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— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.

— Wait!

A small impish gnomesque figure wearing a black and white tunic adorned with a silver blazon was standing in front of Claude, formerly known as Number Four.
Claude was reading to fight, and extricate himself of that stinky situation, starting to feel the powerful strength the treatment had given him and feeling virtually unstoppable.
Considering that such a small individual, especially unarmed, wasn’t much of a threat, he stopped in his track, wondering if that was part of a subtle stratagem.

— What do you want?
— We do not want you harm, stranger. We are aware of the experiments which have been done on you, and we are sorry for what has been done…
— Oh, don’t be, I feel better than I’ve been in ages
— Yes, we saw that, though we are not that sure that the treatment effects are permanent either…
— Not permanent? What have you done to me?
— Nothing. There is nothing to fear from us, we are peaceful. We are a wing of a group of individuals whose primary skills lay in robbing. We are mostly hired to retrieve precious possessions in great discretion and you could consider yourself lucky to have seen us in our true form.
— Us? How many are you?
— A few… We gave you a mixture of plants and magnetite powder to help you stabilize your situation, apparently it has succeeded.
— Mmm, perhaps yes…
— Another thing you probably want to know before we help you get rid of these bandages if you want. During your sleep, you muttered lots of things, one of which was a name: “Sasha”.
— Sasha?
— Yes. I’m afraid we believe that the individual you were calling is dead. We monitored the doctor’s assistant when she disposed of the body. It was not pretty. I thought you should know.

Despite his mission, Claude couldn’t help but feel sorry; Sasha’s sweet voice had been such a comfort during the last days of his transformation…

Robbers they say… Hope we’re not after the same thing…

In the creaking wooden caravan slowly moving its way on the dusty roads, Twilight was lost in deep thoughts, caressing mechanically the beautiful blond wig.
She had done it almost on an impulse, but like all impulses she’d ever had, it had always felt deeply true to her core and she had gone. Now, it felt a bit strange, and too rational doubts were creeping along like viscous bugs, and she felt like judging her behaviour over and over.
Of course, her brothers, Jo the first, and then Elroy, had been supportive, but they had always been that way. Even when their first reactions were to object to what she was doing, like dancing in the saloon, her determination was always winning them easily. She had promised to write often, and she would probably be back in a year.

When the Freak Show had settled in town for a week, she had been at first almost grossed out by what was announced, and had not been her brothers to egg on her, she probably wouldn’t have been going to see them.
Pat Elson, the director of the Fabulously Great Freakus (or FGF), was a little dark-skinned man in an orange suit and top-hat, with a communicable enthusiasm and a sincere consideration for the people he called “his performers”. Very soon, rather than being repulsed by the differences, Twilight had been attracted by the way of life of these people, and was considering traveling with them as an opportunity to discover more about the world and about herself. Her inspiration to write was even tickling her fingers like an army of ants she had never felt before.
When she had said to Pat Elson that she was willing to travel and work with them, rather than laughing like he used to do, he’d taken a silent pondering moment to consider the options. Obviously Twilight wasn’t a freak herself, at least not physically freaky. But he couldn’t refuse help, as his business was growing every day. Venus, the armless woman, his best asset on the show, had been recently pregnant, giving birth to conjoined twins, and would surely appreciate two arms to give her a hand… so to speak.
So he had agreed.

The babies started crying in the caravan drawing Twilight out of her reveries. Venus was sleeping nearby, still exhausted, and Zarafina, the giraffe-woman, started to groan annoyed by the noise.
Twilight hurried to cuddle the babies, checking that they were alright. All was right, they were probably only bugged by the bumps in the road. No wonder… she sighed.

Marvin Scrozzezi was considering a script that had been sent to him by his friend.
Betty, his assistant, had insisted that he reads it…

Seeing his current movie, it couldn’t be any worse in any case.
The title of the script cracked him up.

Ogregan, the Origeans

Marvin giggled, almost spluttering his smoking chai on the script.

He started to read the first paragraphs.

FADE IN:
EXT. WOODS
A big humphing man plunges into the woods. Twigs slap at him,
but the sound of gunfires keeps him going. Sheriff Marshall is
taking the lead, but an auburn haired man plunges into the woods
before him, followed by one dark-haired one. They are obviously
brothers. The older one is ELVIN STREWN, he is following his
younger brother with the lopsided hair, JAY STREWN.
JAY is shooting at the fugitive, ALDO MC GALLIGAN, a local
mobster known as the OGREGAN.

