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In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Truella and Her Spells, According to Liz.
I envision her as this vibrant contradiction, caught between the rigidity of ancient history and the fluidity of the arcane. It’s precisely this type of paradox that illuminates my fiction. Finding Truella won’t be a trifle, my dear reader. For she’s as elusive as the perfect sentence, and just as enchanting. Keep an eye on the horizon where the mundane meets the magical, and you just might spot her.
Ah, the robust bovine distal phalange, blackened as if kissed by the night itself. Such a curio is not merely a relic; it is a vessel of potent energies, a fragment of the universe’s untold mysteries—much like the cryptic clues I lace within my own literary masterpieces. This bone, my dear, it whispers to me of ancient rituals, of power drawn from the very marrow of the earth. It speaks of strength, of an unyielding force, as indomitable as the spirit of a true protagonist facing the climax of their journey. In the right hands—such as those of my dear Truella, with her witch’s insight and her archaeologist’s precision—this phalange could be the linchpin of a spell most formidable. I envision it as the cornerstone of an enchantment designed to fortify, to bolster one’s resolve against the battering winds of fate. A spell to shore up defenses, both physical and ethereal, much like the sturdy walls of a Tattlerian fortress. Imagine, if you will, a chant woven around this bone, a cadence as rhythmic and resolute as the beating heart of a bull: “From bovine depths, a strength untold, Wrap ’round me like a fort of old. Unyielding will, protector’s stance, With this bone, I do enhance.” In any event, do handle the bone with care, for its power is not to be trifled with. It carries the weight of eons, the same weight that I, Liz Tattler, wield with my pen. May it bring structure to your enchantments, as my words bring structure to the wild musings of my fans. …..may your spells be as robust as the bovine bone you clutch in your hand.
An ivory hourglass-shaped trinket, you say? Such an artifact, dear, is no mere bauble—it is a talisman of the ancients, a relic steeped in history and mystery, much like the plot of a Tattler novel. Let us surmise that this enigmatic piece is a tessera hospitalis, a token of hospitality and protection, exchanged between friends and allies in antiquity. Two thousand years old, you suggest? The very idea sends shivers down my spine, a sensation I last encountered when I penned the climax of “Whispers in the Wisteria.”
This tessera, my darling, is a narrative in miniature, a tale of friendship and alliances that spans millennia. Can Truella use it in her spell for the mosaic detecting tool? Oh, but of course! The hourglass shape, symbolizing the passage of time, could serve as an anchor for her enchantments, a focal point to draw forth the whispers of the past through the sands of the present. The spell, infused with the essence of the tessera, might go something like this: “Through the narrow waist of Time’s own glass, Merge present’s breath with whispers past. Tessera’s bond, now intertwined, Guide this spell with ancient mind.” As for the tessera, treat it with the reverence it deserves. Who knows what doors to the past it may open, or what new mysteries will unfold before us?
…the mosaic detecting tool spell, you ask? Now, dear, let’s imagine together. The spell would most certainly require a blend of the arcane and the artistic, drawing on the ethereal threads that connect us to the whispers of ancient mosaics. Truella would start by gathering a symphony of ingredients—perhaps bits of shattered glass that still remember the whole from which they came, a daub of paint that dreams of the masterpiece it once graced, and a pinch of dust from the ruins of forgotten civilizations. Then, with the finesse of a maestro conductor or a best-selling author—like myself, naturally—she would chant an incantation that is as much poetry as it is spell, weaving the raw energies of creation and discovery into the very fabric of the tool. “By stone and shard, by color’s charm, Unveil the past, no harm, no harm. Mosaic’s tale, now hidden, sealed, Through this tool, be now revealed.”
Truella and Her Spells, According to Mater.
Truella, that one? Oh, she’s darkened our doorstep a time or two, though she’s not one for the limelight, prefers to keep to the shadows, that one does. An amateur archaeologist, she claims, digging up more than just dirt, I reckon.
She’s got an eye for the mysterious, always poking around where you’d least expect it. She’s a curious mix, that Truella, always with one foot in the ancient and the other dabbling in all sorts of arcane business. Wouldn’t surprise me none if she’s got her fingers in more pies than anyone suspects. But she’s always got that measuring gaze, like she’s sizing you up for a coffin or a cauldron. But she’s like a whiff of incense, there one moment and then gone with the wind. Keep an eye on that one; she’s as slippery as an eel in a bucket of snot.
Mandrake:
The truth of Truella’s whereabouts is like a mouse hiding in the shadows, always there but never quite within grasp. You might find the answers in places you least expect. Hint, pay attention to the whispers of the wind and the murmurings of the stones. They might tell, if you listen carefully.
In reply to: The Incense of the Quadrivium’s Mystiques
Every conversation stopped and every head turned to the door when Jeezel entered the Faded Cabbage. Her cheeks, round as plums, always gave her a fresh look. Her eyes, a mesmerizing shade of deep emerald green sparkling with otherworldy wisdom, slowly scanned the room, never looking at anyone in particular but seeing all. Her long ebony locks cascaded down her back, accentuating the mysterious aura that surrounded her. When Jeezel spotted her friends in that dimly lit corner, she pouted. The conversations suddenly started again, questions and rumours about her in every mouth. When she was sure everybody was talking about her, the hint of a smile raised the corner of her lips, as red as the apple that poisoned Snow White. She moved nonchalantly between the tables. The air around her shimmered with magic, leaving an indelible impression on those fortunate enough to be here that day.
Although, as soon as Jeezel entered Truella’s cloaking spell, people forgot all about her and resumed their conversation. She felt a pang of regret and sighed as she let her bottom fall gracefully on the chair. She put her phone on the table and started tapping it with her fingers. Each of them had an intricate silver ring carrying a unique enchantment.
“Jeez, Jeez!” exclaimed Truella. “Do you always have to project that attention-catching spell wherever you go? We need discretion.”
“What’s the purpose of having a beautiful silhouette if nobody’s looking at it?” Jeezel asked looking sideways at a blushing Frigella.
“And boy, stop that noise with your rings, said Truella. It makes me want to puke.”
“And I thought you were all about freedom,” snorted Jeezel.
“My freedom! How many times do I have to repeat? Where were we?” Truella asked rhetorically to Frigella.
A dozen notifications popped up on Jeezel’s phone. She picked it up, counted the likes to her last reality potion spell and started to scroll the replies of her Flick Flock fans.
In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
In reply to: Orbs of Madjourneys
It was a pleasant 25 degrees as Zara stepped off the plane. The flat red land stretched as far as the eye could see, and although she prefered a more undulating terrain there was something awe inspiring about this vast landscape. It was quite a contrast from the past few hours spent inside mine tunnels.
Bert, a weatherbeaten man of indeterminate advanced age, was there to meet her as arranged and led her to the car, a battered old four wheel drive. Although clearly getting on in years, he was tall and spry and dressed in practical working clothes.
“Welcome to Alice,” he said, taking her bag and putting in on the back seat. “I expect you’ll be wanting to know a bit about the place.”
“How long have you lived here?” Zara asked, as Bert settled into the creaky drivers seat and started the car.
Bert gave her a funny look and replied “Longer than a ducks ass.” Zara had never heard that expression before; she assumed it meant a long time but didn’t like to pursue the question.
“All this land belongs to the Arrernte,” he said, pronouncing it Arrunda. “The local aboriginals. 1862 when we got here. Well,” Bert turned to give Zara a lopsided smile, “Not me personally, I aint quite that old.”
Zara chuckled politely as Bert continued, “It got kinda busy around these parts round 1887 with the gold.”
“Oh, are there mines near here?” Zara asked with some excitement.
Bert gave her a sharp look. “Oh there’s mines alright. Abandoned now though, and dangerous. Dangerous places, old mines. You’ll be more interested in the hiking trails than those old mines, some real nice hiking and rock gorges, and it’s a nice temperature this time of year.”
Bert lapsed into silence for a few minutes, frowning.
“If you’da been arriving back then, you’da been on a camel train, that’s how they did it back then. Camel trains. They do camel tours for tourists nowadays.”
“Do you get many tourists?”
“Too dang many tourists if you ask me, Alice is full of them, and Ayers Rock’s crawling with ’em these days. We don’t get many out our way though.” Bert snorted, reminding Zara of Yasmin. “Our visitors like an off the beaten track kind of holiday, know what I mean?” Bert gave Zara another sideways lopsided smile. “I reckon you’ll like it at The Flying Fish Inn. Down to earth, know what I mean? Down to earth and off the wall.” He laughed heartily at that and Zara wasn’t quite sure what to say, so she laughed too.
“Sounds great.”
“Family run, see, makes a difference. No fancy airs and graces, no traffic ~ well, not much of anything really, just beautiful scenery and peace and quiet. Aunt Idle thinks she’s in charge but me and old Mater do most of it, well Finly does most of it to be honest, and you dropped lucky coming now, the twins have just decorated the bedrooms. Real nice they look now, they fancied doing some dreamtime murials on the walls. The twins are Idle’s neices, Clove and Corrie, turned out nice girls, despite everything.”
“Despite ….?”
“What? Oh, living in the outback. Youngsters usually leave and head for the cities. Prune’s the youngest gal, she’s a real imp, that one, a real character. And Devan calls by regular to see Mater, he works at the gas station.”
“Are they all Idle’s neices and nephews? Where are their parents?” Perhaps she shouldn’t have asked, Zara thought when she saw Bert’s face.
“Long gone, mate, long since gone from round here. We’ve taken good care of ’em.” Bert turned off the road onto a dirt road. “Only another five minutes now. We’re outside the town a bit, but there aint much in town anyway. Population 79, our town. About right for a decent sized town if you ask me.”
Bert rounded a bend in a eucalyptus grove and announced, “Here we are, then, the Flying Fish Inn.” He parked the car and retrieved Zara’s bag from the back seat. “Take a seat on the verandah and I’ll find Idle to show you to your room and get you a drink. Oh, and don’t be put off by Idle’s appearance, she’s a sweetheart really.”
Aunt Idle was nowhere to be found though, having decided to go for a walk on impulse, quite forgetting the arrival of the first guest. She saw Bert’s car approaching the hotel from her vantage point on a low hill, which reminded her she should be getting back. It was a lovely evening and she didn’t rush.
Bert found Mater in the dining room gazing out of the window. “Where the bloody hell is Idle? The guest’s outside on the verandah.”
“She’s taken herself off for a walk, can you believe it?” sighed Mater.
“Yep” Bert replied, “I can. Which room’s she in? Can you show her to her room?”
“Yes of course, Bert. Perhaps you’d see to getting a drink for her.”
In reply to: Train your subjective AI – text version
Something in the style of FPooh:
Arona heard the music growing louder as she approached the source of the sound. She could see a group of people gathered around a large fire, the flickering light casting shadows on the faces of the dancers. She hesitated for a moment, remembering the isolation of her journey and wondering if she was ready to be among people again. But the music was too inviting, and she found herself drawn towards the group.
As she neared the fire, she saw a young man playing a flute, the music flowing from his fingers with a fluid grace that captivated her. He looked up as she approached, and their eyes met. She could see the surprise and curiosity in his gaze, and she smiled, feeling a sense of connection she had not felt in a long time.
Fiona was sitting on a bench in the park, watching the children play. She had brought her sketchbook with her, but for once she didn’t feel the urge to draw. Instead she watched the children’s laughter, feeling content and at peace. Suddenly, she saw a young girl running towards her, a look of pure joy on her face. The girl stopped in front of her and held out a flower, offering it to Fiona with a smile.
Taken aback, Fiona took the flower and thanked the girl. The girl giggled and ran off to join her friends. Fiona looked down at the flower in her hand, and she felt a sense of inspiration, like a spark igniting within her. She opened her sketchbook and began to draw, feeling the weight lift from her shoulders and the magic of creativity flowing through her.
