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In reply to: Washed off the sea ~ Creative larks
I have an idea. Are you game?
The Whale: I’m always game for a good idea! What do you have in mind?
I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point
The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.
“Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various
No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1
The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.
Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.
As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.
The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.
As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.
Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.
As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.
Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.
Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.
As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.
The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.
In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.
Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:
Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.
As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.
But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.
Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.
And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.
thank you! I appreciate your input.
The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.
But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.
He thanked the whale for this rather surprising response.
The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!
So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.
*1 In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.
In reply to: Orbs of Madjourneys
“Bossy, isn’t she?” muttered Yasmin, not quite out of earshot of Finly. “I haven’t even had a shower yet,” she added, picking up her phone and sandals.
Yasmin, Youssef and Zara left the maid to her cleaning and walked down towards Xaviers room. “I’d go and get coffee from the kitchen, but…” Youssef said, turning pleading eyes towards Zara, “Idle might be in there.”
Smiling, Zara told him not to risk it, she would go.
“Come in,” Xavier called when Yasmin knocked on the door. “God, what a dream,” he said when they piled in to his room. “It was awful. I was dreaming that Idle was threading an enormous long needle with baler twine saying she was going to sew us all together in a tailored story cut in a cloth of continuity.” He rubbed his eyes and then shook his head, trying to erase the image in his mind. “What are you two up so early for?”
“Zara’s gone to get the coffee,” Youssef told him, likewise trying to shake off the image of Idle that Xavier had conjured up. “We’re going to have a couple of hours on the game before the cart race ~ or the dust storm, whichever happens first I guess. There are some wierd looking vans and campers and oddballs milling around outside already.”
Zara pushed the door open with her shoulder, four mugs in her hands. “You should see the wierdos outside, going to be a great photo opportunity out there later.”
“Come on then,” said Xavier, “The game will get that awful dream out of my head. Let’s go!”
“You’re supposed to be the leader, you start the game,” Yasmin said to Zara. Zara rolled her eyes good naturedly and opened the game. “Let’s ask for some clues first then. I still don’t know why I’m the so called leader when you,” she looked pointedly as Xavier and Youssef, “Know much more about games than I do. Ok here goes:”
“The riddle “In the quietest place, the loudest secrets are kept” is a clue to help the group find the first missing page of the book “The Lost Pages of Creativity,” which is an integral part of the group quest. The riddle suggests that the missing page is hidden in a quiet place where secrets are kept, meaning that it’s likely to be somewhere in the hidden library underground the Flying Fish Inn where the group is currently situated.”
“Is there a cellar here do you think?” Zara mused. “Imagine finding a real underground library!” The idea of a grand all encompassing library had first been suggested to Zara many years ago in a series of old books by a channeler, and many a time she had imagined visiting it. The idea of leaving paper records and books for future generations had always appealed to her. She often thought of the old sepia portrait photographs of her ancestors, still intact after a hundred years ~ and yet her own photos taken ten years ago had been lost in a computer hard drive incident. What would the current generation leave for future anthropologists? Piles of plastic unreadable gadgets, she suspected.
“Youssef can ask Idle later,” Xavier said with a cheeky grin. “Maybe she’ll take him down there.” Youssef snorted, and Yasmin said “Hey! Don’t you start snorting too! Right then, Zara, so we find the cellar in the game then and go down and find the library? Then what?”
“The phrase “quietest place” can refer to a secluded spot or a place with minimal noise, which could be a hint at a specific location within the library. The phrase “loudest secrets” implies that there is something important to be discovered, but it’s hidden in plain sight.”
Hidden in plain sight reminded Yasmin of the parcel under her mattress, but she thrust it from her mind and focused on the game. She made up her mind to discuss it with everyone later, including the whacky suppositions that Zara had come up with. They couldn’t possibly confront Idle with it, they had absolutely no proof. I mean, you can’t go round saying to people, hey, that’s your abandoned child over there maybe. But they could include Xavier and Youssef in the mystery.
“The riddle is relevant to the game of quirks because it challenges the group to think creatively and work together to solve the puzzle. This requires them to communicate effectively and use their problem-solving skills to interpret the clues and find the missing page. It’s an opportunity to demonstrate their individual strengths and also learn from each other in the process.”
“Work together, communicate effectively” Yasmin repeated, as if to underline her resolution to discuss the parcel and Sister Finli a.k.a. Liana with the boys and Zara later. “A problem shared is a problem hopelessly convoluted, probably.”
The others looked up and said “What?” in unison, and Yasmin snorted nervously and said “Never mind, tell you later.”
In reply to: The Stories So Near
What satisfying conclusion to this saga?
