they are bad. They are not! They are your natural language to yourself. Therefore, be listening to this language.” [session 294, July 01, 1998]

      So basically, floating downstream, or being in the wu wei state of mind required only one thing, to be focusing and acting upon our impulses, and not judging or denying them… Probably the most challenging thing we are learning to do now…

      #1398
      AvatarJib
      Participant

        Let’s add some quotations from our Friend Oscary

        A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.

        A man can be happy with any woman as long as he does not love her.

        Always forgive your enemies; nothing annoys them so much.

        America had often been discovered before Columbus, but it had always been hushed up.

        America is the only country that went from barbarism to decadence without civilization in between.

        Anyone who lives within their means suffers from a lack of imagination.

        Arguments are to be avoided; they are always vulgar and often convincing.

        #423

        New Venice, November 2101

        Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

        Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
        She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
        Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

        When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
        She had given him the old parchment.

        Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

        When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
        Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
        Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
        He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
        So unlike Bill’s disengagement, which was peaceful and full of love.

        So yes, people were not far from the truth when they saw them as brother and sister.
        According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

        :fleuron:

        Egypt, 2657 B.C.

        :tile:
        Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

        It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

        He needed sleep before hiding the text with the mummy.

        :fleuron:

        Paris, 2007

        :tile: That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

        Let’s insert it again then, he smiled to himself.

        :fleuron:

        When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
        There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother BeckyBart wasn’t too sure…

        Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
        Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

        “There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

        “And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

        “And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

        “And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

        “And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

        Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins

        #414

        Mmmm, Captain,… isn’t that legend a bit long-winded? Tomkin had asked to Captain Bone.

        It had been six nights now that the Captain had told bits of that legend to Tomkin, and even if it was entertaining, Tomkin was more and more impatient to get back to meatier stuff, like galleons full of ancient magical treasures, corsairs from the Warring Kingdoms coasts, strange unknown races from far-off lands… that would be more mouth-watering than this endless legend…

        Captain Bone had laughed.

        — Aaaaah, Tomkin… of course you know I like to tell long stories, and make them longer each time I recall them, but you see, there is also a point in all of that adventure. Mævel’s story is also the story of all of us in a way. Of course, I could tell you how it ends, but in a way it never really ends. More important is for you to see it unfold and that you appreciate the unfolding. The ending is not important in a way. Each and every time this story is recalled, it is different, because it adapts to what is happening right now. Do you see?
        — So what is the point of telling me that story? It was supposed to tell me something about this strange knotted object, but I don’t see any link.
        — Ahahahaha, the point is precisely that Tomkin. I am telling you my story, but this object makes you hear your own story through my words.

        Now, Tomkin Sharple was squatting on the sand near the bonfire lit by Badul’s crew, and he was recalling the words from the Captain. At that time, when he didn’t know a thing about that strange magical object, he had not understood a thing of what the Captain had said.
        But now, it started to make sense, some sense at least. Each time the Captain had told him bits of the legend, Tomkin had been fidgeting the strange object, making the Captain smile. Perhaps the object’s magic was not only acting as a translation device…
        There was something more about it. He was no longer sure that the Captain’s story had been what he was recalling. Perhaps it was completely different, and he had translated it…
        Still, the object had apparently helped him understand what Badul and his men wanted, so it was translating truthfully. But what was a faithful translation?

        Then, a flash came into Tomkin’s mind. The Captain had given the object to him. He’d said it was about connections. Being connected.
        Till then, Tomkin had been the only one to touch it. He had not even revealed the source of his gift to Badul.
        But in the Captain’s case, both of them had been touching it. In sharing that link, they had extended trust to each other, and somehow, they had been mirrors for each other. Perhaps that was what Captain Bone meant when he said that Tomkin was hearing his own story through the Captain’s words.

        Tomkin laid down on the warm sand, looking at the clear starry night.

        ***

        — The legend of Mævel — (Part VI)

        Inside the warm burrow, Mævel found a bed of dry leaves and tender moss. She could see some light from the moon, coming through holes in the ground, which were bringing in some fresh air too. Cuddling comfortably into the makeshift bed, she started to sleep peacefully, waiting for her friend the blue fox to come back.

        ***

        Half-asleep on the beach, Tomkin was wondering… What had happened the next morning… This was fuzzy in this memory, as if the events were moving and reorganising themselves. All that he remember was that Mævel had met the blue fox, but there were myriads of possible events, and all of them were possible, dancing now in front of him.
        He could chose any of them… But, would that make the story the same?
        Then he recalled that it was his own story… So why make it difficult then…

        The voice of Captain Bone was resounding in his ear “You find value in hardships, and value is important to you and our kind. In these lands full of magic, we could just do anything, but somehow you’ll find that rare are the people who constantly use magic. Because when magic is used to make things happen instantaneously, it shifts everything around it to accommodate the changes asked by the summoner of the magic. And it can be overwhelming when too big are the differences between the too states, as we are accustomed to live within a continuity. That’s why I tell you to enjoy the ride of that legend.
        Think of it… You could be Emperor of all Lands if you knew how to use magic for such a feat. But would you do that instantaneously? Slim chances. You wouldn’t know how to behave as an Emperor, and on top of that, you probably would find the new aspect of you who is an Emperor to be overwhelming to your present aspect of little Tomkin.”