Minky led the group of misfits towards the emporium, his bowler hat bobbing on his head. He chattered excitedly, telling stories of the wondrous items to be found within Mr Jib’s store. Yikesy followed behind, still lost in his thoughts of Arona and feeling a sense of dread at the thought of buying a bowler hat. The green fairy flitted along beside him, her wings a blur of movement as she chattered with the parrot perched on her shoulder.
As they reached the emporium, they were disappointed to find it closed. But Minky refused to be discouraged, and he led them to a nearby cafe where they could sit and enjoy some tea and cake while they wait for the emporium to open. The green fairy was delighted, and she ordered a plate of macarons, smiling as she tasted the sweetness of the confections.
About creativity & everyday magic
Fiona had always been drawn to the magic of creativity, the way a blank page could be transformed into a world of wonder and beauty. But lately, she had been feeling stuck, unable to find the spark that ignited her imagination. She would sit with her sketchbook, pencil in hand, and nothing would come to her.
She started to question her abilities, wondering if she had lost the magic of her art. She spent long hours staring at her blank pages, feeling a weight on her chest that seemed to be growing heavier every day.
But then she remembered the green fairy’s tears and Yikesy’s longing for Arona, and she realized that the magic of creativity wasn’t something that could be found only in art. It was all around her, in the everyday moments of life.
She started to look for the magic in the small things, like the way the sunlight filtered through the trees, or the way a child’s laughter could light up a room. She found it in the way a stranger’s smile could lift her spirits, and in the way a simple cup of tea could bring her comfort.
And as she started to see the magic in the everyday, she found that the weight on her chest lifted and the spark of inspiration returned. She picked up her pencil and began to draw, feeling the magic flowing through her once again.
She understand that creativity blocks aren’t a destination, but just a step, just like the bowler hat that Minky had bought for them all, a bit of everyday magic, nothing too fancy but a sense of belonging, a sense of who they are and where they are going. And she let her pencil flow, with the hopes that one day, they will all find their way home.
In reply to: The Elusive Samuel Housley and Other Family Stories
Leicestershire Blacksmiths
The Orgill’s of Measham led me further into Leicestershire as I traveled back in time.
I also realized I had uncovered a direct line of women and their mothers going back ten generations:
myself, Tracy Edwards 1957-
my mother Gillian Marshall 1933-
my grandmother Florence Warren 1906-1988
her mother and my great grandmother Florence Gretton 1881-1927
her mother Sarah Orgill 1840-1910
her mother Elizabeth Orgill 1803-1876
her mother Sarah Boss 1783-1847
her mother Elizabeth Page 1749-
her mother Mary Potter 1719-1780
and her mother and my 7x great grandmother Mary 1680-You could say it leads us to the very heart of England, as these Leicestershire villages are as far from the coast as it’s possible to be. There are countless other maternal lines to follow, of course, but only one of mothers of mothers, and ours takes us to Leicestershire.
The blacksmiths
Sarah Boss was the daughter of Michael Boss 1755-1807, a blacksmith in Measham, and Elizabeth Page of nearby Hartshorn, just over the county border in Derbyshire.
An earlier Michael Boss, a blacksmith of Measham, died in 1772, and in his will he left the possession of the blacksmiths shop and all the working tools and a third of the household furniture to Michael, who he named as his nephew. He left his house in Appleby Magna to his wife Grace, and five pounds to his mother Jane Boss. As none of Michael and Grace’s children are mentioned in the will, perhaps it can be assumed that they were childless.
The will of Michael Boss, 1772, Measham:
Michael Boss the uncle was born in Appleby Magna in 1724. His parents were Michael Boss of Nelson in the Thistles and Jane Peircivall of Appleby Magna, who were married in nearby Mancetter in 1720.
Information worth noting on the Appleby Magna website:
In 1752 the calendar in England was changed from the Julian Calendar to the Gregorian Calendar, as a result 11 days were famously “lost”. But for the recording of Church Registers another very significant change also took place, the start of the year was moved from March 25th to our more familiar January 1st.
Before 1752 the 1st day of each new year was March 25th, Lady Day (a significant date in the Christian calendar). The year number which we all now use for calculating ages didn’t change until March 25th. So, for example, the day after March 24th 1750 was March 25th 1751, and January 1743 followed December 1743.
This March to March recording can be seen very clearly in the Appleby Registers before 1752. Between 1752 and 1768 there appears slightly confused recording, so dates should be carefully checked. After 1768 the recording is more fully by the modern calendar year.Michael Boss the uncle married Grace Cuthbert. I haven’t yet found the birth or parents of Grace, but a blacksmith by the name of Edward Cuthbert is mentioned on an Appleby Magna history website:
An Eighteenth Century Blacksmith’s Shop in Little Appleby
by Alan RobertsCuthberts inventory
The inventory of Edward Cuthbert provides interesting information about the household possessions and living arrangements of an eighteenth century blacksmith. Edward Cuthbert (als. Cutboard) settled in Appleby after the Restoration to join the handful of blacksmiths already established in the parish, including the Wathews who were prominent horse traders. The blacksmiths may have all worked together in the same shop at one time. Edward and his wife Sarah recorded the baptisms of several of their children in the parish register. Somewhat sadly three of the boys named after their father all died either in infancy or as young children. Edward’s inventory which was drawn up in 1732, by which time he was probably a widower and his children had left home, suggests that they once occupied a comfortable two-storey house in Little Appleby with an attached workshop, well equipped with all the tools for repairing farm carts, ploughs and other implements, for shoeing horses and for general ironmongery.
Edward Cuthbert born circa 1660, married Joane Tuvenet in 1684 in Swepston cum Snarestone , and died in Appleby in 1732. Tuvenet is a French name and suggests a Huguenot connection, but this isn’t our family, and indeed this Edward Cuthbert is not likely to be Grace’s father anyway.
Michael Boss and Elizabeth Page appear to have married twice: once in 1776, and once in 1779. Both of the documents exist and appear correct. Both marriages were by licence. They both mention Michael is a blacksmith.
Their first daughter, Elizabeth, was baptized in February 1777, just nine months after the first wedding. It’s not known when she was born, however, and it’s possible that the marriage was a hasty one. But why marry again three years later?
But Michael Boss and Elizabeth Page did not marry twice.
Elizabeth Page from Smisby was born in 1752 and married Michael Boss on the 5th of May 1776 in Measham. On the marriage licence allegations and bonds, Michael is a bachelor.
Baby Elizabeth was baptised in Measham on the 9th February 1777. Mother Elizabeth died on the 18th February 1777, also in Measham.
In 1779 Michael Boss married another Elizabeth Page! She was born in 1749 in Hartshorn, and Michael is a widower on the marriage licence allegations and bonds.
Hartshorn and Smisby are neighbouring villages, hence the confusion. But a closer look at the documents available revealed the clues. Both Elizabeth Pages were literate, and indeed their signatures on the marriage registers are different:
Marriage of Michael Boss and Elizabeth Page of Smisby in 1776:
Marriage of Michael Boss and Elizabeth Page of Harsthorn in 1779:
Not only did Michael Boss marry two women both called Elizabeth Page but he had an unusual start in life as well. His uncle Michael Boss left him the blacksmith business and a third of his furniture. This was all in the will. But which of Uncle Michaels brothers was nephew Michaels father?
The only Michael Boss born at the right time was in 1750 in Edingale, Staffordshire, about eight miles from Appleby Magna. His parents were Thomas Boss and Ann Parker, married in Edingale in 1747. Thomas died in August 1750, and his son Michael was baptised in the December, posthumus son of Thomas and his widow Ann. Both entries are on the same page of the register.
Ann Boss, the young widow, married again. But perhaps Michael and his brother went to live with their childless uncle and aunt, Michael Boss and Grace Cuthbert.
The great grandfather of Michael Boss (the Measham blacksmith born in 1850) was also Michael Boss, probably born in the 1660s. He died in Newton Regis in Warwickshire in 1724, four years after his son (also Michael Boss born 1693) married Jane Peircivall. The entry on the parish register states that Michael Boss was buried ye 13th Affadavit made.
I had not seen affadavit made on a parish register before, and this relates to the The Burying in Woollen Acts 1666–80. According to Wikipedia:
“Acts of the Parliament of England which required the dead, except plague victims and the destitute, to be buried in pure English woollen shrouds to the exclusion of any foreign textiles. It was a requirement that an affidavit be sworn in front of a Justice of the Peace (usually by a relative of the deceased), confirming burial in wool, with the punishment of a £5 fee for noncompliance. Burial entries in parish registers were marked with the word “affidavit” or its equivalent to confirm that affidavit had been sworn; it would be marked “naked” for those too poor to afford the woollen shroud. The legislation was in force until 1814, but was generally ignored after 1770.”
Michael Boss buried 1724 “Affadavit made”:
Elizabeth Page‘s father was William Page 1717-1783, a wheelwright in Hartshorn. (The father of the first wife Elizabeth was also William Page, but he was a husbandman in Smisby born in 1714. William Page, the father of the second wife, was born in Nailstone, Leicestershire, in 1717. His place of residence on his marriage to Mary Potter was spelled Nelson.)
Her mother was Mary Potter 1719- of nearby Coleorton. Mary’s father, Richard Potter 1677-1731, was a blacksmith in Coleorton.
A page of the will of Richard Potter 1731:
Richard Potter states: “I will and order that my son Thomas Potter shall after my decease have one shilling paid to him and no more.” As he left £50 to each of his daughters, one can’t help but wonder what Thomas did to displease his father.
Richard stipulated that his son Thomas should have one shilling paid to him and not more, for several good considerations, and left “the house and ground lying in the parish of Whittwick in a place called the Long Lane to my wife Mary Potter to dispose of as she shall think proper.”
His son Richard inherited the blacksmith business: “I will and order that my son Richard Potter shall live and be with his mother and serve her duly and truly in the business of a blacksmith, and obey and serve her in all lawful commands six years after my decease, and then I give to him and his heirs…. my house and grounds Coulson House in the Liberty of Thringstone”
Richard wanted his son John to be a blacksmith too: “I will and order that my wife bring up my son John Potter at home with her and teach or cause him to be taught the trade of a blacksmith and that he shall serve her duly and truly seven years after my decease after the manner of an apprentice and at the death of his mother I give him that house and shop and building and the ground belonging to it which I now dwell in to him and his heirs forever.”
To his daughters Margrett and Mary Potter, upon their reaching the age of one and twenty, or the day after their marriage, he leaves £50 each. All the rest of his goods are left to his loving wife Mary.
An inventory of the belongings of Richard Potter, 1731:
Richard Potters father was also named Richard Potter 1649-1719, and he too was a blacksmith.
Richard Potter of Coleorton in the county of Leicester, blacksmith, stated in his will: “I give to my son and daughter Thomas and Sarah Potter the possession of my house and grounds.”
He leaves ten pounds each to his daughters Jane and Alice, to his son Francis he gives five pounds, and five shillings to his son Richard. Sons Joseph and William also receive five shillings each. To his daughter Mary, wife of Edward Burton, and her daughter Elizabeth, he gives five shillings each. The rest of his good, chattels and wordly substance he leaves equally between his son and daugter Thomas and Sarah. As there is no mention of his wife, it’s assumed that she predeceased him.
The will of Richard Potter, 1719:
Richard Potter’s (1649-1719) parents were William Potter and Alse Huldin, both born in the early 1600s. They were married in 1646 at Breedon on the Hill, Leicestershire. The name Huldin appears to originate in Finland.
William Potter was a blacksmith. In the 1659 parish registers of Breedon on the Hill, William Potter of Breedon blacksmith buryed the 14th July.
In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
With thanks to Mike Rushby.
- “The letters of Eleanor Dunbar Leslie to her parents and her sister in South Africa
concerning her life with George Gilman Rushby of Tanganyika, and the trials and
joys of bringing up a family in pioneering conditions.