Granola was the tying material to their friend, and her pop-in nascent capabilities (ability to project into material matter, sometimes being corporeal) could help. Her goal was to wake her friends out of their routines, and reinvigorate the stories they tell themselves about their lives.
- Maeve was the one making custom dolls.
- Shawn Paul her handsome bearded bachelor next door was an aspiring writer looking for a story to tell and to become published.
- Lucinda is their neighbour, enrolled in creative writing courses.
- Jerk is a clerk at a local WholeDay*Mart and also manages a forum in his spare time.
- Uncle Fergus is Maeve’s father’s estranged brother.
The dolls were found in all across places, used by different groups, maybe glamour bombs for some, maybe ways to smuggle information and keys.
Across their trips they connect with story characters, and unknowingly revive their stories.
POP*IN THREAD (plot development suggestions, to be looked into later)
Maeve and Shawn-Paul are still in Tikfijikoo, investigating the mysterious dolls and their connection to Uncle Fergus. They’ve also encountered strange happenings, including a missing girl and a strange man in a top hat.
Meanwhile, Jerk is still moderating the forum and dealing with the strange messages. Lucinda is continuing her creative writing course and enjoying her time with Fabio.
Granola is currently on a mission to find Ailill and learn more about pop-ins, while also trying to reconnect with her friends and figure out what’s going on with the dolls.
As for the mysterious man following Maeve, his intentions are still unclear, but it seems he has some connection to Uncle Fergus and the dolls. The group is still trying to uncover the truth and figure out their next steps.
In the end, Granola’s pop-in abilities proved to be the key to unlocking the mystery of the dolls and their connection to Uncle Fergus. With her help, Maeve and Shawn-Paul were able to uncover the truth about the dolls and their purpose, and use them to reconnect with various story characters across their trips.
Through their adventures, they also discovered the power of storytelling and the importance of shaking up their routines to keep their lives interesting and full of wonder. Jerk found a new sense of purpose in managing the forum and connecting with others through his passion for the dolls and their stories.
In the final chapter, Uncle Fergus reconciled with Maeve’s father and shared the true meaning behind the dolls and their connection to their family history.
While Shawn-Paul’s path led him to become a successful author, Lucinda’s path took a different turn. She found fulfillment in her creative writing course and continued to hone her skills, but she didn’t pursue a career as a writer. Instead, she used her passion for storytelling to help others, working as a therapist and using storytelling techniques to help her clients work through their struggles and find healing. Lucinda’s work was deeply rewarding, and she felt fulfilled in being able to help others in such a meaningful way.
As for Granola, she continued to pop-in and out of their lives, using her abilities to bring joy and excitement to their everyday routines, and keeping their stories alive for years to come. The group remained close friends, bonded by their shared experiences and love of storytelling.
In reply to: Orbs of Madjourneys
Although not one to remember dreams very often, Zara awoke the next morning with vivid and colourful dream recall. She wondered if it was something to do with the dreamtime mural on the wall of her room. If this turned out to be the case, she considered painting some murals on her bedroom wall back at the Bungwalley Valley animal rescue centre when she got home.
Zara and Idle had hit it off immediately, chatting and laughing on the verandah after supper. Idle told her a bit about the local area and the mines. Despite Bert’s warnings, she wanted to see them. They were only an hour away from the inn.
When she retired to her room for the night, she looked on the internet for more information. The more she read online about the mines, the more intrigued she became.
“Interestingly there are no actual houses left from the original township. The common explanation is that a rumour spread that there was gold hidden in the walls of the houses and consequently they were knocked down by people believing there was ‘gold in them there walls”. Of course it was only a rumour. No gold was found.”
“Miners attracted to the area originally by the garnets, found alluvial and reef gold at Arltunga…”
Garnets! Zara recalled the story her friend had told her about finding a cursed garnet near a fort in St Augustine in Florida. Apparently there were a number of mines that one could visit:
“the MacDonnell Range Reef Mine, the Christmas Reef Mine, the Golden Chance Mine, the Joker Mine and the Great Western Mine all of which are worth a visit.”
Zara imagined Xavier making a crack about the Joker Mine, and wondered why it had been named that.
“The whole area is preserved as though the inhabitants simply walked away from it only yesterday. The curious visitor who walks just a little way off the paths will see signs of previous habitation. Old pieces of meat safes, pieces of rusted wire, rusted cans, and pieces of broken glass litter the ground. There is nothing of great importance but each little shard is reminder of the people who once lived and worked here.”
I wonder if Bert will take me there, Zara wondered. If not, maybe one of the others can pick up a hire car when they arrive at Alice. Might even be best not to tell anyone at the inn where they were going. Funny coincidence the nearest town was called Alice ~ it was already beginning to seem like some kind of rabbit hole she was falling into.
