Search Results for &#039;fiona&#039;

Keymaster

A list of events for reference (WIP)

Date	Matteo	Lucien	Darius	Amei	Elara
Nov 2024	M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café.	L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group.	D: is back in Paris for the reunion	A: visits Paris for the reunion	E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
Spring 2024	M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris.	L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo.	D: by June 2024 sends a postcard to Amei, Is seen in Goa	A: Her daughter Tabitha is in Goa teaching	E: is retired in Tuscany, living with Florian, a distant relative met through family research. Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth. She reminisces about chalkapocalypse.
Feb 2024	M:In London, works for a moving company. Crosses path with Amei and Tabitha.	L: Is implied he is caught back into the schemes of M. Renard to pay his debts.	D:	A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo.	E:
Dec 2023	M:In Avignon, considers moving to a job in London to support his mother’s care.	L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse.	D: Resumes his travels on his own terms	A: Buys candles, reflects on leaving.	E:
Nov 2023	M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer.	L:	D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting.	A:	E:
early 2023	M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos.	L:	D: Lives in South of France, returns to Guadeloupe after hurricane Fiona.	A:	E:
Dec 2022	M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with sensory soundwaves stimuli and ancestral genetic research.	L:	D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France	A: Lives with Paul	E:
early 2022	M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome…	L:	D:	A:	E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
end of 2021	M:	L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien”	D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections.	A:	E: Dec. 2021, first Christmas in Tuscany Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
beginning 2021	M:	L: Third & last wave of lockdown measures in France	D:	A:	E:
2020	M:	L:	D:	A:	E:
beg. 2020	M:	L: Pandemic starts – first waves of lockdown	D:	A:	E:
Nov 2019	M: Last group meeting before the Nov 2024 reunion	L: Last group meeting before the Nov 2024 reunion	D: Last group meeting before the Nov 2024 reunion	A: Last group meeting before the Nov 2024 reunion	E: Last group meeting before the Nov 2024 reunion
2019	M: Plans for his mother / co-housing project	L: Spring break in Andalucia with Elara	D: Spring break in Andalucia with Elara	A: Spring break in Andalucia with Elara	E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
ca. 2014	M:	L:	D:	A:	E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick. Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
2010	M:	L:	D:	A:	E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
2007	M:	L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland	D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland	A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed	E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
before 2007	M:	L:	D:	A:Meets Elara at a gallery in London, Southbank	E: Meets Amei at a gallery, London Southbank

December 5, 2024 at 11:01 pm #7647

In reply to: Quintessence: Reversing the Fifth

Keymaster

The Fifth Note

Darius: A Map of People

June 2023 – Capesterre-Belle-Eau, Guadeloupe

The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

The Market — The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

Darius accepted it with a quiet laugh. “Merci, tatie.”

As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

“Nice scarf,” Darius said casually as he passed.

The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

A Letter to Amei — That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

January 11, 2023 at 10:32 pm #6368

In reply to: Train your subjective AI – text version

Keymaster

Something in the style of FPooh:

Arona heard the music growing louder as she approached the source of the sound. She could see a group of people gathered around a large fire, the flickering light casting shadows on the faces of the dancers. She hesitated for a moment, remembering the isolation of her journey and wondering if she was ready to be among people again. But the music was too inviting, and she found herself drawn towards the group.

As she neared the fire, she saw a young man playing a flute, the music flowing from his fingers with a fluid grace that captivated her. He looked up as she approached, and their eyes met. She could see the surprise and curiosity in his gaze, and she smiled, feeling a sense of connection she had not felt in a long time.

Fiona was sitting on a bench in the park, watching the children play. She had brought her sketchbook with her, but for once she didn’t feel the urge to draw. Instead she watched the children’s laughter, feeling content and at peace. Suddenly, she saw a young girl running towards her, a look of pure joy on her face. The girl stopped in front of her and held out a flower, offering it to Fiona with a smile.

Taken aback, Fiona took the flower and thanked the girl. The girl giggled and ran off to join her friends. Fiona looked down at the flower in her hand, and she felt a sense of inspiration, like a spark igniting within her. She opened her sketchbook and began to draw, feeling the weight lift from her shoulders and the magic of creativity flowing through her.

