The legend of The Weaving Princess

Once upon a time, in the Warring Kingdom of Landgurdy, lived the Yellow Princess Atiara. She was living with her father, the Yellow King of Landgurdy in the Subtle Palace of Aram Ardun, the capital.

The day of Her 20 ^th birthday was a very special day. As for any normal citizen of the Warring Kindgom, it was the day She fully became an adult. And furthermore, it was the day of Her wedding with the man to whom she was betrothed the day of her 12 ^th birthday, Prince Shomar At Gurna from the War Clan Gurna Drom.

The Yellow King had organized a sumptuous banquet in the Palace, and although the people of Landgurdy was not invited in the Palace, many banquets had been set all around the country. Only the War Clanners of Landgurdy were to be admitted in Her presence in this most special day.

At the very moment of the blessing by the Priest of Tatasi, the slaughter had already been perpetrated. The treacherous War Clanner Namad Gurdin had made an agreement with the Warring Kingdom of Cromash Tur. One of them had been replaced by the Assassin Varad Romash Karad Din, Master of this infamous Guild. Cromash Tur had sworn that very day would be the end of the Landgurdy. And it was. Many had tried to unfold the mystery of the sudden death of all the War Clanners and the Nobles present at that moment. The fact is that they were all found dead by the servants who were intrigued by the silence following the blessing… No wound, no trace of poison. The death of all these people remains a mystery.

Though, two were missing. The Assassin, and the Yellow Princess.

Cromash Tur’s army invaded the Landgurdy shortly after that… No resistance encountered, no more War Clanners to assure the safety of the land.

Though Cromash Tur’s Warlord always denied having captured the Yellow Princess, she was supposed held captive in an unknown shadowy place of the Marshes of Doom.

The Death Guards were keeping an eye on her, and every cloth, every dish, every book that was given to her was meticulously checked. Nothing was to bear the slightest trace of yellow. According to the legend, her family was famous with their use of this magic color, one of their most powerful talent was the control of the weather pattern, and the King of Cromash Tur feared strongly she would use her power to destroy his Kingdom if She could see a yellow dot.

The Marshes of Doom were so grey and shadowy, she could never see any trace of yellow there.

(to be continued)

— The legend of Mævel — (Part III)

When the blue fox had disappeared, deep into the woods, Mævel was left wondering if all of that had only been a dream. Perhaps it was just a dream, and something that would make her parents raise their shoulders in dismay.
Especially since she had lost their gift carelessly they would say, the little pearl white ribbon…

She picked up the clothes that were left hanging to dry up in the wind, and came back to the little house.

Of course, her father Jorg noticed that she was not wearing the ribbon, but he was not much of a question asker, and things were or were not, and analyzing them was unnecessary for him. But of course, Ilga noticed it too, and she felt sad for poor Jorg who had endured so many sacrifices to buy the little ribbon that Mævel was no longer wearing. She wanted an explanation! Was it no longer to Mævel’s tastes, had Mævel lost it?

So Mævel, who could not lie to anybody, told them her encounter with Blohmrik, the cursed god in the woods, in the shape of a wounded blue fox… and at each of her words, was seeing their faces more and more disconcerted.
Their poor girl, who was already so different, had completely lost it,… ribbon and all that was left of common sense in her.

So they locked her up in the bedroom, that she was now occupying alone, as all of her brothers and sisters had left. Just to save her from herself, and see if that would help her gain some more solid sense of reality.

Mævel understood her parents, but she was deeply contrite that they could not understand what she had lived. Mævel was still doubting the reality of her meeting the blue fox, so she asked for some sign from the Gods before going to sleep, to see clearly.

That night, Mævel dreamt of a dark-haired young man with a white diadem¹ around his head, dressed in a cerulean blue tunic and wearing a sword. He was enshrouded in a warm light and as she took the hand he was extending, they were carried away by a springing scented wind into a meadow of multicoloured flowers, some of which she had not even known could exist. She had felt at home.
When she woke up, in the middle of the night, Mævel was transfixed by the beautiful soothing dream. She could not remember much more, but he had told her something. That there was deep magic in her, and it would help her find her true home, but that she would have to gain back her true name from the Elder God who had took it from her.

She quickly took her decision. She knew she had to search for the blue fox in the forest. But how could she escape the locked bedroom? She was starting to feel desperate again, but she remembered that there was some magic in her, and how she had felt it deeply true in her dream.
As she was focusing on the warm expanding feeling of her dream, an old rusty key materialized in her hand.

—

¹ diadem: [ ˈdī-ə-ˌdem (dəm) ] from Greek diadēma, from diadein to bind around; akin to Sanskrit dāman rope — was originally a white ribbon, ending in a knot and two strips that were placed often on the shoulders, that surrounded the head of the king to denote his authority.

New Venice, year 2101

In the waiting hall, Bart was pacing the floor recklessly. They were having their first baby, but the doctors had hushed him out, because there were some complications…
All he could do was wait.
They were one of the first couple to have tested the new program that allowed same-sex couples to procreate without requiring the assistance of a third-party so to speak. In fact, it had been hypothesized to be possible a long time ago already. Well, theoretically… because the most challenging part had been to bring acceptance to the people, as the old beliefs were still alive in a few moribund activist groups. But what,… nature was doing even more exotic things in the realm of creatures…

Now he was thinking of Oscar, who had chosen to be the bearer of the child —a girl that would be… will be, mentally corrected Bart to himself. Funny thing about genetics was that male-male couples could have either girls or boys, but female-female couples could only have girls. Only because the male “Y” chromosome was carried by men.
It had been a painstakingly long subject of discussion among scientists and philosophers as to the unbalance it would create, but well, for the time being, it was the chosen design for our human natures.
As long as new ways of bypassing this restriction had not been invented, better enjoy it than stretching one’s mind around it.