Undecided whether to play some more of the game which had ended abruptly upon encountering the blue robed vendor, Zara decided not to and picked up the book on Dreamtime that was on the bedside table.
“Some of the ancestors or spirit beings inhabiting the Dreamtime become one with parts of the landscape, such as rocks or trees…” Flicking through the book, she read random excerpts. “A mythic map of Australia would show thousands of characters, varying in their importance, but all in some way connected with the land. Some emerged at their specific sites and stayed spiritually in that vicinity. Others came from somewhere else and went somewhere else. Many were shape changing, transformed from or into human beings or natural species, or into natural features such as rocks but all left something of their spiritual essence at the places noted in their stories….”
Thousands of characters. Zara smiled sleepily, recalling the many stories she and her friends had written together over the years.
“People come and go but the Land, and stories about the Land, stay. This is a wisdom that takes lifetimes of listening, observing and experiencing … There is a deep understanding of human nature and the environment… sites hold ‘feelings’ which cannot be described in physical terms… subtle feelings that resonate through the bodies of these people… It is only when talking and being with these people that these ‘feelings’ can truly be appreciated. This is… the intangible reality of these people…..”
With such strong ancestral connections to the land, Zara couldn’t help but wonder what the aboriginal people felt about all the mines. If one of their ancestors had shape changed into rocks, and then some foreignors came along and hacked and blasted their way through, what would they think of that?
“….many Aboriginal groups widely distributed across the Australian continent all appeared to share variations of a single (common) myth telling of an unusually powerful, often creative, often dangerous snake or serpent of sometimes enormous size closely associated with the rainbows, rain, rivers, and deep waterholes…..”
She drifted off to sleep thinking of water holes in red rocky gorges, the book laying open in her hand.
When she awoke the next morning with the slatted morning sun shining through the venetian blinds, the dream image of the water hole was bright and clear in her minds eye. But what was that strange character from the game doing in her dream?
She closed her eyes, remembering more of the strange dream. Deeply orange red boulders and rocky outcrops, shivering gum trees, and green pools ~ it was coming back to her now, that creature in the blue robes had appeared more than once. In one scene he appeared with a blue diamond lantern with what looked like a compass inside.
I’ll ask about the hiking trails today, Zara decided, and go for a walk in that gorge I read about yesterday. Bert said there were good hiking trails. You came here early so you could play the game, she reminded herself.
“It’s all a game,” she heard the parrot outside her window.
“I’d forgotten about the bloody parrot!” Zara said under her breath. “Pretty Girl!” she said, opening the blinds. “We’re going out for a walk today.”
In reply to: Orbs of Madjourneys
Zara was long overdue for some holiday time off from her job at the Bungwalley Valley animal rescue centre in New South Wales and the suggestion to meet her online friends at the intriguing sounding Flying Fish Inn to look for clues for their online game couldn’t have come at a better time. Lucky for her it wasn’t all that far, relatively speaking, although everything is far in Australia, it was closer than coming from Europe. Xavier would have a much longer trip. Zara wasn’t quite sure where exactly Yasmin was, but she knew it was somewhere in Asia. It depended on which refugee camp she was assigned to, and Zara had forgotten to ask her recently. All they had talked about was the new online game, and how confusing it all was.
The biggest mystery to Zara was why she was the leader in the game. She was always the one who was wandering off on side trips and forgetting what everyone else was up to. If the other game followers followed her lead there was no telling where they’d all end up!
“But it is just a game,” Pretty Girl, the rescue parrot interjected. Zara had known some talking parrots over the years, but never one quite like this one. Usually they repeated any nonsense that they’d heard but this one was different. She would miss it while she was away on holiday, and for a moment considered taking the talking parrot with her on the trip. If she did, she’d have to think about changing her name though, Pretty Girl wasn’t a great name but it was hard to keep thinking of names for all the rescue creatures.
After Zara had done the routine morning chores of feeding the various animals, changing the water bowls, and cleaning up the less pleasant aspects of the job, she sat down in the office room of the rescue centre with a cup of coffee and a sandwich. She was in good physical shape for 57, wiry and energetic, but her back ached at times and a sit down was welcome before the vet arrived to check on all the sick and wounded animals.
Pretty Girl flew over from the kennels, and perched outside the office room window. When the parrot had first been dropped off at the centre, they’d put her in a big cage, but in no uncertain terms Pretty Girl had told them she’d done nothing wrong and was wrongfully imprisoned and to release her at once. It was rather a shock to be addresssed by a parrot in such a way, and it was agreed between the staff and the vet to set her free and see what happened. And Pretty Girl had not flown away.
