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In reply to: The Elusive Samuel Housley and Other Family Stories
George Gilman Rushby: The Cousin Who Went To Africa
The portrait of the woman has “mother of Catherine Housley, Smalley” written on the back, and one of the family photographs has “Francis Purdy” written on the back. My first internet search was “Catherine Housley Smalley Francis Purdy”. Easily found was the family tree of George (Mike) Rushby, on one of the genealogy websites. It seemed that it must be our family, but the African lion hunter seemed unlikely until my mother recalled her father had said that he had a cousin who went to Africa. I also noticed that the lion hunter’s middle name was Gilman ~ the name that Catherine Housley’s daughter ~ my great grandmother, Mary Ann Gilman Purdy ~ adopted, from her aunt and uncle who brought her up.
I tried to contact George (Mike) Rushby via the ancestry website, but got no reply. I searched for his name on Facebook and found a photo of a wildfire in a place called Wardell, in Australia, and he was credited with taking the photograph. A comment on the photo, which was a few years old, got no response, so I found a Wardell Community group on Facebook, and joined it. A very small place, population some 700 or so, and I had an immediate response on the group to my question. They knew Mike, exchanged messages, and we were able to start emailing. I was in the chair at the dentist having an exceptionally long canine root canal at the time that I got the message with his email address, and at that moment the song Down in Africa started playing.
Mike said it was clever of me to track him down which amused me, coming from the son of an elephant and lion hunter. He didn’t know why his father’s middle name was Gilman, and was not aware that Catherine Housley’s sister married a Gilman.
Mike Rushby kindly gave me permission to include his family history research in my book. This is the story of my grandfather George Marshall’s cousin. A detailed account of George Gilman Rushby’s years in Africa can be found in another chapter called From Tanganyika With Love; the letters Eleanor wrote to her family.
George Gilman Rushby:
The story of George Gilman Rushby 1900-1969, as told by his son Mike:
George Gilman Rushby:
Elephant hunter,poacher, prospector, farmer, forestry officer, game ranger, husband to Eleanor, and father of 6 children who now live around the world.George Gilman Rushby was born in Nottingham on 28 Feb 1900 the son of Catherine Purdy and John Henry Payling Rushby. But John Henry died when his son was only one and a half years old, and George shunned his drunken bullying stepfather Frank Freer and was brought up by Gypsies who taught him how to fight and took him on regular poaching trips. His love of adventure and his ability to hunt were nurtured at an early stage of his life.
The family moved to Eastwood, where his mother Catherine owned and managed The Three Tuns Inn, but when his stepfather died in mysterious circumstances, his mother married a wealthy bookmaker named Gregory Simpson. He could afford to send George to Worksop College and to Rugby School. This was excellent schooling for George, but the boarding school environment, and the lack of a stable home life, contributed to his desire to go out in the world and do his own thing. When he finished school his first job was as a trainee electrician with Oaks & Co at Pye Bridge. He also worked part time as a motor cycle mechanic and as a professional boxer to raise the money for a voyage to South Africa.In May 1920 George arrived in Durban destitute and, like many others, living on the beach and dependant upon the Salvation Army for a daily meal. However he soon got work as an electrical mechanic, and after a couple of months had earned enough money to make the next move North. He went to Lourenco Marques where he was appointed shift engineer for the town’s power station. However he was still restless and left the comfort of Lourenco Marques for Beira in August 1921.
Beira was the start point of the new railway being built from the coast to Nyasaland. George became a professional hunter providing essential meat for the gangs of construction workers building the railway. He was a self employed contractor with his own support crew of African men and began to build up a satisfactory business. However, following an incident where he had to shoot and kill a man who attacked him with a spear in middle of the night whilst he was sleeping, George left the lower Zambezi and took a paddle steamer to Nyasaland (Malawi). On his arrival in Karongo he was encouraged to shoot elephant which had reached plague proportions in the area – wrecking African homes and crops, and threatening the lives of those who opposed them.
His next move was to travel by canoe the five hundred kilometre length of Lake Nyasa to Tanganyika, where he hunted for a while in the Lake Rukwa area, before walking through Northern Rhodesia (Zambia) to the Congo. Hunting his way he overachieved his quota of ivory resulting in his being charged with trespass, the confiscation of his rifles, and a fine of one thousand francs. He hunted his way through the Congo to Leopoldville then on to the Portuguese enclave, near the mouth of the mighty river, where he worked as a barman in a rough and tough bar until he received a message that his old friend Lumb had found gold at Lupa near Chunya. George set sail on the next boat for Antwerp in Belgium, then crossed to England and spent a few weeks with his family in Jacksdale before returning by sea to Dar es Salaam. Arriving at the gold fields he pegged his claim and almost immediately went down with blackwater fever – an illness that used to kill three out of four within a week.
When he recovered from his fever, George exchanged his gold lease for a double barrelled .577 elephant rifle and took out a special elephant control licence with the Tanganyika Government. He then headed for the Congo again and poached elephant in Northern Rhodesia from a base in the Congo. He was known by the Africans as “iNyathi”, or the Buffalo, because he was the most dangerous in the long grass. After a profitable hunting expedition in his favourite hunting ground of the Kilombera River he returned to the Congo via Dar es Salaam and Mombassa. He was after the Kabalo district elephant, but hunting was restricted, so he set up his base in The Central African Republic at a place called Obo on the Congo tributary named the M’bomu River. From there he could make poaching raids into the Congo and the Upper Nile regions of the Sudan. He hunted there for two and a half years. He seldom came across other Europeans; hunters kept their own districts and guarded their own territories. But they respected one another and he made good and lasting friendships with members of that small select band of adventurers.
