Search Results for 'character'

“Al’s gone too far this time, Tina” Becky said, perusing the latest installment of the Reality Play. “He’s just adding old characters willy nilly now!”

Tina just looked at Becky for a moment before replying quietly, “Isn’t that the point?”

Gripping Tina’s shoulder firmly and giving her a little shake, Becky continued, “It’s getting serious, Tina, can’t you see the danger we’re in? Fictional characters are coming to life all over the planet, demanding birth certificates and passports and refugee status. Insisting on continuation, more detailed back stories; some are even demanding therapy for what the authors have put them through!”

Tina looked shocked. “Is it really as serious as that?” she asked. “I had heard about it, but, well, I didn’t like to think too much about it…” her voice trailed off, hoping that Becky would drop the subject so she didn’t have to think about it any more.

“It’s the Imagination Wave, Tina. We’ve never really understood Imagination or how to use it. During this wave, we’re going to find out, and it’s going to be messy, believe me! It’s not just the characters we’ve made up, it’s the land mass. Characters are looking for their lands, demanding compensation for missing islands…”

“What are we going to do?” Tina whispered dramatically. “We’ve been churning out characters and littering changed landscapes with them and then just leaving them stranded, for nine years!”

“And we can’t even get away from them all if we flew to Mars, either,” added Al, who had been eavesdropping from behind the door. He joined them and pulled up a chair. “Seriously, girls, we need a plan. This is our most important mission of all.”

“Should we kill them all off?” asked Becky, wincing as she said it. “I didn’t mean that!” she added hastily.

“Oh, you don’t want to do that!” Al replied quickly. “Some authors have done that and have been haunted by dead characters something awful! Dead characters are a worse nightmare than characters coming to life, believe me!”

“Well I didn’t really mean it,” Becky said sheepishly.

“Let’s ask Sam,” said Tina.

Aunt Idle:

The dog chased something behind the fridge. But it wasn’t a mouse. It looked more like a miniaturized story character.

The ever patient Finnley patted her shoulder kindly as she swept past holding a watering can. “Why not just make up some new characters dear, like you usually do?”

It had happened “once”, and it may “certainly” happen again, although “god” knows she wasn’t expecting it. One has to look “outside” periodically, especially if one endeavours to “grow”. There were times when there were comments “galore”, and characters like “bert” indulged in threadjumping ~ oh yes! indeed, there were times when it was a veritable “sea” of comments, rich with “symbol” and humour. Unexpected characters popped in , like “linda” (who the fuck is Linda, was the unspoken question on everyone’s minds), and rich with “half” assed, half hearted half measures to stay on track, much to “godfrey“s disgust. Far be it from me to “form” an opinion, Elizabeth said, foolishly: she “herself” hadn’t given a “fuck” for “months”, berating “self” for “breathing” life into the “character“s in the first place. Ah well, she did “enjoy” it at the time.

On a rainy “morning” a bored “lady” was day dreaming about an “ancient” tribe who sailed the “sea” of Tedium. She “sometimes” had the strangest “memories”, although if the truth be “told”, it was not “usual” for her to make up things just to gauge the “unexpected” reactions. The last time she had a “visit”, or a visitation if you prefer, she was at a loss to know what it “meant”, lack of inherent meaning notwithstanding. Better perhaps to “face” the facts: “irina” was a fictional character, “stuck” in the back pages of a “group” story; despite not lacking in “consciousness”, like “mater”, she has no “hand” in it (or so it was assumed). Better not look a gift “horse” in the mouth, they existed, even if nobody was “interested” in them anymore. It was, however, the best “kept” secret of all: Irina and Mater had arranged to meet for lunch and discuss a plan.

I don’t really want to write, Elizabeth was thinking, I want to read, just read. And perhaps write a little bit about what I’m reading, or draw a map to illustrate the connections between what I’m reading and what I’m doing. Or what all those others out there that pretend to not be me are doing.

She paused and looked around. Is there anything more perfect than a warm house, full of firewood and full of books? She had just read something about the “beast”, and welcoming the beast. The beast in question was illness, and the author was welcoming the beast because it was an excuse to just read and do nothing else. Elizabeth’s beast the other day was no internet connection, and she had pulled the sofa up to the patio doors to lie in the sun all day, just reading. I’ll lie there every morning, when the sun streams in just so, lying on the sofa and just reading, she thought. But she hadn’t.

