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In reply to: Quintessence: Reversing the Fifth
From Decay to Birth: a Map of Paths and Connections
7. Darius’s Encounter (November 2024)
Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.
He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.
When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.
6. Matteo’s Discovery (near Avignon, Spring 2024)
The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.
His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.
Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.
Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.
“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”
Matteo nodded. “Take it, then. Maybe you’ll figure it out.”
The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.
5. From Hand to Hand (1995–2024)
By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.
2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.
2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.
1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.
The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.
4. The Artist (1995)
The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.
“I don’t map what is,” she once told a curious buyer. “I map what could be.”
In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.
3. The Ink (1990s)
The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.
From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.
2. The Paper (1980)
The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.
By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.
The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.
This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.
1. The Seed (1950s)
It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.
“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.
Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”
In reply to: Quintessence: Reversing the Fifth
It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university. Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.
When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.
Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.
Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out. You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.
It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk. She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes. It was a project to savour, luxuriate in, amuse herself with.
When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.
Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.
“And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”
“It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”
“That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.
Florian noticed her unexpected discomfiture, and tactfully changed the subject. We all have pasts we don’t want to talk about. “Is the sun sufficiently past the yard arm for a glass of wine?” he asked. “What is a yard arm, anyway?”
“A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”
“Once a lecturer, always a lecturer, eh?” Florian teased.
“Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”
In reply to: Quintessence: A Portrait in Reverse
Work in Progress: Character Timelines and Events
Matteo
- November 2024 (Reunion):
- Newly employed at the Sarah Bernhardt Café, started after its reopening.
- Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
- Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
- Serves the group during the reunion, surprised to see all four together, though he knows them individually.
- Summer 2024 (Olympics):
- Working in a vineyard in southern France, nearing the end of the harvest season.
- Receives a call for a renovation job in Paris, which pulls him toward the city.
- Feels an intuitive connection to Paris, as if something is waiting for him there.
- Past Events (Implied):
- Matteo has a mysterious ability to sense patterns and connections in people’s lives.
- Has likely crossed paths with the group in unremarkable but meaningful ways before.
Darius
- November 2024 (Reunion):
- Arrives at the café, a wanderer who rarely stays in one place.
- Reflects on his time in India during the autumn and the philosophical journey it sparked.
- Brings with him an artifact that ties into his travels and personal story.
- Summer 2024 (Olympics):
- Living in Barcelona, sketching temples and engaging with a bohemian crowd.
- Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
- Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
- Past Events (Implied):
- Has a history of introducing enigmatic figures to the group, often leading to tension.
- His intense, nomadic lifestyle creates both fascination and distance between him and the others.
Elara
- November 2024 (Reunion):
- Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
- Still processing her mother’s passing and reflecting on their strained relationship.
- Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
- Summer 2024 (Olympics):
- (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
- Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
- Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
- Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
- Past Events (Implied):
- Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
- Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
- Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
- Values intellectual connections over emotional ones but is gradually learning to reconcile the two.
Lucien
- November 2024 (Reunion):
- Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
- In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
- Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
- Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
- Summer 2024 (Olympics):
- Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
- Reflects on his artistic block and the emotional weight of his distance from the group.
- Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
- Past Events (Implied):
- Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
- Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.
Amei
- November 2024 (Reunion):
- Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
- Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
- Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
- Summer 2024 (Olympics):
- Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
- Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
- Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
- Past Events (Implied):
Tabitha (Amei’s Daughter)
- November 2024:
- Summer 2024 (Olympics):
- Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
- Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
- Past Events (Implied):
- Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.
Key Threads and Patterns
- The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
- Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
- Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
In reply to: Quintessence: Reversing the Fifth
The Bell’s Moment: Paris, Summer 2024 – Olympic Games
The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.
1st Ring of the Bell: Matteo
The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.
“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”
Matteo nodded. “And after that?”
The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”
Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.
When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.
Somewhere, miles away, the bell rang its first note.
2nd Ring of the Bell: Darius
In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.
A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.
“Sometimes,” Darius replied, his pen still moving.
“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”
Darius chuckled. “You recruiting me?”
“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”
The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.
3rd Ring of the Bell: Elara
The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.
The voicemail notification glared at her, and she tapped it reluctantly.
“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”
Her coffee cup trembled slightly as she set it down.
Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.
Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.
She would have to travel to Montrouge for the funeral arrangements.
In that moment, the bell in Les Reliques rang a third time.
4th Ring of the Bell: Lucien
The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.
Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.
He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.
He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.
The bell rang again in Paris, its resonance threading through the quiet hum of the train.
5th Ring of the Bell: …. Tabitha
In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.
“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”
“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”
Her friend raised an eyebrow. “Pretending?”