Leaving for Europe via the Congo, George enjoyed a short holiday in Jacksdale with his mother. On his return trip to East Africa he met his future bride in Cape Town. She was 24 year old Eleanor Dunbar Leslie; a high school teacher and daughter of a magistrate who spent her spare time mountaineering, racing ocean yachts, and riding horses. After a whirlwind romance, they were betrothed within 36 hours.
On 25 July 1930 George landed back in Dar es Salaam. He went directly to the Mbeya district to find a home. For one hundred pounds he purchased the Waizneker’s farm on the banks of the Mntshewe Stream. Eleanor, who had been delayed due to her contract as a teacher, followed in November. Her ship docked in Dar es Salaam on 7 Nov 1930, and they were married that day. At Mchewe Estate, their newly acquired farm, they lived in a tent whilst George with some help built their first home – a lovely mud-brick cottage with a thatched roof. George and Eleanor set about developing a coffee plantation out of a bush block. It was a very happy time for them. There was no electricity, no radio, and no telephone. Newspapers came from London every two months. There were a couple of neighbours within twenty miles, but visitors were seldom seen. The farm was a haven for wild life including snakes, monkeys and leopards. Eleanor had to go South all the way to Capetown for the birth of her first child Ann, but with the onset of civilisation, their first son George was born at a new German Mission hospital that had opened in Mbeya.
Occasionally George had to leave the farm in Eleanor’s care whilst he went off hunting to make his living. Having run the coffee plantation for five years with considerable establishment costs and as yet no return, George reluctantly started taking paying clients on hunting safaris as a “white hunter”. This was an occupation George didn’t enjoy. but it brought him an income in the days when social security didn’t exist. Taking wealthy clients on hunting trips to kill animals for trophies and for pleasure didn’t amuse George who hunted for a business and for a way of life. When one of George’s trackers was killed by a leopard that had been wounded by a careless client, George was particularly upset.
The coffee plantation was approaching the time of its first harvest when it was suddenly attacked by plagues of borer beetles and ring barking snails. At the same time severe hail storms shredded the crop. The pressure of the need for an income forced George back to the Lupa gold fields. He was unlucky in his gold discoveries, but luck came in a different form when he was offered a job with the Forestry Department. The offer had been made in recognition of his initiation and management of Tanganyika’s rainbow trout project. George spent most of his short time with the Forestry Department encouraging the indigenous people to conserve their native forests.In November 1938 he transferred to the Game Department as Ranger for the Eastern Province of Tanganyika, and over several years was based at Nzasa near Dar es Salaam, at the old German town of Morogoro, and at lovely Lyamungu on the slopes of Kilimanjaro. Then the call came for him to be transferred to Mbeya in the Southern Province for there was a serious problem in the Njombe district, and George was selected by the Department as the only man who could possibly fix the problem.
Over a period of several years, people were being attacked and killed by marauding man-eating lions. In the Wagingombe area alone 230 people were listed as having been killed. In the Njombe district, which covered an area about 200 km by 300 km some 1500 people had been killed. Not only was the rural population being decimated, but the morale of the survivors was so low, that many of them believed that the lions were not real. Many thought that evil witch doctors were controlling the lions, or that lion-men were changing form to kill their enemies. Indeed some wichdoctors took advantage of the disarray to settle scores and to kill for reward.
By hunting down and killing the man-eaters, and by showing the flesh and blood to the doubting tribes people, George was able to instil some confidence into the villagers. However the Africans attributed the return of peace and safety, not to the efforts of George Rushby, but to the reinstallation of their deposed chief Matamula Mangera who had previously been stood down for corruption. It was Matamula , in their eyes, who had called off the lions.
Soon after this adventure, George was appointed Deputy Game Warden for Tanganyika, and was based in Arusha. He retired in 1956 to the Njombe district where he developed a coffee plantation, and was one of the first in Tanganyika to plant tea as a major crop. However he sensed a swing in the political fortunes of his beloved Tanganyika, and so sold the plantation and settled in a cottage high on a hill overlooking the Navel Base at Simonstown in the Cape. It was whilst he was there that TV Bulpin wrote his biography “The Hunter is Death” and George wrote his book “No More The Tusker”. He died in the Cape, and his youngest son Henry scattered his ashes at the Southern most tip of Africa where the currents of the Atlantic and Indian Oceans meet .
George Gilman Rushby:
The following stories started with a single question.
Who was Catherine Housley’s mother?
But one question leads to another, and another, and so this book will never be finished. This is the first in a collection of stories of a family history research project, not a complete family history. There will always be more questions and more searches, and each new find presents more questions.
A list of names and dates is only moderately interesting, and doesn’t mean much unless you get to know the characters along the way. For example, a cousin on my fathers side has already done a great deal of thorough and accurate family research. I copied one branch of the family onto my tree, going back to the 1500’s, but lost interest in it after about an hour or so, because I didn’t feel I knew any of the individuals.
Parish registers, the census every ten years, birth, death and marriage certificates can tell you so much, but they can’t tell you why. They don’t tell you why parents chose the names they did for their children, or why they moved, or why they married in another town. They don’t tell you why a person lived in another household, or for how long. The census every ten years doesn’t tell you what people were doing in the intervening years, and in the case of the UK and the hundred year privacy rule, we can’t even use those for the past century. The first census was in 1831 in England, prior to that all we have are parish registers. An astonishing amount of them have survived and have been transcribed and are one way or another available to see, both transcriptions and microfiche images. Not all of them survived, however. Sometimes the writing has faded to white, sometimes pages are missing, and in some case the entire register is lost or damaged.