“Hey Pretty Girl, why don’t you give me some advice on this confusing new game I’m playing with my online friends?” Zara asked.
“Pretty Girl wants some of your tuna sandwich first,” replied the parrot. After Zara had obliged, the parrot continued at some surprising length.
“My advice would be to not worry too much about getting the small details right. The most important thing is to have fun and enjoy the creative process. Just give me a bit more tuna,” Pretty Girl said, before continuing.
“Remember that as a writer, you have the power to shape the story and the characters as you see fit. It’s okay to make mistakes, and it’s okay to not know everything. Allow yourself to be inspired by the world around you and let the story unfold naturally. Trust in your own creativity and don’t be afraid to take risks. And remember, it’s not the small details that make a story great, it’s the emotions and experiences that the characters go through that make it truly memorable. And always remember to feed the parrot.”
“Maybe I should take you on holiday with me after all,” Zara replied. “You really are an amazing bird, aren’t you?”
In reply to: Prompts of Madjourneys
Continuing their adventures, offer 2 possible choices of action to each of the characters in real-life: 2 for Zara, 2 for Xavier, 2 for Yasmin and 2 for Youssef in “choose your own adventure” style.
Zara:
- Continue to investigate the mysterious cat she saw, possibly seeking out help from local animal experts or veterinarians.
- Join Xavier and Yasmin in investigating the Flying Fish Inn, looking for clues and exploring the area for any potential leads on the game’s quest.
- Help Youssef troubleshoot the issues with the blog, possibly reaching out to IT professionals for assistance.
- Join Zara and Yasmin in investigating the Flying Fish Inn, using his knowledge of RPG’s and fantasy literature to assist in the search for clues.
- Take a break from the game and focus on her personal creative projects, such as writing or painting.
- Join Zara and Xavier in investigating the Flying Fish Inn, using her skills in research and analysis to assist in the search for clues.
- Focus on resolving the issues with the blog, possibly seeking out help from a hacker or cybersecurity expert to uncover the source of the problem.
- Join Zara, Xavier and Yasmin in investigating the Flying Fish Inn, using his knowledge of the game and the AI technology behind it to assist in the search for clues.
In reply to: Train your subjective AI – text version
Please suggest a creative, a little ghostic but mostly uplifting plot outline for the continuation of the story of Twilight in her travels to join the freak circus and become famous for her craft on the west coast
— The Far-West saga — In 1850s, in a probable reality of South America, we get acquainted with Twilight (Twi) and her brothers Jo and Elroy. They have a precious blue bull in their possession, coveted by Ogrean, the kingpin of the town. Hopefully for them, Ogrean is arrested (temporarily) by Ted Marshall, the sheriff for his possible trafficking. Notably, Ogrean is possibly involved in some of the crystal skulls discoveries, during his travel to New Honduras. Twi who was dancing in the saloon of Madame Butterbutt, the town’s hallucinogenic toads-to-lick dispenser (insert some other romantic subplots involving the other dancer etc.) decides to go traveling in a freakus (freak show/circus). She is now close to the West Coast, where she hopes to succeed in her writing and other artistic skills.
As Twilight (Twi) travels with the freak circus, she faces many challenges and obstacles on her journey to the West Coast. Despite the difficulties, she remains determined to make a name for herself as a writer and artist.
As she travels through small towns and larger cities, she begins to realize that the world is much bigger than she ever imagined. She meets a diverse group of people, some of whom are kind and supportive, while others are cruel and dismissive of her dreams.
Despite the negative reactions she receives from some people, Twi persists and begins to gain a reputation as a talented writer and performer. As she gains more experience and confidence, she starts to incorporate her own unique style into her performances, which sets her apart from the other performers in the circus.
As she approaches the West Coast, she begins to feel a sense of excitement and anticipation. She has heard that the West Coast is a place of endless possibilities, where creative minds can thrive. She is determined to make her mark and become famous for her craft.
As she settles in the west, she finds herself surrounded by artists and writers like herself, who inspire her to push herself even further. She begins to gain a following and her writing is widely read. She discovers that her talent is not only limited to writing, but she also has a natural talent for other art forms as well.
Eventually, Twi’s reputation as a talented artist and writer precedes her and she becomes a sought-after performer in the West Coast, and her creative work is being showcased in galleries and theaters. As she continues to achieve success in her career, she begins to realize that the West Coast is not just a place of endless possibilities but also the place where she belongs, and the place where her dreams come true.
Throughout her journey, she also keeps in touch with her brothers, Jo and Elroy, who now run the farm and take care of the blue bull. They tell her that the bull, now named Blue-Dream, became a legend in the village and they get a good price for its breeding.
