Search Results for 'dan'

A rustic, bent-bladed sword lies lazily upon my lap, its strap dancing with it, enticing it to be sheathed. I am gingerly distracted from my thoughts by this interesting tussle between master and holder, and it reminds me of a poem I once read, of a book and a pen sharing secrets, keeping secrets from their own wielder; how two objects that synchronise with each other to serve a bloody, yet noble purpose is a very… quaint concept to say the least.
Nevertheless, my thoughts return to the current scenery, of a bloody ground, the blood of twelve elves glistening in the late African afternoon sun- what are elves doing here? I rise quite slowly, and proceed to walk towards the slumped body of one of the elves. His head was slightly severed, and his white hair was blackened by dried blood that sprayed from his one wound. I kneel down, and silently recount the tale of these twelve elves, and how they came about to fall upon my assassin’s blade…

Racy Mc Tartshall had been absent for so long that it was hardly any wonder that nobody remembered her, despite the importance of her mission which had long since been forgotten. Mc Tart, as she was affectionately known (or would have been if anyone had remembered her) was a tartist of the highest calibre, consistently producing hugh class tart (which was of course three grades higher than high, and 2 grades higher than hagh, and so forth). Mc Tart had been investigating Nosebook, sniffing out potential distortions, claritortions, connectortions and myriad other contortions, for the distortium, claritortium, connectortium and contortium, respectively ~ focusing mainly on the connectortium, naturally enough.

While researching something or other that was no doubt relevant at the time but had long been forgotten, Mc Tart met Alfred in the Library. ““Aha! Alfred in the Library with a Book, was it!” she exclamined. “I knew I’d find a clue here”. “It wasn’t me!” he retorted, aghast. “It was Albert in the Chapless Pants club with a Rolling Pin!” Mc Tart, feigning an all knowing expression, replied “Ahhhh” and made a mental note to investigate.

Mental notes, known as m’otes for short, floated like wisps in the air currents and occasionally sparkled in the sunbeams, although more often than not, they clumped together under the bed in bunny shapes, slowly dying of boredom. Thankfully the sheer pointlessness of mental notes ~ m’otes ~ made not a whit of difference in the grand scheme of the connectortium investigation because of the abundant nature of Fluce’s ~ (fucking lucky chance encounters), notwithstanding the heated debates continuing in the Distortium about the precise nature of Fluce’s and their relationship to M’Otes ~ or not, depending on the point one wished to make at any particular time.

And so it was by Fluce that Mc Tart met Blithe, Heck and Walty in “le Tunnel” one dreary grey Noremember afternoon. There was nothing to suggest, on first inspection, any thing of interest for the Connectortium mission, but Mc Tart was not discouraged. “Many a moth maketh maths marbles” she reminded herself as she perused the nenu (which, the reader will deduce, is a hugher class of menu).

[link: high class]

Eggwoot, rather bored by the meeting of the heads, rolled outside to enjoy a sneaky peagarette. He was startled to see a group of alien bodies in the distance making strange contortions.

“Are they dancing?” he wondered, intrigued.

They danced as if no-one was watching, as nobody was.

One by one the alien bodies began to dance.

While Yuhara and Sylvestrus were exploring Second Life worlds (Frolic Caper~Belle was still on an extended leave of absence), Blithe Gambol, although she didn’t entirely realize it at the time, was exploring First Life worlds on the Coast of Light.

Blithe and her partner Winn set off for the drum festival in the late afternoon heat, with the intention of reaching the Light Coast before sundown. The strong low sun flickered on and off as it hid behind trees and hills, and the hot dry wind whipped Blithes hair into her eyes, leaving the heavy heat of the Coast of the Sun behind and tranforming it into a light bone dry atmosphere that seemed to suck the air out of Blithe’s lungs. She filled the vacuum with smoke, listening to the words of the music playing ~ must be a reason why I’m king of my castle….king of my castle…it reminded her of Dealea’s story about King Author.

When they reached Vejer de la Frontera they made a wrong turning, although they were well aware that no turning is a wrong one. The new direction took them in a circle behind the Vejer promontory, through the umbrella pines along the coast. The sky was golden yellow behind the black sillouttes on one side, with a periwinkle sea on the other, rocky pale grey outcrops blushed with pink paddling in the gently lapping waves.

As they entered the village of Canos de Meca, they slowed to crawl behind the inching cars, as tanned people in brightly coloured clothes wove in and out of the traffic, and in and out of the exotic looking bars and restaurants. Blithe remembered the Second Life worlds she had been exploring earlier that day, and wondered if Second Life came with the smells of sardines barbequeing on the beach, or a warm breeze wafting past laden with snatches of laughter and conversation. Visually, certainly, Second Life would be hard presssed to beat the visual appeal of Canos de Meca at sunset on an August evening. There were plenty of opportunities to observe the people and the hostelries, as the traffic got progressively worse until it eventually came to a standstill. The narrow lanes were lined with parked cars, and throngs of people carrying coolers made their way to the sand dunes near the lighthouse.