Looking at the window which showed the stilted structures above the waters, Bart was thinking how it was all an incredible story… What were the probabilities for that to happen?
Bart couldn’t help but feel grateful for all of his blessings.

At the same moment, the big breasted nurse appeared at the door crying with a large smile “it’s a healthy girl!”
Bart burst into the room.

They had already decided how she would be called. Midora, they had agreed.

When he entered, Oscar Wrick’s young face was tired and sprinkled with beads of perspiration, but he had the happiest look on his face. He was still feeling a bit self-conscious about the changes the pregnancy had generated in his body, but for now he was all absorbed by the little breathing thing resting in his arms.

After a warm embrace, Bartholomew Jobsworth thought that he should spread the good news to the family, at least to his mother, dear sparkling Indy and Bart’s parents, Eugenia and Cuthbert. He also had felt the presence of his Dad, Bill, during his wait and was deeply thankful for all of their support.

Hehehe, Textile is the name of the markup language used to add some easy peasy magical formatting to beautify your texts

*some* _easy_ +peasy+ magical formatting

October 21 ^st

What’s the use of a new-born baby?

An interesting reflection is prompted by Armelle about the need to understand things for some of our focuses.

« I can do whatever I like with your Stories, give them any Meaning I want. It doesn’t matter… » (Armelle)
« Of course! that is the Magic of it » (Rafaela)
« And we can see them as Seeds. You don’t need to understand how Seeds work to have them grow » (Yuki)
« Yes, in a wild Wilderness. A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« A modicum of Cooperation but largely total Freedom to make what you Want » (Rafaela)
« It’s a repository of Energy Seeds » (Yuki)
« A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« Yes, that too! Or,… an Eden Garden, with a hovering scaly stinky beast . May it be either an English, Chinese or French Garden, whatever pleases your tastes… » (Yuki)

— The legend of Mævel — (Part II)

The young fairy princess, whose secret name had been forgotten, and thus her very existence to whoever had known her, grew up as a beautiful child.
Mævel she was, and the youngest of the clan too. Her delicate features stood out of the many children that Jorg and Ilga, her human parents already had, and they first saw her as probably their most useless child, being frail and unfit to the works of the woods. But she’d been saved from a sure death, and that had proved to them that the child was some odd gift from the Gods.

Mævel looking at her brothers and sisters, was constantly reminded of how different she was, as small and fair and fragile as a sparfly’s egg. She helped her mother Ilga as much as she could in the kitchen, preparing meals for the clan. Her parents did not know how she could ever get a husband, as she would never be much of a great cook either.
So, she was feeling not fulfilled by what she was doing. She loved her parents, and sisters, and brothers, but there was something else that she did not know how to express.
During the springing and sunny seasons, and even the rainy and icy one, she would go after her works had been done to the little meadow brook, and watch for hours the little rosy trouts dancing in the clear waters.

And much of her young years passed, and she learned how to cook, how to sew and how to wash clothes and many other tasks that could help the family. She had improved much in her skills and could do wonderful adornments to her sisters and brothers clothes. But noone cared about the adornments, which would be useless for them. But they loved their little sister nonetheless, though they did not understand.
Soon, all the elder brothers left the house, one by one, and the sisters too. And as Mævel turned twenty one, she was left alone with old Jorg and old Ilga.

That day, her parents had offered her a pearl white ribbon, for her to tie her hair, and they had thought it would probably please her, as it was as useless a thing as their mind could imagine. And indeed she was delighted by the gift, and to please her parents, she had danced and sung in the night, barefooted on the floorboard, her shiny golden hair swirling around her, as they both loved her to do.

The next day, Mævel went to the brook to wash some clothes, when she noticed a reddish bluish spark of light coming from the forest nearby. How strange she thought. Perhaps it is only my imagination. But soon, a plaintiff cry came from the same direction, and she was deeply moved by the cry.
Leaving her clothes to dry up, she went to the forest, knowing she could trust her instincts and that no wild beast would harm her. Calling to see if someone was there, a voice called her, crying “here, here!”

Behind some fern trees, she was surprised as she saw a wounded blue fox. Was it the fox that had spoken?
— Yes, that was me, answered the blue fox
— Oh, a talking fox! You are wounded, aren’t you? asked Mævel
— Yes, a stupid arrow from a stupid hunter… I can’t extract it, would you help me?
— Of course, answered Mævel, hold on a second.

And she leaned forward to draw the arrow from the fox’s leg, holding fast so that it would not hurt the creature. She was just knowing what to do, as if she had done it many times already. Then she drew out her white handkerchief, and bandaged the bleeding wound, tying it tightly with her pearl white ribbon.

— I must leave now, said the fox, I am greatly indebted to you, young lady
— Will you tell me your name?
— I am called Blohmrik. And may I inquire as to your name?
— I’m called Mævel, but you can call me Mæ
— Such a lovely name…
— How come you are a talking fox?
— I was not always in the form that you see now. This form is due to a curse from the God of the Forgotten, from which I foolishly tried to stole secrets when I was a young god learning magic.
— Ooh, so you are a god? Mævel was amazed
— Oh, smiled sadly the fox, as you are also, though you probably don’t realize. Gods are not so different than what you think…
— Oh, really? So there isn’t anything I can do for you, is there?
— You have already done much for today Mæ
Mævel was blushing… She dared ask to her new friend
— And will I see you again?
— Perhaps sooner than you know.

Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.

ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.

Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

Let’s insert the Shift, now.

And let the fun continue, and worry wither away.

Well, and what’s that Shift all about?

Quintin’s friends Michaela and Elias had said about it :

“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” ¹

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.