As the story continues, she finds herself also involved in some adventures and exciting subplots, like discovering a secret underground cave filled with precious crystals and some interesting characters, like the enigmatic sheriff Ted Marshall who always cross her path, and the mysterious Ogrean who seems to have a connection to her past and the bull.
The End.
A follow up of Jib’s thread with AI experiments on creative writing, using some Cloud words as a seed for creative short stories…
In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
In reply to: The Elusive Samuel Housley and Other Family Stories
Jane Eaton
The Nottingham Girl
Jane Eaton 1809-1879
Francis Purdy, the Beggarlea Bulldog and Methodist Minister, married Jane Eaton in 1837 in Nottingham. Jane was his second wife.
Jane Eaton, photo says “Grandma Purdy” on the back:
Jane is described as a “Nottingham girl” in a book excerpt sent to me by Jim Giles, a relation who shares the same 3x great grandparents, Francis and Jane Purdy.
Elizabeth, Francis Purdy’s first wife, died suddenly at chapel in 1836, leaving nine children.
On Christmas day the following year Francis married Jane Eaton at St Peters church in Nottingham. Jane married a Methodist Minister, and didn’t realize she married the bare knuckle fighter she’d seen when she was fourteen until he undressed and she saw his scars.
William Eaton 1767-1851
On the marriage certificate Jane’s father was William Eaton, occupation gardener. Francis’s father was William Purdy, engineer.
On the 1841 census living in Sollory’s Yard, Nottingham St Mary, William Eaton was a 70 year old gardener. It doesn’t say which county he was born in but indicates that it was not Nottinghamshire. Living with him were Mary Eaton, milliner, age 35, Mary Eaton, milliner, 15, and Elizabeth Rhodes age 35, a sempstress (another word for seamstress). The three women were born in Nottinghamshire.
But who was Elizabeth Rhodes?
Elizabeth Eaton was Jane’s older sister, born in 1797 in Nottingham. She married William Rhodes, a private in the 5th Dragoon Guards, in Leeds in October 1815.
I looked for Elizabeth Rhodes on the 1851 census, which stated that she was a widow. I was also trying to determine which William Eaton death was the right one, and found William Eaton was still living with Elizabeth in 1851 at Pilcher Gate in Nottingham, but his name had been entered backwards: Eaton William. I would not have found him on the 1851 census had I searched for Eaton as a last name.
Pilcher Gate gets its strange name from pilchers or fur dealers and was once a very narrow thoroughfare. At the lower end stood a pub called The Windmill – frequented by the notorious robber and murderer Charlie Peace.
This was a lucky find indeed, because William’s place of birth was listed as Grantham, Lincolnshire. There were a couple of other William Eaton’s born at the same time, both near to Nottingham. It was tricky to work out which was the right one, but as it turned out, neither of them were.
Now we had Nottinghamshire and Lincolnshire border straddlers, so the search moved to the Lincolnshire records.
But first, what of the two Mary Eatons living with William?William and his wife Mary had a daughter Mary in 1799 who died in 1801, and another daughter Mary Ann born in 1803. (It was common to name children after a previous infant who had died.) It seems that Mary Ann didn’t marry but had a daughter Mary Eaton born in 1822.
William and his wife Mary also had a son Richard Eaton born in 1801 in Nottingham.
Who was William Eaton’s wife Mary?
There are two possibilities: Mary Cresswell and a marriage in Nottingham in 1797, or Mary Dewey and a marriage at Grantham in 1795. If it’s Mary Cresswell, the first child Elizabeth would have been born just four or five months after the wedding. (This was far from unusual). However, no births in Grantham, or in Nottingham, were recorded for William and Mary in between 1795 and 1797.
We don’t know why William moved from Grantham to Nottingham or when he moved there. According to Dearden’s 1834 Nottingham directory, William Eaton was a “Gardener and Seedsman”.
There was another William Eaton selling turnip seeds in the same part of Nottingham. At first I thought it must be the same William, but apparently not, as that William Eaton is recorded as a victualler, born in Ruddington. The turnip seeds were advertised in 1847 as being obtainable from William Eaton at the Reindeer Inn, Wheeler Gate. Perhaps he was related.
William lived in the Lace Market part of Nottingham. I wondered where a gardener would be working in that part of the city. According to CreativeQuarter website, “in addition to the trades and housing (sometimes under the same roof), there were a number of splendid mansions being built with extensive gardens and orchards. Sadly, these no longer exist as they were gradually demolished to make way for commerce…..The area around St Mary’s continued to develop as an elegant residential district during the seventeenth and eighteenth centuries, with buildings … being built for nobility and rich merchants.”
