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They were thick as theives, freinds for thousands of centuries, or even more; sometimes thick, sometimes theives, and anything else you might imagine. They got together again and again in this time and that, here, there and elsewhere, just for the fun of it. There was nothing they liked more than a puzzling occurance, or a riddle, or a basket full of clues to ponder over, unravel, and turn around and around, toying with meanings until they found one they liked. They had a home in The City, sort of a home base so to speak, where they met regularly each night in the dream state, regardless of which time or place they spent their waking hours. It was sometimes a releif to meet up at home in The City and always a pleasure: sometimes it was hard to stay under the radar back down on the ground, it was part of the job to stand out in the crowd, which often resulted in a lynching, or a ducking, or the stocks, at the very least. All too often it ended up on top of a bonfire, tied to a stake.

One day in one of the Decembers, in amongst all the sweet dreams they often shared, they started having some unsettling group dreams, where they all felt like they were betwixt and between, falling through the cracks you might say. It was a feeling similar to dying of thirst, although it wasn’t really a physical thirst, it was more than that, a hungry yearning sort of thing. Some of them had strange nightmares, of a monstrous beast, and some of them actually saw beasts in the daytime too, especially on those falling through the cracks days. When they met up at home in The City, they compared notes about the beasts, and not always, but sometimes they found they were mirroring each others beasts. That often ended up in a heated debate, because the more mirroring that occurred, the more real the beast seemed. Some said that the beasts that appeared when you fell through the cracks were in a deep ravine, in a manner of speaking, and not of this plane at all. Others argued that if the beasts appeared through the cracks, then they were on this plane.

And so it went on, and on. There were many more puzzling occurances to come, and lots of meanings to be considered, rejected, or taken on board for the friends, as thick as thieves, to turn around and around, and hold up to the mirror for closer inspection and dissection. They were making a tapestry, a huge rich colourful tapestry, and all the puzzling occurences, and even the beasts, were depicted in the colourful threads and patterns. They were the warp, you might say, of the weave. Love was the weft.

“Congratulations, Liz” Godfrey remarked drily. “Are you supposed to use three months worth of creative writing challenges in one entry?”

“Don’t be silly, Godfrey, of course not. Rules are meant to be broken, that’s what they’re for.”

“The dream of caves in which I wander comes nightly now. Minkah has never appeared again.”

“He never did, did he?” interuppted Godfrey. “Minky I mean.”

“Oh yes he did!” replied Elizabeth, and continued to read the email from Hypatia. “ But each night I find myself lost there and each night I search for a child. So odd, so odd, as I know I will never give life to another.”

“Where is Yikesy, anyway?” asked Godfrey.

“With Minky, of course!”

“We walk, Ia’eh and Minkah, Desher and I,” Elizabeth read the email from Hypatia, “ towards the dark ridge of stone where the books lie hidden, awaiting the day they should be found again…..When Cleopatra ruled, the books numbered 400,000…and this, I think, is true. By the time of Theon of Alexandria, an age in which the books were no loner in the Great Library of the Palace of the Ptolemies, which was also no longer, but housed instead the “daughter” library of the Serapeum, they numbered 360,000. Those lost to the Bishop of Theophilus amounted to a tenth of these. But no matter if full half were lost, that Minkah brought out from Alexandria so many amazed me then; it amazes me still. He not only carried them here, but brought back an account of where each cave was sited, and which jars were placed in which cave.”

“Godfrey, didn’t we know a Minky once, who was a sort of a servant?”

“We did indeed, Liz, you were the one who inserted him into the story, surely you remember?”

“Well, the name rings a bell, Godfrey, but where did we meet him?”

Godfrey snapped his fingers and as if by magic, an excerpt from the Reality Play appeared:

“Just then a funny little man with a huge cheeky grin appeared and held out a tray. Smoothies! Coconut and berry smoothies, and pink cakes, croissants”

“Croissants!” interrupted Elizabeth.

“… and oranges, and a box of cadbury’s chocolates…”

“Don’t remind me about Cadbury’s” groaned Elizabeth. “I simply can’t bear it that they’ve blinked into another dimension”

Godfrey continued: “ Dory slurped and munched and gobbled and slurped some more, and underneath where the chocolate was, she saw a brochure.
On the front cover was a picture of a cave. OOHH A CAVE! Dory loved caves! Let’s go to the cave today, Minky! she said to the funny fellow with the impish grin. Minky winked.”

“He was going to take Dory to the caves!” Elizabeth exclaimed. “Why didn’t I finish that story thread!”

“There’s no need to wring your hands like that, Liz” said Godfrey soothingly. “You can continue it now!”

There’s something, er, fishy, about this here dead cow, Sanso surmised. He was still a little fuzzy after his peregrinations in the Dense Dimension. Suddenly he slapped his forehead and exclaimed D’Oh! This dead cow is no accident! He shook his head, as if trying to shake the cobwebs loose. The effects of the brocolli hadn’t worn off completely yet. I can’t beleive I chose the Brocolli from the ‘You Fool’ Jar instead of the ‘Thank You’ Jar. I should have realized, Sanso was still shaking his head, what the ramifications would be of choosing discounting instead of appreciation. D’OH! he exclaimed again. Really, I had no idea how far reaching and all encompassing the effects would be of that Brocolli choice. I suppose it’s no accident the vegetable in question was brocolli, either, with all those probability branches and probable florets.

Right then Sanso, Old Bean, pull yourself together, he told himself firmly. This here dead cow is a sign. He approached the dead cow slowly, sniffing the ether, in a manner of speaking, for clues. He recalled the Dead Cow Cult
from another elsewhen, and their affiliation with the Arduino
Time Travelling Internet Server, and wondered if there might be a connection.