        Okay, Tomkin said… No need to skip directly to the last part… she meets the blue fox in his den, and Mævel learns about the curse of the fox.

        ***

        — Oh, really? Mævel was saying
        — Yes, I was a bit of a fool… the blue fox was telling her. But, the silver lining is that there is a way to counteract the curse. But I will need your help again, if you want.
        — I want to help you.
        — Fine. You know about Shaint Lejüs Festival?
        — Mmm, yes, my parents told me about that. It’s the Day of the Forgotten, isn’t it?
        — and of the Accursed Ones.
        — Oh…
        — That special day of the year, the Gates of Lejüs’ Realm are opened and Forgotten and Accursed Ones are given a chance to be Remembered or Graced.
        — Every year? Why then aren’t all of them Remembered?
        — Mostly because the Living Ones dread this day. They are the only ones to be able to free the Demanders, and they quickly felt haunted by the Demanders. So they did rituals to keep the Demanders away from them, as certainly your human parents did.
        — Yes, I remember now…
        — There is another reason actually. Forgotten Ones can only be Remembered when they recover their true name, and only a strong bond like love or some potent magic can force it out of Lejüs’ graps.
        — And Accursed Ones?
        — For them to be Graced, they need to do one pure act of altruism.
        — A simple act?
        — Don’t be fooled, it’s not as simple as it seems. See, I tried to rescue a woman who was drowning herself into the river, but that hunter thought I was attacking her… The fact was that she was willing to be Forgotten, and that my act was not purely altruistic.
        — How so? You probably saved her life?
        — Yes, but that was not what she wanted, and when she cried that I let go of her, I only wanted her out of the waters, because of me…
        — I understand. And how can I help?
        — One altruistic act for me would be to help a Forgotten One to be Remembered. That’s what they ask for, but it’s difficult for them to get past the barriers of the Living Ones.
        Shaint Lejüs Festival is tomorrow…
        — Yes, have as much rest as you need, Mæ. We will see tomorrow what will occur…

        #1311

        In reply to: Yuki’s Livrary

        ÉricÉric
        Keymaster

          October 23 rd

          “I may express to you that each of these chapters basically, so to speak, are not necessarily identified by one particular action, or that they are accomplishing one particular direction, in a manner of speaking. But that they all incorporate actions and movements that create a contribution to your awareness in this focus.

          “They all lend, in a manner of speaking, energy through experiences to you within THIS focus that benefits your movement in allowing yourselves to widen your awareness and insert this shift in consciousness into your actual objective reality.

          “As I have stated, this shift in consciousness, in a manner of speaking, is an enormous undertaking. It is a Source Event. And as you are aware, Source Events are so immense within consciousness that they may not be entirely inserted into your physical dimension. They are, in your terms physically speaking, larger than your dimension incorporates the capacity to express.

          “Therefore, in recognizing this immensity of this movement and this creation within your reality, one focus, one time framework would be overwhelmed in attempting to create this type of movement singularly, and independent of other energy and other focuses that may be creating experiences that shall offer you as essence the type of opening within this physical experience that shall allow for this insertion of this shift into your actual objective reality.” [Elias, March 02, 2001]

          #326
          ÉricÉric
          Keymaster

            The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
            So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

            The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

            This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
            The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
            He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

            The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

            But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

            :fleuron:

            The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

            Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

            The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
            Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

            #307

            Chiara got quite a fright and spun round quickly. She stood gazing at the funny creature, a woman who had a sort of cattish feel, who had shouted BOUH at her, momentarily uncertain as to whether to burst into laughter or tears.

            Illi watched Chiara’s trembling lip with some concern, especially when she saw the very large woman who was with her. Illi felt it may be prudent to make a hasty retreat, however, before she could make her getaway, a tiny figure emerged from behind a rather large pebble.

            Hello, said a little pink fairy. I am the Fairy Princess of the Land of the Long White Cloud. Did you fly here? Look I can do magic and she waved her magic wand, said abracadabra and produced some small white feathery fairy wings for the delighted Chiara.

            Frowdup she called excitedly. A round green blobby creature who blended seamlessly into the environment like some sort of exotic plant hopped over.

            Yes Dear Fairy Princess?

