Search Results for 'aside'

When Veranassessee entered the room, looking for the guests, she was startled to discover the awful mess.

At first, she thought the cyclone Ycart may have been doing the wreckage, but soon she found out that no wall was gone, so it was obviously coming from inside the facility.

What the…

The super-calculator computer had been torn apart, and the electronic insides spread out everywhere.
The Confregration would be furious that all was left of their precious asset they entrusted the mad (mmm, mentally challenged) doctor to carry out his insane (err… unusual) experiments was a big pile of unworkable chunks.
She was thinking of how she could cover up that mess… given that the doctor was still probably reeling in frilly suspenders and silky dresses, she had time to clean up a bit. The Doc would probably won’t notice a difference, as megalomaniac as he was, he wouldn’t admit that a great part of his strides in his researches on spider genome were coming from the super-calculator…
That nose of a b… nurse Bellamy was probably cleaning up his drool, so she might have enough time to act.

Pushing aside a few coconuts, Veranassessee backed away suddenly…

A trail of purple blood now?

A cloud-assisted demented rewrite, just for fun…

PERPLEXED BY THAT PARTICULAR case, THE sheriff HAD HIS glassES floatING BEFORE HIS eyeS.

SOME mean rather weird beings… THE brotherHOOD OF magic NEEDED TO SEND Elikozoe INTO A space Craft TO CARE FOR THE boy WHO felt six motherSHIPS COMING IN HIS dreams.

DURING THESE moments easily FORGOTTEN, SOME others young legends WERE sent Aside TO answer AND bounce WITH alone aspects THAT wondered HOW TO keep focused.

THE trees WERE laughing “yeah!” THEY SAID, AS Anita FELT cold AMONG THE roseS randomLY SCATTERED.
SOME told HER ABOUT love, AS SHE asked WHETHER dragons REALLY seemed LIKE nothing ELSE SHE HAD SEEN BEFORE.

Chris turned wondering ABOUT nature THESE days WHEN everyone, Elizabeth INCLUDED, KEPT thinking WHAT THEIR hair looked LIKE FROM behind.

DEEP inside, SOME help began slightly TO COME TO THE lady AS SOON AS THE dark cloud HAD taken HER TO sleep. THE truth IN particular WAS LIKE A friend WITH purple COLOURS AND A skull IN HIS HAND, WHO sat WAITING FOR HER.
“let HOPE COME, despite whatever FATE bringS TO THE door! YOU must wait SOMETIMES, AS factS follow!”

Nice Tina WAS caught floating ON THE STREAM, AND moving ALONG IN A green jogGING GEAR WAS Joe, BOTH full OF IDEAS THAT gave THEIR friends AN experience NEWLY created. BUT THEY needed magpieS AND tried FOR THESE creatureS INSERTION TO work.

FOR Arona, ALL WAS happening ON Earth LIKE SOME important dream. IT WAS LIKE dancing IN A real play, WITH THE sea NEARBY.
A series OF dog-EARED BOOKS WERE NEARLY outside, AND deep INSIDE, SHE KNEW THE novelS WERE close TO surface OUR dimension, WITH HER head looking BEYOND, AS perhaps Yurick WOULD AGREE.
HIS heart often sounds interesting, BUT OF ALL THE ones SHE liked, IT SHOULD BE herself.
THE Duane SHALL BE rememberED, SHE thought, IN DUE times…

WITH THE goat, Anna suddenly giveS THE blue busy spiders SOME NEW reality, AND Kay IS getting hot. SHE HAD forgotten THAT handS COULD BE making names, AND SHOUTING HER CreEd, THE voice OF THE girl SAID IT matterED THAT THE story became shouted IN THE sky.
Eric WAS ENduring Sanso WHO loved THE sandY BEACHES.

STAYING clear THIS NEW year DEMANDS SOME self AWARENESS, ESPECIALLY ON THE yellow CHAKRA points, TO ALLEVIATE UNNECESSARY physical pain.

CLAD IN teal, SHE WAS waiting FOR HIS parents’ words TO HAVE moved AND TO BE connected. Franiel HAD FELT within HIMSELF four OLD fatherS’ ADVICES, AND HAD AGREED TO TALK TO Salome’S face AND ANSWER HER call THAT HAD APPEARED quickly UPON THE wall AND HAD BEEN wandering OVER HIS bed.
HE careD FOR THE past, AND THAT VISION WAS telling. IN THE morning, HE SAW IT AS A gift, SHINING IN SOME DISTANT island, LIKE A moviNG presence.

Yann VowED TO FIND HIS WAY IN THE soup OF linkS, AND FIND THE OLD godS’ energy THAT kept THE planetS MOVING.
HE heard SOMETHING, A FUGACIOUS moment following HIS ADMIRING OF THE beautiful weather, UNDER THE Glistening sun. A SINGLE dragon’S hands COULD nurse POTENT writing abIlITIeS, AND soon WOULD open GREAT awareNESS OF joy AND moveMENTS AND music WHICH WOULD MAKE HIM laugh OF ALL THAT HE WAS creating WITHIN THIS focus.