“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”
The bell rang faintly in Paris, though neither of them could hear it.
“Maybe you should tell her to come with you,” the friend suggested.
Tabitha grinned. “Now that would be a trip.”
Last Ring: The Pawn
It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.
Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.
“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.
“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”
The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”
“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”
“Not anymore,” the shopkeeper murmured, handing him a stack of bills.
The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.
And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.
In reply to: Quintessence: A Portrait in Reverse
Characters list
Character / Personality Traits / Connection clues to Matteo
- Lucien
- Elara
- The Scientist
- Analytical, sharp, skeptical
- A physicist drawn to patterns and precision. Her research often brushes the edges of metaphysical questions.
- Matteo remembers her ordering black coffee, always focused, and making fleeting remarks about the nature of time.
- Darius
- Amei
- The Storyteller
- Observant, wise, enigmatic
- A weaver of tales who often carries journals filled with unfinished stories. She sees connections others miss.
- Matteo knows her through her ritual of mint tea and her belief that the right tea could mend almost anything.
- Matteo
- The Enigmatic Server
- Charismatic, cryptic, all-knowing
- A waiter with an uncanny awareness of the four friends, both individually and collectively.
- Holds a quiet, unspoken role as the bridge between their shared pasts, though his true connection remains unexplained.
In reply to: Quintessence: Reversing the Fifth
At the Café
The Sarah Bernardt Café shimmered under a pale grey November sky a busy last Saturday of the “Black Week”. Golden lights spilled onto cobblestones slick with rain, and the air buzzed with the din of a city alive in the moment. Inside, the crowd pressed together, laughing, arguing, living. And in a corner table by the fogged-up window, old friends were about to quietly converged, coming to a long overdue reunion.
Lucien was the first to arrive, dragging a weathered suitcase behind him. Its wheels rattled unevenly on the cobblestones, a sound he hated. His dark curls, damp from the rain, clung to his forehead, and his scarf, streaked with old paint, hung loose around his neck. He folded himself into a corner chair, his suitcase tucked awkwardly beside him. When the server approached, Lucien waved him off with a distracted shake of his head and opened a battered sketchbook.
The next arrival was Elara. She entered briskly, shaking rain from her short gray-streaked hair, her eyes scanning the room as though searching for anomalies. A small roller bag trailed behind her, pristine and black, a sharp contrast to Lucien’s worn luggage. She stopped at the table and tilted her head.
“Still brooding?” she asked, pulling off her coat and folding it neatly over the back of a chair.
“Still talking?” Lucien didn’t look up, his pencil scratching faint lines across the page.
Elara smiled faintly. “Two minutes in, and you’re already immortalizing us? You know I hate being drawn.”
“You hate being caught off guard,” Lucien murmured. “But I never get your nose wrong.”
She laughed, the sound light but brief, and sank into her seat, placing her bag carefully beside her.
The door swung open again, and Darius entered, shaking the rain from his jacket. His presence seemed to fill the room immediately. He strode toward the table, a leather duffel slung over one shoulder and a well-worn travel pouch clutched in his hand. His boots clacked against the café’s tile floor, his movements easy, confident.
“Did you walk here?” Elara asked as he dropped his things with a thud and pulled out a chair.
“Ran into someone on the way,” he said, settling back. “Some guy selling maps. Got this one for ten euros—worth every cent.” He waved a yellowed scrap of paper that looked more fiction than cartography.
Lucien snorted. “Still paying for strangers’ stories, I see.”
“The good ones aren’t free.” Darius grinned and leaned back in his chair, propping one boot against the table leg.
The final arrival was Amei. Her entrance was quieter but no less noticeable. She unwound her scarf slowly, her layered clothing a mix of textures and colors that seemed to absorb the café’s golden light. A tote bag rested over her shoulder, bulging with what could have been books, or journals, or stories yet untold.
“You’re late,” Darius said, but his voice carried no accusation.
“Right on time,” Amei replied, lowering herself into the last chair. “You’re all just early.”
Her gaze swept across them, lingering on the bags piled at their feet. “I see I’m not the only one who came a long way.”
“Not all of us live in Paris,” Elara said, with a glance at Lucien.
“Only some of us make better life choices,” Lucien replied dryly.
The comment drew laughter—a tentative sound that loosened the air between them, thick as it was with five years of absence.
Matteo Appears
Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.
“Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.
“Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”
The group exchanged glances, each of them caught off-guard by the comment.
“You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.
“Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”
“What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.
Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.
“You’ve never all been here before,” he said, a simple statement that landed like a challenge.