Sometimes if you are lucky, you may find mention of an ancestor in an obscure little local history book or a journal or diary. Wills, court cases, and newspaper archives often provide interesting information. Town memories and history groups on social media are another excellent source of information, from old photographs of the area, old maps, local history, and of course, distantly related relatives still living in the area. Local history societies can be useful, and some if not all are very helpful.
If you’re very lucky indeed, you might find a distant relative in another country whose grandparents saved and transcribed bundles of old letters found in the attic, from the family in England to the brother who emigrated, written in the 1800s. More on this later, as it merits its own chapter as the most exciting find so far.
The social history of the time and place is important and provides many clues as to why people moved and why the family professions and occupations changed over generations. The Enclosures Act and the Industrial Revolution in England created difficulties for rural farmers, factories replaced cottage industries, and the sons of land owning farmers became shop keepers and miners in the local towns. For the most part (at least in my own research) people didn’t move around much unless there was a reason. There are no reasons mentioned in the various registers, records and documents, but with a little reading of social history you can sometimes make a good guess. Samuel Housley, for example, a plumber, probably moved from rural Derbyshire to urban Wolverhampton, when there was a big project to install indoor plumbing to areas of the city in the early 1800s. Derbyshire nailmakers were offered a job and a house if they moved to Wolverhampton a generation earlier.
Occasionally a couple would marry in another parish, although usually they married in their own. Again, there was often a reason. William Housley and Ellen Carrington married in Ashbourne, not in Smalley. In this case, William’s first wife was Mary Carrington, Ellen’s sister. It was not uncommon for a man to marry a deceased wife’s sister, but it wasn’t strictly speaking legal. This caused some problems later when William died, as the children of the first wife contested the will, on the grounds of the second marriage being illegal.
Needless to say, there are always questions remaining, and often a fresh pair of eyes can help find a vital piece of information that has escaped you. In one case, I’d been looking for the death of a widow, Mary Anne Gilman, and had failed to notice that she remarried at a late age. Her death was easy to find, once I searched for it with her second husbands name.
This brings me to the topic of maternal family lines. One tends to think of their lineage with the focus on paternal surnames, but very quickly the number of surnames increases, and all of the maternal lines are directly related as much as the paternal name. This is of course obvious, if you start from the beginning with yourself and work back. In other words, there is not much point in simply looking for your fathers name hundreds of years ago because there are hundreds of other names that are equally your own family ancestors. And in my case, although not intentionally, I’ve investigated far more maternal lines than paternal.
This book, which I hope will be the first of several, will concentrate on my mothers family: The story so far that started with the portrait of Catherine Housley’s mother.
This painting, now in my mothers house, used to hang over the piano in the home of her grandparents. It says on the back “Catherine Housley’s mother, Smalley”.
The portrait of Catherine Housley’s mother can be seen above the piano. Back row Ronald Marshall, my grandfathers brother, William Marshall, my great grandfather, Mary Ann Gilman Purdy Marshall in the middle, my great grandmother, with her daughters Dorothy on the left and Phyllis on the right, at the Marshall’s house on Love Lane in Stourbridge.
The Search for Samuel Housley
As soon as the search for Catherine Housley’s mother was resolved, achieved by ordering a paper copy of her birth certificate, the search for Catherine Housley’s father commenced. We know he was born in Smalley in 1816, son of William Housley and Ellen Carrington, and that he married Elizabeth Brookes in Wolverhampton in 1844. He was a plumber and glazier. His three daughters born between 1845 and 1849 were born in Smalley. Elizabeth died in 1849 of consumption, but Samuel didn’t register her death. A 20 year old neighbour called Aaron Wadkinson did.
Where was Samuel?
On the 1851 census, two of Samuel’s daughters were listed as inmates in the Belper Workhouse, and the third, 2 year old Catherine, was listed as living with John Benniston and his family in nearby Heanor. Benniston was a framework knitter.
Where was Samuel?
A long search through the microfiche workhouse registers provided an answer. The reason for Elizabeth and Mary Anne’s admission in June 1850 was given as “father in prison”. In May 1850, Samuel Housley was sentenced to one month hard labour at Derby Gaol for failing to maintain his three children. What happened to those little girls in the year after their mothers death, before their father was sentenced, and they entered the workhouse? Where did Catherine go, a six week old baby? We have yet to find out.
And where was Samuel Housley in 1851? He hasn’t appeared on any census.
According to the Belper workhouse registers, Mary Anne was discharged on trial as a servant February 1860. She was readmitted a month later in March 1860, the reason given: unwell.
Belper Workhouse:
Eventually, Mary Anne and Elizabeth were discharged, in April 1860, with an aunt and uncle. The workhouse register doesn’t name the aunt and uncle. One can only wonder why it took them so long.
On the 1861 census, Elizabeth, 16 years old, is a servant in St Peters, Derby, and Mary Anne, 15 years old, is a servant in St Werburghs, Derby.But where was Samuel?
After some considerable searching, we found him, despite a mistranscription of his name, on the 1861 census, living as a lodger and plumber in Darlaston, Walsall.
Eventually we found him on a 1871 census living as a lodger at the George and Dragon in Henley in Arden. The age is not exactly right, but close enough, he is listed as an unmarried painter, also close enough, and his birth is listed as Kidsley, Derbyshire. He was born at Kidsley Grange Farm. We can assume that he was probably alive in 1872, the year his mother died, and the following year, 1873, during the Kerry vs Housley court case.
I found some living Housley descendants in USA. Samuel Housley’s brother George emigrated there in 1851. The Housley’s in USA found letters in the attic, from the family in Smalley ~ written between 1851 and 1870s. They sent me a “Narrative on the Letters” with many letter excerpts.
