Search Results for 'collect'

tjmarshall57: hahahaha as if it’s not bad enough with the weeding, now poor girl has blotches all over her face!
tjmarshall57: wedding not weeding
tjmarshall57: do russian wear velis?
tjmarshall57: veils
tjmarshall57: hhhm, blessing by a shaman, plaiting together of the couples hair….(is Becky still blad?)
tjmarshall57: The biggest concern at the wedding is to have enough liquor. A Russian Wedding is an event where everybody must be drunk. No one will be surprised if people drink themselves to unconscious on the wedding – and many do.
tjmarshall57: well, that will appeal to Sean
tjmarshall57: You are probably surprised to find out that a Russian wedding lasts for 2 days!! (Well, at least. Some weddings last as long as a week, and this is something to be proud of and remember for years: it means the couple had enough liquor to go on and on, and enough devoted friends to stay.)
tjmarshall57: The Russian church ceremony is colorful and solemn but the complete traditional ceremony is very long, and as guests and the couple have to stand during the ceremony (there are no benches in Russian churches at all; people must stand during all church services), faints are not rare.
tjmarshall57: right, so a fair amount of fainting and drunkeness then
tjmarshall57: Then the witnesses continue running the wedding, reading jokes and poems, and sometimes asking the new couple questions to make fun of them.
tjmarshall57: Franci will you be my witness, you’d be perfect
tjmarshall57: “Za molodykh!” (“For the newlywed!”)
tjmarshall57: Traditionally money is considered as the best gift, and is given in an envelope. Some time after the beginning of the reception when people start to become drunk the witnesses will ask everybody to give their gifts and one of the witnesses will collect envelopes from the rest of the guests with a tray.
tjmarshall57: Then people have time to dance. First dance is opened by the new couple. After the music starts, there is no exact script anymore, and witnesses can relax a little. They still occasionally announce a toast but do not entertain the guests with jokes and poems; guests by this time are already having lots of fun and are able to entertain themselves.

Movements become quite hectic; some people go out “to refresh”, and at some moment in this movement the bride gets… “stolen”! She disappears, and when the groom starts looking for her, he is faced with a request for a ransom. Usually it’s his buddies who “steal” the bride. A more or less short wrangle about the amount, and he can have his new wife back. But he must watch out – the bride sometimes may be stolen a few times!

tjmarshall57: right, so we have drunkeness, fainting, jokes, poems and insults, and theft and abduction
tjmarshall57: Then there are the bride’s friends – they steal the bride’s shoe. The groom must pay ransom for the shoe too – the guests enjoy watching wrangles.
tjmarshall57: Often guests leave the wedding in such a condition that they cannot remember what happened. If this was the case with the majority of guests, then the wedding was a huge success
tjmarshall57: AHA! This is the key! I will write about it after the wedding, when nobody can remeber anything about it
tjmarshall57: Day two of the wedding:After the meal the bride must “clean” the floor in the room. The fun part is that guests are allowed to mess as much as they want while she is cleaning
tjmarshall57:
tjmarshall57: another part for you!
tjmarshall57: guests on a Russian wedding enjoy it much more than the newlywed couple who are all the time made fools of.
tjmarshall57: The most popular period for wedding ceremonies in Russia was between the Christmas and Shrovetide (a week before the spring fast). This period was called the wedding period.
tjmarshall57: well, the timing is right
tjmarshall57: One of the many superstitions still prevailing among the peasant population of Russia is that, on the occasion of a marriage, the happiness of the newly-married couple is not assured unless the parents of the contracting parties are soaked with water from head to foot. When a marriage takes place in summer this is easily accomplished by ducking the fathers and mothers in the nearest river, but in winter they are laid on the ground and rolled in the snow.
tjmarshall57: who are the parents?
tjmarshall57: Among the Koraks of Siberia a young man seeks for a maiden with considerable dowry in the form of rein-deer
tjmarshall57: oh, well we can have psychoactive reindeer pies, anyway
tjmarshall57: Kovalevsky has well shown that many of the marriage customs of this country are survivals from a primitive and prehistoric age when the woman ruled the household and had more than one husband.
tjmarshall57: hhmmmm
tjmarshall57: it all points to a distant age when the matriarchal system prevailed, and the brother was his sister’s guardian. In Little Russia the brother’s sword is decked with the red berries of the rowan tree, red being the emblem of maidenhood.
tjmarshall57: red fruit sync!
tjmarshall57: no wonder I threw the cherries away!
tjmarshall57: ahahahahha!
franci_free: oh hrllo
franci_free: goodness
franci_free: will need to read back
tjmarshall57: hahahah oh there you are
franci_free: well what a complicated theme
tjmarshall57: haahah well
franci_free: you will have to write about the wedding
tjmarshall57: the key to the whole thing is that everyone was so drunk that nobody can remeber any of it aftrwards
franci_free: hahahah
franci_free: great!
tjmarshall57: thats my angle, I think
franci_free:
tjmarshall57: and s few things fit perfectly
tjmarshall57: the red fruit
tjmarshall57: the time of year
tjmarshall57: the drunkeness, Sean will love that
franci_free: the splotches?
tjmarshall57: well, nobody will remeber that
tjmarshall57: afterwards

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

She had felt it.
When the old man had left his body behind, she had felt it.