“Wait,” Amei said, narrowing her eyes. “You know us?”
“Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”
“Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.
Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”
He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.
“You’re being cryptic,” Elara said, her voice edged with suspicion.
“It’s a talent,” Matteo replied smoothly.
“Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”
“Nor I,” Amei added, her voice soft but steady.
Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”
The words hung in the air, unsettling and oddly satisfying at once.
“You’re saying we’ve met you before?” Elara asked.
Matteo inclined his head. “In a manner of speaking.”
“That doesn’t make sense,” Lucien said, his voice quiet but firm.
“Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”
A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.
“It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”
“For what?” Amei asked, her eyes narrowing.
“For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.
“Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.
One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.
“Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”
And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.
They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.
“What the hell was that?” Darius asked finally, breaking the spell.
“Does he seem… different to you?” Amei asked, her voice distant.
“He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.
“He remembered me,” Lucien said, almost to himself. “Something about absinthe.”
“I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”
“And he didn’t explain anything,” Darius added, shaking his head.
“Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.
They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.
The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.
And though none of them said it aloud, the thought was the same: What had happened before?
Quintessence: Reversing the Fifth
In reply to: The Incense of the Quadrivium’s Mystiques
The vine smothered statue proved to be the perfect place to hide behind to watch the events of the picnic unfolding. Cedric had been in a quiet turmoil of conflicting emotions, biting his bony knuckle to stop himself from uttering a sound as the extroadinary sequence of dramas and comedies played out before him.
He hadn’t expected to see Frella again. His mental confusion about his job as well as his troubling fixation on the witch had brought him to the brink of jacking it all in. Just leave everything, he told himself, Move away, get another job doing something else, something mundane and manual. And forget her. He’d almost made up his mind to do just that, and, feeling pleased and sure of himself for making the decision, tapped his device to locate and observe Frella one last time just to mentally say adieu, and to see her face again. And then quietly disappear.
When Cedric realized that the witches were going on holiday, and heard Truella saying that no spells were allowed, his heart leapt. If he was giving it all up and moving away anyway, why not have a holiday first? Why not go to Rome? I may not even bump into her, Rome’s as good as anywhere else. I deserve a holiday. And if I do bump into her, it will just be a holiday coincidence, and nothing at all to do with spells. Or work.
All pretence of not minding whether he saw Frella or not left his mind almost immediately, and he began to make arrangements. He didn’t want Frella to use spells, but it didn’t occur to him to wonder why he was still using the tricks of his job. It was easy to track them to Italy.
His disguise as a North African on the coach full of Italians had worked well, even sitting so close to Truella and Giovanni he hadn’t been recognized in his hooded djelaba, and had been able to hear most of their conversation. A quiet word and a large tip secured his trip with their tour guide.
The picnic started out normally enough. They each had a short wander around, and then sprawled on rugs and cushions by the whicker hampers of food and champage. Cedric lurked in the shadows of an arch, sometimes slinking to peer from behind a statue. The temptation to pick a posy of wildflowers to give to Frella was all but overwhelming, as he watched her sitting pensively. Silently sinking to his knees behind the marble bulk of Tiberius, Cedric plucked a daisy from the grass. And another.
When Cromwell appeared on the scene, Cedric, alarmed and almost angry at the intrusion, unwittingly crushed the flowers in his hand. He had no choice but to remain hidden and immobile as the scene rolled out.
As the day progressed, the mood changed and Cedric felt hopeful again. He even had to stifle a laugh as he watched them play cards. Watching Eris pour champage into everyone’s glasses reminded him that he hadn’t had a drink all day. He was parched. He had to make a decision. He wanted to sneak off quietly and call it a day, find a nice restaurant. A part of him wanted to be bold and openly seductive, to stride into the scene and charmingly state his intentions. But he had no opportunity to further consider the options.
“You!” In the moments Cedric taken his eyes off the picnic to ponder his dilemma, Frella has risen and was heading for a necessary bush to go behind. “You! Spying on me!”
“Who?” shouted Truella, “Cedric! What on earth is he doing here, we’re on holiday! Now stop spitting nails, Frella, and invite the man over for a drink!”
Cedric seized the moment.
In reply to: The Incense of the Quadrivium’s Mystiques
“You! I never expected to see you here!” What was Thomas Cromwell doing in the colosseum in the year 1507? “Oh, of course, you were in Italy…what on earth are you wearing?” Truella asked, in some confusion. Never had she seen such an elaborate codpiece, and nobody else was wearing one.
He took his feathered cap off and ran a hand through his hair. “I’ve been to the very gates of purgatory trying to get back to Austin Friars, I unintentionally left Malove there.”