The Fool Fog of Discounting, caused by the brocolli Choice, in Sanso’s head was starting to clear, and he began to access information. The Cult of the Dead Cow had merged with the Arduino Enterprise at some point, creating an offshoot called the Pirates Association of Time Hackers, otherwise known as P.A.T.H. They had been recruiting members from many times and places, and as usual, had attracted large numbers of teenagers.

One teenager in particular appeared to stand out in Sanso’s mind, a peculiar young man who went by the alias “Holy Cow”.

Oh My God! Sanso slapped his forehead again. (I really must get these AHA moments under control, he said to himself, rubbing his bruised head) It can’t be! Yes, it is! It’s Yikesy!

“The fact of the matter, Finnley,” Liz whispered confidentially to her dear freind, “ is that I feel scared to say something discontinous now, which results in me saying nothing (or rather, not all that much).”

“Leave it with me, Ann dear” replied the resourceful Finnley. “I’ll have a word with God about nonsense.”

“Liz” corrected Liz.

“Oh dear. I think you’ve been infected with the continuity virus.” Finnley looked worried.

Write any rubbish, dance across the page, gesticulate wildly and enthusiastically from rubbish! Oh My God! That sounds Brilliant! and so incredibly freeing!

She had been suffering from the Fiction Writer Within, her true identity.
Now to write about any good week, and see fiction idea in the depths under that reluctant thought, a great time to decide to do a slobber drip gag kiss.

Her new favourite philosophy was that everything was top marks for everything: such an encouragement to creative urges. Full credit for the flow!
Beam brightly, a surprise gift you may use if you wish ~ and have fun!

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”

#1198

Al woke up deranged. He was in the middle of the bushes, unable to move and scantily clad.

Good thing too that the joggers in the park noticed!

Embarrassing, he reckoned.

Moments later, after some voice messages on his telephone from Becky, he was still incapacitated.

Just as Becky was retorting to Al to please become completely transparent, Becky giggled, suddenly seeing the Wet Tarty Nun.

“My God, what the fuck is that?”

Though the more Ann thought about Monica, the funnier it seemed. Guilt was such a tiresome emotion.

“Fancy old Bronkel deciding to go for a sex change! I must have sensed something when I wrote him in as the crazy, brilliant, cross dressing Dr Bronkelhampton in the Island novel!”

She thought for a moment, “did I ever finish that novel?”

Ann sighed. What was she like eh! Always starting novels, never finishing them. No wonder old Bronkel, ahem, Monica, got so fed up with her.

Anyway, perhaps she would give Monica another chance as her pooblisher? He … she… was certainly much kinder and easier to deal with now. That Godfrey, or whatever the heck his name is, wasn’t doing much for her career.

The writer wondered again how to strike out text and correct the inadvertent slip into the Ooh dimension.

An idea for another novel was forming in the murky convoluted depths of Ann’s brain, something about a gorgeously cuddly big teddy bear man, with his unruly tumble of brown curls and his colourful FairIsle sweaters, who had flown the nest from a potato farm in deepest darkest Idaho to pursue his dream of being an Elsespace Guide at the Worserversity.

“Brilliant, Moonica will loove it!”

“I blame the Elsespace Arrangement” Monica said in response to Ann’s long winded diatribe. “Nothing’s been quite the same since it got so popular.”

“You’ve got a point there, Mon” Ann agreed. “We didn’t used to have all these mix ups before, did we?”

“Well speak for yourself, dear, I don’t get mixed up,” Monica said a trifle pompously.

Not ‘arf you don’t, Ann said to herself, smiling sweetly at her freind.

“I heard that” Monica replied.

“Soory, Monica.” Oh my god, look at that typo. “Sorry Monica” Ann corrected herself. “The thing is, I’ve been feeling so odd lately. Disconnected, somehow. But the others seem to think they’ve been offending me, but it’s not that.”

“Well, what is it then?” asked Monica kindly.

“I’m not going to tell you. Ah ha ha ha ha.”

Ann had to admit it wasn’t a bad idea. She wondered why she hadn’t thought of that herself. Why haven’t I been expressing more of the perecption in front of my eyes, I wonder? The more she thought about it, the more confused she became. It did sound like a good idea, and she was pleased that she had created another ‘her’ as it were, to mention it.

On the other hand, of course, there was nothing stopping Walter (or was it Gordon? No, Godfrey…wait, wasn’t it Al?) from creating another one of his ‘hims’ masked as an Ann to express more of her perceptions in HIS own ‘It’s All You’ story.

Am I getting this right? Ann whispered to her left ear.

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

Godfrey stood looking up the pigeons sitting on the statue of the Academy’s founding father, Walter Melon, pondering the symbology.

“What do you reckon the symbology of that is, Aaeiulie?” he asked his colleague, this years alien-Xchange visiting professor, Aaeilulie Gub, from the Worserversity in the Slooperniff Dimension.

“No idea, God, I’ll use this as my next class assignment, see what the students come up with. Anything else, or just the statue and the pigeons? Keep it simple, profound? Or convoluted but with lots of options?”

“Oh keep it simple, if I know those students, they will manage to convolute even the simplest ideas.”

“If they didn’t, we’d be out of a job” said the alien.

“We don’t call them ‘jobs’ anymore, we call them S.M.I.L.E.S, or Something Marginally Interesting, Lucrative & Enlightening.”

With a perfectly straight face the alien replied “What rubbish.”.