Oorlaith had foreseen that he would decide to leave this World, and thus was not affected too much. However, she was not sure that Leonard, who she had sent to the highs of Mount Elok’ram had had time to retrieve the cup of Margilonia.

Oorlaith had already collected the wand of Selvaniel, which Leonard had brought back to her, thanks to her indications, from the Forest bordering the Marshes. Now, she hoped he had time enough to get to the old Abbot.
Otherwise, it might be more delicate…
Much more delicate…

Hopefully, she had made contact with Roselyn, who had been settling in another part of Asgurdy, on one of the numerous rocky islands bordering the South-western coasts, where life was scarce and the soil barren, but where it was safe enough to do magic in this superstitious land, as not much people ventured to these places.
Her spiked dragon had helped her carve out her new residency and she was quite well installed now.
Before moving from the deserts of Asgurdy, she had managed to get the sunstone of Agnima.

Thanksgiving, 1847

That last business trip in British Honduras had proven fruitful to Aldous. It had almost made him forget about the blue bull of the Disperso family.
Because Aldous was a collector. No one truly understood what were his motivations, but he was driven by the highest ideals. Some treasures weren’t deserved by the profane, he was thinking as he was munching on a tender juicy turkey leg.
He belched with profound depth.
Yes, he was doing everything with utmost depth and dedication.

Take that blue bull for instance… A gift from Indian officials he had managed to have them bring here. Its real place was in a zoo, with a small fee at the entrance of course, but most importantly some information on how it was acquired and by whom. Definitely not in the farm of some hillbillies just because they have happened to win that stupid rodeo contest.
In any case, he would put that right again in due time.

Let’s think of more pleasant things. Like these mahogany traders who had came into contact with remote Mayan tribes. Mahogany was nice, but Mayan treasure were even more interesting.

Valparaíso, Chile, November 1997
Cillian Mc Gaughran was finding that dying was longer than he expected. Since Fidelma’s death, twenty years from now, he would have vouched pain would get him on the other side quickly. But it was as if every object his wife had touched was letting him know of her presence. Perhaps they were holding him here…
He couldn’t wait to be reunited with his dear wife. Sixty six year-old wasn’t old enough to die for many people, but it was enough for him. The world was changing too fast. He decided he had to let go of all these objects. By and by, he had released every one of them… But one.

Of all of them, this one was very dear to him. An old family artifact that was handed down in the family for as long as he could remember. It was said to have been the property of a famous dancer during the Gold rush period and was rumoured to bring good luck… Lord knows how it came into the family…
It was dear to him because he had given it to Fidelma when she was having her chemotherapy, battling the blood cancer she had been diagnosed with. It looked wonderful on her delicate features. The wig had not aged since all these years.
It would surely finish him off to release that last object.

Cillian had heard some exuberant stories of a new company named eBargey where things were auctioned on the Internet. New technology he was finding a bit hard to follow the progress though he was not ignorant of it due to his years spent as a high rank officer in the US Army.
That could be a great way to release the wig. Auction it off, and see how high and how far away it could sell… Perhaps it would find a perfect match.

Chris Bronkelhampton had always loved to cross-dress since he was a child. He was a fine collector of wigs and had many lined up in his secret closet.

He had just managed to do a risqué plastic surgery operation on a kingpin that would grant him all he had ever dreamt of. He leaned comfortably on his chair, rubbing his hands gleefully.
Something on the computer screen caught his eye. On the newly auctioned items there was something that he wouldn’t have dreamt of acquiring in his wildest dreams.

On Mount Elok’ram, the old abbot Hrih Chokyam Lin’potshee was gardening.

Despite his old age, and his being at the head of the Monastery, Hrih Chokyam was always doing his hour of gardening with great application and talent, as was asked to everyone, from the youngest to the oldest monks studying here.
The Monastery was a place of healing and teaching, dedicated to Margilonia, the Elder Goddess thought to have created the Earths. As a matter of fact, gardening was the simplest —yet most effective— way to fully appreciate the grandness and the interconnectedness of the whole of creation.