The Housley family were embroiled in a complicated will and court case in the early 1870s. In December 15, 1872, Joseph (Samuel’s brother) wrote to George:
“I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Birmingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”
No record of Samuel Housley’s death can be found for the Birmingham Union in 1869 or thereabouts.
But if he was alive in 1871 in Henley In Arden…..
Did Samuel tell his wife’s brother to tell them he was dead? Or did the brothers say he was dead so they could have his share?We still haven’t found a death for Samuel Housley.
In reply to: The Chronicles of the Flying Fish Inn
She made us miss Mater’s birthday, didn’t she?
Idle had one job…
Truth is, wouldn’t have been much fun to party with masks on, although the thought occurred that a masquerade ball would be something to behold.
Oh well, Mater is going to have a field day making us all look guilty. I’m sure it’ll warm her soft heart. Might be all she needs nowadays.
Can’t say that the business at the inn had been splendid. We’ve grown so used to the idea we might have to sell it anytime, that it doesn’t feel such an earthshattering revelation.
But if we sell, how much can we scrap by to send Mater to a nice nursing home. She might screech and kick us if we only voiced the idea. People have no idea how feral she can be on the topic. Aunt Dido knows though. I’m sure she’s having a few hustles down the road to get the household afloat.
In reply to: Tart Wreck Repackage
The words of the Great Leader Undisputed Gabe were still resonating in the back of Gavin’s mind. The promotion to Operating Tomathetan seemed a great honour on the surface, but it certainly brought its lot of responsibilities with it. And from what he had seen before, it would only add to his current ones.
Gavin descended the Pealgrim path to the Dark Room where all the sorting happened. Many trails from the many carrot fields combined into one and all led to that central building all painted in black, hence its name.
A zealous Seed level had recently been put in charge of the re-painting. As there was only black paint in the warehouse he had the genius idea to save the order some money by using only what they already had, and as there was enough paint he covered all the windows, certainly thinking light could damage the crops. Repainting everything was out of the question so they had kept it like that and just added some artificial light to help the workers. Great Leader Undisputed Gabe, had thought it was a nice initiative as now workers could work any hour of the day.
When Gavin entered the Dark Room, it reeked of carrot and sweat. Members of the cult of all ages were sorting the divine roots by shapes, sizes and thickness. Most of them didn’t know what was the final purpose, innocent minds. All they had was the Sorting Song written by Britta the one legged vestal to help her fellow cultshipers in their work.
If a carrot is short, not worth the effort
As a long stalactites, like ice on your tits
A bar thick as a fist, you’ve just been blissed
…Each verse gave advices about what they were looking for, where to put them after sorting and each team had their own songs that they sang while doing their work with the enthusiasm of cultshipers. Even though the song had been crafted to answer most of the situations in terms of carrot shapes, sizes and thickness, it happened that some would not fit into any categories. And recently, those seem to happen more often than once and the pile of misshapen carrots threaten to exceed that of the others combined.
“Eugene, Have you found what is the problem?” asked Gavin to their agronomist. His surname was Carrot and he came from noble Irish descent, quite appropriate for his work, thought Gavin. Eugene was skinny with a long neck and he often seemed to abuse the ritual fasting ceremony ending with the consumption of sacred mushroom soup.
“It’s because of the microscopic snails that infest the crops,” Eugene said. Gavin couldn’t help but notice an accumulation of dried saliva at the corner of his mouth. “They’re carried by bird shit and they are too small to be eaten by our ducks and in the end they cause the carrots to grow random shapes unfit for Odin.”
Odin, short for Organic Dildo Industry, has been the main source of revenue for the cult. Since the start of the confinement the demand has skyrocketed. Especially appreciated by vegans and nature lovers, it also procured a nice orange tan on the skin after usage.
“Can’t you find smaller dwarf ducks?”
“Your Gourdness, microscopic means very tiny, even dwarf ducks wouldn’t be able to eat them unless they eat the carrots.”
“And that would be a problem,” sighed Gavin. “What is your solution then?”
“I don’t have one.”
Gavin raised his hands to the black roof in despair. Did he have to do the jobs of everyone? He needed some fresh eyes and fresh ideas.
In reply to: The Whale’s Diaries Collection
Dear Jorid Whale,
My hands are shaking while I type this on the keyboard.
I’m not sure which of last night’s dreams is the bizarrest. Bizarre in a fantastic way, although for certain people it might be called grotesque. I’m certain it has something to do with that book I ordered online last week. I don’t usually read books and certainly not like this one. But the confinement, it makes you consider making things out of your ordinary.
It’s called The Enchanted Forest of Changes, by a Chinese artist Níngméng (柠檬). They say his artist name means lemon, but that some of his friends call him Níng mèng 凝梦 (curdle dreams), which to my ears sound exactly the same except a little bit angrier. I found out about him on a forum about creepy dolls abandoned in forests all around the world. Yeah exactly, the confinement effect again. Apparently it started with a few dolls in a forest in Michigan, and then suddenly people started to find them everywhere. I wonder if some people are really into the confinement thing or if it’s just me using that as a reason to stay home.
Anyway, someone on that forum posted one of the picture of that book and it caught my eye. So much so that I dreamt of it the following night. So I bought the book and it’s mostly ink drawings, but they seem to speak directly to some part of you that you were not even aware you had. I almost hear whispers when I look at the drawings. And then I have those dreams.