“In what year?” Truella was aghast. “How long has she been there? Who is she with? Is she safe?”
“There is no time to lose, how do I make this ~ this ~ thing go where and when I want?”
“Never mind that now, you had better come with us,” Trella was looking around to see where the others were. “We’ll all have to go. What’s the weather like? What are we going to do about clothes?”
“Clothes?” asked Jeezel, sneaking up behind them through some exotic foreign bushes, “Just you leave that to me! I’ve already found a marvellous museum costume shop. Did you get that codpiece there?” she said to Cromwell. ” I saw one in there similar to that, but with less padding.”
“Here you are,” announced Frella, suddenly appearing out of nowhere with her arms draped in costumes. “No time for shopping, so I did a quick spell.”
Why didn’t I think of just doing a spell? Truella wondered, not for the first time.
You never do was the unspoken reply that entered the scene with the appearance of Eris, armed with the approriate spells. “Right then. Here we go.”
In reply to: The Incense of the Quadrivium’s Mystiques
“Maybe I’m just old fashioned but those things are just weird,” Truella shook her head as she tried to get her focus and equilibrium back. “Great pics though, Jez. Look how clean my nails are.”
“I thought we were going to Amalfi, I was looking forward to that,” said Frella, not sure whether she liked the VR pod experience.
“So was I until I found out about the Limoncello. Can’t stand that evil brew, instant heartburn.”
“You don’t have to drink it, Tru,” Eris replied with a withering look. “We need to buy a few things before Giovanni’s time travel trip to the abandoned Colosseum. Secateurs and zip lock plastic bags for the seeds and plant cuttings. I wonder where the proper stores are, we seem to be surrounded with souvenir and gift shops and bakeries.”
“I’ll get a trowel. No, I’m not planning to start a dig, but it might come in handy. I’ll go with Eris and you two can mooch about buying over priced tourist tat. Get me a dozen postcards, will you? And some shawls and scarves for the photos at the Colosseum.”
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel tilted her head, scrutinizing the frame with the practiced eye of a social media sorceress. The lighting was perfect—each flickering hue of orange and blue cast an ethereal glow over the witches’ relaxed forms. It was the kind of aesthetic her followers adored: ancient mysticism meets futuristic chic. The “techno-witch” hashtag would trend for weeks.
She whispered a quick spell under her breath—just a touch of glamour magic to ensure the shadows curved flatteringly across their faces. Never leave it all to filters, she reminded herself. Technology might be powerful, but spells were eternal.
As the camera hovered over Eris, Jeezel panned dramatically, emphasizing the stiff pose that made her friend look like an extra from an undead fashion campaign. “Timeless and terrifying,” Jeezel murmured approvingly. Frella’s melancholic pout came next, her expression so perfectly tragic it might summon a thousand sympathetic comments. #WitchSadGirlAesthetic.
And Truella—oh, Truella. Jeezel stifled a laugh as she zoomed in on the haphazard limbs sprawled across the pod, her fingers angled like she was trying to signal something in a forgotten language. Maybe a plea for help from the gods of symmetry.
“Goddess-tier content,” Jeezel whispered as she adjusted the selfie stick for the final shot: a dramatic sweep across the room, showing the full ambiance of their enchanted retreat. The subtle hum of spells harmonizing with the VR pods’ whirring was audible in the background. She imagined the caption now:
“Modern coven vibes; Ancient spells, virtual worlds, and one unforgettable vacation. #TechnoWitchLife #VacationMagic #TimeTravelGoals”
Perfect. Another masterpiece to feed the algorithm.
With a satisfied smirk, she hit “post” and leaned back into her own pod. Her followers would marvel at the blend of mystique and modernity—and probably try to copy the look themselves. As the first comments rolled in, Jeezel couldn’t help but think, The real magic these days isn’t just in the spells we cast—it’s in the stories we tell.
In reply to: The Incense of the Quadrivium’s Mystiques
Although the small hotel was tucked in a relatively quiet corner, and despite the authentic but delightfully shabby interior of soothing dimensions ~ roomy and airy, but not vast and terrifyingly empty ~ the constant background hum of city life was making Truella yearn for the stillness of home. Not that home was silence, indeed not: the background tranquility was frequently punctuated with noises, many strident. A dog barks, a neighbour shouts, a car drives past from time to time. But the noises have an identifiable individuality and reason, unlike the continual maddening drone of the metropolis.