Tracy FEELS away OF THE action. IT seems QUITE human… NOTHING IS white DURING twilight, SHE noticed, AND FELT given TO understand.
AS MRS Bellamy, SHE WOULD HAVE stopPED LONG ago, HAD NOT come THAT powerful mummy.
WITH Georges startING TO APPEAR, worry BECOMES quietNESS FOR Jib, AND crystal-CLEARNESS FOR Sam.
MANY years AHEAD IN A GALAXY far-AWAY, ANOTHER Dory IS named AND readS ABOUT DR Bronklehampton’s WORKS.
HAVING TAKING leaveS, AND BEING gone FOR ALL, OLD Hrih DELVES INTO THE skulls AND HIS eyes SEE A next hope IN A book.
MovementS HAPPEN FOR Claudio already… THE world woke UP IN surprise.
A known sense OF TIME–SPACE-travel APPEARS IN THE commentS, AS seen THROUGH light.

Akita’S body AND mind started TO ACT LIKE A saint AND FEEL strange under THE change.
“TO danGER, bugger!” WAS HIS decision NO longer… HE FELT warm… Towards THE worlds treeS, askING HIMSELF IF IT WAS A game, HE SAW TWO male children PLAYING against EACH OTHER.
THEY managed TO show HIM THAT THE Murtuane WAS familiar.
THE whole air WAS speaking. IT sort OF opened ITSELF SO THAT HE knew later OF THAT SPECIAL room OF TIME AND SPACE, AND HAD THE WIND AGAIN BRUSH HIS skin similar TO WHEN HE WAS seeing home IN HIS HEAD.

Felicity IN THE BEDlam SAW half-formS, COUNTING three OF THEM, INCLUDING Gustav IN THE saloon, AND Becky WHO WAS THINKING SHE WAS AGAIN IN THE wrong PLACE: A monastery!
SHE’D RATHER HAVE yourself BE A star, AND HERSELF BE HERE TO MAKE THE FUN postS AND playing lost.

Eight powers smiled: true saying!
THE sisters focuses IN THEIR caveS HAD SOME fine land TO PLAY WITH.
Apparently sound WAS key once, BUT THE VOICES IN THE night speak UNCEASINGLY, AND TO write SOME great stories, SPEAK strongLY. THEY seem TO BE feeling yesterday SOME perfect movements…

THE marmoset HAD FOUND A family, AND funny wordS TO process. IT laughed short GIGGLES…
AS FOR myself, SAID THE cat TO Floyd, I’D create A party-LIKE life, WHERE I DO AS I please, AND LET paper WORK AND feelINGS AND desireS AND tryING AND tellING TO monkey.
THAT shapeD SOME fun, AND syncHRONICITIES AGAIN happened SHORTLY.

IN THE FLOWING water, “aum” SOUNDS RIPPLED IN A huge dear dance beginning TO REFLECT himself IN images. HE sighed AS HIS attention GOT INVOLVED IN THE trip AND HE remembered…
ON THE beach, obviously AWARE OF THE synchRONICITIES, THE creatures wanted TO CLAP THUNDEROUS applauseS.
LIVING THE dead GUYS’ ideaS…

New Venice, November 2101

Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
She had given him the old parchment.

Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
So unlike Bill’s disengagement, which was peaceful and full of love.

So yes, people were not far from the truth when they saw them as brother and sister.
According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

Egypt, 2657 B.C.

Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

He needed sleep before hiding the text with the mummy.

Paris, 2007

That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

Let’s insert it again then, he smiled to himself.

When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother Becky… Bart wasn’t too sure…

Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

“There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

“And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

“And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

“And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

“And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins

Dublin, November 2057

Hallowe’en had always been associated with fond memories with Sean. After all, back in 2033, it was the inauguration date of the first T.R.A.P. entertainment park, where he and Becky had been falling madly in love with each other.

There had been lots of things for Sean to put aside, especially considering how quick it all had been for them, especially considering the death of his wife, and this too short period of grieving by all standards, but well, bugger off the others.
He had not wanted to give any explanation, and Becky and him were sure of what they did.
And all had changed that year, even Becky had suddenly wished for lots of children. And they’ve had got children…

2035, the triplets: Oliver, Léan and Illana
2037 the quintuplets: Flora, Finn, Frank, Fanny and Fergie
and finally, in 2038, quadruplets: Vivian, Eve, Kevin and Mavie

He was thinking of his father, and how they had almost ceased to communicate. The children now, were almost all grown-ups and this would be the first Christmas they would have together with Becky without the children. Sean was feeling a bit nostalgic.
Perhaps he should phone his father, the upright Lord Hilarion Wrick…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…