Last night I dreamt of a cat that had been raised as a boy. He even had the shape of one, but shorter maybe. He had learned to talk and use his paws as hands, his claws had grown into fingers, had lost most of his fur and he was wearing clothes. If I was amazed by such a feat, it kinda seemed normal for the people I met in that dream. It just took a lot of efforts, love and dedication to raise this kind of children.
And Whale, I feel tingling in my arms. This morning you showed me the picture of a kitten! That’s not a mere coincidence. I’m feeling so excited, my hands are too slow to type what I want to write. I fear I’m going to forget an important detail.
About the second dream. The world was in shock, there was this giant… thing that looked like a pistil and that had grown during the night in some arid area. It was taller than the tallest human made tower. Its extremity was cone shaped, and I confess that the whole thing looked like some kind of dick to me.
Plants and trees had followed in the following days as if the pistil had changed the climatic conditions (autocorrect wanted to write climactic, is that you playing around?).
The pistil was protected by some kind of field and it couldn’t be approached by everyone. Governments had tried, pharmaceutical companies had tried. People who wanted to make gold out of it, they were all rejected. But for some reason some people could approach. Anyone, not just the pure of hearts or the noble ones. Actually a whole bunch of weirdoes started to take their chances. Some were allowed in and some where not. Nobody knew what was the deciding factor.
A friend of mine that I have not seen in years during my waking life, she came back and asked me to come with her. So we went and were allowed in. My recall of the events after that is fuzzy. But I get the strange impression that I will spend more time in there later on.
[Edited in the afternoon]
I don’t believe it! It’s on the news everywhere. It has even replaced the news about the virus and the confinement.
Giant pistils have appeared around the world, but it seems only people who had been infected can see them.
Crazy rumours run on the internet. Giant mass hallucination caused by the virus. Some people say it’s alien technology, spores engineered to control our brains.
There is one not so far from where I live. Should I wait for Kady to call me?
In reply to: Story Bored
Board 3, Story 3:
Star, Tara and Rosamund discover the mysterious cult is nothing more than a tropical yoga retreat and slimming spa for cross dressers.
Aunt Idle finds more than she bargained for in the basement of the old Bundy place.
Fanella is delighted to find their hot air balloon landed in a field in time for a fancy dress picnic party
In reply to: Seven Twines and the Dragon Heartwoods
The wind swooshed in the garden, making fallen apples roll on the ground. The air had a lively smell of earth and decaying fruit, and the grass was still moist from the morning dew.
The statue of Gorrash was facing East, and the rising sun was bringing golden hues to his petrified face. Little snoots were curled in glowing colourful balls of liquid fur around the statue, making it pulsate with a quieting purr. Around Gorrash, the slope was peppered with some of the gargoyles rejects that Eleri had made and couldn’t sell at the market. Still, instead of discarding them, she’d arranged a little forest of painted gargoyles as a sort of silent watchful army guarding Gorrash’s sleep.
Rukshan liked to meditate at the place, it helped with the stress he’d felt at coming back from the last ordeals. He wouldn’t have thought, but his identity had felt more shaken than he knew. He wasn’t feeling at home with the Faes any longer, and there were few people who could relate to his adventures in the villages nearby, where he was nothing more than an ominous stranger. Retreating in the Fae’s dimension, hidden from all and mostly abandoned was a tempting thought, but he’d found it was a lure with empty promises. He still had work to do.Tak and Nesy were already awake and were coming back for the rest of the story.
He’d started to tell them about the Giants, the old forgotten story which he’d learnt many years ago in his previous life as a Dark Fae. Both were captivated at the prowess displayed by the Master Craftsmen, the old Rings of Stones that they built, the Cairns of the Fallen, and the Fields of Chanting Boulders where magic rituals where performed.“Tell us more Rukshan!” they said. “Tell us more about the Three Giant Kings.”
“Do you remember their names?” he smiled back at the children.
“Yes! There was Ceazar…” Tak started
“Caesar, yes” he corrected gently
“… and Archimedes,” Tak continued hesitantly
“Yes, and who was the third one?”
“He had a long and strange name! Nesy, help me!”
The girl tried to help him “It starts with a V”
“Vergincetorix!” the answer came from behind a bush.“Fox!” Nesy cried reproachfully. “It’s not even right! It’s Vercingetorix!”
“Correct Nesy! And Fox, no need to lurk in the shadows, stories are not only for children you know.”Fox took a place near the gargoyle army garden, and a baby snoot jumped into his lap, cooing in vibrating mruii.
“So what about these Kings do you want to know?” Rukshan asked.
“Everything!” they all said in unison.
“Oh well, in this case, let me retell you the story of the Golden Age of the Three Giant Kings, and how they saved their people from a terrible catastrophe.”In reply to: Eight Turns of the Wheel
One spring day in 1822, so the story goes, Emerald Huntingford was walking the family dog on the extensive family estate, when the dog ran into a densely wooded area in hot pursuit of a rabbit. This was not uncommon, however on this occasion Emerald whistled and called but the dog did not return to her. She ran back to the house and shouted for her brother, Nigel, to help her find the it.
After several hours of frantic searching, for it was a much loved family pet, and just as they were beginning to despair, they heard whimpering coming from a hole in the ground. They cleared away the brush covering the entrance to the hole and saw it went some way into the ground and it was here the unfortunate dog had fallen. It was too deep for them to enter unaided, so while Emerald sat with the dog and called reassuringly down to it, Nigel ran for assistance. With the help of ropes and several strong farm workers, Nigel descended into the space. To his amazement, he found himself in a clay filled dome with shallow entrances going off to other underground galleries. At that time, with his focus on the injured dog, he had no inkling of the extent of it. It was later on, after they had time to explore, that the Huntingfords started to comprehend the amazing world which existed under their land.