William Eaton died in Nottingham in September 1851, thankfully after the census was taken recording his place of birth.
Topic: Story Bored
Chanced upon a storyboard website.
Challenge yourself at random connections and wild creative flexing.
In reply to: The Whale’s Diaries Collection
Hello Whale,
I don’t keep track of the days since we have been forcefully encouraged to stay home. I have plenty of carrots and chocolate mousse. Talking of mousse, I might have a mouse keeping me company. Let’s not hope it’s a family. But I heard that animals are coming back into town now that we are all cozy in our burrows. There have been mentions of chicks on the ring road. Not the kind of chick with makeup, the real fluffy and yellow ones. And one of my friends saw a fox roaming the streets while going to the supermarket. I bet he had a bag full of carrots. Now I wouldn’t be surprised having rabbits everywhere with all those carrots around.
I may sound confusing but I guess that’s what being confined does to people. I even had day dreams of birds flying in my bedroom. I swear I really saw one. Well, to be fair I only saw its shadow, but it was a shadow in the air, not on the wall. I wonder what kind of bird it was. My little pinky said it was a finch, the one my mother loved looking at in her garden. She will be part of the numbers soon. Either with her death or with her survival. Now when I think of her I see her surrounded by a bunch of animals. I even saw the fox, but I don’t think it would count amongst the animals I see in town.
Since I’m not trying to be analytic, I’ve found a strange poetry in life around here. People are talking like senators, all trying to give their certainties to the world, but I can tell you nobody knows shit and nobody has a clue. You might as well welcome the virus for some tea to get to know each other and have some interesting stories about yourself and your relation to nature.
I’m raving again. Someone told me a joke recently. The national board of psychologists published a official communiqué because they received too many calls from people. They said it was normal in this time of confinement to talk to the walls or the objects in your house, and to call them only in case the objects talked back.
What would they think if they knew I’m talking to a whale and it’s giving me advice for my writing? I can even hear them as it sends me short audio. I haven’t been able to figure out what they said in the audio though. I’m glad the advice for my writing do come directly translated and not in the form of a whale song. I’m grateful for technology in that case.
Oh and one last mention. A friend told me about the current roller coaster of the stock market. I dreamt of a stocking market. I must say it was very colourful and the seller used their stockings in very creative ways.
Keep the connection going! Talk to you soon Whale. I’ll have to find you a name. My pinky suggested Jorid so it will be my name for you.
In reply to: The Stories So Near
As it happens…
POP-IN THREAD (Maeve, Lucinda, Shawn-Paul, Jerk, [Granola])
Maeve and Shawn-Paul have left the Inn in Australia to travel to Tikfijikoo. What they are still doing there is anybody’s guess. Might have do with dolls, and rolling with it.
In Canada, Lucinda has enrolled in a creative fiction course, and is doing progress… of sorts.
Granola managed to escape the red crystal she was trapped in, after it cracked enough due to the pull of her friends’ memories.
FLYING FISH INN THREAD (Mater/Finly, Idle/Coriander/Clove, Devan, Prune, [Tiku])
The Inn is back to its normal routine, after the bout of flu & collective black-out.
Connie and Hilda have come out of the mines.
The others, we don’t know.
DOLINE THREAD (Arona, Sanso/Lottie, Ugo, Albie)
In the Doline, Arona has reunited with Vincentius, but is not ready for a family life of commitments.
NEWSREEL THREAD (Ms Bossy, Hilda/Connie, Sophie, Ricardo)
Sharon, Gloria and Mavis, are undergoing some cool fun in the cryochambers for beauty treatments.
Ms Bossy & Ricardo are speechless. Literally.
LIZ THREAD (Finnley, Liz, Roberto, Godfrey)
There’s always something happening. Listing it is not the problem, but keeping track is.
DRAGONHEARTWOOD THREAD (Glynnis, Eleri, Fox/Gorrash, Rukshan)
Rukshan is in the doldrums of the land of Giants’, an unexplored parallel dimension.
Gorrash has started to crystallize back to life, but nobody noticed yet.Cackletown & the reSurgence (Bea, Ed Steam & Surge team, etc.)
Ed is back to the Cackletown dimension after some reconnaissance job on the whole dolls story interference. Might have spooked Maeve a little, but given the lack of anything surgey, have sort of closed this case and gone back to HQ.
In reply to: Newsreel from the Rim of the Realm
“Init been quiet as being caught in the doldruffs, my Mavis?” Sha was sandwiched in the cryogenic apparatus like a tartine in a toaster, with her ample person protruding like cheese squeezed in too much.
The door flung open.
“Good Lord, aren’t them splendigious, those little tarts, meringue and all.”