            Please could you play the music for us?

            Oh delighted to oblige answered Frowdup, producing a flute like instrument.

            At first the sweet notes of the instrument floated tentatively on the warm air. They rang like pure crystal, cool and pure, then slowly gained in confidence and multiplied, as though possessed of supernatural powers. It seemed the simple melody Frowdup played was accompanied by a whole orchestra of instruments.

            The little fairy laughed in delight and grabbed the giggling Chiara. They began to dance instinctively with the energy of the earth, swaying at first like a tree in the wind, then whirling like the wind itself, soaring high into the air, imitating the flight of a parrot, then swooping joyfully back to the ground. They were connected to the magic of the music.

            ***

            Whanga, one of the 13 Witches of Loathing was feeling rather bad tempered as she gazed into her glass ball. hmmmm bugger, she said crossly that little Fairy Princess from the Land of Long White Cloud is having way too much fun. She seems impervious nowadays to my magic spells of loathing

            Whanga had to confess to being a little puzzled. For a while she felt she nearly had the Fairy Princess in her clutches, but one day something seemed to have changed, and the Fairy Princess did not seem to be so affected by her whispered spells any longer. What sort of magic had she found to protect herself Whanga wondered. .

            ***

            It had begun to rain gently whilst Finn was in the enchanted fairy ring. She didn’t mind, she loved the rain and the trees protected her from the getting too wet. It felt cosy and magical. She had such a strong sense of the presence of her younger self. The younger Finn was three years old. Finn remembered the day,it was etched in her memory as a turning point, and yet it was also as though she were there again. She talked with her younger self, wanting so much to give the younger Finn a gift to help her make a different choice that day. Finn knew she had to trust with her heart, not reason it with her head, because there were just too many questions she could not make sense of, and magic did not seem to be so much about sense anyway. Anyway,whatever, if nothing else she felt lighter within herself .

            #305

            Quintin couldn’t sleep.
            Now he was thinking, he had delayed it for too long.
            They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

            Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
            Well, that would sure mean lots of changes, but after all, no pain no gain.
            Or no abundance.

            ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

            That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

            Actually, that’s it! Quintin had feared the implications, as lots of people did.
            It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
            What a mess it could be for salmons and control freaks as himself.

            Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
            In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
            But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

            OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

            Let’s insert the Shift, now.

            And let the fun continue, and worry wither away.

            ***

            Well, and what’s that Shift all about?

            Quintin’s friends Michaela and Elias had said about it :

            “You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” 1

            #298

            The City, year 2257

            Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

            Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
            They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
            Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

            Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

            Janice could hear Al or Quintin complain about how things were getting confusing.
            She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

            ~~~

            Somewhere Al was saying to Becky
            — The more you try to fix it, the more confused I am
            — Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
            — Ahahah, yes!

            Al started again to moan:
            — So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat? :-??

            (Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

            Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
            — Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
            Becky nodded
            — I got lost myself when two Illis appeared, and a grip-thing as well
            — Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

            ~~~

            While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
            A funny thought had come to Janice, that she shared with Rodney.
            — Oh, the funny thing you know, about Becky having written to Sean
            Rodney nodded. Janice continued:
            — It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

            — Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
            — What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
            — Who is he? Where is he? was asking Rodney now.
            Rodney was having a hard time remembering what had been inserted yet in the story about him.

            So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

            — Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
            — Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
            Janice laughed “So that you can surprise yourself again!”

            Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

            Janice stopped the growth of the family tree for a moment and started to comment it.
            — See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
            — When is Becky’s time then? Rodney wondered, I hadn’t though of that…
            Becky’s time for the reality play is around 2033…
            Then Janice had the tree grow again, and sprout more branches from Sean’s children:
            — …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
            TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

            Rodney was beginning to remember it all.
            — I just remember the part about Sean, so he is still a bit of a mystery
            — Yes, absolutely
            — We don’t really know do we why Hilarion didn’t mention him
            — Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
            — Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

            Rodney was squinting his dream eyes
            — So, Sean was into humanitarian effort after 2001…
            — His father actually I think, said Janice. He was a bit too young.
            — Oh OK, I misread, that’s hard to read!