Word spread, and they were offered a substantial amount of money by a mining company to mine the land. Locals, and others from further afield, wanted to visit the doline and many would try and do so, with or without seeking permission from the Huntingfords first. Some argued that if you don’t own the sky above your land, why should you have claim to the ground beneath?
The Huntingfords were wealthy and had no need or desire to sell the rights to their land. Eventually, their patience worn thin by the aggressive mining company and invasive tourists, they decided to defend their claim to the doline in court; a claim which they won. From that time on, as one generation of the family passed the secrets of the doline to another, guards were employed to keep watch over the entrance, that none may enter the underground world without the approval of the family.
And it seems none had, until now.
In reply to: The Precious Life and Rambles of Liz Tattler
Finnley woke with a start. She’d been dreaming that she was chatting and giggling with a group of girlfriends. At one point they all held hands and starting running through a field of flowers, singing at the tops of their high girlish voices.
Thank flove that was just a dream, she thought, breathing deeply to calm herself.
“Finnley! What are you doing curled up on the chaise-longue? Don’t tell me you are sleeping on the job? Good grief, what next!”
Finnley felt an unexpected rush of emotion towards Liz. Don’t ever change, you rude, dictatorial, bossy tart, she thought, still shaking off the remnants of the awful nightmare.
“You want me to get rid of the German?” she asked gruffly.
In reply to: Seven Twines and the Dragon Heartwoods
As the crow flies, Glenville is about 100 miles from the Forest of Enchantment.
“What a pretty town!” tourists to the area would exclaim, delighted by the tree lined streets and quaint houses with thatched roofs and brightly painted exteriors. They didn’t see the dark underside which rippled just below the surface of this exuberant facade. If they stayed for more than a few days, sure enough, they would begin to sense it. “Time to move on, perhaps,” they would say uneasily, although unsure exactly why and often putting it down to their own restless natures.
Glynis Cotfield was born in one of these houses. Number 4 Leafy Lane. Number 4 had a thatched roof and was painted a vibrant shade of yellow. There were purple trims around each window and a flower box either side of the front door containing orange flowers which each spring escaped their confines to sprawl triumphantly down the side of the house.
Her father, Kevin Cotfield, was a bespectacled clerk who worked in an office at the local council. He was responsible for building permits and making sure people adhered to very strict requirements to ‘protect the special and unique character of Glenville’.
And her mother, Annelie … well, her mother was a witch. Annelie Cotfield came from a long line of witches and she had 3 siblings, all of whom practised the magical arts in some form or other.
Uncle Brettwick could make fire leap from any part of his body. Once, he told Glynis she could put her hand in the fire and it wouldn’t hurt her. Tentatively she did. To her amazement the fire was cold; it felt like the air on a frosty winter’s day. She knew he could also make the fire burning hot, if he wanted. Some people were a little scared of her Uncle Brettwick and there were occasions—such as when Lucy Dickwit told everyone at school they should spit at Glynis because she came from an ‘evil witch family’—when she used this to her advantage.
“Yes, and I will tell my Uncle to come and burn down your stinking house if you don’t shut your stinking stupid mouth!” she said menacingly, sticking her face close to Lucy’s face. “And give me your bracelet,” she added as an after thought. It had worked. She got her peace and she got the bracelet.
Aunt Janelle could move objects with her mind. She set up a stall in the local market and visitors to the town would give her money to watch their trinkets move. “Lay it on the table”, she would command them imperiously. “See, I place my hands very far from your coin. I do not touch it. See?” Glynis would giggle because Aunt Janelle put on a funny accent and wore lots of garish makeup and would glare ferociously at the tourists.
But Aunt Bethell was Glynis’s favourite—she made magic with stories. “I am the Mistress of Illusions,” she would tell people proudly. When Glynis was little, Aunt Bethell would create whole stories for her entertainment. When Glynis tried to touch the story characters, her hand would go right through them. And Aunt Bethell didn’t even have to be in the same room as Glynis to send her a special magical story. Glynis adored Aunt Bethell.
Her mother, Annelie, called herself a healer but others called her a witch. She concocted powerful healing potions using recipes from her ’Big Book of Spells’, a book which had belonged to Annelie’s mother and her mother before her. On the first page of the book, in spindly gold writing it said: ‘May we never forget our LOVE of Nature and the Wisdom of Ages’. When Glynis asked what the ‘Wisdom of Ages’ meant, her mother said it was a special knowing that came from the heart and from our connection with All That Is. She said Glynis had the Wisdom of Ages too and then she would ask Glynis to gather herbs from the garden for her potions. Glynis didn’t think she had any particular wisdom and wondered if it was a ploy on her mother’s part to get free labour. She obeyed grudgingly but drew the line at learning any spells. And on this matter her father sided with her. “Don’t fill her mind with all that hocus pocus stuff,” he would say grumpily.
Despite this, the house was never empty; people came from all over to buy her mother’s potions and often to have their fortunes told as well. Mostly while her father was at work.
Glynis’s best friend when she was growing up was Tomas. Tomas lived at number 6 Leafy Lane. They both knew instinctively they shared a special bond because Tomas’s father also practised magic. He was a sorcerer. Glynis was a bit scared of Tomas’s Dad who had a funny crooked walk and never spoke directly to her. “Tell your friend you must come home now, Tomas,” he would call over the fence.
Being the son of a sorcerer, Tomas would also be a sorcerer. “It is my birthright,” he told her seriously one day. Glynis was impressed and wondered if Tomas had the Wisdom of Ages but it seemed a bit rude to ask in case he didn’t.