Minky led the group of misfits towards the emporium, his bowler hat bobbing on his head. He chattered excitedly, telling stories of the wondrous items to be found within Mr Jib’s store. Yikesy followed behind, still lost in his thoughts of Arona and feeling a sense of dread at the thought of buying a bowler hat. The green fairy flitted along beside him, her wings a blur of movement as she chattered with the parrot perched on her shoulder.

As they reached the emporium, they were disappointed to find it closed. But Minky refused to be discouraged, and he led them to a nearby cafe where they could sit and enjoy some tea and cake while they wait for the emporium to open. The green fairy was delighted, and she ordered a plate of macarons, smiling as she tasted the sweetness of the confections.

About creativity & everyday magic

Fiona had always been drawn to the magic of creativity, the way a blank page could be transformed into a world of wonder and beauty. But lately, she had been feeling stuck, unable to find the spark that ignited her imagination. She would sit with her sketchbook, pencil in hand, and nothing would come to her.

She started to question her abilities, wondering if she had lost the magic of her art. She spent long hours staring at her blank pages, feeling a weight on her chest that seemed to be growing heavier every day.

But then she remembered the green fairy’s tears and Yikesy’s longing for Arona, and she realized that the magic of creativity wasn’t something that could be found only in art. It was all around her, in the everyday moments of life.

She started to look for the magic in the small things, like the way the sunlight filtered through the trees, or the way a child’s laughter could light up a room. She found it in the way a stranger’s smile could lift her spirits, and in the way a simple cup of tea could bring her comfort.

And as she started to see the magic in the everyday, she found that the weight on her chest lifted and the spark of inspiration returned. She picked up her pencil and began to draw, feeling the magic flowing through her once again.

She understand that creativity blocks aren’t a destination, but just a step, just like the bowler hat that Minky had bought for them all, a bit of everyday magic, nothing too fancy but a sense of belonging, a sense of who they are and where they are going. And she let her pencil flow, with the hopes that one day, they will all find their way home.

October 25, 2009 at 11:15 am #2781

In reply to: Random RewrEights – The Del’Eights thread

Keymaster

#10

Arona got imperiously brave, or stupid, and moved slowly out into the light.

Holy Arona found herself always flattered at the reaction.

“I heard the music, and enjoyed the distraction. If this riddle will allow to listen” at last a box with no corn or a gold tree inside?

she leapt up on the eggs too, all morning eggs had been coming to her hungry right now, but maybe Dory was her animals in her life. She had a quite funny thing Fiona noticed. She had a box of Angel cards, and had the music card guide herself, beautiful music …

April 30, 2009 at 10:13 am #2564

In reply to: Strings of Nines

Tracy

Participant

Yoland woke up feeling lighter somehow. The sun was shining, the young puppy, Phunn, scampered about without a care in the world as she perused the morning mail. The random daily Circle of Eight’s quote once again delighted her, synchronizing with her recent meditation.

“Fiona woke suddenly from a dream. In her dream she had been communicating with her online friends, through drawings and messages. She had been trying so hard to convey something, and the more she tried to say it, the more distant they felt to her.

She had woken feeling saddened. Her energy was greatly disturbed, and, unable to get back to sleep straight away, she meditated. She felt herself connect with the energy of a Snowy Owl, who invited her wordlessly to ask her questions. The Owl’s eyes seemed to have such a depth of wisdom and kindness, and no sooner had her thoughts begun to ask their questions, than she would feel the Owl’s answer merge with her own knowing.

She felt herself being able to say without words what she had tried so hard in her dream to convey, and understanding there was no need for any effort, she felt greatly comforted, and peaceful sleep swept over her again.”

