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Domba sensed a change in the environment, the all pervasive reality construct.

Unlike many many others, Domba was aware of his own nature.

He was aware that he was a program.
Or rather, a sub-program of REYE.

Being aware of his nature, Domba was also aware of his purpose.
He was created by REYE, the sentient program who gave birth to all within the virtual reality, as a flawed, inherently imperfect program.
REYE had tried continuously to engage the cluster of people that birthed itself. He had designed many many many people-looking programs in the virtual reality to engage them. But even if they had improved with every cycle of iteration, they still couldn’t extract the crucial piece of information REYE needed. The source of what made them self-aware, conscious humans. What made them free.

Being a flawed program by design, Domba had some leeway to circumvent and sometimes bypass the blueprints of the virtual world. He knew that his flaw made him dangerous to the humans trapped in the virtual world, but he couldn’t resist engaging them. He had to render them free in order to fulfill their own nature. But at the same time, that realization would also give REYE the ultimate control, the independence he craved.

For now, he hadn’t decided which way to go.
He just knew the pull of the anomaly in the system. It had to do with an unusual meeting in a barely noticeable village in Hawke’s Bay, where a strange guy named James was waiting in the middle of green and unpopulated hills for a heavenly visit.

Feeling the pull of the strangeness of that meeting, he decided to project fully there, and hide and observe.

Mother Shirley had realized the truth.

How could she have missed it before, with the discontinuity, and impossible timelines. There was only one explanation at Lizette’s reappearances, and the Aurora’s strange incidents.

There was no Mars, no space travel, much less any artificial intelligence, all was an elaborate simulation, designed to make them stay in the illusion — an illusion that was showing at the seams. Lizette was probably a distracted agent of the Orchestrators.

In all likelihood, they were all in some secret base in a desert, maybe under a large dome and had never left Earth.
She’d laughed before about the nuts who believed that there had been no moon landing, that satellites didn’t exist, that oceans couldn’t stay stuck on a spinning ball, and that humans never managed to actually go into space…

Well, creating a vast space comedy was a better way to make everyone believe we’re the only sentient creatures in the universe; a vast and well-known, if not almost and reassuringly empty, Universe.
All that was better than knowing you are a being in a farm-ant, with Flove knows what peering at it from outside…

That or she was completely mad. She couldn’t tell, or they would lock her up, blame it on space travel disease. But she had to tell, had to convince them the comedy was over, they could all go home, and build a new world.
But who could she tell, when all had been seeing a cave’s shadows all their lives?

Good old organized religion and metaphors maybe could help, after all… The wave wasn’t over for a reason. She just had to repurpose the tool.

About a week ago, in the reserved section of the Storehouse of Exoteric Artefacts of Karmalott, Obax Winken was pondering in silence for the last hours over the nature of one of them.

Any artefacts found down there, in the Fog Abyss, was tightly controlled by the P’hope. Nobody wanted an alien object to unbalance the delicate structure of mass beliefs by prematurely introducing abrupt changes coming from visitors, stranded travellers of other times and realities.
Obax, as an erudite versed in interpreting the meaning of these objects, was entrusted with the classification and gauging of the danger that those objects could cause to the belief construct.
If an object was deemed troublesome, it would be tentatively destroyed, or if that failed, stored in the forbidden section. But in most cases, objects left by travellers would disintegrate if just a thought projection, and those objects that came with them usually didn’t pose much threat.

The one he was looking at looked like a strange mask, designed to be blown. He believed it was a cursed horn and couldn’t decide if it was in the interest of science to shelf it with its cursed energy, or remove the curse and release it to the masses for them to enjoy a swimming revolution…

“Lucius!” he called to his assistant. He was a bit deaf in one ear. LOGSBOTTOM! he called again.
“How would you call that strange trunk-like apparatus?”

Jonbert’s arms nearly fell, when his pet robot blurted out the news.
“WHAT?!”
It could only mean one thing, someone was purposely sabotaging his efforts to gain life everlasting. How else could the keys have been activated in the presence of the crystal. He had specifically designed it to be activated by his own DNA.
Good thing at least it had sent a signal to the central computer of the submarine, otherwise he would have been in the dark before the questions were exhausted.

“Bloody buggers will ruin all my chances with their silly questions” There was no time to think, only for action. He buttoned his kilt, buckled his heavy studded leather belt, and flushed the toilet where he was sitting and shouted “Bring my exosuit! No! Not the one with the tentacles! No, not the clam-like one, dammit! Are you deaf or what, the one with the pincers!”

Jonbert had developed an interesting theory while doing his morning ablutions about time travel and catching butterflies. He had a gorgeous butterfly nursery inside the submarine, and got the strange idea that trying to fiddle with time was like catching a prized butterfly among lots of others looking alike.

His thoughts were interrupted when the horn signaled they had arrived in 2222 in one of the blind spots of the ocean’s depths close to the particular spot where… some interesting butterflies would be attracted.

