Search Results for 'catch'

Sanso loved old maps, and was eager to help Vincentius spread the map out on the living room floor and have a closer look. It extended to a full 8 meters in length when it was rolled out, and Sanso and Vincentius had to kneel down and crawl over it to examine it. The map was like nothing they’d ever seen before, certainly it didn’t resemble the current state of the globe, although it had confusing similarities in places. Some of the names were familiar, but not in the usual locations, and there were some familiar land masses, but many were quite different.

Meanwhile, back in the kitchen: “Take the lid off and have a look inside” urged Janet.
“YOU take the lid off, what if the mouse runs over my hand?” said Pearl. “I know, let’s get Ed to do it.”

Janet and Pearl were cackling and bumping into each other, Pearl holding the teapot outstretched in front of her, and neither of them noticed Vincentius kneeling just inside the living room doorway, hidden behind his invisibility cloak.

Vincentius looked up but was unable to move in time. Pearl tumbled over his back and the teapot flew out of her hand. Vincentius managed to catch the teapot but the lid flew off and hurtled across the room, catching Sanso on the side of the head. Janet fell over Pearl and landed on Sanso, although of course she couldn’t see him, as he was wearing the invisibility cloak. Vincentius looked on in horror, clutching the teapot close to his stomach, upside down. Bee was able to slide down the spout, straight down into Vincentius’ shorts. Bee let out a long whistle. She wasn’t called Belle Endwhistle for nothing, after all.

Pearl sat up and rubbed her knee, wondering why Janet was hovering in mid air, and the tea pot was upside down and apparently defying gravity too. “Perhaps it wasn’t such a good idea to have a tea break after all”. She wasn’t able to see Arona and Mandrake rolling their eyes, hidden as they were beneath invisibility cloaks. Pearl wasn’t able to see Mari Fe either, as she was too small, and appeared as no more than a dog hair covered bit of chewed up toy goat leg on the floor.

“I’ll catch you up in a minute” said the green fairy, in between mouthfuls of bowler hat. “I’ve nearly finished. Pass me that can of Guinness will you, this hat’s awfully dry.”

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

Did you notice that, Pee? THE CODE HAS BEEN TAMPERED WITH AGAIN!

Isn’t it back to how it was in the first place, Doily? Pee scatched his, er, shoulders. (he couldn’t remember if he had his head with him or not)

NO! It bloody well isn’t, it’s a good jib I’m here with you, you’d have been hoodwinked just like the others. It’s MEANT to look like it’s as it was, but it isn’t, Doily said grimly.

What was it in the first place, then? asked Pee.

Buggered if I know, replied Doily, scratching her elbow.

“Well, I’m not eating bitter batter, even if it has got butter in it. I’m going out dancing, are you coming?”

“Dang it, yes! Let’s dance, darling, let’s dance! It’s a dandy day for dancing, I’m decidedly dapper today ~ and dashing and daring, dammit!”

“Come on then you cute cuddly chickpea, my carriage careers round the corner now, to catch you at the curb. Come, cherished chum, come cavorting with me!”

Unbeknown to the young Goldie, weeping at the Fluboat terminal in Gibbonsville….

(Ann had to laugh at the typo. She had just hard a joke about ‘catching swine flu’ being a code word for shagging a fat bird)

……there was another probable self of hers already at the Worserversity. Harvey Tater would recognise this other version of Goldie when he met her, and although he would be confused as to where she came from, or who she really was, or where he’d seen her before, he would sense a feeling of familiarity. By the same token, the Worserversity self of Goldie (who had been stolen by itinerant French potato pickers shortly after her birth, and renamed Pomme de L’Air) sensed the same feeling of recognition, but had no knowledge of her, er, roots, so to speak, or any of her other potatable selves.

“That perhaps is your task” Virginia was whispering in Ann’s ear”…to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist’s way…”

“Did you catch that, Walter? ‘Not spun out in the traditional lengthy continous way’ she’s saying.”

“…but condensed and synthesized in the poet’s way—that is what we look to you to do now.”

“I didn’t know you channeled Virginia Woolf, Ann,” replied Walter. “Doesn’t mean she is necesarily right, though, notwithstanding.”

“I didn’t say she was ‘absolutely right’, Walter. I’m just pointing out what’s right for me.”

Walter popped another anchovy stuffed olive into his mouth.

“The thing about continuity, Lavender” remarked Aspidistra “is that when it appears to be elusive or absent, it’s simply that most of the continuity is simply veiled from view.”

“Well how do you know it’s continuous then? If it’s veiled from view, how do you know that the continuity is there?”

“Trust, my dear, simply trust, and add to the continuity impulsively, spontaneously, and don’t worry about anyone elses glimpses of the continuity string.” Aspidistra added, somewhat patronizingly

“Oh like you do, you mean” retorted Lavender with a snort.

“I hope you’re not catching that Swine Flooh, dear” Aspidistra replied kindly, misinterpreting the snort.

“That would depend” Gordon replied “On whether you wish to create plain white functional cotton or an elaborate brocade tapestry. You may wish to create strong reliable durable corduroy with it’s dependable grooves, or something eye catching in contrasting black and white. Gossamer fine colours, or sturdy weaves, lace and beadwork, traditional designs, and new ones, always new ones, take your pick!”