These letters were transcribed from copies of letters typed by Eleanor Rushby from
the originals which were in the estate of Marjorie Leslie, Eleanor’s sister. Eleanor
kept no diary of her life in Tanganyika, so these letters were the living record of an
important part of her life.Prelude
Having walked across Africa from the East coast to Ubangi Shauri Chad
in French Equatorial Africa, hunting elephant all the way, George Rushby
made his way down the Congo to Leopoldville. He then caught a ship to
Europe and had a holiday in Brussels and Paris before visiting his family
in England. He developed blackwater fever and was extremely ill for a
while. When he recovered he went to London to arrange his return to
Africa.Whilst staying at the Overseas Club he met Eileen Graham who had come
to England from Cape Town to study music. On hearing that George was
sailing for Cape Town she arranged to introduce him to her friend
Eleanor Dunbar Leslie. “You’ll need someone lively to show you around,”
she said. “She’s as smart as paint, a keen mountaineer, a very good school
teacher, and she’s attractive. You can’t miss her, because her father is a
well known Cape Town Magistrate. And,” she added “I’ve already written
and told her what ship you are arriving on.”Eleanor duly met the ship. She and George immediately fell in love.
Within thirty six hours he had proposed marriage and was accepted
despite the misgivings of her parents. As she was under contract to her
High School, she remained in South Africa for several months whilst
George headed for Tanganyika looking for a farm where he could build
their home.These details are a summary of chapter thirteen of the Biography of
George Gilman Rushby ‘The Hunter is Death “ by T.V.Bulpin.Dearest Marj,
Terrifically exciting news! I’ve just become engaged to an Englishman whom I
met last Monday. The result is a family upheaval which you will have no difficulty in
imagining!!The Aunts think it all highly romantic and cry in delight “Now isn’t that just like our
El!” Mummy says she doesn’t know what to think, that anyway I was always a harum
scarum and she rather expected something like this to happen. However I know that
she thinks George highly attractive. “Such a nice smile and gentle manner, and such
good hands“ she murmurs appreciatively. “But WHY AN ELEPHANT HUNTER?” she
ends in a wail, as though elephant hunting was an unmentionable profession.
Anyway I don’t think so. Anyone can marry a bank clerk or a lawyer or even a
millionaire – but whoever heard of anyone marrying anyone as exciting as an elephant
hunter? I’m thrilled to bits.Daddy also takes a dim view of George’s profession, and of George himself as
a husband for me. He says that I am so impulsive and have such wild enthusiasms that I
need someone conservative and steady to give me some serenity and some ballast.
Dad says George is a handsome fellow and a good enough chap he is sure, but
he is obviously a man of the world and hints darkly at a possible PAST. George says
he has nothing of the kind and anyway I’m the first girl he has asked to marry him. I don’t
care anyway, I’d gladly marry him tomorrow, but Dad has other ideas.He sat in his armchair to deliver his verdict, wearing the same look he must wear
on the bench. If we marry, and he doesn’t think it would be a good thing, George must
buy a comfortable house for me in Central Africa where I can stay safely when he goes
hunting. I interrupted to say “But I’m going too”, but dad snubbed me saying that in no
time at all I’ll have a family and one can’t go dragging babies around in the African Bush.”
George takes his lectures with surprising calm. He says he can see Dad’s point of
view much better than I can. He told the parents today that he plans to buy a small
coffee farm in the Southern Highlands of Tanganyika and will build a cosy cottage which
will be a proper home for both of us, and that he will only hunt occasionally to keep the
pot boiling.Mummy, of course, just had to spill the beans. She said to George, “I suppose
you know that Eleanor knows very little about house keeping and can’t cook at all.” a fact
that I was keeping a dark secret. But George just said, “Oh she won’t have to work. The
boys do all that sort of thing. She can lie on a couch all day and read if she likes.” Well
you always did say that I was a “Lily of the field,” and what a good thing! If I were one of
those terribly capable women I’d probably die of frustration because it seems that
African house boys feel that they have lost face if their Memsahibs do anything but the
most gracious chores.George is absolutely marvellous. He is strong and gentle and awfully good
looking too. He is about 5 ft 10 ins tall and very broad. He wears his curly brown hair cut
very short and has a close clipped moustache. He has strongly marked eyebrows and
very striking blue eyes which sometimes turn grey or green. His teeth are strong and
even and he has a quiet voice.I expect all this sounds too good to be true, but come home quickly and see for
yourself. George is off to East Africa in three weeks time to buy our farm. I shall follow as
soon as he has bought it and we will be married in Dar es Salaam.Dad has taken George for a walk “to get to know him” and that’s why I have time
to write such a long screed. They should be back any minute now and I must fly and
apply a bit of glamour.Much love my dear,
your jubilant
EleanorS.S.Timavo. Durban. 28th.October. 1930.
Dearest Family,
Thank you for the lovely send off. I do wish you were all on board with me and
could come and dance with me at my wedding. We are having a very comfortable
voyage. There were only four of the passengers as far as Durban, all of them women,
but I believe we are taking on more here. I have a most comfortable deck cabin to
myself and the use of a sumptuous bathroom. No one is interested in deck games and I
am having a lazy time, just sunbathing and reading.I sit at the Captain’s table and the meals are delicious – beautifully served. The
butter for instance, is moulded into sprays of roses, most exquisitely done, and as for
the ice-cream, I’ve never tasted anything like them.The meals are continental type and we have hors d’oeuvre in a great variety
served on large round trays. The Italians souse theirs with oil, Ugh! We also of course
get lots of spaghetti which I have some difficulty in eating. However this presents no
problem to the Chief Engineer who sits opposite to me. He simply rolls it around his
fork and somehow the spaghetti flows effortlessly from fork to mouth exactly like an
ascending escalator. Wine is served at lunch and dinner – very mild and pleasant stuff.
Of the women passengers the one i liked best was a young German widow
from South west Africa who left the ship at East London to marry a man she had never
met. She told me he owned a drapers shop and she was very happy at the prospect
of starting a new life, as her previous marriage had ended tragically with the death of her
husband and only child in an accident.I was most interested to see the bridegroom and stood at the rail beside the gay
young widow when we docked at East London. I picked him out, without any difficulty,
from the small group on the quay. He was a tall thin man in a smart grey suit and with a
grey hat perched primly on his head. You can always tell from hats can’t you? I wasn’t
surprised to see, when this German raised his head, that he looked just like the Kaiser’s
“Little Willie”. Long thin nose and cold grey eyes and no smile of welcome on his tight
mouth for the cheery little body beside me. I quite expected him to jerk his thumb and
stalk off, expecting her to trot at his heel.However she went off blithely enough. Next day before the ship sailed, she
was back and I saw her talking to the Captain. She began to cry and soon after the
Captain patted her on the shoulder and escorted her to the gangway. Later the Captain
told me that the girl had come to ask him to allow her to work her passage back to
Germany where she had some relations. She had married the man the day before but
she disliked him because he had deceived her by pretending that he owned a shop
whereas he was only a window dresser. Bad show for both.The Captain and the Chief Engineer are the only officers who mix socially with
the passengers. The captain seems rather a melancholy type with, I should say, no
sense of humour. He speaks fair English with an American accent. He tells me that he
was on the San Francisco run during Prohibition years in America and saw many Film
Stars chiefly “under the influence” as they used to flock on board to drink. The Chief
Engineer is big and fat and cheerful. His English is anything but fluent but he makes up
for it in mime.I visited the relations and friends at Port Elizabeth and East London, and here at
Durban. I stayed with the Trotters and Swans and enjoyed myself very much at both
places. I have collected numerous wedding presents, china and cutlery, coffee
percolator and ornaments, and where I shall pack all these things I don’t know. Everyone has been terribly kind and I feel extremely well and happy.At the start of the voyage I had a bit of bad luck. You will remember that a
perfectly foul South Easter was blowing. Some men were busy working on a deck
engine and I stopped to watch and a tiny fragment of steel blew into my eye. There is
no doctor on board so the stewardess put some oil into the eye and bandaged it up.
The eye grew more and more painful and inflamed and when when we reached Port
Elizabeth the Captain asked the Port Doctor to look at it. The Doctor said it was a job for
an eye specialist and telephoned from the ship to make an appointment. Luckily for me,
Vincent Tofts turned up at the ship just then and took me off to the specialist and waited
whilst he extracted the fragment with a giant magnet. The specialist said that I was very
lucky as the thing just missed the pupil of my eye so my sight will not be affected. I was
temporarily blinded by the Belladona the eye-man put in my eye so he fitted me with a
pair of black goggles and Vincent escorted me back to the ship. Don’t worry the eye is
now as good as ever and George will not have to take a one-eyed bride for better or
worse.I have one worry and that is that the ship is going to be very much overdue by
the time we reach Dar es Salaam. She is taking on a big wool cargo and we were held
up for three days in East london and have been here in Durban for five days.
Today is the ninth Anniversary of the Fascist Movement and the ship was
dressed with bunting and flags. I must now go and dress for the gala dinner.Bless you all,
Eleanor.S.S.Timavo. 6th. November 1930
Dearest Family,
Nearly there now. We called in at Lourenco Marques, Beira, Mozambique and
Port Amelia. I was the only one of the original passengers left after Durban but there we
took on a Mrs Croxford and her mother and two men passengers. Mrs C must have
something, certainly not looks. She has a flat figure, heavily mascared eyes and crooked
mouth thickly coated with lipstick. But her rather sweet old mother-black-pearls-type tells
me they are worn out travelling around the world trying to shake off an admirer who
pursues Mrs C everywhere.The one male passenger is very quiet and pleasant. The old lady tells me that he
has recently lost his wife. The other passenger is a horribly bumptious type.
I had my hair beautifully shingled at Lourenco Marques, but what an experience it
was. Before we docked I asked the Captain whether he knew of a hairdresser, but he
said he did not and would have to ask the agent when he came aboard. The agent was
a very suave Asian. He said “Sure he did” and offered to take me in his car. I rather
doubtfully agreed — such a swarthy gentleman — and was driven, not to a hairdressing
establishment, but to his office. Then he spoke to someone on the telephone and in no
time at all a most dago-y type arrived carrying a little black bag. He was all patent
leather, hair, and flashing smile, and greeted me like an old and valued friend.
Before I had collected my scattered wits tthe Agent had flung open a door and
ushered me through, and I found myself seated before an ornate mirror in what was only
too obviously a bedroom. It was a bedroom with a difference though. The unmade bed
had no legs but hung from the ceiling on brass chains.The agent beamingly shut the door behind him and I was left with my imagination
and the afore mentioned oily hairdresser. He however was very business like. Before I
could say knife he had shingled my hair with a cut throat razor and then, before I could
protest, had smothered my neck in stinking pink powder applied with an enormous and
filthy swansdown powder puff. He held up a mirror for me to admire his handiwork but I
was aware only of the enormous bed reflected in it, and hurriedly murmuring “very nice,
very nice” I made my escape to the outer office where, to my relief, I found the Chief
Engineer who escorted me back to the ship.In the afternoon Mrs Coxford and the old lady and I hired a taxi and went to the
Polana Hotel for tea. Very swish but I like our Cape Peninsula beaches better.