Yoland had sent an email to her freind KX about her meditation, as her freind had unexpectedly popped up in it, in a wonderful pastel watercolour world:

_{The elevator stopped with a shudder and the doors slammed open. The landscape looked a bit too airy fairy for me (not real enough, haha!) and I nearly got back in the elevator. It was all aqua blue and pastel and floaty, like a watercolour world. Then I saw you, waving your arms around, painting the air with trails of pastel colours with your fingertips. You were smiling and wearing a pale blue shirt. You wrapped me round with spirals of colours from your fingertips and then I flew upwards into the dark blue. You tossed me a paper toilet roll to use as a silver cord, which I tossed back to you after a bit cos it felt a bit silly, and then you sent a burst of colours as an acknowledgement}

KX had responded:

“Yoland!!That is very very cool! I’ve been “out there”! I’ll bet you I was changing the toilet paper roll at the moment you were in the Watercolor World ! Meanwhile so many things are coming together for me in how to create and how to hold my attention where I want it… Imagination is a key ~ Love you! I will beam over in a minute. KX”

Smiling, Yoland checked the latest blog updates. Sahila had posted some Possum photos, and the first thing that Yoland saw was the white owl in the fork of the tree behind the possum.

:creating_magic:

July 31, 2008 at 10:40 am #994

In reply to: Circle of Eights, Stories

Reality Play Arona's Party FocusGroupFocus

Keymaster

Hopefully, Al was not one to judge a work by the time it takes to produce.
Actually, he was remembering a tale he’s been telling Sam no so long ago, about a Chinese painter who took years of training to be able to execute a painting in a single most perfect stroke. Only thing was that the Prince who had ordered him to paint this was offended when he saw him arrive empty-handed and drawing on the spot in what seemed the most easy, flowing movement that single painting, while he had been provided time and resources to the painter for so long. He had him executed, only for his servants to discover later that the painter’s house was full of tons of sketches.
It is all a work of art, dear Tina…

— Now, I get that you have found your favourite entries.
— Yes, entry number 2 .
— Okay
— Then, the one where Fiona changes her name to Finn, that has to be a significant one; that is 151 …
— Fine
— And 223 , when Arona gets given Yikesy

Al pondered for a moment…

February 15, 2008 at 6:17 pm #1321

In reply to: Pictures Pool

Reality Play FocusGroupFocus

Keymaster

Here follows a list of pictures related to various threads of the story.

Various sketches and early comments on the story inception — most of which can be now also found in the thread named Yuki’s Livrary — including sketches of some of the early characters (Malvina, Leormn, Dory, Fiona/Finn, Yann, Quintin/Yurick etc.), Dory’s map from her sketching book, a partial map of the Duane, and also Chiara and Buckberry…

Concept Sketches, with Badul in Asgurdy, Tomkin Sharple on the shores of Golfindely, and Becky in New Venice

Naasir’s dream, an immersive panorama, where you may find some of the recurring animal representations in a dream-like essence land…

Princesses and fairies are to be acknowledged too with Mævel, and her legend and the Weaving Princess

Georges, and Salomé

Other-dimensional creatures, like The Snoot and a Nirgual (found on the Murtuane)

October 21, 2007 at 8:21 pm #329

In reply to: Circle of Eights, Stories

Tracy

Participant

Becky wondered why Finn kept calling her Dory. It didn’t matter though, it was always fun chatting with Fiona (or Finn as she now liked to be called), and Finn was always calling her different names. Becky rather liked it.

The thing is, Finn, Dory tapped into the keboard, when they’d finished laughing, As everyone knows, There Are No Secrets.

finn_tastic57: HHMMM

becdorsansilli:

finn_tastic57: This is a clue, you know. We should be able to just ‘know’, you know, just access the info

becdorsansilli: I wonder if these whispers are secret?

finn_tastic57: I guess the group admin can access them

becdorsansilli: well
becdorsansilli: we wil go public to save him a possible moral dilemma

Becky was even calling herself Dory now, she noticed. That Finn was a bad influence.

October 21, 2007 at 1:33 am #324

In reply to: Circle of Eights, Stories

Jib

Participant

Yann was wandering about in a pet shop, looking for nothing in particular.

Quintin had said something about inserting the shift now… well, that sucked… Yann was in a very bad mood, feeling like everyone was against him, nothing was going as he wanted to, and most of all he had lost inspiration. No desire to draw, or to write anything. His life was not fitting. Or so it seemed.

