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  • #416

    1/11/2007

    Finn felt the time had come to call a meeting.

    She closed her eyes and waited to see which of the others would appear.

    Yuni1 arrived first. Yuni had first arrived in her meditations about a year ago, a playful, mischievous character, gnomelike, who nonetheless had always given her very wise and practical advise. Armelle the wise Owl appeared next, silently, her loving energy enveloping Finn. The Indian also appeared. Finn did not know the Indian’s name, she called him White Feather and she was pleased to see him there, having not seen him for some time. A playful Lemur came bounding over. There were several other energies present and Finn knew they would make their identity known if needed, but she could feel their support.

    I have been feeling quite heavy for several months now and it has been becoming more intense. I am tired of it. It’s as though I am wearing the cloak of heaviness again. I don’t understand it, and I don’t know how to take it off, Finn announced to the assembled group.

    I want to know if you can help me?

    Yuni spoke first, or rather he waved the faith document2 at her. Finn winced. She remembered the document well. I didn’t know you meant this long, she said quietly.

    Armelle gave her a gift. When Finn opened the box, there was a joyful explosion of light and colour. There was also a key.

    The key is Self Trust, said Finn, answering Armelle’s unspoken question.

    White Feather had been whittling a piece of wood. He handed it to Finn. It was a staff. This symbolises powerful magic, he told her.

    Finn felt herself withdraw, not wanting to cause offense and reject the gift, yet not feeling worthy.

    This is your decision, said White Feather

    Finn felt Armelle smile at her. She took the staff and thanked White Feather.

    Do you remember the boxes you made as a child? asked Armelle

    Finn nodded. It was one of the games she had loved to play with her older sister, transforming old cardboard boxes into designer rooms. They would painstakingly and lovingly decorate the interiors to create new worlds. Once the rooms were created they may play with them for a few minutes, but would pretty soon be onto the next one, it was the creating they loved.

    Cast your mind back a few years, Armelle said. What were the things you wanted then?

    Finn cast her mind back.

    You have it all don’t you, said Armelle gently.

    Yes I do, said Finn. Everything I wanted I have in my life.

    You have created powerfully Finn.

    Why do I feel so heavy? I suppose because what I thought I wanted has changed and I am trying to still keep it the same. Finn wanted to cry.

    I don’t really know what I want anymore though.

    What do you know? asked Armelle

    I know how I want to feel.

    :fleuron:

    Finn was on a raft, floating downstream. She closed her eyes and decided to let the river take her where it will.

    1 Finn had tried to spell Yuni’s name as Uni initially, interpreting him to be symbolic of one of the “faeries of the Universe”, however Yuni had been adamant that was not the correct spelling. When Finn looked up Yuni only meaning she could find was “man from Iunu”.

    2 The “Faith Document” was like a legal document Yuni gave Finn to sign, indicating that whatever happened she would keep trusting. Finn was surprised to note when she looked up in her records that this was November 1 st, exactly a year ago.

    #403

    November, 1 st 2057

    Sean took another glass of scotch to give him some courage to call.

    — It’s your twelfth now, that’s supposed to give you courage
    — Oh, Maggie, my live is such a mess…
    — It’s not, and you know it. Look at all our beautiful children, and Becky who went through so much just out of love for you…

    Sean didn’t know whether he was actually seeing the ghost of his deceased wife, or a projection of her, still alive in another part of the Universe, but she always had been a comforting presence.
    He had started to see her a few months after her disappearance.
    Yes, during that T.R.A.P. expedition, yeah, “live-changing experience” they had said… True, too true… Perhaps the electromagnetic field had messed up with his brains, but now he could see her clear as day.

    That had been a bit freaky in the beginning, and when they made love with Becky, he was a bit anxious to see her appear not invited. But Margaret had been discrete, well mostly. At times, he wondered if she had not sneaked into the bedroom and merged her energies with Becky’s, just to be closer to him… Becky’s acts did not always make sense anyway, so that was hardly a criterion to judge of that.

    All his live had been like that. A jumble of incoherent stuff. Oh, he had enjoyed it, especially at the beginning. His father Lord Wrick was obsessed with the Shift, and had found some ancient knowledge in his youth. Mostly rubbish by nowadays standards, bunches of rotten books of prophecies handed down to a few chosen ones, who were supposed to be forewarned of doom to come. Now, they knew that they were only a wake up call, but at that time, it was another thing altogether.

    Of course, the wealth accumulated over the centuries by the Wrick family had been helpful to access these precious archaeological documents. A few of them had played a key role.
    For instance, the in-extenso Life and Deeds of Lord Gustard Willoughby Fergusson, a rare version of the diary of Lord Fergusson, annotated by his daughter, Illi, was telling an account of history much different than the one romanced after his death by his wife Floribunda von Grott.
    Thanks to it, Lord Wrick had been able to acquire some inkling as to ancient treasures. Old fool…
    It had killed his wife, Artemisia, devastated by the madness of her husband, and it had alienated the other part of the family too.
    But all that counted was to make the discoveries, and perhaps enlight the masses.

    Sean had never really forgave his father that he wanted to utilise Margaret and have her fit into his plans of grandeur. Of course, his father had willingly accepted the union, and despite all appearances (for the sake of those rapacious journalists) he had even pushed Sean to do it quickly. But all he was really interested in was her precious discoveries.