She was pleased to find her room had a little balcony. Even if the little wooden chair was rickety and uncomfortable, it was enough to perch on to enjoy a cigarette and breathe in the car fumes. Truella slept fitfully, waking to remember Tolkeinesque snapshots of dreams, drifting off again and returning to wakefullness with snatches of conversations in unknown tongues. Sitting on the balcony in the deep dark hours of the night, the street below, now quiet, shivered and changed, her head still swimming with dream images. She caught glimpses of people as they passed, vivid, clear and full of character. Many who passed were carrying bunches of grasses or herbs or wildflowers in their hands, the women with a basket over their arm and a shawl draped over their head or shoulders.
Hardly any men though, I wonder why?
When Truella mentioned it over breakfast the next moring, Eris said “You’ve been reading too much of that new gender and feminist anthropology stuff over on GreenGrotto.”
Laughing, Truella tipped another packet of sugar in her coffee. “I love the colour of the walls in here,” she said, gazing around the breakfast room. “A sort of bright but muted sun shining on a white wall. Nice old furniture, too.”
“Tell me about the old furniture, the mirror in my room is all speckled, makes me look like I have blemishes all over my face,” said Zeezel with a toss of her head. “Can I have your sugar, Frella, if you’re not having it,” adding I’m on holiday by way of excuse.
Absentmindely Frella passed over the paper packet. “I had strange dreams last night too…about that place we’re supposed to be going to a picnic to later.”
Catching everyones attention, she continued, “The abandoned colosseum with Giovanni, with all the vines and flowers. It was like a game board and the stone statues were the players and they moved around the board, Oh! and such a beautiful board it was with all the vines and flowers ….. ”
“Gosh” said Truella, leaning back and folding her hands. What an idea.
In reply to: The Precious Life and Rambles of Liz Tattler
After three weeks of fog, a gota fría had settled over Tatler Manor. Torrents of rain poured down on the garden, transforming it into a river. From her drawing room, Liz surveyed the scene, imagining herself drifting across the flood in a boat planned with Walter Melon, once the skies cleared.
Down below, the ever-dedicated Roberto stood ankle deep in the rising waters, glaring at the devastation with a mixture of despair and stubborn determination. He hated rubber boots, because he was allergic to them, but they were the only thing allowing him to trudge through the flooded garden.
The day before, he had risked the elements to save the dahlias, but five minutes in the water had turned his feet a swollen itchy mess. Now, he paced the edge of the garden, muttering curses under his breath, while Liz called him from the window above.
“Roberto! When this all clears, I’m thinking of a little boating expedition with Walter Melon. Perhaps you can fashion me a raft from the greenhouse planks?”
Roberto looked up at her, rain dripping from his cap. “With all due respect Señora, you might need a tetanus shot first.”
Liz laughed, unbothered by his dry tone. “Oh, don’t be such a pessimist. Look at it! It’s practically Venice down there.”
“It’s a disaster,” Roberto grumbled, tugging at the hem of his soggy jacket. “And if you want Venice, Señora, you’ll have to find another gondolier.”
Liz smiled to herself. She enjoyed Roberto’s pragmatism almost as much as she enjoyed teasing him. She knew he cared too much about the garden to abandon it, even in its current state, and she admired his quiet devotion.
As Roberto turned back to inspect the flooded beds, Liz leaned out the window, imagining her boat gliding through the submerged roman pool, the perfect escape from the monotony of the storm.
In reply to: The Incense of the Quadrivium’s Mystiques
“That was such a pleasant trip!” Truella said with a happy sigh, “First time I’ve ever been on a coach full of Italians, but weren’t they fun! Especially that Ravioli dude.”
“I think you mean Giovanni,” Frella said with her usual eye roll.
“Giovanni, yeah, he said he’d take me on a time travel tour of the Colosseum.”
“That sounds awful! You can’t be serious!” Jeezel said with a look of horror.
“No, not back to when it was in use, but back through the ages of its abandonment. It sounds ever so interesting. Apparently there were flowers and plants growing in there that nobody had seen before, they reckoned the seeds must have come in with the exotic animals.”
“Now that does sound interesting,” Eris said, “I wonder if we could time travel back and collect some herbs and seeds to use in our spells.”
“Well we’re supposed to be on holiday, not thinking about work,” Truella glared at Eris, “But I don’t see why not. Giovanni said there was a hermitage for pilgrims inside the colosseum, and it was covered in vines, a botanical paradise in the midst of the city, he said. We could take a picnic!”
“Yeah, that does sound good,” Frella was warming to the idea.
In reply to: The Incense of the Quadrivium’s Mystiques
All their owls screeched at the same time across the vast distances separating them.