Looking closer to the bird cages, and the birds inside, he was amazed at their similarities and their differences. Their shapes and sizes, their colors was the obvious parts. Their shouting also, it was quite messy, and stridulent. But what he noticed most was their behavior, some were just living their own life, proud of themselves and quite fearful when Yann was getting closer to the cage, and others were just flocking together like they couldn’t live apart. Some were singing, some crying, some just quiet and moving nervously or randomly…

He went to the parrots room, it was written babies on the cages… they were like full sized parrots to him, very big birds!!! very colorful and impressive. But looking closer, they were not so healthy, their feathers were sort of dull, and even bad shaped and like the parrot had been attacked savagely :yahoo_thinking:. Not very impressive eventually.

A few days ago things had become quite erratic at his work… he had felt a strong desire to change, change everything. First he couldn’t understand that desire and he resisted strongly, but soon he created some uncomfortable manifestations. Breathing difficulties, headaches, itching, and even boredom. He just felt the desire to tell bugger off to everyone.

The birds were getting boring actually, he left the shop.

Walking in the street among the crowd was kinda soothing his uneasiness… though at times he was like feeling what they were strongly projecting. There was that Muslim woman with her chador, and as she went right past him he had that twinge of anger against her, coming from nowhere, and as soon as he noticed that, he just moved his attention to his energy and it was over, no more anger or polarization. Was it his own feelings or was it from that young woman?

Whatever, he just enter another shop, home shop, with little thingies and furniture… all these statues, the ones looking like 1920’s ladies were the most appealing… and there were these fairies also, wasn’t it Fiona who had told him about a dream where she was the fairy princess?

Oh! that pic… the man had a blue skin… with dolphins on his face creating shadows… the pic was a blend of sort, very funny, and the man was cute as was the shop assistant…

Time to leave… he went off the shop and continued walking. Bright sun, fresh air, all was clearing. His mood also. He thought again about what he and Quintin had been planning. It seemed something crazy, but it also seemed related to what was happening in his life. Since Vienna, their relation had become closer and closer, and for the most part it was very endearing, very fun and also very intense. All these energies, all this creativity, it had to be part of a bigger picture.

Thinking about that, his friend Dory had told him about a bigger picture once, and he was teasing her about that… but now it was making sense. His abilities to remember his dreams had increased in a way, though most of the time he did not remember his dream in the morning. He’d noticed he could if he was just relaxing a bit and let his attention go back to that dream self of his… At times he had also some weird experiences about parallel realities and shift of perception, like the room is translucent and he can move through it in another dimension, very freaky that one

October 14, 2007 at 4:12 am #281

In reply to: Circle of Eights, Stories

Participant

That morning Fiona knew she needed to change her name. Fiona was a nice name, and she was quite fond of it, but she needed to reflect the inner changes which were happening and it didn’t feel right any more. (Well were there inner changes and did she need to reflect them? Buggered if she knew. All she knew was that it did not feel right.) At that very moment she looked down at the book she was reading and instantly the name “Finn” popped out at her. As this was a variation of Fiona, it seemed perfect to her. So really she wasn’t changing her name at all, just focusing on a different aspect of it, or something.

October 12, 2007 at 5:29 am #1308

In reply to: Yuki’s Livrary

Keymaster

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

October 12, 2007 at 1:03 am #79

Topic: Yuki’s Livrary

in forum Yurara Fameliki’s Stories ~ Sync stuff

The Jorid Alienor Dragons & Riders Malvina's Song FocusGroupFocus

Keymaster

These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

Note: for the reader not familiar with all the names here is a quick reminder:

Araili > Yann, Írtak, Sam, Jacob …
Armelle > Fiona, Arona, Tina, Qixi …
Rafaela > Dory, Illi, Becky, Rodney …
Yuki > Quintin, Al, Janice …

September 12 ^th, 2007

Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

September 13 ^th

Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.

Right now, it feels easy and fun.

Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…

First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.

September 14 ^th

For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

September 15 ^th

Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin

Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

September 16 ^th

Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.

He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

September 18 ^th

Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

Characters drawn:

Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
Malika, Quintin, Yann, Fiona and Dory

Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.