    — Oh, but I was not innocent, Sean
    — I know Maggie, you were obsessed by what we could offer to you, especially when you read about the botanical experiments in the deserts, which were related in that old book. But still…
    — We all had grown up through that, you know…
    — Yes, and what showed me that, was that I was concerned that the old vampire would suck my own children into his web, but Peregrine was too free for that, and Guinevere preferred to live her live outside of this madness too.
    Becky had a good influence. Do me a favour, be kind to her.
    — You know what?… Yes of course you’d know,… but let me tell you, so that we can laugh together… I found myself really happy and free when I stole the two magical books out of the Old Fool’s clutch. God knows how he acquired them, but one thing was sure, he was obsessed with them. I couldn’t get the mummy, but the books were a great take.
    — And a funny idea to give them to your cousin…
    — Yes, Dorean was the perfect person. I couldn’t leave them anywhere, my father would have found them again. At least he wasn’t in good terms with his brother and sister-in-law, so they were safe in their care. And at least, they were more grounded than my father, the perfect keepers for the books… I’m wondering what happened to them…
    — That will upset you, but Perry’s twins got them.
    — Oh really?
    — Yes, and they are having fun with them, as was intended.
    — That’s fine then, and we are less obsessed now than we were before, so I guess my father isn’t as much as a pain in the butt as he was…
    — You father meant good
    — Yes, like everyone, but why can’t we leave people alone at times? People can sort out their issues without the commiseration, and the good intentions… It’s poison even worse… Like I can drink and still be healthy, and nice, and…

    Sean started to sob.

    — I know, darling, but you’re as much of a sore as your father was… You focus so much on what’s not going right, and you don’t even appreciate that you can talk with your departed wife… That was nothing as easy in the old days.
    — Do you think my father talks with mum to?
    — I think he would be too proud to admit he is sorry… That may hinder the communication… But Arty wouldn’t bear grudge now. When we let go of the physical, things become so clear, we can only be accepting of everything. Perhaps you prefer to wait for your father to cross over? I can tell you something, that won’t be easier. That much I know.
    — You’re right. It’s just that I don’t know how to start…
    — Be yourself, talk about what you enjoy, where is your passion now… Perhaps that is the problem. You’re drowning your passion in your scotch.
    — You’re right… I’ll tell him Léan will have a baby.
    — Oh, he’ll love it!
    — How time flies… sighed Sean, I still remember the little sweetie as a blue-eyed laughing baby herself, with Oliver and Illana. She was the only one of the triplet to have inherited her mother’s dark complexion. She’s so beautiful…
    — Let’s call your father darling
    — Yes, let’s call him.

    ***

    Lord Wrick had not expected to received that call. Well, he had renounced it so long ago.
    He had been a bit shaken, but also relieved. He had proposed, on an impulse, to invite that whole part of the family he barely knew, Sean’s new partner, and all their children for next Christmas in the castle. Sean had told him they would probably come with Becky but that the children were now having their own lives, and it would have to be for another time.

    ***

    Lord Wrick went to see Bill, who was now painting the portraits of Peregrine and Linda in the veranda.
    He would probably have to stay longer, to paint a lot of new family portraits.

    That probably would come perfectly, as ever, as the Lord could tell India Louise loved to spend time with the painter. Perhaps she would become an artist too… :sumari:

    #79
    ÉricÉric
    Keymaster

      These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

      Note: for the reader not familiar with all the names here is a quick reminder:

      • Araili > Yann, Írtak, Sam, Jacob …
      • Armelle > Fiona, Arona, Tina, Qixi …
      • Rafaela > Dory, Illi, Becky, Rodney …
      • Yuki > Quintin, Al, Janice …

      September 12 th, 2007

      Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
      Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

      Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

      I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

      September 13 th

      Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
      This first comment seems very promising.

      Right now, it feels easy and fun.

      Quintin seems to think that everything is very straightforward.
      The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
      The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

      But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
      That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
      But the thing is, that he missed the point in thinking one World is more “real” than the other.
      We’ll be having some fun soon…

      First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
      We will appeal to his imagination.
      It seems he has heard the suggestion.

      September 14 th

      For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

      But as I expected, some challenges seem to appear already.
      Is it raining or not in that world?
      The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

      He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
      At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
      How will it unfold?
      Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

      September 15 th

      Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

      Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

      Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

      September 16 th

      Halcyons days…
      My dear friend Archie is answering some of Quintin and Yann’s questions.
      Something starts to dawn on Quintin. But his mind is on other matters.

      He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

      September 18 th

      Quintin has been drawing some of the characters of the story. It’s interesting.
      He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

      Characters drawn:

      • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
      • Malika, Quintin, Yann, Fiona and Dory

      Interestingly, Fiona resolves her issues in her cave.
      Dory too, but she did not need the cave to do this.

      September 21 st

      For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
      And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
      Quintin will soon realize that he himself is doing this constantly, though he does not register it.

      But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

      Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
      There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

      Of course, some things still matter, and one of the point of the story is also to discover these.

      September 22 nd

      Quintin has been drawing new characters.

      Characters drawn:

      • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
      • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
      • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

      A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
      She had at first thought they were whiskers, which was not Quintin’s intent…

      September 23 rd

      Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

      Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

      Up to now, here are the names he could find:

      • North: the Icy Lands, and Dragon Cemeteries
      • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
      • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
        Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
      • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

      When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

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