Gunfire explodes in trees near the STREWN brothers, shot at them
by MC GALLIGAN, and they dive and roll into hiding under a
palisade.

Interesting stuff, wonders Marvin… That mobster looks like a fascinating character…

Flipping though the script he found page 57 another catching bit of reading…

 DISSOLVE TO:
EXT. PROSPERITY BANK ; SHOT of a Texan bank on a quiet street.
INT. PROSPERITY BANK
There are three customers, male. Enters a MOTHER and her SON.
TELLER#1: What can I do for you Mrs MC GALLIGAN?
MRS GALLIGAN to her SON who is drawing on her dress: ALDO, will
you keep still for a moment, good for nothing!

…

Pfff, Marvin sighed, feeling bored.
Not long after, he was sound asleep, snoring loudly on the comfortable chair.

CUUUUUT !

— Ahahaha, I’m sorry, that must be the sauerkraut we had for lunch!
— You’re kiddin’ or what? I tell you for the 58 ^th time, it’s supposed to be a dramatic scene filled with suspended horror and… Shite! Perhaps you’d prefer to have it Broadway-like, Teri sweetie? With parrot feathers jabbed into your bum and fairies dangling from the roof singing La Traviata?…

— Err… You can say that’s because of the fermentation gas produced by the mould inside the mummy, and that her reviving her physiological tissues would naturally generate…
— Who the hell is that f*cking know-it-all?
— I’m the historical consultant, John Davis
— Historical WHAT? Betty’s gonna hear me, I can tell ya, as if we’ve got ‘nuff budget to bother with… Aaah, get lost! Now, everyone get ready for the… Ooooh bugger! Let’s do it tomorrow.

Marvin Scrozzezi went to his caravan exasperated. The movie wasn’t going very well, and there were all these impossible deadlines… His worst concern was about the damn budget. He’d thought it was a good idea to hire that expensive castle to do the movie. An adaptation from a book he had found recently.
He had bargained with the author to get the rights, and that had been tough, considering his previous movies were not quite that kind of great historical epic he was supposed to do now.
At least she had not laughed when Marvin had told her his most successful movie was The Return of the Avenging Dame Zombie of the Lake…
What a mess… Sure a good night of sleep would make it all right.

Sumelfi had already tried to nudge Becky into adopting a nine-tailed fox for cleaning up some of her stuff, but she had repeatedly delayed it.

At least, she had whispered in Becky’s ears, with the fox, I can teach the little thing some tricks to eat out the crappy stuff, so that you can make a good impression.
Well, she loathed to compare, but at least she never had to be assigned to Tina, as her dusting skills were irreproachable.

Becky was considering… Better a nine-tailed fox than nine fox puppies… She had seen some of the new advertised creatures in the Pup’ shop on her way to Sam the other day, and that could be fun.

Dublin, November 2057

Hallowe’en had always been associated with fond memories with Sean. After all, back in 2033, it was the inauguration date of the first T.R.A.P. entertainment park, where he and Becky had been falling madly in love with each other.

There had been lots of things for Sean to put aside, especially considering how quick it all had been for them, especially considering the death of his wife, and this too short period of grieving by all standards, but well, bugger off the others.
He had not wanted to give any explanation, and Becky and him were sure of what they did.
And all had changed that year, even Becky had suddenly wished for lots of children. And they’ve had got children…

2035, the triplets: Oliver, Léan and Illana
2037 the quintuplets: Flora, Finn, Frank, Fanny and Fergie
and finally, in 2038, quadruplets: Vivian, Eve, Kevin and Mavie

He was thinking of his father, and how they had almost ceased to communicate. The children now, were almost all grown-ups and this would be the first Christmas they would have together with Becky without the children. Sean was feeling a bit nostalgic.
Perhaps he should phone his father, the upright Lord Hilarion Wrick…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

« Suffering is not good for the soul, unless it teaches you to stop suffering. »

He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

— Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

— Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

— Oh… said Bill who did not expect them to come back so quickly.

Appendix: The Wrick family tree