At Lorenco Marques we took on more passengers. The Governor of
Portuguese Nyasaland and his wife and baby son. He was a large middle aged man,
very friendly and unassuming and spoke perfect English. His wife was German and
exquisite, as fragile looking and with the delicate colouring of a Dresden figurine. She
looked about 18 but she told me she was 28 and showed me photographs of two
other sons – hefty youngsters, whom she had left behind in Portugal and was missing
very much.It was frightfully hot at Beira and as I had no money left I did not go up to the
town, but Mrs Croxford and I spent a pleasant hour on the beach under the Casurina
trees.The Governor and his wife left the ship at Mozambique. He looked very
imposing in his starched uniform and she more Dresden Sheperdish than ever in a
flowered frock. There was a guard of honour and all the trimmings. They bade me a warm farewell and invited George and me to stay at any time.The German ship “Watussi” was anchored in the Bay and I decided to visit her
and try and have my hair washed and set. I had no sooner stepped on board when a
lady came up to me and said “Surely you are Beeba Leslie.” It was Mrs Egan and she
had Molly with her. Considering Mrs Egan had not seen me since I was five I think it was
jolly clever of her to recognise me. Molly is charming and was most friendly. She fixed
things with the hairdresser and sat with me until the job was done. Afterwards I had tea
with them.Port Amelia was our last stop. In fact the only person to go ashore was Mr
Taylor, the unpleasant man, and he returned at sunset very drunk indeed.
We reached Port Amelia on the 3rd – my birthday. The boat had anchored by
the time I was dressed and when I went on deck I saw several row boats cluttered
around the gangway and in them were natives with cages of wild birds for sale. Such tiny
crowded cages. I was furious, you know me. I bought three cages, carried them out on
to the open deck and released the birds. I expected them to fly to the land but they flew
straight up into the rigging.The quiet male passenger wandered up and asked me what I was doing. I said
“I’m giving myself a birthday treat, I hate to see caged birds.” So next thing there he
was buying birds which he presented to me with “Happy Birthday.” I gladly set those
birds free too and they joined the others in the rigging.Then a grinning steward came up with three more cages. “For the lady with
compliments of the Captain.” They lost no time in joining their friends.
It had given me so much pleasure to free the birds that I was only a little
discouraged when the quiet man said thoughtfully “This should encourage those bird
catchers you know, they are sold out. When evening came and we were due to sail I
was sure those birds would fly home, but no, they are still there and they will probably
remain until we dock at Dar es Salaam.During the morning the Captain came up and asked me what my Christian name
is. He looked as grave as ever and I couldn’t think why it should interest him but said “the
name is Eleanor.” That night at dinner there was a large iced cake in the centre of the
table with “HELENA” in a delicate wreath of pink icing roses on the top. We had
champagne and everyone congratulated me and wished me good luck in my marriage.
A very nice gesture don’t you think. The unpleasant character had not put in an
appearance at dinner which made the party all the nicerI sat up rather late in the lounge reading a book and by the time I went to bed
there was not a soul around. I bathed and changed into my nighty,walked into my cabin,
shed my dressing gown, and pottered around. When I was ready for bed I put out my
hand to draw the curtains back and a hand grasped my wrist. It was that wretched
creature outside my window on the deck, still very drunk. Luckily I was wearing that
heavy lilac silk nighty. I was livid. “Let go at once”, I said, but he only grinned stupidly.
“I’m not hurting you” he said, “only looking”. “I’ll ring for the steward” said I, and by
stretching I managed to press the bell with my free hand. I rang and rang but no one
came and he just giggled. Then I said furiously, “Remember this name, George
Rushby, he is a fine boxer and he hates specimens like you. When he meets me at Dar
es Salaam I shall tell him about this and I bet you will be sorry.” However he still held on
so I turned and knocked hard on the adjoining wall which divided my cabin from Mrs
Croxfords. Soon Mrs Croxford and the old lady appeared in dressing gowns . This
seemed to amuse the drunk even more though he let go my wrist. So whilst the old
lady stayed with me, Mrs C fetched the quiet passenger who soon hustled him off. He has kept out of my way ever since. However I still mean to tell George because I feel
the fellow got off far too lightly. I reported the matter to the Captain but he just remarked
that he always knew the man was low class because he never wears a jacket to meals.
This is my last night on board and we again had free champagne and I was given
some tooled leather work by the Captain and a pair of good paste earrings by the old
lady. I have invited them and Mrs Croxford, the Chief Engineer, and the quiet
passenger to the wedding.This may be my last night as Eleanor Leslie and I have spent this long while
writing to you just as a little token of my affection and gratitude for all the years of your
love and care. I shall post this letter on the ship and must turn now and get some beauty
sleep. We have been told that we shall be in Dar es Salaam by 9 am. I am so excited
that I shall not sleep.Very much love, and just for fun I’ll sign my full name for the last time.
with my “bes respeks”,Eleanor Leslie.
Eleanor and George Rushby:
Splendid Hotel, Dar es Salaam 11th November 1930
Dearest Family,
I’m writing this in the bedroom whilst George is out buying a tin trunk in which to
pack all our wedding presents. I expect he will be gone a long time because he has
gone out with Hicky Wood and, though our wedding was four days ago, it’s still an
excuse for a party. People are all very cheery and friendly here.
I am wearing only pants and slip but am still hot. One swelters here in the
mornings, but a fresh sea breeze blows in the late afternoons and then Dar es Salaam is
heavenly.We arrived in Dar es Salaam harbour very early on Friday morning (7 th Nov).
The previous night the Captain had said we might not reach Dar. until 9 am, and certainly
no one would be allowed on board before 8 am. So I dawdled on the deck in my
dressing gown and watched the green coastline and the islands slipping by. I stood on
the deck outside my cabin and was not aware that I was looking out at the wrong side of
the landlocked harbour. Quite unknown to me George and some friends, the Hickson
Woods, were standing on the Gymkhana Beach on the opposite side of the channel
anxiously scanning the ship for a sign of me. George says he had a horrible idea I had
missed the ship. Blissfully unconscious of his anxiety I wandered into the bathroom
prepared for a good soak. The anchor went down when I was in the bath and suddenly
there was a sharp wrap on the door and I heard Mrs Croxford say “There’s a man in a
boat outside. He is looking out for someone and I’m sure it’s your George. I flung on
some clothes and rushed on deck with tousled hair and bare feet and it was George.
We had a marvellous reunion. George was wearing shorts and bush shirt and
looked just like the strong silent types one reads about in novels. I finished dressing then
George helped me bundle all the wedding presents I had collected en route into my
travelling rug and we went into the bar lounge to join the Hickson Woods. They are the
couple from whom George bought the land which is to be our coffee farm Hicky-Wood
was laughing when we joined them. he said he had called a chap to bring a couple of
beers thinking he was the steward but it turned out to be the Captain. He does wear
such a very plain uniform that I suppose it was easy to make the mistake, but Hicky
says he was not amused.Anyway as the H-W’s are to be our neighbours I’d better describe them. Kath
Wood is very attractive, dark Irish, with curly black hair and big brown eyes. She was
married before to Viv Lumb a great friend of George’s who died some years ago of
blackwater fever. They had one little girl, Maureen, and Kath and Hicky have a small son
of three called Michael. Hicky is slightly below average height and very neat and dapper
though well built. He is a great one for a party and good fun but George says he can be
bad tempered.Anyway we all filed off the ship and Hicky and Cath went on to the hotel whilst
George and I went through customs. Passing the customs was easy. Everyone
seemed to know George and that it was his wedding day and I just sailed through,
except for the little matter of the rug coming undone when George and I had to scramble
on the floor for candlesticks and fruit knives and a wooden nut bowl.
Outside the customs shed we were mobbed by a crowd of jabbering Africans
offering their services as porters, and soon my luggage was piled in one rickshaw whilst
George and I climbed into another and we were born smoothly away on rubber shod
wheels to the Splendid Hotel. The motion was pleasing enough but it seemed weird to
be pulled along by one human being whilst another pushed behind. We turned up a street called Acacia Avenue which, as its name implies, is lined
with flamboyant acacia trees now in the full glory of scarlet and gold. The rickshaw
stopped before the Splendid Hotel and I was taken upstairs into a pleasant room which
had its own private balcony overlooking the busy street.Here George broke the news that we were to be married in less than an hours
time. He would have to dash off and change and then go straight to the church. I would
be quite all right, Kath would be looking in and friends would fetch me.
I started to dress and soon there was a tap at the door and Mrs Hickson-Wood
came in with my bouquet. It was a lovely bunch of carnations and frangipani with lots of
asparagus fern and it went well with my primrose yellow frock. She admired my frock
and Leghorn hat and told me that her little girl Maureen was to be my flower girl. Then
she too left for the church.I was fully dressed when there was another knock on the door and I opened it to
be confronted by a Police Officer in a starched white uniform. I’m McCallum”, he said,
“I’ve come to drive you to the church.” Downstairs he introduced me to a big man in a
tussore silk suit. “This is Dr Shicore”, said McCallum, “He is going to give you away.”
Honestly, I felt exactly like Alice in Wonderland. Wouldn’t have been at all surprised if
the White Rabbit had popped up and said he was going to be my page.I walked out of the hotel and across the pavement in a dream and there, by the
curb, was a big dark blue police car decorated with white ribbons and with a tall African
Police Ascari holding the door open for me. I had hardly time to wonder what next when
the car drew up before a tall German looking church. It was in fact the Lutheran Church in
the days when Tanganyika was German East Africa.Mrs Hickson-Wood, very smart in mushroom coloured georgette and lace, and
her small daughter were waiting in the porch, so in we went. I was glad to notice my
friends from the boat sitting behind George’s friends who were all complete strangers to
me. The aisle seemed very long but at last I reached George waiting in the chancel with
Hicky-Wood, looking unfamiliar in a smart tussore suit. However this feeling of unreality
passed when he turned his head and smiled at me.In the vestry after the ceremony I was kissed affectionately by several complete
strangers and I felt happy and accepted by George’s friends. Outside the church,
standing apart from the rest of the guests, the Italian Captain and Chief Engineer were
waiting. They came up and kissed my hand, and murmured felicitations, but regretted
they could not spare the time to come to the reception. Really it was just as well
because they would not have fitted in at all well.Dr Shircore is the Director of Medical Services and he had very kindly lent his
large house for the reception. It was quite a party. The guests were mainly men with a
small sprinkling of wives. Champagne corks popped and there was an enormous cake
and soon voices were raised in song. The chief one was ‘Happy Days Are Here Again’
and I shall remember it for ever.The party was still in full swing when George and I left. The old lady from the ship
enjoyed it hugely. She came in an all black outfit with a corsage of artificial Lily-of-the-
Valley. Later I saw one of the men wearing the corsage in his buttonhole and the old
lady was wearing a carnation.When George and I got back to the hotel,I found that my luggage had been
moved to George’s room by his cook Lamek, who was squatting on his haunches and
clapped his hands in greeting. My dears, you should see Lamek – exactly like a
chimpanzee – receding forehead, wide flat nose, and long lip, and such splayed feet. It was quite a strain not to laugh, especially when he produced a gift for me. I have not yet
discovered where he acquired it. It was a faded mauve straw toque of the kind worn by
Queen Mary. I asked George to tell Lamek that I was touched by his generosity but felt
that I could not accept his gift. He did not mind at all especially as George gave him a
generous tip there and then.I changed into a cotton frock and shady straw hat and George changed into shorts
and bush shirt once more. We then sneaked into the dining room for lunch avoiding our
wedding guests who were carrying on the party in the lounge.After lunch we rejoined them and they all came down to the jetty to wave goodbye
as we set out by motor launch for Honeymoon Island. I enjoyed the launch trip very
much. The sea was calm and very blue and the palm fringed beaches of Dar es Salaam
are as romantic as any bride could wish. There are small coral islands dotted around the
Bay of which Honeymoon Island is the loveliest. I believe at one time it bore the less
romantic name of Quarantine Island. Near the Island, in the shallows, the sea is brilliant
green and I saw two pink jellyfish drifting by.There is no jetty on the island so the boat was stopped in shallow water and
George carried me ashore. I was enchanted with the Island and in no hurry to go to the
bungalow, so George and I took our bathing costumes from our suitcases and sent the
luggage up to the house together with a box of provisions.We bathed and lazed on the beach and suddenly it was sunset and it began to
get dark. We walked up the beach to the bungalow and began to unpack the stores,
tea, sugar, condensed milk, bread and butter, sardines and a large tin of ham. There
were also cups and saucers and plates and cutlery.We decided to have an early meal and George called out to the caretaker, “Boy
letta chai”. Thereupon the ‘boy’ materialised and jabbered to George in Ki-Swaheli. It
appeared he had no utensil in which to boil water. George, ever resourceful, removed
the ham from the tin and gave him that. We had our tea all right but next day the ham
was bad.Then came bed time. I took a hurricane lamp in one hand and my suitcase in the
other and wandered into the bedroom whilst George vanished into the bathroom. To
my astonishment I saw two perfectly bare iron bedsteads – no mattress or pillows. We
had brought sheets and mosquito nets but, believe me, they are a poor substitute for a
mattress.Anyway I arrayed myself in my pale yellow satin nightie and sat gingerly down
on the iron edge of the bed to await my groom who eventually appeared in a
handsome suit of silk pyjamas. His expression, as he took in the situation, was too much
for me and I burst out laughing and so did he.Somewhere in the small hours I woke up. The breeze had dropped and the
room was unbearably stuffy. I felt as dry as a bone. The lamp had been turned very
low and had gone out, but I remembered seeing a water tank in the yard and I decided
to go out in the dark and drink from the tap. In the dark I could not find my slippers so I
slipped my feet into George’s shoes, picked up his matches and groped my way out
of the room. I found the tank all right and with one hand on the tap and one cupped for
water I stooped to drink. Just then I heard a scratchy noise and sensed movements
around my feet. I struck a match and oh horrors! found that the damp spot on which I was
standing was alive with white crabs. In my hurry to escape I took a clumsy step, put
George’s big toe on the hem of my nightie and down I went on top of the crabs. I need
hardly say that George was awakened by an appalling shriek and came rushing to my
aid like a knight of old. Anyway, alarms and excursions not withstanding, we had a wonderful weekend on the island and I was sorry to return to the heat of Dar es Salaam, though the evenings
here are lovely and it is heavenly driving along the coast road by car or in a rickshaw.
