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After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”

Grandpa Wrick interrupted “did I mention that your first story needs a beginning and an end, of course? The snowflake must be complete so that others can expand on it.”

Take an example: Alice in Wonderland. You could start with : “A young girl follows a rabbit, falls down the rabbit hole, meets all sorts of strange people and in the end she wakes up to find out it was probably only a dream”. Then built up from that. Ideally to create something like a book-length worth of clues and details and all… For instance, you could detail the rabbit’s habits, or the strange people, putting it in perspective of the initial blurb or following developments. It would be like re-re-rewatching a beloved movie, only to pay attention to the finer details in the background…

Mother Blubbit unlike her progeny wasn’t actually blue.

She had a more pinkish rosy tint that turned red around the ears, and probably should have been called a Rosbit —a deranged thought that crossed young Peackle’s head (still on the mantelpiece in Penelope’s pristinely clean house) as he was gasping before the sizable, yet furry, and giant, roasted blubbit saddle his aching stomach was making him see instead of the now puzzled creature.

Almondus Blondor, the Keeper of the Old and notwithstanding Great portal of Nibabuz was on his way to Josephine Moodoo the Great Priestress of OzMoosis, and occasionnally witch-doctoress. It was for this last talent that Almondus had taken his day off. It was actually his first day off since the last century, but his arthretic was now becoming unbearable, and had on many times almost have him become nuts, a fate altogether far more enviable than the one of losing one’s head he would say (as he wasn’t truly a native Peaslander either).

So, this arthrectic was painful, terribly painful, the result of considerable arrhythmical calculus mixed with jointless restlessness. A few times he had to mend his limbs back together, and feared the witch would blame his indulgence on koomaroo, a variety of sweet potatoes he craved at the expense of following the ancestral Peaslander’s peas and marmite toasts usual diet. For that, he was often call Mr Koomaroo by the little neighbours, those nasty pests.
But as we said earlier (heed, heed, little Pooh), he was no native Peaslander either.

So, during his day off, he had appointed his young apprentice, Bentworth Sadnick, a local and remarkably headless fellow, who wasn’t very wise for his seventy-year-young age ; as since the last decades, no one had tried to activate the Great and notwithstanding Rusty portal, he thought he could have that little day off without much trouble happening.

Josephine would surely repair him in a snap of her delicately podgy fingers (they reminded him of delicious sweet potatoes) and everything would be forever again perfect… at least for the next ten decades.

“At least the witch didn’t say my voice was bossy for once” Pee was always finding comfort in the little satisfactions of life.

“Dad! I want to come with you!” Pickel, their young son was rather keen on the prospect to walk in the footsteps of his father, no matter how notoriously difficult to follow they were.

When Yikes had first asked Arona, when he was like 6 or 7 years old if he had a father, Arona had brushed the question aside with a roll of an eye, and an annoyed flicker of the other.

“Of course you have, little pooh…”

It was glaringly obvious that the little Ugling wasn’t bearing any likeness with her handsome model Vincentius, so she didn’t mock the little guy’s intelligence by asking why he was even inquiring of such a thing.
And for a few years, telling him the story of how he was given to her by the dwarf Palani was enough to calm the torrent of his questions.

Later though, as he was gaining strength and other skills taught to him by Vincentius, who was ever patient and dedicated to the well-being of Arona and the child, his questions became an obsession, and he took upon himself to discover the truth he could feel was wrapped in fantasy and nonsense —or at least, not told completely.

Perhaps it was an indiscretion of a glukenitch found in the many caves there were nearby their home, nobody knew for certain. (Glukenitches sharing one mind, they knew many of the secrets of the caves they sometimes deigned to share with strangers…) anyway, nobody knew for certain, but he found out about the mysterious Sanso, and how he became ‘acquainted’ with Arona (whom Yikes had never called but by her first name).