Berenice, Barb’s niece, trotting in his steps, taking her role as the new temp assistant very seriously was about to voice a response that he quickly tutted away. “I wasn’t talking to you.”
“Took me a while to find out the thread though, buried through all that poubelle creative thinking and monologues, and bla and bla. Action all gone missing safe for a little excitement in Tik…” He stopped, looking around suspiciously. “They’re here, I know. Stop it, now. Hey. Shut up!”
He turned to Berenice. “I wasn’t talking to you. Who are you by the way? Has Liz or Lucinda written you in?”
Sha, and Glo, and Mavis, all squeezed in the cryotanks were not wasting a drop of the show.
“He’s been acting all strange, since he cracked that red crystal.”
“Shht, Glo. You don’t want him to get mad and stop all our beauty treatment. I can feel my skin tighten and dewrinkle.”
“T’is like ironing, fussure. Some steam and a good hot iron to remove the wrinkles.”
“Ahahah, wrinkles yourself, they’re more like crevices, hihihi!”
“But first, nuffin like a ice treatment to tighten the glutes.”
“Oh uhuh, haha, she said glutes like a snotty beauty specialist. Next she’ll say we need to do Pontius Pilates…”Berenice couldn’t help herself. She blurted out in one quick sentence “But what are you planning to do with them, Doctor?”
He paused a moment his conversation with the invisible guests then turned nonchalently at B.
“But just… perfecting them, sweet thing. Oh, and love what you did with the beehive.”
In reply to: Pop﹡in People Tribulations
The creative writing course teacher, or “Helper” as they liked to call themselves to avoid any suggestion of hierarchy, was an arresting looking woman of indeterminate age and the most extraordinary red beehive hair do. The colour and style of it, and the aplomb with which Helper Effy carried it off, distracted Lucinda sufficiently during the first part of the lesson that she heard none of it.
At one point Helper Effy glared at her, and Lucinda quickly averted her gaze, realizing her mindless gaping stare had been noticed. She closed her eyes to better pay attention.
“What’s the first major confrontation, or action, or dramatic event in your novel that comes to your mind?” the Helper was asking. “Why? Because if it is the first thing you think of, then it’s your chimney poking through the hardpan.”
Not quite sure what a hardpan was, Lucinda never the less felt she’d got the gist of the thing, and hoped she wouldn’t be too distracted by the question of the hardpan.
In reply to: Pop﹡in People Tribulations
Bugger them all then, Lucinda said to herself, I’ll carry on here without them.
For a time she had been despondent at being abandoned, sinking into an aching overcast gloom to match the weather. Waiting for it to rain, and then waiting for it to stop.
On impulse, in an attempt to snap out of the doldrums, she signed up for a Creative Writing and Rambling course at the local Psychic Self Institute. Institutionalizing psychic matters had been the brainchild of the latest political party to gain power, and hitherto under the radar prophets, healers and remote viewers had flocked to sign up. The institute has promised pension and public health credits to all members who could prove their mental prowess, and needless to say it had attracted many potential scammers: useless nobodies who wanted to heal their diseases, or lazy decrepit old scroungers who wanted to retire.
Much to everyone’s surprise, not least their own, the majority of them had passed the tests, simply by winging it: making it up and hoping for the best. Astonishingly the results were more impressive than the results from the already established professional P.H.A.R.T.s ~ (otherwise known as Prophets, Healers and Remote Technicians).
This raised questions about the premise of the scheme, and how increasingly difficult it was to establish a criteria for deservingness of pensions and health care, particularly if any untrained and unregistered Tom, Dick or Harry was in possession of superior skills, as appeared to be the case. The debate continues to this day.
Nothwithstanding, the Institute continued to offer courses, outings and educational and inspiring talks. The original plan had been to offer qualifications, but the entrance exams had provoked such a quandary about the value and meaning (if any) of qualifications, that the current modus operandi was to simply offer each member, regardless of merit or experience, a simple membership card with a number on it. It was gold coloured and had classical scrolls and lettering on it in an attempt to bestow worth and meaning. Nobody was fooled, but everyone loved it.
And everyone loved the tea room at the Institute. It was thought that some cake aficionado’s had even joined the Institute merely for the desserts, but nobody objected. There was a welcome collective energy of pleasure, appreciation and conviviality in the tea room, and it’s magnetic appeal ~ and exceptional cakes ~ ensured it’s popularity and acclaim.
A small group had started a campaign to get it placed on the Institutes Energetic Cake Connector mapping programme. As Lucinda had said in a moment of clarity, “A back street bar can be just as much of an energy magnet as an old stone relic”, casting doubt over the M.O.S.S group’s (Mysterious Old Stone Sites) relevance to anything potentially useful.