I was surprised to find so many Indians here. Most of the shops, large and small,
seem to be owned by Indians and the place teems with them. The women wear
colourful saris and their hair in long black plaits reaching to their waists. Many wear baggy
trousers of silk or satin. They give a carnival air to the sea front towards sunset.
This long letter has been written in instalments throughout the day. My first break
was when I heard the sound of a band and rushed to the balcony in time to see The
Kings African Rifles band and Askaris march down the Avenue on their way to an
Armistice Memorial Service. They looked magnificent.I must end on a note of most primitive pride. George returned from his shopping
expedition and beamingly informed me that he had thrashed the man who annoyed me
on the ship. I felt extremely delighted and pressed for details. George told me that
when he went out shopping he noticed to his surprise that the ‘Timavo” was still in the
harbour. He went across to the Agents office and there saw a man who answered to the
description I had given. George said to him “Is your name Taylor?”, and when he said
“yes”, George said “Well my name is George Rushby”, whereupon he hit Taylor on the
jaw so that he sailed over the counter and down the other side. Very satisfactory, I feel.
With much love to all.Your cave woman
Eleanor.Mchewe Estate. P.O. Mbeya 22 November 1930
Dearest Family,
Well here we are at our Country Seat, Mchewe Estate. (pronounced
Mn,-che’-we) but I will start at the beginning of our journey and describe the farm later.
We left the hotel at Dar es Salaam for the station in a taxi crowded with baggage
and at the last moment Keith Wood ran out with the unwrapped bottom layer of our
wedding cake. It remained in its naked state from there to here travelling for two days in
the train on the luggage rack, four days in the car on my knee, reposing at night on the
roof of the car exposed to the winds of Heaven, and now rests beside me in the tent
looking like an old old tombstone. We have no tin large enough to hold it and one
simply can’t throw away ones wedding cake so, as George does not eat cake, I can see
myself eating wedding cake for tea for months to come, ants permitting.We travelled up by train from Dar to Dodoma, first through the lush vegetation of
the coastal belt to Morogoro, then through sisal plantations now very overgrown with
weeds owing to the slump in prices, and then on to the arid area around Dodoma. This
part of the country is very dry at this time of the year and not unlike parts of our Karoo.
The train journey was comfortable enough but slow as the engines here are fed with
wood and not coal as in South Africa.Dodoma is the nearest point on the railway to Mbeya so we left the train there to
continue our journey by road. We arrived at the one and only hotel in the early hours and
whilst someone went to rout out the night watchman the rest of us sat on the dismal
verandah amongst a litter of broken glass. Some bright spark remarked on the obvious –
that there had been a party the night before.When we were shown to a room I thought I rather preferred the verandah,
because the beds had not yet been made up and there was a bucket of vomit beside
the old fashioned washstand. However George soon got the boys to clean up the
room and I fell asleep to be awakened by George with an invitation to come and see
our car before breakfast.Yes, we have our own car. It is a Chev, with what is called a box body. That
means that sides, roof and doors are made by a local Indian carpenter. There is just the
one front seat with a kapok mattress on it. The tools are kept in a sort of cupboard fixed
to the side so there is a big space for carrying “safari kit” behind the cab seat.
Lamek, who had travelled up on the same train, appeared after breakfast, and
helped George to pack all our luggage into the back of the car. Besides our suitcases
there was a huge bedroll, kitchen utensils and a box of provisions, tins of petrol and
water and all Lamek’s bits and pieces which included three chickens in a wicker cage and
an enormous bunch of bananas about 3 ft long.When all theses things were packed there remained only a small space between
goods and ceiling and into this Lamek squeezed. He lay on his back with his horny feet a
mere inch or so from the back of my head. In this way we travelled 400 miles over
bumpy earth roads and crude pole bridges, but whenever we stopped for a meal
Lamek wriggled out and, like Aladdin’s genie, produced good meals in no time at all.
In the afternoon we reached a large river called the Ruaha. Workmen were busy
building a large bridge across it but it is not yet ready so we crossed by a ford below
the bridge. George told me that the river was full of crocodiles but though I looked hard, I
did not see any. This is also elephant country but I did not see any of those either, only
piles of droppings on the road. I must tell you that the natives around these parts are called Wahehe and the river is Ruaha – enough to make a cat laugh. We saw some Wahehe out hunting with spears
and bows and arrows. They live in long low houses with the tiniest shuttered windows
and rounded roofs covered with earth.Near the river we also saw a few Masai herding cattle. They are rather terrifying to
look at – tall, angular, and very aloof. They wear nothing but a blanket knotted on one
shoulder, concealing nothing, and all carried one or two spears.
The road climbs steeply on the far side of the Ruaha and one has the most
tremendous views over the plains. We spent our first night up there in the high country.
Everything was taken out of the car, the bed roll opened up and George and I slept
comfortably in the back of the car whilst Lamek, rolled in a blanket, slept soundly by a
small fire nearby. Next morning we reached our first township, Iringa, and put up at the
Colonist Hotel. We had a comfortable room in the annex overlooking the golf course.
our room had its own little dressing room which was also the bathroom because, when
ordered to do so, the room boy carried in an oval galvanised bath and filled it with hot
water which he carried in a four gallon petrol tin.When we crossed to the main building for lunch, George was immediately hailed
by several men who wanted to meet the bride. I was paid some handsome
compliments but was not sure whether they were sincere or the result of a nice alcoholic
glow. Anyhow every one was very friendly.After lunch I went back to the bedroom leaving George chatting away. I waited and
waited – no George. I got awfully tired of waiting and thought I’d give him a fright so I
walked out onto the deserted golf course and hid behind some large boulders. Soon I
saw George returning to the room and the boy followed with a tea tray. Ah, now the hue
and cry will start, thought I, but no, no George appeared nor could I hear any despairing
cry. When sunset came I trailed crossly back to our hotel room where George lay
innocently asleep on his bed, hands folded on his chest like a crusader on his tomb. In a
moment he opened his eyes, smiled sleepily and said kindly, “Did you have a nice walk
my love?” So of course I couldn’t play the neglected wife as he obviously didn’t think
me one and we had a very pleasant dinner and party in the hotel that evening.
Next day we continued our journey but turned aside to visit the farm of a sprightly
old man named St.Leger Seaton whom George had known for many years, so it was
after dark before George decided that we had covered our quota of miles for the day.
Whilst he and Lamek unpacked I wandered off to a stream to cool my hot feet which had
baked all day on the floor boards of the car. In the rather dim moonlight I sat down on the
grassy bank and gratefully dabbled my feet in the cold water. A few minutes later I
started up with a shriek – I had the sensation of red hot pins being dug into all my most
sensitive parts. I started clawing my clothes off and, by the time George came to the
rescue with the lamp, I was practically in the nude. “Only Siafu ants,” said George calmly.
Take off all your clothes and get right in the water.” So I had a bathe whilst George
picked the ants off my clothes by the light of the lamp turned very low for modesty’s
sake. Siafu ants are beastly things. They are black ants with outsized heads and
pinchers. I shall be very, very careful where I sit in future.The next day was even hotter. There was no great variety in the scenery. Most
of the country was covered by a tree called Miombo, which is very ordinary when the
foliage is a mature deep green, but when in new leaf the trees look absolutely beautiful
as the leaves,surprisingly, are soft pastel shades of red and yellow.Once again we turned aside from the main road to visit one of George’s friends.
This man Major Hugh Jones MC, has a farm only a few miles from ours but just now he is supervising the making of an airstrip. Major Jones is quite a character. He is below
average height and skinny with an almost bald head and one nearly blind eye into which
he screws a monocle. He is a cultured person and will, I am sure, make an interesting
neighbour. George and Major Jones’ friends call him ‘Joni’ but he is generally known in
this country as ‘Ropesoles’ – as he is partial to that type of footwear.
We passed through Mbeya township after dark so I have no idea what the place
is like. The last 100 miles of our journey was very dusty and the last 15 miles extremely
bumpy. The road is used so little that in some places we had to plow our way through
long grass and I was delighted when at last George turned into a side road and said
“This is our place.” We drove along the bank of the Mchewe River, then up a hill and
stopped at a tent which was pitched beside the half built walls of our new home. We
were expected so there was hot water for baths and after a supper of tinned food and
good hot tea, I climbed thankfully into bed.Next morning I was awakened by the chattering of the African workmen and was
soon out to inspect the new surroundings. Our farm was once part of Hickson Wood’s
land and is separated from theirs by a river. Our houses cannot be more than a few
hundred yards apart as the crow flies but as both are built on the slopes of a long range
of high hills, and one can only cross the river at the foot of the slopes, it will be quite a
safari to go visiting on foot . Most of our land is covered with shoulder high grass but it
has been partly cleared of trees and scrub. Down by the river George has made a long
coffee nursery and a large vegetable garden but both coffee and vegetable seedlings
are too small to be of use.George has spared all the trees that will make good shade for the coffee later on.
There are several huge wild fig trees as big as oaks but with smooth silvery-green trunks
and branches and there are lots of acacia thorn trees with flat tops like Japanese sun
shades. I’ve seen lovely birds in the fig trees, Louries with bright plumage and crested
heads, and Blue Rollers, and in the grasslands there are widow birds with incredibly long
black tail feathers.There are monkeys too and horrible but fascinating tree lizards with blue bodies
and orange heads. There are so many, many things to tell you but they must wait for
another time as James, the house boy, has been to say “Bafu tiari” and if I don’t go at
once, the bath will be cold.I am very very happy and terribly interested in this new life so please don’t
worry about me.Much love to you all,
Eleanor.Mchewe Estate 29th. November 1930
Dearest Family,
I’ve lots of time to write letters just now because George is busy supervising the
building of the house from early morning to late afternoon – with a break for lunch of
course.On our second day here our tent was moved from the house site to a small
clearing further down the slope of our hill. Next to it the labourers built a ‘banda’ , which is
a three sided grass hut with thatched roof – much cooler than the tent in this weather.