            Then, all of a second, Rodney erupted in an uproarious laugh
            AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
            Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
            Then she added:

            Sean is born around 2000, a bit before.
            — OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
            — You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
            — Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
            Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

            Now, Janice was hooked:
            — Was it where Illi learned about shapeshifting tricks from the old tribe?
            Rodney noticed Janice’s funny remark and laughed before continuing:
            — The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

            Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
            — Around which year? she asked
            — Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
            — It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
            — Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
            — Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
            — Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
            — And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
            — Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
            — Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
            — Wow, said Rodney, this is even more interesting…

            “But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
            — Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice

            — Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
            — Yes, she was young with her parents. They were traveling…

            They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

            She then remembered something else:
            — Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
            … by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory
            Date fits again, she said in awe.
            — Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
            — Hmmm
            — Hmmm
            — So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
            — Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

            Janice bust out laughing imagining Rodney in bandages. Yes, of course!
            Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
            Now, that was Rodney’s turn to burst out laughing.
            — “I am not sure about that!”
            — Doubting my insights… mmm, how rude… Janice frowned then laughed again.
            — If you call me that, I may have to make you out to have a speech impediment
            — Sounds a good Egyptian name for me though, seems it means “Light of the Dawn
            — Does it? Oh that sounds nice…
            — Well, in some Egyptian dialect, yes. She was a Princess…
            — Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
            — Bit bossy Princess
            — Which dynasty?
            III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
            — What year?
            Janice projected the timeline below then said
            — I’d say around 2657 B.C., in Ancients way of telling time.

            They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

            Rodney was seeing something else
            — There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
            Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
            — We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
            — Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
            — Exactly
            — And they communicated because they are helping each other
            — Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
            — And they have some difficulties at times with translations of other dimensional stuff
            — Yes! resulting in confusion!

            And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

            #1309

            In reply to: Yuki’s Livrary

            ÉricÉric
            Keymaster

              October 12 th

              Lots of movements have been started, movements of expansion, and the joint efforts and ventures took off for new exciting potentials when the migration to the new “expanded sandbox” (as playfully expressed by Quintin) has been completed.
              Interestingly, it has been relatively painless and quick in both the find of the perfect “method”, and the perfect “tools”. In noticing how the feelings where acting as a compass that was telling him whether he was in the right direction or not, and in trusting them, Quintin has incorporated that tool without previous knowledge of its potential use. He just knew it was right.
              And so it is.

              October 16 th

              My dear friend Elias has expressed some time ago this, which may be interesting for the adventurers to read and see how it applies to them…

              “I expressed to you at our last meeting that some focuses continue each other as ‘sequels’ of books. … They are continuations, so to speak. Although they are not accomplished linearly, you may view them as continuing chapters of the same story. In this, they would be considered parallel focuses. You may view within your new game many focuses in which you have held experiences quite different to each other. Then you may also view some focuses that are seemingly related. You are engaged with all of the same characters within a continuation of the same play.” [Elias, #142]

              #260
              F LoveF Love
              Participant

                Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

                So what shall we make now Mandrake? Something we both like maybe?

                A fish perhaps? suggested Mandrake

                Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

                Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

                Some milk for me, said Mandrake

                Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

                Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

                Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

                The glass ball was now filled with a miniature world of sand objects.

                Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

                Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

                Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

                She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

                #258
                F LoveF Love
                Participant

                  India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

                  Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

                  India Louise looked up from her drawing.

                  What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

                  It is beautiful India Louise.

                  What did the letter say Grandpa. Why is it making you so sad?

                  It is just an old letter, India Louise.

                  Yes it looks very old. Was it bad news?

                  Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

                  The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

                  He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

                  Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

                  Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

                  He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

                  The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

                  As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

                  Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

                  #215

                  After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.

                  She found this quite irritating. They are really bit rude around here, she muttered.

                  Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.

                  It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.

                  (Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)

                  All I have done is wander around dark passageways really.

                  And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?

                  AND if one more person tells me to use my magic I will probably scream or something!

                  Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.

                  And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.

                  Oh cute, said Arona, a talking cat.

                  Cute yourself, responded Mandrake, love your cape by the way.

                  (Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)

                  Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.

                  Mandrake sighed in an impatiently eggsagerated sort of a way.

                  Heavens to murgatroyd¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?

                  All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.

                  of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!

                  [¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
                  Anyway, here is some complement on that ‘Murgatroyd’ .

                  #208

                  When Bernhard, making his black panther puppet Archie speak, had answered the tongue-in-cheek burning question that was on everyone’s lips:

                  Does Dory’s part of the story seem logical to you?

                  the answer had come as a surprise to many…

                  Yes he had answered… adding a few moments afterwards, though that there is some mistranslation within the interpretation. [¹]

                  Archie also said that we were moving to a center of a seesaw which represents within your understanding an awareness of “it matters not”.

                  Ahahah, how greatly befuddling a new riddle would that be? Perhaps the answer was very simple too. Something like “egg”…

                  All that Quintin was sure, was that Dory surely enjoyed bouncing on seesaws juggling with a basketful of eggs!

                  Perhaps, it mattered not after all… Perhaps, perhaps not… or not yet…

                  Well, Archie had also admitted during the night he didn’t really care being a parrot in that story… Perhaps he had finally lost it too, as would certainly say Fiona, who was their last beacon of sanity in that insane adventure.

                  [¹] Note from your impartially unbiased reporter: :yahoo_whew: (phew)

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