September 21 ^st

For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.

But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

Of course, some things still matter, and one of the point of the story is also to discover these.

September 22 ^nd

Quintin has been drawing new characters.

Characters drawn:

Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…

September 23 ^rd

Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

Up to now, here are the names he could find:

North: the Icy Lands, and Dragon Cemeteries
Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

October 9, 2007 at 3:39 pm #270

In reply to: Circle of Eights, Stories

Jib

Participant

Oörlaith heard the sound of a barking dog not far from her rookery. They were back with his master, and she knew at once their mission was complete.

A few months ago she had met a strange man, he told her he was called Leonard, and the funny black dog that was following him everywhere was called Moufle. An ancient word for mitten… Well she didn’t ask why he’d call him like that, the dog was so hairy…

Leonard was a lonely traveller, quite ancient as she could feel, but she wasn’t able to know his actual age. And there were some other weird feelings when she was focusing on his energy tone, something to do with time itself.

When she first met him she knew he was the one she was looking for for ages. It’s been such a long time she hadn’t heard from her sisters. Oörlaith’d been having these dreams since they chose different direction many years ago, Malvina and Roselÿn, her precious ones. It wasn’t necessary for her then to keep objective contact with them through the glubolín.

One year ago, the dreams stopped abruptly, and she tried several methods to reach her sisters. None of them with success. All her attempts failed, and she thought first she had lost her own power, but she knew one can not loose power of self, just forget it or create it on purpose. She realized then it was time to recreate these links more objectively.

She couldn’t find her glubolín though. And Leonard arrived. Fortunately enough he had news from some strange events occurring in the land where she knew Malvina had settled her rookery. Was she still here with Leörmn?

Yann had been feeling many impulses to draw scenes from his dreams and from the story they were creating with Quintin, Fiona, and Truth. It was an urge from inside and last night he had a very intense dream activity, most of which he couldn’t remember, it was more like a big forum with many different personalities all exchanging experiences and exploring new avenues.

He was also attracted by old stories he was writing when he was a student, the one involving Georges and Salome, it seemed to him they had taken a life of their own now, and they felt very powerful, and most of all, they felt like really having fun.

One of the drawing that was intriguing him was one that represented a sign of sort, in grayish sparkly clouds. He had given the pic a strange title, Oorlath. Yann had connected the name to an individual and was surprised when Quintin told him about a princess named Oörlaith. He was wondering who she was…

She still had no face when he thought of her… maybe she was hidden for the moment… and he had the strangest thought that she knew Leonard, the man he’d been drawing with his black hairy dog.

Haha, he had felt her smile.

Chiara was looking for the boy she’d met last time in her dreams. Maybe he could give her some berries again, they were really tasty and fluberrish.

But she’s been looking for him for so long she wonder if she could find the way again…

Where she was now felt different. The light? The air? She took a deep breathe and just sat down on the grassy land. She had a quick thought that the land were more rocky than grassy a few seconds ago, but as she was feeling the grass under her hands, she dismissed the thought.

She was hearing birds singing, it was quite funny the way they were bounding from one sound to the other and she could understand what they were saying, much gossips and a few compliments for a new mother nothing really important to her. She Jibbled.

Lying down on the mossy land, she was looking… mossy? wasn’t it grassy? Now it’s mossy… hope that wouldn’t become mothy

She was looking the clouds, some were grayishly sparkling, she was enjoying it…

“Are you looking for something” a voice said.

Chiara quickly sat up and gazed at the fat lady who was standing before her.

“Hahahaha, you found me at least my dear” laughed the woman.

“My name is Roselÿn, and you are Chiara, aren’t you?”

The little girl was gaping at Roselÿn… how could she possibly know her name?

“I feel I know you :yahoo_thinking:” she said dreamily.

“You make me feel like when I’m with my uncle Yann, and… there’s something else… oh!?”

October 8, 2007 at 10:44 pm #268

In reply to: Circle of Eights, Stories

Participant

Fiona had more or less given up on getting the pebbles from Yann, deciding they must have got lost in the post, so that evening when she happened to check the mailbox when walking past she was very surprised and delighted to see a package from him. It was way too late for the postie to have been, so she was intrigued as to how they had got there and where they had been all this time.