Hrih Chokyam remembered when he was a little child in the vast fertile plateaus in the Eastern part of Dam Adbor, bordering the high mountains. He had always loved the mountains, better than the plains, or the towns where the wars and plots were fomented endlessly. So he was wandering many times in the mountains, to collect herbs and also just for the fun and exhilaration of climbing higher and higher, and seeing the world as a small thing that could be placed into his hands.
His parents had wanted him to become a farmer, but some wealthy neighbours had thought he was showing signs of being able to do much better, and even proposed to have him pursue a career in the administration of Dam Adbor’s capital.
Young Hrih had considered the proposition for some time, and one day, went deep into the mountains to make his decision.
There he’d got this powerful connection with an enveloping warm manifestation of Margilonia, who prompted him to go higher than anyone had ever been on the top of the mountains, were a natural point of great potential magical energy was. Here, she had conveyed to him, he would have a monastery built, a perfectly clear channel for this yet untaped magical energy.

Ninety nine years ago that was.
Hrih had been higher than any human had ever been, in the search of this point, knowing he would feel it resonate with him. The mountains, he had learned were not as empty as humans had thought, and there were many other kinds of sentient beings living here, far from the wars below.
Interestingly, assisted by these magical sentient creatures and Margilonia’s energies, building the structure had been easy. He had never thought harnessing magic would be that easy, perhaps just because the traveling magicians coming at times in the village to do some healing or just funfair exhibitions were making that very difficult, and requiring lots of training.

The truth was, magic was everywhere, only people had become blind to it, or just lazy to use it. But old Hrih, even if his eyes were not as sharp as they used to be, could see it clear as day. Magic was in everything. Especially in one’s own very existence.
That was the first of the things people coming to learn in the monastery had to understand. Deceptively simple, yet the most difficult lesson for many of them. He had to admit, he had struggled quite a bit with it too, during the endless wandering into the vast mountains. But there had always been a root to eat, or some fresh mushrooms or eggs apparently left here just for him… He laughed now, thinking of it.

Hrih’s life had been so fulfilling. He knew he was weak now, and would not see the springing season, and he was thinking he had to choose someone to take care of the monastery. Few people went to stay here, for as they had learned and applied what was to learn, their own passion was coming back to them, and they would not need to stay any longer.

But a few days ago, a young one had come, announced to old Hrih by a singing rosy finch.
As usual, all was provided when things were ready for it.
Hrih had no doubt that the hesitant young man would be the next one to hold the title of Lin’potshee, or “Precious Elder”.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

Of all the eggs Malvina had been collecting since the beginning of her settling down in the cave with Leörmn, only one had been producing a baby dragon, till now.

She had nicknamed her Buckberry, because the little one seemed so fond of the buckberries that grew at the entrance of the cave.

Buckberries were a variety of wild big electric blue-vermilion reddish berries, and were known to have thwarted all attempts to be grown in gardens. In a legendary past, a famous king of the near Kingdoms named Hadraz the Third was said to have been loving these fruits so much that he had spent torrents of gold in trying to have them farmed in the precious glasshouses of his realm. All the attempts of the most knowledgeable Master Farmers had been amounting to nilch.

This habit of Buckberry, for one moment had been making Malvina anxious of him revealing the location of their safe haven. As she could and would not prevent him to go in search for them, she created some powerful spells to hide him, at least from people to whom the little dragon had not revealed his true name first.

That had caused some stir from some people who where adventuring near the cave to pick up some of the juicy fruits that could be easily spotted from the plains, as they noticed a heavy breath and * munch * sound around the bushes, that moved like shaken down by a powerful ghost.

Thus has begun the trail of rumours saying that the cave was haunted.

All in all, Malvina was not so displeased that there were only a few eggs hatching at a time, as the young dragons were very lively, much more so than the older ones who kept most of their time sleeping, or more aptly put, dreaming.

Dragons had no need for training in a sense, as they were aware of their abilities, and Buckberry, even being so young could just have been moving away and started his own adventure, but something was compelling him to stay in the cave.

He had chosen a different form from that of Leörmn, and it was indicating he would not have the same intent. As he would continue to grow, he would probably be a very powerful dragon, shaped for flight and discoveries in the farthest boundaries of the Worlds. At times, Leörmn even doubted he would be fit for a human partner, as he had only managed to scare the few humans he had encountered…

After all, it was not necessary, though dragons could draw a lot from such a partnership.

Dragons were not always welcome, as they were feared for their might, and could not always easily explain what they were doing, as most of their movements were in the Unseen.

In that, only Ragmók, the old speech of the dragons could be used to properly explain these movements. Ragmók was not really a speech, in the human sense, as it could also be spoken through gestures or singing or drawing. But it was the very essence of Magix.

When a dragon and a human bonded, they shared their languages in a communion of their spirits, and the chosen human could delve easily into the Unseen, while providing to the chosen dragon an ease of movement into the Seen.