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Hehehe, Textile is the name of the markup language used to add some easy peasy magical formatting to beautify your texts

*some* _easy_ +peasy+ magical formatting

October 21 ^st

What’s the use of a new-born baby?

An interesting reflection is prompted by Armelle about the need to understand things for some of our focuses.

« I can do whatever I like with your Stories, give them any Meaning I want. It doesn’t matter… » (Armelle)
« Of course! that is the Magic of it » (Rafaela)
« And we can see them as Seeds. You don’t need to understand how Seeds work to have them grow » (Yuki)
« Yes, in a wild Wilderness. A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« A modicum of Cooperation but largely total Freedom to make what you Want » (Rafaela)
« It’s a repository of Energy Seeds » (Yuki)
« A weedy, overgrown, yet mysteriously lovely Wilderness » (Armelle)
« Yes, that too! Or,… an Eden Garden, with a hovering scaly stinky beast . May it be either an English, Chinese or French Garden, whatever pleases your tastes… » (Yuki)

— The legend of Mævel — (Part II)

The young fairy princess, whose secret name had been forgotten, and thus her very existence to whoever had known her, grew up as a beautiful child.
Mævel she was, and the youngest of the clan too. Her delicate features stood out of the many children that Jorg and Ilga, her human parents already had, and they first saw her as probably their most useless child, being frail and unfit to the works of the woods. But she’d been saved from a sure death, and that had proved to them that the child was some odd gift from the Gods.

Mævel looking at her brothers and sisters, was constantly reminded of how different she was, as small and fair and fragile as a sparfly’s egg. She helped her mother Ilga as much as she could in the kitchen, preparing meals for the clan. Her parents did not know how she could ever get a husband, as she would never be much of a great cook either.
So, she was feeling not fulfilled by what she was doing. She loved her parents, and sisters, and brothers, but there was something else that she did not know how to express.
During the springing and sunny seasons, and even the rainy and icy one, she would go after her works had been done to the little meadow brook, and watch for hours the little rosy trouts dancing in the clear waters.

And much of her young years passed, and she learned how to cook, how to sew and how to wash clothes and many other tasks that could help the family. She had improved much in her skills and could do wonderful adornments to her sisters and brothers clothes. But noone cared about the adornments, which would be useless for them. But they loved their little sister nonetheless, though they did not understand.
Soon, all the elder brothers left the house, one by one, and the sisters too. And as Mævel turned twenty one, she was left alone with old Jorg and old Ilga.

That day, her parents had offered her a pearl white ribbon, for her to tie her hair, and they had thought it would probably please her, as it was as useless a thing as their mind could imagine. And indeed she was delighted by the gift, and to please her parents, she had danced and sung in the night, barefooted on the floorboard, her shiny golden hair swirling around her, as they both loved her to do.

The next day, Mævel went to the brook to wash some clothes, when she noticed a reddish bluish spark of light coming from the forest nearby. How strange she thought. Perhaps it is only my imagination. But soon, a plaintiff cry came from the same direction, and she was deeply moved by the cry.
Leaving her clothes to dry up, she went to the forest, knowing she could trust her instincts and that no wild beast would harm her. Calling to see if someone was there, a voice called her, crying “here, here!”

Behind some fern trees, she was surprised as she saw a wounded blue fox. Was it the fox that had spoken?
— Yes, that was me, answered the blue fox
— Oh, a talking fox! You are wounded, aren’t you? asked Mævel
— Yes, a stupid arrow from a stupid hunter… I can’t extract it, would you help me?
— Of course, answered Mævel, hold on a second.

And she leaned forward to draw the arrow from the fox’s leg, holding fast so that it would not hurt the creature. She was just knowing what to do, as if she had done it many times already. Then she drew out her white handkerchief, and bandaged the bleeding wound, tying it tightly with her pearl white ribbon.

— I must leave now, said the fox, I am greatly indebted to you, young lady
— Will you tell me your name?
— I am called Blohmrik. And may I inquire as to your name?
— I’m called Mævel, but you can call me Mæ
— Such a lovely name…
— How come you are a talking fox?
— I was not always in the form that you see now. This form is due to a curse from the God of the Forgotten, from which I foolishly tried to stole secrets when I was a young god learning magic.
— Ooh, so you are a god? Mævel was amazed
— Oh, smiled sadly the fox, as you are also, though you probably don’t realize. Gods are not so different than what you think…
— Oh, really? So there isn’t anything I can do for you, is there?
— You have already done much for today Mæ
Mævel was blushing… She dared ask to her new friend
— And will I see you again?
— Perhaps sooner than you know.

Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.

ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.

Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

Let’s insert the Shift, now.

And let the fun continue, and worry wither away.

Well, and what’s that Shift all about?

Quintin’s friends Michaela and Elias had said about it :

“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” ¹

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

Tomkin had a keen eye, and despite the dazzling light reflected on the calm glittering surface of the sea, he could see a little dark shape detaching itself from the three bigger forms, and that little dark shape was quickly identifiable as a bird.
Apparently the bird was not from these lands, it was black with white strips, or perhaps the contrary, and was flying like a grake drunk of having gorged on overripe Scotch bonnets.
Obviously the bird was exhausted, and crashed on the shore where it was nearly knocked out by the grogonuts which fell with big *thuds* from the grogonut tree on which it had just finished its erratic course.