“I’ve forgotten what it was I was choosing now, Gordon” replied Ann. “Pass the walnuts.”

Ann wasn’t altogether sure what Godfrey meant when he referred to her new interest in continuity. Ann had always been interested in connecting links, yes, of that there was no doubt, but with so very many connecting links, and so many possible strings of connecting links, with so many possible divergences into yet more strings of connecting links, Ann really couldn’t fathom how anyone could possibly keep track of all those threads of continuity. Even a seemingly discontinuous assortment of unconnected links, once connected into a nonsense thread, became another continuity string. Furthermore, Ann continued ~ in a continuous fashion ~ to ponder, if everything is connected, then what, in actuality, was all the fuss about continuity? What exactly then WAS this concept of continuity? It seemed to Ann to be more like a string of barbed wire, or one of those flimsy but effective electric wire fences, boxing in the free flow of continuity, so that the objectively perceived continuity stayed rigidly within the confines of the preconceived tale. The inner landscape knew no such boundaries, although admittedly the inner landscape was far too vast to map.

Ann smiled to herself as she imagined trying to push pins into various inner landscape locations, tying strings from one to another, in an effort to map and label the inner continuity connections. Of course she was imagining it in a visual manner, because it was hard to imagine all those connections and strings being invisible and not taking up any space, and before long Ann’s inner map of pins and strings quickly resembled a tangle of overcooked spaghetti, perilously speckled with sharp pointy pins.

The image of the glutinous tangle dotted with sharp shiny pointers led Ann off on another tangent, but it was a tangent that soon became utter nonsense. Or was it, she mused. Perhaps it was those symbolically sharp pointy bits that in fact pointed out the immense variety of potential other continuity threads to choose from. Indeed, it could easily be said that having one of her characters dumped in Siberia in the previous story, painful though it was, was not unlike being pricked by a pin amidst the tangle of sticky pasta, a brilliantly effective pointer towards unlimited new directions.

Whichever way she looked at it (and Ann was aware that she might have gone down a side string) she simply couldn’t comprehend how anyone on this side of the veil could possibly even begin to understand the ramifications of the concept of continuity at all. Or how there could ever conceivably be a lack of it.

What was really intriguing Ann at this particular juncture of the experimental exploration of the story was the concept of the World View Library. This wasn’t unconnected to the continuity issue, far from it, it was all tied in (Ann sniggered at the unintentional pun) and connected. There were any infinite amount of potential continuity threads leading from, say, one persons desire or intent, to a particular world view in the library.

AHA shouted Ann, who at that moment had an ‘aha’ moment. Pfft, it’s gone, she sighed moments later.

Ann tried to catch the wisp of an idea that had flitted through her awareness. She had a visual impression of the library, endlessly vast and marvellously grand, with countless blindfolded characters dashing through, grabbing random pages or sentences, bumping into each other, snatching at phrases willy nilly, dropping notes along the way, and racing back out again into the ether. A stray thought here, a picture there, a name or a date, all on separate bits of crumbled paper clutched in the sweaty palms of the blindfolded characters as they rushed headlong back to their own realities to proudly share the new clues. Like magpies they were, snatching at anything that glittered brightly enough.

“I thought you said they were blindfolded?” interrupted Franlise.

Ann ignored the interruption, and continued ~ in a continuous fashion ~ to ponder the imagery of the library.

What the undisciplined purloiners of random snatches didn’t notice on their pell-mell excursions into the library were the characters in the library who weren’t wearing blindfolds. They smiled down from the galleries, calmly watching from above the mayhem that the news of the unlimited library access had occasioned, chortling at the scenes of chaos below. They smiled indulgently, for they too had first visited the library blindfolded, snatching at this and that, and racing home again to inspect the booty; they too had fretted and pondered over the enigmas of the incomplete snippets. Eventually (or not, it was after all a choice), they had bravely removed the blindfolds, slowed the mad race into a sedate stroll through the library, opened their eyes and looked around, sure of the way back home now, and not in a desperate hurry to blast in, snatch anything, and run back home.

After awhile, they began to realize that all the enchanting glittering jewels scattered around to catch their eye would still be there later, there was no urgency to grab them all at once ~ although, as Ann reminded herself, that too was a choice ~ some may well choose to be eternally snatching at glittering jewels.

Ann frowned slightly and wondered if she’d lost the thread altogether, and then decided that it didn’t matter if she had.

It was a choice, therefore, to remove ones blindfold, and stroll through the library ~ a choice to perhaps choose a book, sit down at a polished oak table and open it, a choice to stay and read the book, rather than ripping out a page and dashing back home. That would be one choice of continuity, a coming together of strings.

Ann wondered whether that would then be called a cable, or a rope ~ well perhaps not a rope, she decided, that had other associations entirely ~ but a cable, yes, that had associations of reliable and regular communications. There were always strings of continuity, then, strings of connecting links, between anything and everything, but when one stopped dashing about clutching at the sparkley bits, one might form a cable.

Or not, of course. Thin strings of continuity and connections were not ‘less than’ thick cables of reliable and regular communications. It has to be said though, Ann reluctantly admitted, that thick cables often made more sense.

She decided to hit send before embarking on a pondering of the meaning of Sense.