“In fact,” Lucinda continued, surprising herself, ““I’ve only just realized that the energy magnets aren’t going to be secret, hidden and derelict. They’re going to be busy. Like cities.”
Several members of the M.O.S.S group had glared at her.
Lucinda hadn’t really thought much about what to expect in the creative writing classes.
In reply to: Sold! To The Man In Pistachio
“Josette, you got to do something about that crippling continuity anxiety of yours.
Since when do storytellers have to explain themselves. Be creative, and let the creative flow wash away all doubts.
“You can’t be dry already after the exhausting eight words of foreshadowing suspense you just wrought, or shall we rename this a Course in Floundering Beginnings? So, take a deep breath and try again: “once upon a time…” what already?”In reply to: Seven Twines and the Dragon Heartwoods
The vegetable garden was luxurious and greener after the rain. The trees were trembling with delight in the light afternoon breeze.
Rukshan found Fox seated upright and legs crossed in between the courgettes and the purple cabbages. His eyes were closed and he didn’t flinch when the Fae approached.
“Are you meditating?” asked Rukshan who wanted to get going on the mission already.
“Kinda,” answered Fox without opening his eyes. “I’m using my imagination as a creative tool in order to make the carpenter show up and finish his work.” He breathed in deep and exhaled a humming sound.
“I think you’re mistaken. It’s not about making the other do what you want.”Fox opened his eyes. “Don’t tell me what to do,” said Fox feeling a tad tense. “It’s a technique transmitted to me by Master Gibbon.”
“I’m just saying…” began the Fae.
“Oh! You’re happy, I can’t meditate now I’m too tense,” Fox bursted out.
“I guess if you got tense that easily, you weren’t that relaxed in the first place.”Fox got up and squished a courgette. That seemed to put him into even more anger, but Rukshan couldn’t help laughing and Fox couldn’t keep angry very long. He walked on another courgette and laughed.
“I don’t like courgettes,” he said.
“I know. Glynis will not be very happy though if you crush all the vegetables.”
“Yeah. You’re certainly right. When are we leaving?”
“Mr Minn’s nephew, who’s a carpenter, was just visiting in the city and Margoritt asked them if they could help with the carpentry. You know how Mr Minn can’t resist her charms. They have collected the material from the other carpenter and they are coming tomorrow to finish the work. So we’ll be ready to go. I just have to convince Glynis to let Olli come with us.”
“Margoritt is coming back?”
“No. She’ll stay in the city. You know, her knees… and her sister being at the cottage.”
“Oh! I had forgotten about her,” said Fox raising his eyes to the sky.In reply to: Pop﹡in People Tribulations
Granola, with all the expounding of new information felt a bit dizzy and in need of a quiet recap.
The squishy giraffe was a place as good as any for a bit of rest, but to be perfectly honest, the pets around the place didn’t make the greatest conversationists. And she didn’t want to look like she didn’t do her homework and get admonished by her bleu friend.“Think,” she said “by now, you can go about any place in their expansively creative stories.” —which was actually, like travelling inside her friends’ memories, considering the time they all spent in these universes, they were almost real, quite tangible.
“Think about one of their character, one who always seems to hold answers…”Bam swoosh
“It didn’t take long.”
She could squint in the dark and see a faint glow. “Wait… Don’t tell me I’m in one of these… kluknish… what’s these bat things with the impossible name…”
It’s glükenitch actually the voice was coming from below, but speaking directly in her head. And you don’t have to hide in one, really. Don’t you have some better character to be?
She recognized the dragon. “Shit,” she muttered, “that’s not the one I was thinking about; always answering in riddles, that much I remember; don’t need to add more confusion! As if speaking through the whale last time wasn’t messy enough.”
True, but you got a glimpse of one of the keys, haven’t you?
She froze in her tracks. “What do you know about these keys?”
Not much, I’m loath to say. Besides, what should I know about it, I’m not from this world, am I now?
“Damn riddles,” she said. But the dragon had a point. She wasn’t in the right world to check on her friends.
“Can you tell me something useful at least?” she asked the dragon before deciding to pop-out.
Maybe, yes… See, you pop-in naturally where the action is. It’s only natural that the bigger the action, the stronger the pull…
Granola hadn’t thought of that. She had been a bit too focused in getting more physical and interacting outside. But the last week (in her friends’ time continuity), there has been more targeted jumps, less chaotic, and more frequent. It’s like she could tune in.
And for now, the pull was in Australia.
Come to think of it, she may have had a concurrent focus there. She only had to believe she could be there, right place, right time, right person… An Aboriginal woman, what was her name?Tiku…