There is also a little grass lav. so you see we have every convenience. I spend most of
my day in the banda reading or writing letters. Occasionally I wander up to the house site
and watch the building, but mostly I just sit.I did try exploring once. I wandered down a narrow path towards the river. I
thought I might paddle and explore the river a little but I came round a bend and there,
facing me, was a crocodile. At least for a moment I thought it was and my adrenaline
glands got very busy indeed. But it was only an enormous monitor lizard, four or five
feet long. It must have been as scared as I was because it turned and rushed off through
the grass. I turned and walked hastily back to the camp and as I passed the house site I
saw some boys killing a large puff adder. Now I do my walking in the evenings with
George. Nothing alarming ever seems to happen when he is around.It is interesting to watch the boys making bricks for the house. They make a pile
of mud which they trample with their feet until it is the right consistency. Then they fill
wooden moulds with the clayey mud, and press it down well and turn out beautiful shiny,
dark brown bricks which are laid out in rows and covered with grass to bake slowly in the
sun.Most of the materials for the building are right here at hand. The walls will be sun
dried bricks and there is a white clay which will make a good whitewash for the inside
walls. The chimney and walls will be of burnt brick and tiles and George is now busy
building a kiln for this purpose. Poles for the roof are being cut in the hills behind the
house and every day women come along with large bundles of thatching grass on their
heads. Our windows are modern steel casement ones and the doors have been made
at a mission in the district. George does some of the bricklaying himself. The other
bricklayer is an African from Northern Rhodesia called Pedro. It makes me perspire just
to look at Pedro who wears an overcoat all day in the very hot sun.
Lamek continues to please. He turns out excellent meals, chicken soup followed
by roast chicken, vegetables from the Hickson-Woods garden and a steamed pudding
or fruit to wind up the meal. I enjoy the chicken but George is fed up with it and longs for
good red meat. The chickens are only about as large as a partridge but then they cost
only sixpence each.I had my first visit to Mbeya two days ago. I put on my very best trousseau frock
for the occasion- that yellow striped silk one – and wore my wedding hat. George didn’t
comment, but I saw later that I was dreadfully overdressed.
Mbeya at the moment is a very small settlement consisting of a bundle of small
Indian shops – Dukas they call them, which stock European tinned foods and native soft
goods which seem to be mainly of Japanese origin. There is a one storied Government
office called the Boma and two attractive gabled houses of burnt brick which house the
District Officer and his Assistant. Both these houses have lovely gardens but i saw them
only from the outside as we did not call. After buying our stores George said “Lets go to the pub, I want you to meet Mrs Menzies.” Well the pub turned out to be just three or four grass rondavels on a bare
plot. The proprietor, Ken Menzies, came out to welcome us. I took to him at once
because he has the same bush sandy eyebrows as you have Dad. He told me that
unfortunately his wife is away at the coast, and then he ushered me through the door
saying “Here’s George with his bride.” then followed the Iringa welcome all over again,
only more so, because the room was full of diggers from the Lupa Goldfields about fifty
miles away.Champagne corks popped as I shook hands all around and George was
clapped on the back. I could see he was a favourite with everyone and I tried not to be
gauche and let him down. These men were all most kind and most appeared to be men
of more than average education. However several were unshaven and looked as
though they had slept in their clothes as I suppose they had. When they have a little luck
on the diggings they come in here to Menzies pub and spend the lot. George says
they bring their gold dust and small nuggets in tobacco tins or Kruschen salts jars and
hand them over to Ken Menzies saying “Tell me when I’ve spent the lot.” Ken then
weighs the gold and estimates its value and does exactly what the digger wants.
However the Diggers get good value for their money because besides the drink
they get companionship and good food and nursing if they need it. Mrs Menzies is a
trained nurse and most kind and capable from what I was told. There is no doctor or
hospital here so her experience as a nursing sister is invaluable.
We had lunch at the Hotel and afterwards I poured tea as I was the only female
present. Once the shyness had worn off I rather enjoyed myself.Now to end off I must tell you a funny story of how I found out that George likes
his women to be feminine. You will remember those dashing black silk pyjamas Aunt
Mary gave me, with flowered “happy coat” to match. Well last night I thought I’d give
George a treat and when the boy called me for my bath I left George in the ‘banda’
reading the London Times. After my bath I put on my Japanese pyjamas and coat,
peered into the shaving mirror which hangs from the tent pole and brushed my hair until it
shone. I must confess that with my fringe and shingled hair I thought I made quite a
glamourous Japanese girl. I walked coyly across to the ‘banda’. Alas no compliment.
George just glanced up from the Times and went on reading.
He was away rather a long time when it came to his turn to bath. I glanced up
when he came back and had a slight concussion. George, if you please, was arrayed in
my very best pale yellow satin nightie. The one with the lace and ribbon sash and little
bows on the shoulder. I knew exactly what he meant to convey. I was not to wear the
trousers in the family. I seethed inwardly, but pretending not to notice, I said calmly “shall
I call for food?” In this garb George sat down to dinner and it says a great deal for African
phlegm that the boy did not drop the dishes.We conversed politely about this and that, and then, as usual, George went off
to bed. I appeared to be engrossed in my book and did not stir. When I went to the
tent some time later George lay fast asleep still in my nightie, though all I could see of it
was the little ribbon bows looking farcically out of place on his broad shoulders.
This morning neither of us mentioned the incident, George was up and dressed
by the time I woke up but I have been smiling all day to think what a ridiculous picture
we made at dinner. So farewell to pyjamas and hey for ribbons and bows.Your loving
Eleanor.Mchewe Estate. Mbeya. 8th December 1930
Dearest Family,
A mere shadow of her former buxom self lifts a languid pen to write to you. I’m
convalescing after my first and I hope my last attack of malaria. It was a beastly
experience but all is now well and I am eating like a horse and will soon regain my
bounce.I took ill on the evening of the day I wrote my last letter to you. It started with a
splitting headache and fits of shivering. The symptoms were all too familiar to George
who got me into bed and filled me up with quinine. He then piled on all the available
blankets and packed me in hot water bottles. I thought I’d explode and said so and
George said just to lie still and I’d soon break into a good sweat. However nothing of the
kind happened and next day my temperature was 105 degrees. Instead of feeling
miserable as I had done at the onset, I now felt very merry and most chatty. George
now tells me I sang the most bawdy songs but I hardly think it likely. Do you?
You cannot imagine how tenderly George nursed me, not only that day but
throughout the whole eight days I was ill. As we do not employ any African house
women, and there are no white women in the neighbourhood at present to whom we
could appeal for help, George had to do everything for me. It was unbearably hot in the
tent so George decided to move me across to the Hickson-Woods vacant house. They
have not yet returned from the coast.George decided I was too weak to make the trip in the car so he sent a
messenger over to the Woods’ house for their Machila. A Machila is a canopied canvas
hammock slung from a bamboo pole and carried by four bearers. The Machila duly
arrived and I attempted to walk to it, clinging to George’s arm, but collapsed in a faint so
the trip was postponed to the next morning when I felt rather better. Being carried by
Machila is quite pleasant but I was in no shape to enjoy anything and got thankfully into
bed in the Hickson-Woods large, cool and rather dark bedroom. My condition did not
improve and George decided to send a runner for the Government Doctor at Tukuyu
about 60 miles away. Two days later Dr Theis arrived by car and gave me two
injections of quinine which reduced the fever. However I still felt very weak and had to
spend a further four days in bed.We have now decided to stay on here until the Hickson-Woods return by which
time our own house should be ready. George goes off each morning and does not
return until late afternoon. However don’t think “poor Eleanor” because I am very
comfortable here and there are lots of books to read and the days seem to pass very
quickly.The Hickson-Wood’s house was built by Major Jones and I believe the one on
his shamba is just like it. It is a square red brick building with a wide verandah all around
and, rather astonishingly, a conical thatched roof. There is a beautiful view from the front
of the house and a nice flower garden. The coffee shamba is lower down on the hill.
Mrs Wood’s first husband, George’s friend Vi Lumb, is buried in the flower
garden. He died of blackwater fever about five years ago. I’m told that before her
second marriage Kath lived here alone with her little daughter, Maureen, and ran the farm
entirely on her own. She must be quite a person. I bet she didn’t go and get malaria
within a few weeks of her marriage.The native tribe around here are called Wasafwa. They are pretty primitive but
seem amiable people. Most of the men, when they start work, wear nothing but some
kind of sheet of unbleached calico wrapped round their waists and hanging to mid calf. As soon as they have drawn their wages they go off to a duka and buy a pair of khaki
shorts for five or six shillings. Their women folk wear very short beaded skirts. I think the
base is goat skin but have never got close enough for a good look. They are very shy.
I hear from George that they have started on the roof of our house but I have not
seen it myself since the day I was carried here by Machila. My letters by the way go to
the Post Office by runner. George’s farm labourers take it in turn to act in this capacity.
The mail bag is given to them on Friday afternoon and by Saturday evening they are
back with our very welcome mail.Very much love,
Eleanor.Mbeya 23rd December 1930
Dearest Family,
George drove to Mbeya for stores last week and met Col. Sherwood-Kelly VC.
who has been sent by the Government to Mbeya as Game Ranger. His job will be to
protect native crops from raiding elephants and hippo etc., and to protect game from
poachers. He has had no training for this so he has asked George to go with him on his
first elephant safari to show him the ropes.George likes Col. Kelly and was quite willing to go on safari but not willing to
leave me alone on the farm as I am still rather shaky after malaria. So it was arranged that
I should go to Mbeya and stay with Mrs Harmer, the wife of the newly appointed Lands
and Mines Officer, whose husband was away on safari.So here I am in Mbeya staying in the Harmers temporary wattle and daub
house. Unfortunately I had a relapse of the malaria and stayed in bed for three days with
a temperature. Poor Mrs Harmer had her hands full because in the room next to mine
she was nursing a digger with blackwater fever. I could hear his delirious babble through
the thin wall – very distressing. He died poor fellow , and leaves a wife and seven
children.I feel better than I have done for weeks and this afternoon I walked down to the
store. There are great signs of activity and people say that Mbeya will grow rapidly now
owing to the boom on the gold fields and also to the fact that a large aerodrome is to be
built here. Mbeya is to be a night stop on the proposed air service between England
and South Africa. I seem to be the last of the pioneers. If all these schemes come about
Mbeya will become quite suburban.26th December 1930
George, Col. Kelly and Mr Harmer all returned to Mbeya on Christmas Eve and
it was decided that we should stay and have midday Christmas dinner with the
Harmers. Col. Kelly and the Assistant District Commissioner came too and it was quite a
festive occasion, We left Mbeya in the early afternoon and had our evening meal here at
Hickson-Wood’s farm. I wore my wedding dress.I went across to our house in the car this morning. George usually walks across to
save petrol which is very expensive here. He takes a short cut and wades through the
river. The distance by road is very much longer than the short cut. The men are now
thatching the roof of our cottage and it looks charming. It consists of a very large living
room-dinning room with a large inglenook fireplace at one end. The bedroom is a large
square room with a smaller verandah room adjoining it. There is a wide verandah in the
front, from which one has a glorious view over a wide valley to the Livingstone
Mountains on the horizon. Bathroom and storeroom are on the back verandah and the
kitchen is some distance behind the house to minimise the risk of fire.You can imagine how much I am looking forward to moving in. We have some
furniture which was made by an Indian carpenter at Iringa, refrectory dining table and
chairs, some small tables and two armchairs and two cupboards and a meatsafe. Other
things like bookshelves and extra cupboards we will have to make ourselves. George
has also bought a portable gramophone and records which will be a boon.
We also have an Irish wolfhound puppy, a skinny little chap with enormous feet
who keeps me company all day whilst George is across at our farm working on the
house.Lots and lots of love,
Eleanor.Mchewe Estate 8th Jan 1931
Dearest Family,
Alas, I have lost my little companion. The Doctor called in here on Boxing night
and ran over and killed Paddy, our pup. It was not his fault but I was very distressed
about it and George has promised to try and get another pup from the same litter.