Yikes was now in his teen years, and wanted more than ever to meet Sanso, although he never quite revealed that secret plan least it would upset the loving and caring Arona. He had to find someone to help him in his research, but where they lived, encounters were scarce.

One day, a young woman he’d never met before went to see Arona. They were friends apparently, and he overheard Arona call her Salome, while they were discussing about lots of people, whose names he mostly didn’t know. He was feeling uncomfortable around nice ladies, and almost didn’t show up for dinner. However, an embarrassed silence and a sideway glance as a certain “he” was being inquired about by Arona raised his ears, and he took upon himself to try to learn more from the lady.
So when she left, he followed her to the entrance of one of the nearby caves, and showed up —apparently without surprising the lady called Salome. She was well aware of his presence, and of his desire to find Sanso.
“The man defies logic,” she then warned Yikes “and you need a riddle outside of logic to catch him and his attention.”
That was almost all of what she said before disappearing into the damp cave’s tunnel. That and… “no need to beat a dead cow.”

Yikes had pondered that for days, without success.
Until the illumination came: all he had to do was become the hunter, and bait his prey.
For that, he would kill the fatted calf, to welcome the return of the prodigal father.

And put his bait near the tunnels near the realms from whence he roamed aimlessly.

After her little escapade with Yimho, and then with Brennan, and then with Gormitohl, and with each escapade, a new home, new relationships and relatives, Malvina was starting to feel homesick. ‘Home’ wasn’t really any place of course, but we all know when we feel at home or not. And right now, the feeling was clear and loud that she wasn’t.
Not only that, but her selfless outpouring of love (which dear Arona always found slightly exaggerated for her tastes) had oftentimes put her in awkward situations.
People weren’t always aware that even though her love was given so strongly to all of creatures, it could be found everywhere, in every creature. Ancients called that stream viwre. The only difference with her and the others was that she wasn’t discriminating and her love was outpourring in every direction, regardless of the intentions of the receiver. And that could become a terrible power.

Well, after all the traveling with her teal-coloured dragon Leörmn, and occasional visits from the young dragon breeder Irtak she felt more than ever the need to reconnect. It’s been too many years now, and the world of the (still) warring Kingdoms didn’t feel much of a better place. So there was still work to be done.

Of all people, she knew where to turn to.
It was too early to start her trip around the world to physically reunite with her sisters. A lifelong project which had strangely stalled ever since they started to mention it.
But she remembered Kalliona, a beautiful woman living south of the Marshes of Doom. She wasn’t really a woman either, but rather an E’elim of the woods, but she appeared as a beautiful woman to almost anyone.
She would help her realign with her path.

“Leörmn!” She called “We’re packing!”
“To where, may I ask?”
“Olliburthon”
“Oh great… A stinking harbour now.”

After five years of training of the dragon twins, Irtak was to do for the first time an act that would finally make him not just a dragon rider, but a dragon breeder in his own right. He had to part ways with them.

It was harder than he’d expected. He knew that if he wanted to bring more dragons into the great stream of the Duane’s life, he couldn’t only focus on the two buoyant twins. It’d taken them that long to manage channeling the intense energy of the two, and balancing their thirst of discovery with patience and adequacy of action.
Parting now was almost heart-breaking for him, even though the dragons had been reassuring they were only longing for new adventures with new companionship.

In fact, they were so longing that they would have almost gone with any stranger, or perhaps even just on their own —reluctant as they were to admit they also greatly enjoyed human’s company. However, Irtak wanted to make sure they would be taken care of by not just anybody; as powerful as dragons were, the two were almost innocent and very young for that race, and they would greatly benefit from some wise tutelage.

Now that Malvina had left the cave, he didn’t know who to turn to for advice, and was feeling a bit forlorn, though his glubolin was still working fine. He’d been thinking about it for quite some time, and realized that some travel would really do him good, so he finally began packing.
The Southern Shores of Lan’ork would make a great destination to find a proper owner for the twins, and an interesting starting point for new adventures.