But she kept thinking about lying on a sofa reading all day, not just any sofa, but a sofa that was positioned to catch the winter sun through the window. It reminded her of many years ago in a cold climate, (or was it a chapter in a book, a character that had done it? She wasn’t sure, but what was the difference anyway) lying on a sofa all day, a large American one that was longer than she was and wider too and would have had room for several dogs, if she’d had any then, not a short European sofa that cuts off the circulation of the calves that hang over the arm, with no room for dogs. She was sick, she assumed, because she had the house to herself and because she spent the entire day reading a book. She wondered if anyone did that even if they weren’t sick, and somehow doubted it. The book was Bonjour Tristesse, and she never forgot reading that book, although she promptly forgot what the book was about. It was the delicious feeling of lying on a sofa with the winter sun on her face, when beyond the glass window all was frigid and challenging and made the body rigid, despite it’s dazzling white charm.

There was no winter sun shining in today, just rain trickling down the windowpane, cutting through the muddy paw prints from when the dogs looked in. But just seeing the sofa positioned in just the right place to catch the sun was warming, somehow.

“Baby? What baby?” asked Liz. “I thought that baby had been dealt with in the last chapter, it seems ages ago. Has anyone been feeding it, do you think? What happens to all the characters when nobody writes about them? Are they glad of it, happy to do what they want? Or are they bored and frustrated at having nothing to do? Do they like being plucked from whatever they were doing once in a blue moon, and flung into an improbable scenario, and then left there, with no way out even imagined yet?”

“You only have to ask,” replied Aunt Idle, pushing the bowl of peanuts over to Liz.

wall changes, losing city somehow
continued rather truth stick,
hope focus characters
tried poor nobody dust, love secret: dry lazuli bugger

“Oh-my-god-oh-my-god-oh-my-god-oh-my-god-oh-my-god-oh-my-god-oh-my-god-oh-my-god,” mumbled Finnley, head in hands and rocking strangely.

Elizabeth was startled by this strange behaviour from the normally quiescent Finnley.

“What on earth is wrong with you?” she asked irritably.

Finnley raised her head from her hands and regarded Elizabeth with tired, bloodshot eyes.

“What’s wrong with me?” she snarled. “I will tell you what is wrong with me. All these fucking batshit crazy characters making mess and expecting conversation is what is wrong with me. What’s going on? It’s not fucking Christmas is it?”

“Despot,” messaged Finnley 8.

In the character of all true Finnleys, she was programmed to be succinct.

Elizabeth felt that she was losing track of all the new characters being added willy nilly without her prior consent and approval, it was most disconcerting. She decided to make a new law, that no new character could add more characters without her express permission. She would grant the existing characters a weekly audience in which they could present their new characters for inspection. Characters that Elizabeth failed to approve would be sent to Mars, or the Australian outback.

“I wasn’t expecting a mutiny this morning, really, how inconsiderate of them, they could at least have waited until I’d had my breakfast. You just can’t get the characters these days. Plotting against me all night while I slept the sweet sleep of an innocent lamb, I ask you! Where will it all end?!

Ah well. They were due to be pensioned off anyway, poor decrepit old things, past their write by date anyway.”

Liz was initially speechless, then miffed ~ but then an idea started brewing in sync with the kettle.

”And that’s another thing,” she continued. ”Why do all your characters have to be in some form of servitude to you?”

She looked accusingly at Elizabeth.

“I’m a lowly cleaner and Godfrey’s sole purpose in life seems to be to agree with everything you say and now poor old Norbert is a gardener! From New Zealand! Of all the godforsaken places you could have chosen.”

“Steady on, Finnley …” began Godfrey

Finnley ignored him.

“You could have made the poor man anything and yet you made him another slave to carry out your every warped whim. Granted, that was rather an obscure comment I made about him liking smelly old fish. Perhaps that did narrow your options somewhat.”

Exhausted, Finnley lapsed into a thoughtful silence.