Malové’s voice on them. “I just got off the phone with the Headwitch of Salem. Witch hunting season is back on, can you believe it? Didn’t we have countermeasures in place? Who was in charge of the Lump thwarting warting spell? Come at once!”
In Limerick, Finnley snickered, only mildly annoyed at the sound of all the parked owls in the mostly empty Quadrivium building. Oh, I see. It’s all gone pear-shaped, has it? Witch hunting season indeed! You’d think by now they’d have sorted their spells and counter-spells like a proper orderly lot. Honestly, if it were up to me, I’d have those countermeasures filed, organized, and triple-checked like my cleaning supplies. As for whoever’s in charge of the “Lump thwarting warting spell”—sounds like someone needs a good talking-to. Probably spent too much time nattering about and not enough focusing on their spellwork. Typical, isn’t it?
Elsewhere in the Northern forest, Eris shrugged at the sound hooting echoing. “When I told them something was wrong with Malové, it was her charge all along. Now, let’s wait and see to find someone brave enough to say it to her face.”
Somewhere and somewhen else, Truella and Frella and Jeezel were probably thinking the same, unless they got lost themselves in the Well of Crom, a surefire way to stay clear of Malové’s screeching owls.
In reply to: The Incense of the Quadrivium’s Mystiques
“You’re too kind!” Truella said, hugging Frella. “I love this box! However did you guess it was just what I wanted!”
Frella bit her lip and smiled sweetly. She had no option as she was wearing her pyjamas of politeness. She felt a strong urge to go and change out of them and put something else on, but it was nearly bed time and she didn’t want to have to explain to Truella why she was getting changed again.
“What a funny mix up with those Cromwells, eh,” Truella said conversationally, after wrapping the sharing shawl round her shoulders. “You must tell me ALL about Oliver. Did it all start with the postcards like me and Thomas?”
Frella groaned inwardly, but continued to smile patiently. “Er no, actually it was that mirror in the camphor chest. Here,” she said, handing Truella the slippers of sleepiness, “Keep your feet warm.”
“You’re so kind,” Truella said, yawning. “You can tell me all about Oliver tomorrow, I’m off to bed.”
As soon as she was alone, Frella pulled off her pyjamas, rolled them into a bundle of blunder, and threw them across the room. The bundle knocked the mirror off the Queen Anne pie crust end table, which landed at her feet, shimmering like mother of pearl. Frella looked down in horror at the face in the mirror looking up at her. She was wearing nothing but socks of shame.
In reply to: The Incense of the Quadrivium’s Mystiques
The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable. The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.
“Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”
“There be no boatman by that name on the masters barge, lad. Are you speaking my language?” replied boatman Rafe.
“Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”
“Aye, I can tell you that. He’s asleep in the barge.”
“Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”
“Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about. Being in two places at once was becoming difficult to conceal. He would have to employ a man of concealment to cover for him while he was in Malove’s body.
I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me. That will be all.”
“Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”
“Whatever you say, master, just tell me where it is.”
“Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.
While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.
A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals. Cromwell made a mental note to streamline the future coven with more efficient simple magic.
“Take all your clothes off, Rafe.” Astonished, the boatman removed his hat and his cloak. Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours. Get out of the boat and go and find somewhere under a bush to hide until I come back. I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”
Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest. He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold. God save us all, he whispered, knowing that God wouldn’t.
In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves. I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.
“Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one. There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”
“The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.
Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.
“Some dry ones would be nice,” Truella admitted.
“It’s not that your clothes are too wet,” he replied, frowning. He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear? They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.
Lord Thomas Cromwell cast another eye over Truella. She was a similar build to Anne of Chives.
“If you think I’m dressing up as one of Henry’s wives…”
Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one. No need for her to be the death of both of us.”
“Look, just drop me off in Limerick on the way home, it’s barely out of your way. It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”
Cromwell gave her an approving look and agreed to her idea. Within a split second they were in Ireland, but Cromwell was in for a surprise.
“Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”
Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment. “You! Fancy seeing YOU here! Uncle Thomas!”
In reply to: The Incense of the Quadrivium’s Mystiques
After leaving the clamour of her fellow witches behind, Frella took a moment to ground herself after the whirlwind of ideas and plans discussed during their meeting.
As she walked home, her thoughts drifted back to Herma’s cottage. The treasure trove of curiosities in the camphor chest had captivated her imagination, but the trips had grown tiresome, each journey stretching her time and energy. Instead, she gathered a few items to keep at her own cottage—an ever growing collection of mysterious postcards, a brass spyglass, some aged papers hinting at forgotten histories, and of course, the mirror. Each object hummed with potential, calling to her in quiet moments, urging her to dig deeper.