When Tomas was 13, his father took him away to begin his sorcery apprenticeship. Sometimes he would be gone for days at a time. Tomas never talked about where he went or what he did there. But he started to change: always a quiet boy, he became increasingly dark and brooding.
Glynis felt uneasy around this new Tomas and his growing possessiveness towards her. When Paul Ackleworthy asked her to the School Ball, Tomas was so jealous he broke Paul’s leg. Of course, nobody other than Glynis guessed it was Tomas who caused Paul’s bike to suddenly wobble so that he fell in the way of a passing car.
“You could have fucking killed him!” she had shouted at Tomas.
Tomas just shrugged. This was when she started to be afraid of him.
One day he told her he was going for his final initiation into the ‘Sorcerer Fraternity’.
“I have to go away for quite some time; I am not sure how long, but I want you to wait for me, Glynis.”
“Wait for you?”
He looked at her intensely. “It is destined for us to be together and you must promise you will be here for me when I get back.”
Glynis searched for her childhood friend in his eyes but she could no longer find him there.
“Look, Tomas, I don’t know,” she stuttered, wary of him, unwilling to tell the truth. “Maybe we shouldn’t make any arrangements like this … after all you might be away for a long time. You might meet someone else even …. some hot Sorceress,” she added, trying not to sound hopeful.
Suddenly, Glynis found herself flying. A gust of wind from nowhere lifted her from her feet, spun her round and then held her suspended, as though trying to decide what to do next, before letting her go. She landed heavily at Tomas’s feet.
“Ow!” she said angrily.
“Promise me.”
“Okay! I promise!” she said.
Her mother’s face went white when Glynis told her what Tomas had done.
That evening there was a gathering of Uncle Brettwick and the Aunts. There was much heated discussion which would cease abruptly when Glynis or her father entered the room. “Alright, dearie?” one of the Aunts would say, smiling way too brightly. And over the following days and weeks there was a flurry of magical activity at 4 Leafy Lane, all accompanied by fervent and hushed whisperings.
Glynis knew they were trying to help her, and was grateful, but after the initial fear, she became defiant. “Who the hell did he think he was, anyway?” She left Glenville to study architecture at the prestigious College of Mugglebury. It was there she met Conway, who worked in the cafe where she stopped for coffee each morning on her way to class. They fell in love and moved in together, deciding that as soon as Glynis had graduated they would marry. It had been 4 years since she had last seen Tomas and he was now no more than a faint anxious fluttering in her chest.
It was a Friday when she got the news that Conway had driven in the path of an oncoming truck and was killed instantly. She knew it was Friday because she was in the supermarket buying supplies for a party that weekend to celebrate her exams being over when she got the call. And it was the same day Tomas turned up at her house.
And it was then she knew.
“You murderer!” she had screamed through her tears. “Kill me too, if you want to. I will never love you.”
“You’ve broken my heart,” he said. “And for that you must pay the price. If I can’t have you then I will make sure no-one else wants you either.”
“You don’t have a heart to break,” she whispered.
Dragon face,” Tomas hissed as he left.
Glynis returned to Glenville just long enough to tell her family she was leaving again. “No, she didn’t know where,” she said, her heart feeling like stone. Her mother and her Aunts cried and begged her to reconsider. Her Uncle smouldered in silent fury and let off little puffs of smoke from his ears which he could not contain. Her father was simply bewildered and wanted to know what was all the fuss about and for crying out loud why was she wearing a burka?
The day she left her mother gave her the ‘Book of Spells”. Glynis knew how precious this book was to her mother but could only think how heavy it would be to lug around with her on her journey.
“Remember, Glynis,” her mother said as she hugged Glynis tightly to her, “the sorcerers have powerful magic but it is a mere drop in the ocean in comparison to the magic of All That Is. You have that great power within you and no sorcerer can take take that from you. You have the power to transform this into something beautiful.”
In reply to: Newsreel from the Rim of the Realm
The interview with the orangutan man would have to wait. Despite no nearby zoo reporting any lost elephants, the city of Sheffield was overrun with them. The country appeared to be in the grip of a strange psycozoonotic mania. But what were the connecting links between the incidents?
In reply to: Newsreel from the Rim of the Realm
Unaware that she’d been spotted at Keflavik airport, a few hours later Hilda was happily sipping a cocktail in the glass-walled Northern Lights bar of the Ion hotel, listening to eerie Icelandic folk tunes and marveling at the mystical ambiance of the place. She was particularly taken with the surreal moss covered lava fields outside, and congratulated herself on her decision to lay low in a remote location for a day or two, while the dust settled, so to speak.
In reply to: Newsreel from the Rim of the Realm
Back at her desk after a crash course at zumba with the Chinese team, Connie was sorting her e-mails (meaning sending them to trash). Nothing fancy, nothing catchy, nothing to grab her attention span for more than a minute.
The noise of the open space was making her feel drowsy. Maybe a coffee would help her wake up, or maybe if something could happen to stir the pot. Connie deleted a few more e-mails to show the others that she was a busy reporter before leaving her desk.
Passing by the desks of her colleagues, Connie looked surreptitiously at their computer screens and saw that everyone was playing the busy game. It was sad to recognize that good news (meaning bad news) were hard to come by nowadays.In times like these, she had to resist the tentation to create her own news, it was not that kind of press. But still toying with the idea and making up some outrageous stories with her team was a way to make time fly away more quickly. Once, Hilda had even reused one of the titles for a real stories that sadly happened shortly after she had made it up.
Rumour had it that Hilda’s great grand mother was a gypsy and could do palm reading. The gran even used palm tree leaves to do her reading when there was nobody, you just had to cut the leave in the shape of the person you wanted to read the future and she would tell you all about them. She was good.