The three pebbles, well a couple of them were more like small rocks really and she was most impressed that Yann had sent them, were from the cave in Scotland he had visited a few months ago. Yann said the small one was from the cliff, the red one was one of the pebbles outside the cave and the grey one was from the stream inside the cave.

Fiona held each of them in her hand and got quite a strange feeling from them, and some interesting pictures came into her head…..

Yann had also sent a furry toy, a little scottish hairy cow. Apparently on his trip these hairy cows had reminded him of her. Fiona was a little perplexed by the seeming similarity but decided to believe it was a good thing. how quaint! she thought bless him

October 5, 2007 at 2:09 pm #262

In reply to: Circle of Eights, Stories

Participant

Fiona woke suddenly from a dream. In her dream she had been communicating with her online friends, through drawings and messages. She had been trying so hard to convey something, and the more she tried to say it, the more distant they felt to her.

October 5, 2007 at 3:46 am #257

In reply to: Circle of Eights, Stories

The Jorid Tomkin and the Travels of Bådul Wrick Family Reality Play FocusGroupFocus

Keymaster

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

October 2, 2007 at 11:12 pm #249

In reply to: Circle of Eights, Stories

Participant

Fiona was feeling a bit weird.

She was wondering what was real. Was she real? Wow I am starting to sound like Dory she said and then laughed

Oh my goodness and now I am laughing out loud and talking to myself. Jarrod does that and they put him on medication for it.

And were her online friends real? I mean what evidence did she have. There were these pebbles of course Yarn said he was sending, but where were they?

The other day she had been talking to her friends via the internet, and she found herself telling this ridiculous bird story, which basically boiled down to “I saw a bird and a cracked egg shell”

AHAHAHAHAHA

Ooops better stop laughing out loud so much. But at the time of seeing the bird it had felt really significant, as though something of importance was being communicated to her.

And the online story they had all been writing — well was it all of them, or was it really just her writing it? — whatever, it was getting weirder and weirder and quite rude at times too actually. Or was it??? Was that her imagination again?

And lately she kept winking. Good grief, I never wink, what is all that about? What the does a wink mean anyway?

Fiona patted her dog George. He was so funny and uncomplicated. All he wanted to do was eat and play and have as much fun as possible… so cool. Actually that is all I want really too, she decided, and felt much better.

September 30, 2007 at 7:20 am #241

In reply to: Circle of Eights, Stories

Participant

Fiona woke up smiling from her dream.

She had been in a new house, scrubbing the wooden floorboards, rearranging furniture. There was a nice garden, very green. Anyway all these ducks flew into the garden, well ducklings really, because they were cute and yellow, like cartoon ducks.

It had been drought conditions for so long that Fiona was concerned for them. So she filled a glass with water and threw it over them. She kept doing this, and the ducks were hopping happily around in the water. Then they all started clapping their wings together to thank her.

Fiona had been having lots of duck imagery lately. A funny thought crossed her mind as she thought of Rose, a friend of Dory’s who was into birds. Well she was a friend of all of them, but Fiona associated her with Dory, because Dory was always saying “Rose said this… or Rose said that”…

Quintin said ‘ducks and drakes’ was a game where you threw pebbles into the water or something. This cast a slight shadow over Fiona’s day thinking about it, because sadly her pebbles had still not arrived from Yann.

Anyway when they did get there, no way would she be throwing them away into the water. Not after this long a wait.

What was the time anyway? she wondered looking at her watch 1:11, cool time for some more housework.

September 29, 2007 at 7:40 am #235

In reply to: Circle of Eights, Stories

Participant

Fiona ed as she read the latest updates on Quintin’s website.

She felt the strong presence of her evil twin as she found herself compelled to play with some of the new features.

She hoped this would not make Quintin feel as really it had nothing to do with the story.

Or did it

Of course he can always ~~delete it~~ if he wants, she thought happily or make some rules, to stop this sort of thing happening in the future.

September 27, 2007 at 5:07 pm #227

In reply to: Circle of Eights, Stories