Seeing the whole scene from the top of the fatly mossy cliff, Tomkin decided his curiosity was a much more pressing matter than taking care of the herd of grakes, so he ran to the little rocky path which led to the beach below.

Apparently the bird was still alive, and more surprising even, that was a talking bird. It could speak strange words.
And even stranger, though Tomkin knew none of these words, he could understand all of what the bird wanted to communicate to him.

What an odd thing, he wondered… The bird was requesting some food apparently.
Tomkin fumbled in his pocket for some bread crumbs, when the gift of the Captain fell on the sand.
Could it be?

Tomkin’s heart was racing. Could it be that there was magic after all in this strange simple gift? The Captain had said it meant all was connected. That could explain why he could understand that foreign bird… And perhaps it worked on other talking creatures and people too…
A whole realm of potentials seemed to open in front of young dreamy Tomkin, who was quickly brought down to more earthly matter when Rudy the myna pricked his hand with its beck for the bread crumbs, projecting to him “Give it to me! Give it to me!”.

— The legend of Mævel — (Part I)

as told by Cpt Bone to young Tomkin

In the time of the Gods, the King of the Fairies, Aldurion, fell in love with a beautiful mortal named Theÿa.
He wanted to make her his Queen but only the Elder Gods could bestow the gift of immortality upon mortals.
So he went to see Ghört, the God of the Airs. Ghört could certainly grant him what he requested, but for that, Theÿa would have to be transformed into an air sprite. Aldurion wouldn’t be able to hold her again. So he declined the offer, and went to see another Elder God.
Then, he went to see Nærvel, the Goddess of the Waters. But Nærvel could grant him immortality if Theÿa was to be transformed into a water sprite. So Aldurion declined again.
Then he went to see Agnima, the Goddess of the Flames, and then Selvaniel the God of the Woods, and Margilonia the Goddess of the Earths. But all of their conditions were the same, Theÿa would have to be transformed into an immaterial and immortal elemental fairy. But Aldurion couldn’t bear to have her changed into something else than she was.

Then, only one of the Elder Gods was left, the one than few of the Immortals dared talk to, and of whom most mortals were afraid, to the point of systematically using the Old Speech respectful form of address (“Shaint”), when referring to him.
So Aldurion came to see Lejüs, God of the Forgotten.
Lejüs was greatly pleased to see him. When Aldurion had finished exposing his request, Lejüs took a moment to ponder. Giving immortality was none of his wonts, as he was keeper of the Forgotten. But he was not without compassion, and seeing Aldurion’s plight, he offered to grant his wish at the condition that, not his wife, but their first born child, would become Forgotten.
Aldurion was so hopeful that all he saw was that the condition seemed so small, based on a future event that perhaps wouldn’t even happen… All he wanted was to have Theÿa as a Queen, and so the deal was made.

So became Theÿa Queen of the Fairies.

A few God’s Years later, which meant in human years much more than a few years, Theÿa became pregnant.
When she announced the news to Aldurion, he was suddenly reminded of the deal he had made with Lejüs, and was quite distraught, as he had not revealed it to Theÿa. But he remained quiet, hoping that Lejüs would have forgotten about the whole story (well, that was forgetting he was Keeper of the Forgotten).
So Theÿa gave birth to a little baby girl fairy, with golden wavy hair and bright eyes. She, like her mother, had no wings, but there was magic in her. They named her Araoni.

But Lejüs had not forgotten of course, and came to see the Royal couple to claim the baby. Aldurion pretended that the mother and baby was still very weak, and he would have to come back in a few God’s Days. Lejüs agreed, and left complaisantly.

Aldurion was at a loss for solutions, but Theÿa was a fairy with lots of ruse, so he decided to reveal it all to her, hoping that she would have a solution.
Theÿa asked him time to think about this, and told him not to worry.
Later, she had an idea, quite brilliant she thought. All she had to do was to find another child to give Lejüs.
So she gave baby Araoni to one of her diligent nurse, the old fairy Gretchÿa, telling her to find a house were a blond new born girl could be exchanged and proceed to the exchange of the babies.

So Gretchÿa went across the lands of the Worlds, but only in one home she could find a blond baby girl. The new-born baby girl was almost dying, as the parents were a careless couple of peasants, already plagued with many children, and they could not bother with children hesitating to live.
Gretchÿa was heart-broken when she did the exchange, promising to baby Araoni to get her back soon. The young human baby girl was weak and yet unnamed, and the old fairy nurse knew she would probably not live long, and be claimed by Shaint Lejüs. So all was good.

When Lejüs came back, he smiled as he saw the baby girl, and left with her without much more words for the Royal couple.
Lejüs smiled, for when he had taken the young baby, the parents had instantly forgotten about her, and so did everyone having ever known her…

The human parents, surprised to see the condition of their baby improving beyond all hope, named her Mævel, which meant marvel of Maÿ the month in which she was born.