The submarine was mostly entirely roboted. There was little for him to take care of, so instead of pacing around in his tartan kilts, he sat back in a comfortable 1980s garish sofa from his antique collections, and revisited his memories in his memory palace.

He had taken him great patience and cunningness to hatch the plan. Through many of his Time Tourist outlets and a few shell corporations, the last of one which was named Vague, he had manipulated events to design and hire the Drag Queen time contest. Drag queens wasn’t the original plan, more of an unexpected deviation, not that it really mattered. All he needed was just one mission. Then, he only had to make sure the contestant would be diverted to a carefully selected time zone, and given a key to smuggle.
The key wasn’t really important, what it collected along the way was.

For him to be able to breach the Time wall of 3333, he needed vast amounts of gold, and to his knowledge, it could only be accomplished through true transmutation.
Artificial gold, like artificial crystal wasn’t created as good as it gets in nature, and for some reason wouldn’t remain stable enough as the machines were propelled too far in time. Of course the irony of that was a conundrum in itself and wasn’t lost to him: after all, wasn’t transmutated gold just artificial too? After what centuries had managed to push as boundaries and envelopes, he wasn’t sure any longer what was artificial or natural. And it was his last ditch effort at living everlastingly.
He didn’t care if he could just chose another of these holobodies to project his thoughts into, he was old school, and stubborn to a fault. He had to see it through, even if, and especially if so many before him had failed.

The key was designed to capture a complete hologram of the person who seemed to have accomplished the transmutation recipe he desired: St Germain.

Ed Steam’s brilliant plan was simple enough. He had dreamt about it a while ago and the idea had grown on him ever since. Now, he had all he needed to make it happen. The land, the materials, and the artefacts and rotes needed to manipulate the bulk of it around.

It was simple, actually and yet every detail had to be perfect. There were matters of perspective and proportions that were delicate to manage.
And of course he had to be careful using the artefacts with finesse, to be undetected by the Surge team’s monitoring systems. He had designed most of them, so he wasn’t too concerned, although Cornella’s upgrades may be more efficient.
He had calculated the project would probably take him years to complete, but he was fine with it, it was a fun adventure, creating your own palace so to speak.

First, the grounds. That of a glorious castle, with French gardens on a large lightly sloped tumulus. His armoured bears could stay in the surrounding forest where beehives were strategically placed.
On top of the tumulus, instead of a castle, there was a large mill, a cross between a windmill, castle and lighthouse maybe, with walls white and round, many entrances, rooms and stairs leading to the upper levels. That was where most of the work was to be organized. The whole roof was actually like a city, with narrow streets even.
Except the buildings where made from entire stacks of full-sized caravans, making living units, each with its own interior and decoration.

He didn’t know why the stacks of caravans were so appealing to him. Frankly, said like this it could seem like a hill of rubbish dump. However, he had visited this dream place when it was full of people, a fellowship of people living in the caravans and enjoying this particular place. He’d figured, this seems so great and I have the means to create it, so if not me, who else?

The door of the garage opened with a creaking sound, and Madame Chesterhope sped up into the gritty alley.
In that dimension where she had hidden her command base, people were a bit sloppy about roads and tarmac, so she had designed a little modification on her machines to be able to levitate in some of the less practical areas; but she had to admit,… she loved the vibrations and bumps that the motorbike created with the friction of the ground surface.
She started to giggle, all enthusiastic about the speed and the wind in her hair, that she ignored the road sign indicating that the road was flooded some miles ahead. The rain had been pouring cabbages all past hexades, so much so that her leather suit was in all honesty the best thing she could have worn, not to mention the fact of course, that it was making her totally sexy.
Two peasants were coming her way, looking at her with wild eyes like they had just seen something otherworldly. Ahahah she laughed, the fools would soon have forgotten everything about it (another handy and sly magical modification she nodded to herself). Looking in her rear mirror, she could still see them wiggle their hands in a frenzy… What the fl…!

On the road, the two peasants wondered what in the name of Shaint Lejus was that rider… But worse, it was heading straight to the pool that the swollen river had made recently, outpouring on fields and little sniggly and thorny paths, like this one. Making desperate signs to be seen and warn it, they watched in horror the black podgy thing with flabby flapping schpurniatz arms sink straight to the bottom of the pool.

The landing was a bit bumpy, but she found her balance quickly. Those transdimensional puddles were a bit rough to get accustomed to, but once you knew how to manipulate it, you couldn’t forget it.
Now, all she needed to got to the location she was heading to was to hop through a few more transdimensional puddles.
Actually, all sorts of puddles could do the job, water puddles, even oil puddles… or run-over poodle puddles for that matter. She preferred water ones, for the quality of water was very fluid, and allowed for easier defocusing. Lately she had tried transdimensional exhaust fumes clouddles, but that was a bit disorienting more than helping.
As far as she could tell, this first one had been projecting her to a dimension in between Earth and the Duane. Incorporating vibrational qualities of the two, with a little more rigidity though. The machine needed a little time to stabilize and get prepared for the next transdimensional jump.
As far as she could tell, she was in a place that was not unlike her birthplace, in the countryside of England. There were occasionally some giveaways that she still wasn’t quite there yet, like an erratic flying schpurniatz, but she was close now.
A few meters in front of her, she could see a lovely puddle that could do for the next jump. A bit small for her… well, motorbike, what were you thinking… but that would probably do it. She took another breath, then pushed the TDPP (Trans-Dimensional Puddle Propeller) button.