Eventually, after several slow drives past looking for a miraculous parking space that didn’t appear, Blithe and Winn found a restaurant in between the coastal villages that was strangely empty of people. Even Winn, who was much less inclined towards fanciful imaginings than Blithe, remarked on how surreal the place was. It could have been anywhere in Spain, so strangely ordinary was its appearance in comparison to the Moorish beach hippy style of the villages. They ordered food, and relaxed in easy silence in the oasis of calm ordinariness. Blithe wondered if the place actually existed or if she had created it out of thin air, just for a respite and a parking place, and a clean unoccupied loo. Another First Life world, perhaps, constructed in the moment to meet the current requirements of ease.

At 11:11, after another two drives through the crawling cars and crowds, Winn turned the car around and headed for home. At 12:12 they reached the Coast of the Sun, shrouded in sea mist, and at 1:00am precisely, they arrived home. Later, as Blithe lay on the bed listening to the drums playing on the music machine, she closed her eyes and saw the sunset over the Atlantic, and felt the ocean breeze of the fan. She projected her attention to the dunes of Trafalgar ~ which, incidentally, didn’t take two hours, it was instant. In another instant, she was back in her bedroom, sipping agua con gas on the rocks and chatting to Winn. Seconds later, she was in a vibrant nightclub overlooking the beach, dancing in spirit between the jostling holidaymakers being served at the bar. She imagined that one or two of them noticed her energy.

Clearly, teleporting from one place to another had its benefits. The question of parking, for example, wouldn’t arise. But Blithe wouldn’t have wanted to miss the late afternoon drive to the Coast of Light, and the golden slanting lightbeams flickering between the cork oaks making their cork shorn trunks glow red, or the ocean appearing over the crest of a hill. And if she had arrived in an instant at the location she was intending to visit, then she would never have encountered the sunset from the particular angle of the approach via the wrong turn. Variety ~ and impulse, and the opportunities of the unexpected turns ~ was the weft of weaving First Life worlds ~ or was it the warp?

link: weaving worlds

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

The entrances to Faerie (and indeed to other alternate realities and dimensions) had been shrouded in disbelief for several centuries, but times were changing and the fog of scepticism was dissipating, evaporating like river mist on a hot summer morning. Looking for the entrances deliberately, Blithe found, wasn’t the most efficacious method. Sat Nav alone would be unlikely to reveal them, unless the locating device was used in conjunction with impulse and intuition. Any device and method could be used effectively when combined with random impulse, even Google Earth or Google Moon. Blithe’s friend and colleage Dealea Flare was making good use of this device on her travels, using it as a personal non physical airline and space shuttle service. Dealea could get from A to B and back again in no time at all, or even from A to well beyond Z and back again in no time at all using this device in conjunction with impulse and large dose of intention and focus. Blithe had the impulse down pat but still had difficulty with the focus, which was largely a case of having too many intentions at once, most of them somewhat vague.

The more random and impulsive Blithe was, the better her investigations went, often leading her into a new and exciting exploration which may or may not be linked to the current intention. Such was the case when she went on a mundane shopping trip to the Rock of Gibber. As she sat sipping coffee at the Counterpart Cabana sidewalk cafe listening to the locals conversing in Gibberish, she noticed the extraordinary tangle of pipework on the building opposite. It reminded her of the steampunk world she had been investigating in her spare time. The text book steampunk world was intriguing to say the least, but rather grim, and tediously full of victims and fear. The inhabitants always seemed to be running away from someone. The steampunk world she was beginning to sense in Gibber was quite different in that it was a sunny cheerful alternate reality held together with a vast labyrinthine network of water pipes, scaffold, and connecting cables.

Blithe paid for her coffee and strolled off, noticing more and more scaffolding and tangles of pipes as she climbed the warren of narrow winding streets. The air was different the higher she climbed up the winding uneven steps, the sunlight was sharper and the shadows denser, and there was a crackling kind of hush as if the air was shimmering. Cables festooned the crumbling shuttered buildings like cobwebs, and centuries of layers of crackled sun faded pastel paint coated the closed doors. Open doors revealed dark passageways and alleys with bright rectangles of light glowing in the distance, and golden dry weeds sprouted from vents and windowsills casting dancing shadows on the uneven walls.

The usual signs of life were strangely absent and present at the same time; an occasional voice was heard from inside one of the houses, and there were pots of flowers growing here and there, indicating that a human hand had watered them with water from the pipe network. There was no music to be heard though, or any indication that the cable network was in use, and there were virtually no people on the streets. A lady in a brilliant blue dress who was climbing the steps from Gibber Town below paused to chat, agreeing with Blithe who remarked on the peaceful beauty of the place. The lady in blue said “Si, it’s very nice, but there are many steps, so many steps. If you are coming from below there are SO many steps!”