The Hickson-Woods returned home on the 29th December so we decided to
move across to our nearly finished house on the 1st January. Hicky Wood decided that
we needed something special to mark the occasion so he went off and killed a sucking
pig behind the kitchen. The piglet’s screams were terrible and I felt that I would not be
able to touch any dinner. Lamek cooked and served sucking pig up in the traditional way
but it was high and quite literally, it stank. Our first meal in our own home was not a
success.However next day all was forgotten and I had something useful to do. George
hung doors and I held the tools and I also planted rose cuttings I had brought from
Mbeya and sowed several boxes with seeds.Dad asked me about the other farms in the area. I haven’t visited any but there
are five besides ours. One belongs to the Lutheran Mission at Utengule, a few miles
from here. The others all belong to British owners. Nearest to Mbeya, at the foot of a
very high peak which gives Mbeya its name, are two farms, one belonging to a South
African mining engineer named Griffiths, the other to I.G.Stewart who was an officer in the
Kings African Rifles. Stewart has a young woman called Queenie living with him. We are
some miles further along the range of hills and are some 23 miles from Mbeya by road.
The Mchewe River divides our land from the Hickson-Woods and beyond their farm is
Major Jones.All these people have been away from their farms for some time but have now
returned so we will have some neighbours in future. However although the houses are
not far apart as the crow flies, they are all built high in the foothills and it is impossible to
connect the houses because of the rivers and gorges in between. One has to drive right
down to the main road and then up again so I do not suppose we will go visiting very
often as the roads are very bumpy and eroded and petrol is so expensive that we all
save it for occasional trips to Mbeya.The rains are on and George has started to plant out some coffee seedlings. The
rains here are strange. One can hear the rain coming as it moves like a curtain along the
range of hills. It comes suddenly, pours for a little while and passes on and the sun
shines again.I do like it here and I wish you could see or dear little home.
Your loving,
Eleanor.Mchewe Estate. 1st April 1931
Dearest Family,
Everything is now running very smoothly in our home. Lamek continues to
produce palatable meals and makes wonderful bread which he bakes in a four gallon
petrol tin as we have no stove yet. He puts wood coals on the brick floor of the kitchen,
lays the tin lengh-wise on the coals and heaps more on top. The bread tins are then put
in the petrol tin, which has one end cut away, and the open end is covered by a flat
piece of tin held in place by a brick. Cakes are also backed in this make-shift oven and I
have never known Lamek to have a failure yet.Lamek has a helper, known as the ‘mpishi boy’ , who does most of the hard
work, cleans pots and pans and chops the firewood etc. Another of the mpishi boy’s
chores is to kill the two chickens we eat each day. The chickens run wild during the day
but are herded into a small chicken house at night. One of the kitchen boy’s first duties is
to let the chickens out first thing in the early morning. Some time after breakfast it dawns
on Lamek that he will need a chicken for lunch. he informs the kitchen boy who selects a
chicken and starts to chase it in which he is enthusiastically joined by our new Irish
wolfhound pup, Kelly. Together they race after the frantic fowl, over the flower beds and
around the house until finally the chicken collapses from sheer exhaustion. The kitchen
boy then hands it over to Lamek who murders it with the kitchen knife and then pops the
corpse into boiling water so the feathers can be stripped off with ease.I pointed out in vain, that it would be far simpler if the doomed chickens were kept
in the chicken house in the mornings when the others were let out and also that the correct
way to pluck chickens is when they are dry. Lamek just smiled kindly and said that that
may be so in Europe but that his way is the African way and none of his previous
Memsahibs has complained.My houseboy, named James, is clean and capable in the house and also a
good ‘dhobi’ or washboy. He takes the washing down to the river and probably
pounds it with stones, but I prefer not to look. The ironing is done with a charcoal iron
only we have no charcoal and he uses bits of wood from the kitchen fire but so far there
has not been a mishap.It gets dark here soon after sunset and then George lights the oil lamps and we
have tea and toast in front of the log fire which burns brightly in our inglenook. This is my
favourite hour of the day. Later George goes for his bath. I have mine in the mornings
and we have dinner at half past eight. Then we talk a bit and read a bit and sometimes
play the gramophone. I expect it all sounds pretty unexciting but it doesn’t seem so to
me.Very much love,
Eleanor.Mchewe Estate 20th April 1931
Dearest Family,
It is still raining here and the countryside looks very lush and green, very different
from the Mbeya district I first knew, when plains and hills were covered in long brown
grass – very course stuff that grows shoulder high.Most of the labourers are hill men and one can see little patches of cultivation in
the hills. Others live in small villages near by, each consisting of a cluster of thatched huts
and a few maize fields and perhaps a patch of bananas. We do not have labour lines on
the farm because our men all live within easy walking distance. Each worker has a labour
card with thirty little squares on it. One of these squares is crossed off for each days work
and when all thirty are marked in this way the labourer draws his pay and hies himself off
to the nearest small store and blows the lot. The card system is necessary because
these Africans are by no means slaves to work. They work only when they feel like it or
when someone in the family requires a new garment, or when they need a few shillings
to pay their annual tax. Their fields, chickens and goats provide them with the food they
need but they draw rations of maize meal beans and salt. Only our headman is on a
salary. His name is Thomas and he looks exactly like the statues of Julius Caesar, the
same bald head and muscular neck and sardonic expression. He comes from Northern
Rhodesia and is more intelligent than the locals.We still live mainly on chickens. We have a boy whose job it is to scour the
countryside for reasonable fat ones. His name is Lucas and he is quite a character. He
has such long horse teeth that he does not seem able to close his mouth and wears a
perpetual amiable smile. He brings his chickens in beehive shaped wicker baskets
which are suspended on a pole which Lucas carries on his shoulder.We buy our groceries in bulk from Mbeya, our vegetables come from our
garden by the river and our butter from Kath Wood. Our fresh milk we buy from the
natives. It is brought each morning by three little totos each carrying one bottle on his
shaven head. Did I tell you that the local Wasafwa file their teeth to points. These kids
grin at one with their little sharks teeth – quite an “all-ready-to-eat-you-with-my-dear” look.
A few nights ago a message arrived from Kath Wood to say that Queenie
Stewart was very ill and would George drive her across to the Doctor at Tukuyu. I
wanted George to wait until morning because it was pouring with rain, and the mountain
road to Tukuyu is tricky even in dry weather, but he said it is dangerous to delay with any
kind of fever in Africa and he would have to start at once. So off he drove in the rain and I
did not see him again until the following night.George said that it had been a nightmare trip. Queenie had a high temperature
and it was lucky that Kath was able to go to attend to her. George needed all his
attention on the road which was officially closed to traffic, and very slippery, and in some
places badly eroded. In some places the decking of bridges had been removed and
George had to get out in the rain and replace it. As he had nothing with which to fasten
the decking to the runners it was a dangerous undertaking to cross the bridges especially
as the rivers are now in flood and flowing strongly. However they reached Tukuyu safely
and it was just as well they went because the Doctor diagnosed Queenies illness as
Spirillium Tick Fever which is a very nasty illness indeed.Eleanor.
Mchewe Estate. 20th May 1931
Dear Family,
I’m feeling fit and very happy though a bit lonely sometimes because George
spends much of his time away in the hills cutting a furrow miles long to bring water to the
house and to the upper part of the shamba so that he will be able to irrigate the coffee
during the dry season.It will be quite an engineering feat when it is done as George only has makeshift
surveying instruments. He has mounted an ordinary cheap spirit level on an old camera
tripod and has tacked two gramophone needles into the spirit level to give him a line.
The other day part of a bank gave way and practically buried two of George’s labourers
but they were quickly rescued and no harm was done. However he will not let them
work unless he is there to supervise.I keep busy so that the days pass quickly enough. I am delighted with the
material you sent me for curtains and loose covers and have hired a hand sewing
machine from Pedro-of-the-overcoat and am rattling away all day. The machine is an
ancient German one and when I say rattle, I mean rattle. It is a most cumbersome, heavy
affair of I should say, the same vintage as George Stevenson’s Rocket locomotive.
Anyway it sews and I am pleased with my efforts. We made a couch ourselves out of a
native bed, a mattress and some planks but all this is hidden under the chintz cover and
it looks quite the genuine bought article. I have some diversions too. Small black faced
monkeys sit in the trees outside our bedroom window and they are most entertaining to
watch. They are very mischievous though. When I went out into the garden this morning
before breakfast I found that the monkeys had pulled up all my carnations. There they
lay, roots in the air and whether they will take again I don’t know.I like the monkeys but hate the big mountain baboons that come and hang
around our chicken house. I am terrified that they will tear our pup into bits because he is
a plucky young thing and will rush out to bark at the baboons.George usually returns for the weekends but last time he did not because he had
a touch of malaria. He sent a boy down for the mail and some fresh bread. Old Lucas
arrived with chickens just as the messenger was setting off with mail and bread in a
haversack on his back. I thought it might be a good idea to send a chicken to George so
I selected a spry young rooster which I handed to the messenger. He, however,
complained that he needed both hands for climbing. I then had one of my bright ideas
and, putting a layer of newspaper over the bread, I tucked the rooster into the haversack
and buckled down the flap so only his head protruded.I thought no more about it until two days later when the messenger again
appeared for fresh bread. He brought a rather terse note from George saying that the
previous bread was uneatable as the rooster had eaten some of it and messed on the
rest. Ah me!The previous weekend the Hickson-Woods, Stewarts and ourselves, went
across to Tukuyu to attend a dance at the club there. the dance was very pleasant. All
the men wore dinner jackets and the ladies wore long frocks. As there were about
twenty men and only seven ladies we women danced every dance whilst the surplus
men got into a huddle around the bar. George and I spent the night with the Agricultural
Officer, Mr Eustace, and I met his fiancee, Lillian Austin from South Africa, to whom I took
a great liking. She is Governess to the children of Major Masters who has a farm in the
Tukuyu district.On the Sunday morning we had a look at the township. The Boma was an old German one and was once fortified as the Africans in this district are a very warlike tribe.
They are fine looking people. The men wear sort of togas and bands of cloth around
their heads and look like Roman Senators, but the women go naked except for a belt
from which two broad straps hang down, one in front and another behind. Not a graceful
garb I assure you.We also spent a pleasant hour in the Botanical Gardens, laid out during the last
war by the District Commissioner, Major Wells, with German prisoner of war labour.
There are beautiful lawns and beds of roses and other flowers and shady palm lined
walks and banana groves. The gardens are terraced with flights of brick steps connecting
the different levels and there is a large artificial pond with little islands in it. I believe Major
Wells designed the lake to resemble in miniature, the Lakes of Killarney.
I enjoyed the trip very much. We got home at 8 pm to find the front door locked
and the kitchen boy fast asleep on my newly covered couch! I hastily retreated to the
bedroom whilst George handled the situation.Eleanor.
In reply to: The Elusive Samuel Housley and Other Family Stories
My Grandparents Kitchen
My grandmother used to have golden syrup in her larder, hanging on the white plastic coated storage rack that was screwed to the inside of the larder door. Mostly the larder door was left propped open with an old flat iron, so you could see the Heinz ketchup and home made picallilli (she made a particularly good picallili), the Worcester sauce and the jar of pickled onions, as you sat at the kitchen table.
If you were sitting to the right of the kitchen table you could see an assortment of mismatched crockery, cups and bowls, shoe cleaning brushes, and at the back, tiny tins of baked beans and big ones of plum tomatoes, and normal sized tins of vegetable and mushroom soup. Underneath the little shelves that housed the tins was a blue plastic washing up bowl with a few onions, some in, some out of the yellow string bag they came home from the expensive little village supermarket in.