The treasures from Herma’s chest were scattered across her kitchen table; each object felt like a piece of a larger puzzle, and she was determined to fit them together.
As Frella settled into a chair, she felt a sudden urge to inspect the mirror; the thought of its secrets sent a thrill through her, albeit tinged with trepidation.
It was exquisite, its opalescent sheen casting soft reflections across the room. She held it up to the light, watching colours shift within the glass, swirling like a living entity.
“What do you wish to show me this time?” she whispered.
As she gazed into the mirror, her reflection blurred, and she felt a pull—a connection to the past. Images began to form, and Frella found herself once more staring at the same elderly woman, her silver hair wild and glistening.
As the vision settled around her, Frella felt the air shimmer with energy, and the scene began to shift again. She focused intently, eager to grasp every detail.
Oliver Cromwell sat at a grand wooden desk piled high with scrolls and papers, his quill poised in his hand and brow furrowed in concentration. The room bustled with activity—servants hurried to and fro, and shrill laughter floated in from outside, where a gathering seemed to be taking place.
“By the King’s beard, where is the ink?” Cromwell muttered, his voice a deep rumble. With a flourish, he dipped the quill into a small inkwell that looked suspiciously like it had been made from a goat’s hoof.
With great care, he began to write on a piece of parchment. The ornate script flowed from his quill, remarkably elegant despite the chaos around him.
“To my dearest friend,” he wrote, brow twitching with the effort of being both eloquent and succinct. “I trust this missive finds you well, though your ears may be ringing from the ruckus outside. We’ve recently triumphed over the King, and while my duties as Lord Protector keep me occupied, I have stolen a moment to compose this note.”
He paused, casting a wary glance around the room as if expecting eavesdroppers. “I must admit, I have developed a curious fondness for a young lady who claims she can commune with spirits. I suspect she may know a thing or two about the secret lives of witches. If you find yourself in town, perhaps we could investigate together? Bring wine. And if you can manage it, a decent snack. One can hardly strategise on an empty stomach.”
Cromwell’s mouth twitched into a wry smile as he added, “P.S. If you happen to encounter Seraphina, do inform her that I’ll return her mirror just as soon as I’m done with my… experiments. I fear she may not appreciate the ‘creative applications’ I’ve discovered for it.”
With a sigh of resignation, he sealed the parchment with an ornate wax stamp shaped like a owl. “Now, where did I see that errant messenger?” he grumbled, scanning the room irritably.
Frella placed the mirror gently back on the table, her heart pounding. She needed to unravel the mysteries linking her to Seraphina and Cromwell. The time for discovery was upon her, and with each passing moment, she felt the call of her ancestors echoing through the very fabric of her being.
But could she untangle the mystery before her fellow witches set off on yet another ill-fated adventure? She would have to make haste.
In reply to: The Incense of the Quadrivium’s Mystiques
When Eris called for an urgent meeting, Malové nearly canceled. She had her own pressing concerns and little patience for the usual parade of complaints or flimsy excuses about unmet goals from her staff. Yet, feeling the weight of her own stress, she was drawn to the idea of venting a bit—and Truella or Jeezel often made for her preferred targets. Frella, though reserved, always performed consistently, leaving little room for critique. And Eris… well, Eris was always methodical, never using the word “urgent” lightly. Every meeting she arranged was meticulously planned and efficiently run, making the unexpected urgency of this gathering all the more intriguing to Malové.
Curiosity, more than duty, ultimately compelled her to step into the meeting room five minutes early. She tensed as she saw the draped dark fabrics, flickering lights, forlorn pumpkins, and the predictable stuffed creatures scattered haphazardly around. There was no mistaking the culprit behind this gaudy display and the careless use of sacred symbols.
“Speak of the devil…” she muttered as Jeezel emerged from behind a curtain, squeezed into a gown a bit too tight for her own good and wearing a witch’s hat adorned with mystical symbols and pheasant feathers. “Well, you’ve certainly outdone yourself with the meeting room,” Malové said with a subtle tone that could easily be mistaken for admiration.
Jeezel’s face lit up with joy. “Trick or treat!” she exclaimed, barely able to contain her excitement.
“What?” Malové’s eyebrows arched.
“Well, you’re supposed to say it!” Jeezel beamed. “Then I can show you the table with my carefully handcrafted Halloween treats.” She led Malové to a table heaving with treats and cauldrons bubbling with mystical mist.
Malové felt a wave of nausea at the sight of the dramatically overdone spread, brimming with sweets in unnaturally vibrant colors. “Where are the others?” she asked, pressing her lips together. “I thought this was supposed to be a meeting, not… whatever this is.”