“It runs in the family,” Hilda had said. “It’s helpful to be at the right place at the right time.” And for sure she was the most prolific reporter of the agency.
Connie sure would have used some of Hilda’s medium inner sight to know when something would happen.She made herself a cappuccino and with the milk drew the face of Al Pacino. Many years at a press agency and you learn a few tricks to impress your friends.
She heard the slow and uneven pace of sweet old Sophie behind her. She sighed, she didn’t want to have to answer another of her dumb questions about the future. If Hilda could read bits of the future, Sophie was always thirsty about it. Maybe that’s why Hilda was more often in the field and not so often at her desk.Connie turned and almost dropped her cappuccino as the old lady handed her a Fedex envelop.
“Sorry,” said sweet old Sophie, “That just arrived for you. I wonder what it is.”
“I’m sure you do,” muttered Connie.
“It’s from Santa Claus,” said the old lady with a conniving smile.
Connie looked at the old lady, with a forced smile. Was insanity a cause to get rid of one of your employee ? She took the package with one hand. Heavier than she had expected. When she saw the address, she couldn’t believe it was real. The sender’s and city’s names were certainly fake. Jesus Carpenter, Santa Claus, AZ
Sophie was still there, looking at Connie with a big smile.
“What are you waiting for ?” the reporter asked.
“Aren’t you opening it?”Connie considered opening the package, but the avidity on the old face was making her uncomfortable. “Nope,” she said. With her cappuccino and the package she went back to her desk. Sweet Sophie was still looking at her with that greedy smile on her face. Connie shivered and shook her head. It was obvious, the old tramp was mad.
She touched the package, trying to guess what was inside. As no convincing guess presented itself in her mind, she stripped it open. There was an iPhone 5 SE with 64Gb memory in it, two plane tickets for Keflavik in Iceland, and a note.
‘If you want a good story prepare your suitcase. Bring Sweet Sophie with you. We’ll contact you once you are there.’Connie thought of a joke. She checked the package and no matter how many times she looked it was still her name. She looked toward the cafeteria and she shuddered. Sweet Sophie was still looking at Connie with that strange smile, as if she knew. Or as if she had sent the package herself, the reporter thought.
“Someone knows where Hilda is ? I need to talk to Hilda.”In reply to: Cakletown and the Lone Chancers of Custard
Obviously, Baked Bean Bea was a pseudonym for Baked Bean Barb , but it was perhaps too obvious. In fact, the more obvious the clues were, the more invisible they became. It had been plainly stated in the book (although omitted in the movie, as usually happened with movies based on books) that the point of the story was to
“broadcast seeds of absurdity in the cornfields and the meadows of the hay hoo down dooly…“The trouble was that not many had ascended to the degree that they could understand the value of absurdity. Absurdity was never disconnected, if one had an eye for the connecting links, and more importantly, it was a thing of joy when approached from the right angle, occasioning an ebullient cackle.
It was ironic that the more the inhabitants ascended to jaunty joyful cackling at absurdities, the more the shiftmeisters tried to control them.
In reply to: Mandala of Ascensions
“Oh, and I almost forgot, Dispersee” Master Medlik said in a hurry, as he was running late from another meeting in the next now.
“You should take Master John with you, he looks far too happy in his transe work, one would think he’s trying to get his hands off the dirty work with the Descended. Some field work with you and Floverley would do him good, and you can use his knowledge of energy blending.”
In reply to: Scrying the Word Cloud
In reply to: Shamanic Journey Achronicles
Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same timeFlove
(no recollection)Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot thatTracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expressionIn reply to: The Time-Dragglers’ Extravaganzas
The red glow of the small volcanic caldera gave his albino skin an eerie look. The mysteries of the hut were endless. He had been meditating near the edge of the well of magma, seemingly unbothered by the heat or the toxic fumes.
An itching feeling that started a minute ago told him someone was trying to reach him. The presence was still faint, but strong enough for him to notice. He sent a small tendril of his attention beyond the fumes and the pulsating magma. A vibration began to stand out in the field of probabilities. There were several lights, and they felt familiar. One of them had the distinct feeling of a hidden treasure he had given her during their last encounter, she had begun to open it and her infant mind was struggling to make sense of it. She needed help; she might go mad.
He opened his mind to their vibrations and made them part of his mindscape. They were not aware of him yet. He was surrounding them, they were part of him, they were in the space of his mind.
He intended the idea of a labyrinth. They’ll have to go through to get to him. Only one shall arrive. The one who needed the help. The others would be sent away.In reply to: Shamanic Journey Achronicles
Second Journey ~ August 24th, 2014
Duration 24 minutes
Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.
Accounts
Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.In reply to: The Time-Dragglers’ Extravaganzas
Sadie had almost arrived at the Time Seam Bar when the ezapper buzzed with a note from Dr Doyle.
It was a wild impulse that Sadie had followed asking help from the strange woman, as despite all her quirks, she had an impressive curriculum, and was known as a leading authority in her field. If anybody could help her with her invisibility condition, she had to be the closest choice.
The message was longwinded, so she asked the ezapper to clarify. I was a tricky thing to do, as the device had the tendency to disappear with her touch, so she mostly had to rely on voice only.
summarized message from Dr Doyle at 9:44 PMsaid the disincarnate voice in the nightIt is a long shot but I would surmise your condition is aggravated by a deficiency of fluorine. Knowing your aversion for incorporating the substance in your system, a safe approach would be to put yourself in contact with some crystals of fluorite, sincerely. Choanna
It seemed harmless enough thought Sadie. What worse could happen, getting fluorescent in the night would surely be an improvement.