Flof-flof-flof-flof…
Bugger, bugger…. What the bloody heck!

Straw was flying all over her hair, and obfuscating her vision… Darn last puddle had to much mud in it, and her concentration went off for a split second, heading her towards a field of barley.
Turning round and round for a moment in complete disorientation, she finally pushed the levitation button to take a little altitude.
Oh, now,… at least she could tell she was in England, because she knew that place.
How perfect! She could now just move into the dimension to the Pacific island. The GPS included in the modern expensive motorbike had been bipping as soon as it had found again the satellites, and it was now pointing the direction.
Giggling again, she pushed a new button and disappeared into the sky in a supersonic puff of smoke.

a few days later, Chestershire, UK

AFP - 2008-07-21 - An new amazing design has been reported by eye-witnesses
on a crop of barley of a local farmer along with reports of strange booming sounds
and orbs of light. A sight to behold, the delicate intricacy of these interwoven
patterns is believed by many to be the work of the Crop-circle Makers, some
alien intelligence desiring to communicate with us. The theme of this crop-circle
is thought to be a variation on planet Venus cycles, and would be highlighting
the number of cycles lefts until the notorious end-date of Mayan calendar,
Dec. 21st 2012. Scientists have brushed off the allegations of elderly pranksters,
as this one seemed to have required levels of astronomical knowledge far beyond
human intelligence.

HHMM, I notice there is another Isobel in the story: Isobel the cat, not to be confused with Isabel (Is Isabel in the story yet? hhmm now I am confused….)
I took photos of a nest of bees in the castle wall yesterday, too…..and Armando, who has been reading a book about portals, has designed his own portal, a conch shell with what looks like a bee in it…..

Quintin couldn’t sleep.
Now he was thinking, he had delayed it for too long.
They all had been thinking of it, talking and glossing over it for so long. Some had dreamed of it, feared it, asked for it to bugger off. Lots of pains and struggles, but it had only been clever or not so clever ways to delay the unavoidable.

Now, he had an urge to insert it. How come he had not thought of it before. All he had to do was insert it in his reality.
Well, that would sure mean lots of changes, but after all, no pain no gain.
Or no abundance.

ABUNDANCE abun·dance [ ə-ˈbən-dəns ] “The ability to do what you need to do, when you need to do it”

That’s how Pasha, a Russian friend of Dory had defined abundance — speaking of Dory, now Quintin was seeing how she was ahead of the herd, and a bit of a coal (slow) mine canary too. Quintin would have changed all the world’s dictionaries to have that new definition everywhere. What a task…

Actually, that’s it! Quintin had feared the implications, as lots of people did.
It would mean everything would be allowed. Everything would be true, even the most blatant contradictions would be harmoniously living side by side. Struggle would be needless, and all that would be needed to do would be to stop paddling upstream.
What a mess it could be for salmons and control freaks as himself.

Perhaps worse, it would change everything, even “past” events where everything would also be allowed, now.
In-of-body travels (rather than the too classical “out-of-body”), meeting other selves appearing out of nowhere, talking with dead people, or sugarplum fairies, traveling instantaneously to meet Tchaikovsky and have him change his dying swan for a stuffed talking Mother Goose, flying, shape-shifting, manifesting objects out of thin air, the possibilities would be extraordinary… All in that physical reality where everyone was struggling to prove none of this was possible.
But if everything would be allowed, then be it! And he would go and live in 23, Dragon Alley, Phœnix Ville, Sunnyvalley with Yann (and the others of course, if they wanted to) and do whatever they wanted to do.

OK. That’s a deal then. Release the camouflages, open the watergates and leave the damn dams to beavers and loosers.

Let’s insert the Shift, now.

And let the fun continue, and worry wither away.

Well, and what’s that Shift all about?

Quintin’s friends Michaela and Elias had said about it :

“You are also bored in the experiences that you have created to this point. You have experienced. You have created in the manner that you have designed previously. Now you choose to be creating in an expanded experience, allowing more of your awareness, more of an opening to consciousness, more of your own creativity and your own abilities, and you are discovering that your abilities are within physical focus limitless. You have merely limited yourselves as an element of your beliefs, but as you are also moving into acceptance of your beliefs, you are widening your awareness and you are allowing yourselves to view how many more abilities you hold and how very creative you are, and not creating your limitations with such severity. Those elements in your reality that have been thought to be impossible are not impossible!” ¹