Elizabeth gazed at her in awed admiration. ”Finnley, your perceptiveness has rendered me speechless.”

Finnley got a book out of her bag and started reading, rather rudely, Elizabeth thought.

Liz leaned over so that she could read over Finnley’s shoulder, in the absence of anyone to talk to as all the characters had been written out of the script.

“…full of misinformation and wrong opinions.” she read.

“Then sir, you may say so. The ruder you are, the more the editors will be delighted.”

(A point worth bearing in mind, Liz thought)

“But it is my own opinions which I wish to make better known, not other people’s.”

“Ah, but, sir, it is precisely by passing judgements upon other people’s work and pointing out their errors that readers can be made to understand your own opinions better. It is the easiest thing in the world to turn a review to one’s own ends. One only need mention the book once or twice and for the rest of the article one may develop one’s theme just as one chuses. It is, I assure you, what every body else does.”

“Hmm, you may be right. But, no. It would seem as if I were lending support to what ought never to have been published in the first place.”

When Elizabeth had had enough of reading, she wrote Godfrey back into the script.

Corrie:

I woke up this morning with an idea in my head, and I don’t know if I was dreaming about it or if it just popped in, in the brief moments between sleep and waking. I made a connection with the topic I was doing an anthropology report on, and something I’d forgotten. No, not forgotten, it wouldn’t be true to say I’d forgotten it as it was always there at the back of my mind niggling at me that there was more to it somehow, but I hadn’t made the connection so obviously with the current project.

My research was about disconnection, and the separation agenda of the American channeling dream. At first I felt driven to explore particular areas and then piece by piece the puzzle that had nagged at me for years ~ I say years, it felt like years, but maybe it wasn’t so long ~ started to fall into place.

At first when I woke up the idea of censorship was in my head and the idea to start a petition and public awareness campaign about certain channeled texts that were withheld from public viewing, despite repeated requests for them to be public along with all the other texts. But then it occurred to me that censorship and omission wasn’t always deliberate. I mean, not a conscious choice to keep information secret, but something else. Almost like a case of some information not being seen clearly through the filters, yet for some reason dismissed as not fitting, and pushed away, almost unconsciously, and suppressed.

The text was about disconnect mainly, and there was some stuff about Nazi’s although the part about animals was the part that had stuck in my head, probably because I felt more connected to animals than Nazi’s. There were more animals growing up here than Nazi’s after all, Nazi’s was only something I’d heard about. But then it occurred to me that I’d been hearing more and more about Neo Nazi’s, in Europe mainly, forming groups and having protests. So that got me wondering about that too.

Anyway, the disconnect part: it was the reaction on the American channeling forums to the Ferguson riots that started me on this project, and Aunt Idle was full of encouragement when I started to explain to her what I was noticing. She said she had noticed similar things in her remote viewing circle online. Everyone seems to think Aunt Idle is losing her marbles, but don’t you believe it. She seems vacant and scattered but that’s only because her mind is occupied elsewhere.

The gist of this suppressed text was extreme separation, but it was the part about using words to seem enlightened to hide extreme disconnect that seemed to fit my project.

I did have to chuckle though, I wondered if I was being a racist by calling Americans disconnected as if it was a racial characteristic. More of a cultural thing, I suppose, can one be called a culturalist as if it’s a bad thing? I don’t see how you can study anthropology without a certain degree of separating into cultural groups though, even if it is shift anthropology. I’ll think about that a bit more later.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

“You know what, Godfrey? I could just happily populate imaginary towns and then leave them all to get on with it, you know what I mean? I could call myself The Populator. My George, I think I’ve found my forte.”
“Well, you are known for an unbridled passion for introducing new characters that nobody understands, Liz.”
“Exactly!” she replied happily.

Fred poses as a teenager on Flitter social network and makes friends with his daughter Clove. Fred’s motivation was to keep abreast of the family news without eliciting any questions about his own whereabouts, and his intention was to remain a casual acquaintance merely, but Clove has developed a strong attachment to this “girl” and shares all her troubles and secrets with “her”. Fred struggles to remain neutral, and respond in the character of a teenage girl, but is emotionally unable to break the connection. Thoughts of his real identity becoming know to her appall him.