“They should arrive shortly,” said Jeezel, gesturing grandly. “Just take your seat.”
Malové’s eyes fell on the chairs, and she stifled a sigh. Each swivel chair had been transformed into a mock throne, draped in rich, faux velvet covers of midnight blue and deep burgundy. Golden tassels dangled from the edges, and oversized, ornate backrests loomed high, adorned with intricate patterns that appeared to be hastily hand-painted in metallic hues. The armrests were festooned with faux jewels and sequins that caught the flickering light, giving the impression of a royal seat… if the royal in question had questionable taste. The final touch was a small, crowned cushion placed in the center of each seat, as if daring the occupants to take their place in this theatrical rendition of a court meeting.
When she noticed the small cards in front of each chair, neatly displaying her name and the names of her coven’s witches, Malové’s brow furrowed. So, seats had been assigned. Instinctively, her eyes darted around the room, scanning for hidden tricks or sutble charms embedded in the decor. One could never be too cautious, even among her own coven—time had taught her that lesson all too often, and not always to her liking.
Symbols, runes, sigils—even some impressively powerful ones—where scattered thoughtfully around the room. Yet none of them aligned into any coherent pattern or served any purpose beyond mild relaxation or mental clarity. Malové couldn’t help but recognize the subtlety of Jeezel’s craft. This was the work of someone who, beyond decorum, understood restraint and intention, not an amateur cobbling together spells pulled from the internet. Even her own protective amulets, attuned to detect any trace of harm, remained quiet, confirming that nothing in the room, except for those treats, posed a threat.
As the gentle aroma of burning sage and peppermint reached her nose, and Jeezel placed a hat remarkably similar to her own onto Malové’s head, the Head Witch felt herself unexpectedly beginning to relax, her initial tension and worries melting away. To her own surprise, she found herself softening to the atmosphere and, dare she admit, actually beginning to enjoy the gathering.
In reply to: The Incense of the Quadrivium’s Mystiques
“If you’re planning on having a baby, you’d better use those droplets fast. That silvery glow? It’s already decaying,” said Jeezel, meticulously selecting twelve golden pheasant feathers from the pile in front of her. She inspected each one carefully, choosing only the finest, most vibrant feathers, free from even the slightest flaw.
Truella snorted. “I’m well aware of the effects of time on matter,” she replied, shifting back in her swivel chair. “I am, after all, an experienced amateur archaeologist. Take a look at this.” She held her hand up closer to the camera, fingers spread.
“I’m not sure what your dirty fingernails are supposed to prove,” said Jeezel, arranging her selected feathers into a fan shape. “That they’re overdue for a manicure? Natural decay has nothing to do with time travel side effects, as you’d know if you watched my YouTube series on the subject.”
“We know all about your videos,” said Eris quickly, stepping in before Jeezel could launch into one of her infamous lectures on the dangers of time travel as seen by her Gran, Linda Pol. “I’m sure those droplets can still be useful in our spell. Cromwell had to navigate treacherous political waters with an impeccable grasp of strategy, manipulation, and the darker facets of power. Those droplets could act as a metaphysical catalyst, adding depth and purpose to the spell.”
“Exactly,” said Truella, tilting her chin up proudly. “A proactive hunch on my part.”
“I get the metaphysical catalyst bit,” said Frella, “but won’t those darker facets blow up in our faces? I mean, wasn’t Cromwell a master of secrets and deception? In the rudest way possible, if you ask me.”
“He could be gentle, too,” Truella murmured, blushing slightly.
“And that’s not even mentioning the spell’s potential to tap into the collective memory of his era,” added Jeezel. “And ‘rude’ isn’t how I’d describe his atrocities and ruthlessness. I covered that in detail in the video series…”
“We know,” Eris cut in. “That’s why we need to craft this spell with precision and include safeguards. Are the fans ready?”
“All set,” said Jeezel, her eyes sparkling with pride as she held up the four finished fans. “One for each of us, crafted with care and magic. They’ll clear the space, sweep away falsehoods, and purge any misleading energies. With these, only pure, unfiltered truth will emerge.”
“I’ll bring the Mystic Mirror I found in that old camphor chest,” said Frella. “Its surface shimmers and reflects the hidden truth of the soul.”
“And I have my unusual but eminently practical container—containing Cromwell’s droplets,” Truella chimed in, holding it up.
“Perfect. Then it’s settled. I’ll send Malove a meeting invitation for tonight,” said Eris, leaning in with a knowing smile. “You all know the place.”
- November 2024 (Reunion):