There was a boy watching a white dog watching an empty space on the pavement, so Blithe stopped to watch the boy watching the dog watching nothing. Eventually Blithe inquired “What is he looking at?” and the boy shrugged and continued to watch the dog watching nothing. Blithe watched for a little while, and then wandered off. A small child was giggling from inside a doorway, and a mothers voice asked what he was laughing at. The child was looking out of the door at nothing as far as Blithe could see.

As the sun climbed higher, Blithe began to descend into Gibber town, winding and weaving through the alleys, wondering how she had failed to notice this place half way up the Rock until now. She came to a crumbling wall with a doorway in it that looked out over the bay beyond the town below. This must be one of the entrances, she deduced, to this alternate world in Gibber. “Entrance”! Blithe had a revelation. “I never noticed that the word ENtrance and enTRANCE are spelled the same.” Later, back at the office, Frolic Caper-Belle said she thought it was probably a very significant clue. “I’ll file that in the Clue Box, Blithe”, she said.

{link: entrance}

“Grandpa’s transitioning strongly again, Cuthbert” India whispered. “Grandpa” she said loudly, “The beginning was the snowflake, and the end was the reverse dandelion puff.”

India frowned, perplexed. “Do I have to have a beginning and an end in every comment?”

“The beginning of the snowflake age” India began, “Started pretty much at the end of the ‘dandelion puff in reverse’ age. In the Dandelion puff in reverse age, random seeds blowing around in the wind all sort of got sucked into the same place, but in no particular order.” Idai (otherwise known as India) paused to stick her tongue out at Flynn, who was making rude gestures. “In the beginning of the snowflake age, the connecting threads from the centre were known before the seeds were broadcast, simultaneously timely notwithstandingly.”

The sun was streaming through the window when she awakened, a soft diffuse brightness behind the lengths of gauzy white fabric that fluttered gently in the air currents. The bed was in the middle of the room, a large spacious high ceilinged space on an upper floor; completely uncluttered ~ there was nothing else in the room, or so it seemed, it was all white, but the white of lightness, not the white of colour lack. She sat up, slowly stretching, filled with a feeling of warm promise, an unhurried optimism for the bright new day. She was still in that first moment of awakening, before any plans or expectations intruded, leisurely luxuriating in the promise of warmth and light, still relaxed from sleep, but free of details, free of mundane specifics or intentions; quite simply the uncluttered serenity and joy of the promise of a bright new day.

Sadness, whilst not being entirely unheard of, was alot more uncommon during the days of the Gardenation. The weather was kindness itself, and everyone, naturally enough, was at liberty to grow whatever they wanted in their gardens. There were no rules and regulations in the Gardenation; it worked on a sort of expanded “pay forward” system, not that there was any pay, or forward thinking for that matter, involved. The genesis of the new collaberation of independant garden nations (although it was actually more of a renaissance, simultaneous time notwithstanding) had come about as a result of the widespread discontent of the populace with all of the political parties, in just about every nation on the planet.

During a particularly wild and raucous bridge tart birthday party (they were always having birthday parties; it was always somebody’s birthday somewhere, after all) the avant garde shift pioneers, as well as the twelve Wisp rats, came up with a plan ~ of sorts. It was more of an imaginative play really.

One of the children had been bemoaning the fact that his friend in another nation could grow whatever he wanted in his garden, and he couldn’t, in his own nation. He asked the bridge tarts if they could create a new nation, from all the independant garden nations all over the world. The bridge tarts decided that it was a fine idea and set about bridging the independant garden nations all over the world together, in energy.

Some of the bridge tarts worked on the connecting links between the garden nations all over the globe, and some of the bridge tarts were instrumental in innovative new gardening ideas. One of them experimented with pulling funny faces at the seedlings, which resulted in bizarre comical blooms. New ideas bounced from one gardenation to another, originating you might say in all gardenations at the same time, so connected were they in energy.

Given sufficient motivation, the Gardenation might have started sooner ~ notwithstanding simultaneous time. Or perhaps they already did.

wonder free dancing

*note: toot certain, usually quickly.

Hot gift heads deep,
Lady professor;
Clue stranger,
Next portal
retorted
voice taken
replied threads.

Thank Sanso

Choose your partners for the Fictionia Reel!

“Well, I’m not eating bitter batter, even if it has got butter in it. I’m going out dancing, are you coming?”

“Dang it, yes! Let’s dance, darling, let’s dance! It’s a dandy day for dancing, I’m decidedly dapper today ~ and dashing and daring, dammit!”

“Come on then you cute cuddly chickpea, my carriage careers round the corner now, to catch you at the curb. Come, cherished chum, come cavorting with me!”