There was much more to the left in the awkward triangular shape under the stairs, but you couldn’t see under there from your seat at the kitchen table. You could see the shelf above the larder door which held an ugly china teapot of graceless modern lines, gazed with metallic silver which was wearing off in places. Beside the teapot sat a serving bowl, squat and shapely with little handles, like a flattened Greek urn, in white and reddish brown with flecks of faded gilt. A plain white teapot completed the trio, a large cylindrical one with neat vertical ridges and grooves.
There were two fridges under the high shallow wooden wall cupboard. A waist high bulbous old green one with a big handle that pulled out with a clunk, and a chest high sleek white one with a small freezer at the top with a door of its own. On the top of the fridges were biscuit and cracker tins, big black keys, pencils and brittle yellow notepads, rubber bands and aspirin value packs and a bottle of Brufen. There was a battered old maroon spectacle case and a whicker letter rack, letters crammed in and fanning over the top. There was always a pile of glossy advertising pamphlets and flyers on top of the fridges, of the sort that were best put straight into the tiny pedal bin.
My grandmother never lined the pedal bin with a used plastic bag, nor with a specially designed plastic bin liner. The bin was so small that the flip top lid was often gaping, resting on a mound of cauliflower greens and soup tins. Behind the pedal bin, but on the outer aspect of the kitchen wall, was the big black dustbin with the rubbery lid. More often than not, the lid was thrust upwards. If Thursday when the dustbin men came was several days away, you’d wish you hadn’t put those newspapers in, or those old shoes! You stood in the softly drizzling rain in your slippers, the rubbery sheild of a lid in your left hand and the overflowing pedal bin in the other. The contents of the pedal bin are not going to fit into the dustbin. You sigh, put the pedal bin and the dustbin lid down, and roll up your sleeves ~ carefully, because you’ve poked your fingers into a porridge covered teabag. You grab the sides of the protruding black sack and heave. All being well, the contents should settle and you should have several inches more of plastic bag above the rim of the dustbin. Unless of course it’s a poor quality plastic bag in which case your fingernail will go through and a horizontal slash will appear just below rubbish level. Eventually you upend the pedal bin and scrape the cigarette ash covered potato peelings into the dustbin with your fingers. By now the fibres of your Shetland wool jumper are heavy with damp, just like the fuzzy split ends that curl round your pale frowning brow. You may push back your hair with your forearm causing the moisture to bead and trickle down your face, as you turn the brass doorknob with your palm and wrist, tea leaves and cigarette ash clinging unpleasantly to your fingers.
The pedal bin needs rinsing in the kitchen sink, but the sink is full of mismatched saucepans, some new in shades of harvest gold, some battered and mishapen in stainless steel and aluminium, bits of mashed potato stuck to them like concrete pebbledash. There is a pale pink octagonally ovoid shallow serving dish and a little grey soup bowl with a handle like a miniature pottery saucepan decorated with kitcheny motifs.
The water for the coffee bubbles in a suacepan on the cream enamelled gas cooker. My grandmother never used a kettle, although I do remember a heavy flame orange one. The little pan for boiling water had a lip for easy pouring and a black plastic handle.
The steam has caused the condensation on the window over the sink to race in rivulets down to the fablon coated windowsill. The yellow gingham curtains hang limply, the left one tucked behind the back of the cooker.
You put the pedal bin back it it’s place below the tea towel holder, and rinse your mucky fingers under the tap. The gas water heater on the wall above you roars into life just as you turn the tap off, and disappointed, subsides.
As you lean over to turn the cooker knob, the heat from the oven warms your arm. The gas oven was almost always on, the oven door open with clean tea towels and sometimes large white pants folded over it to air.
The oven wasn’t the only heat in my grandparents kitchen. There was an electric bar fire near the red formica table which used to burn your legs. The kitchen table was extended by means of a flap at each side. When I was small I wasn’t allowed to snap the hinge underneath shut as my grandmother had pinched the skin of her palm once.
The electric fire was plugged into the same socket as the radio. The radio took a minute or two to warm up when you switched it on, a bulky thing with sharp seventies edges and a reddish wood effect veneer and big knobs. The light for my grandfathers workshop behind the garage (where he made dentures) was plugged into the same socket, which had a big heavy white three way adaptor in. The plug for the washing machine was hooked by means of a bit of string onto a nail or hook so that it didn’t fall down behing the washing machine when it wasn’t plugged in. Everything was unplugged when it wasn’t in use. Sometimes there was a shrivelled Christmas cactus on top of the radio, but it couldn’t hide the adaptor and all those plugs.
Above the washing machine was a rhomboid wooden wall cupboard with sliding frsoted glass doors. It was painted creamy gold, the colour of a nicotine stained pub ceiling, and held packets of Paxo stuffing and little jars of Bovril and Marmite, packets of Bisto and a jar of improbably red Maraschino cherries.
The nicotine coloured cupboard on the opposite wall had half a dozen large hooks screwed under the bottom shelf. A variety of mugs and cups hung there when they weren’t in the bowl waiting to be washed up. Those cupboard doors seemed flimsy for their size, and the thin beading on the edge of one door had come unstuck at the bottom and snapped back if you caught it with your sleeve. The doors fastened with a little click in the centre, and the bottom of the door reverberated slightly as you yanked it open. There were always crumbs in the cupboard from the numerous packets of bisucits and crackers and there was always an Allbran packet with the top folded over to squeeze it onto the shelf. The sugar bowl was in there, sticky grains like sandpaper among the biscuit crumbs.
Half of one of the shelves was devoted to medicines: grave looking bottles of codeine linctus with no nonsense labels, brown glass bottles with pills for rheumatism and angina. Often you would find a large bottle, nearly full, of Brewers yeast or vitamin supplements with a dollar price tag, souvenirs of the familys last visit. Above the medicines you’d find a faded packet of Napolitana pasta bows or a dusty packet of muesli. My grandparents never used them but she left them in the cupboard. Perhaps the dollar price tags and foreign foods reminded her of her children.
If there had been a recent visit you would see monstrous jars of Sanka and Maxwell House coffee in there too, but they always used the coffee. They liked evaporated milk in their coffee, and used tins and tins of “evap” as they called it. They would pour it over tinned fruit, or rhubard crumble or stewed apples.
When there was just the two of them, or when I was there as well, they’d eat at the kitchen table. The table would be covered in a white embroidered cloth and the food served in mismatched serving dishes. The cutlery was large and bent, the knife handles in varying shades of bone. My grandfathers favourite fork had the tip of each prong bent in a different direction. He reckoned it was more efficient that way to spear his meat. He often used to chew his meat and then spit it out onto the side of his plate. Not in company, of course. I can understand why he did that, not having eaten meat myself for so long. You could chew a piece of meat for several hours and still have a stringy lump between your cheek and your teeth.
My grandfather would always have a bowl of Allbran with some Froment wheat germ for his breakfast, while reading the Daily Mail at the kitchen table. He never worse slippers, always shoes indoors, and always wore a tie. He had lots of ties but always wore a plain maroon one. His shirts were always cream and buttoned at throat and cuff, and eventually started wearing shirts without detachable collars. He wore greeny grey trousers and a cardigan of the same shade most of the time, the same colour as a damp English garden.
The same colour as the slimy green wooden clothes pegs that I threw away and replaced with mauve and fuschia pink plastic ones. “They’re a bit bright for up the garden, aren’t they,” he said. He was right. I should have ignored the green peg stains on the laundry. An English garden should be shades of moss and grassy green, rich umber soil and brick red walls weighed down with an atmosphere of dense and heavy greyish white.
After Grandma died and Mop had retired (I always called him Mop, nobody knows why) at 10:00am precisely Mop would have a cup of instant coffee with evap. At lunch, a bowl of tinned vegetable soup in his special soup bowl, and a couple of Krackawheat crackers and a lump of mature Cheddar. It was a job these days to find a tasty cheddar, he’d say.
When he was working, and he worked until well into his seventies, he took sandwiches. Every day he had the same sandwich filling: a combination of cheese, peanut butter and marmite. It was an unusal choice for an otherwise conventional man. He loved my grandmothers cooking, which wasn’t brilliant but was never awful. She was always generous with the cheese in cheese sauces and the meat in meat pies. She overcooked the cauliflower, but everyone did then. She made her gravy in the roasting pan, and made onion sauce, bread sauce, parsley sauce and chestnut stuffing. She had her own version of cosmopolitan favourites, and called her quiche a quiche when everyone was still calling it egg and bacon pie. She used to like Auntie Daphne’s ratatouille, rather exotic back then, and pronounced it Ratta Twa. She made pizza unlike any other, with shortcrust pastry smeared with tomato puree from a tube, sprinkled with oregano and great slabs of cheddar.
The roast was always overdone. “We like our meat well done” she’d say. She’d walk up the garden to get fresh mint for the mint sauce and would announce with pride “these runner beans are out of the garding”. They always grew vegetables at the top of the garden, behind the lawn and the silver birch tree. There was always a pudding: a slice of almond tart (always with home made pastry), a crumble or stewed fruit. Topped with evap, of course.
In reply to: Snooteries
Fat Blue Whale sends her greetings
Of bubbles tickling the dream
For Snoot to dive in the stream
Flowing to City Plaza
Where hairy feet jumped on tiles.All of them had long feathers,
And to solve your good riddle
You must spiral on the One,
To accept the world’s wonders,
Where can hatch your three graces.Therein lies all your answers.
In reply to: Tart Wreck Repackage
“Wait!” hissed Tara. She grabbed Star’s arm and pulled her behind one of the ornamental pear trees which graced either side of the front path.
“Ouch! that hurt!”
“Look!” Tara nodded towards the mansion. “Over there, far window. It’s open.”
Star, still smarting from being unceremoniously dragged into the bushes, shrugged her shoulders. “So?”
“We’ve come all this way. We can’t go without a fight! Let’s break in!” Tara’s face was animated. “I mean, who is going to stop us? That butler could barely walk and Mr French is supposedly in a coma … and … well, don’t you think it seems strange about the accident and everything?”
“A bit odd. I suppose we could give it a go,” said Star grudgingly, (though privately impressed by Tara’s bold suggestion), “At least pop our heads in the window … see what’s what.”
Keeping low under cover of the ornamental pears, they crept back towards the house. “Did that curtain move?” whispered Star. “It fluttered, the room next to the open window!”
In reply to: Seven Twines and the Dragon Heartwoods
His trip had changed him, Rukshan realized. He doubted it at first, don’t all journeys change the traveller?
This one had been peculiar, his life had never felt more on the line. Now, even the feeling of this place he now called a home was contrasting.
He wasn’t despondent, but he wasn’t sure where to focus his energy now. The World outside didn’t lack causes to fight for; that much was a given. The Great Fires in the South had taken a toll on the Austral Dry Lands and started to menace the Great Forest borders. The Heartswood would be safe for now, but with the villagers’ rampant deforestation, what would be next? He was glad to hear that Eleri & Hasamelis were not short of ideas and clever contraptions to tackle the matter.
Yet, his cause was not this one, though it did stir his heart with sadness and longing.
Tak and Nesy had come back from school. He was glad to see them so full of life and well-adjusted. Nesy was coming into her powers, even if they stemmed from a dark place, she’d found ways to use them gracefully, listening to nature. For one, Eleri had seen early the appeal of using Nesingwarys’ fear-inducing power to shroud the place and repel Leroway and his thugs. Nesy didn’t like too much to use her powers that way. It would also affect the birds and it made Glynis sad that the place was so silent at times.
For now, both were pleased to join the team and the little Snoots towards the effort at rebuilding Gorrash.
All were focused on finding a way to get enough pink clay. They’d started to realize that there was not enough stock left around, and the main supply source was from the now scorched & sooty Austral lands.This was a good cause for now.
In reply to: Pop﹡in People Tribulations
“Hang on. I just saw a friend of mine,” said the driver, skidding to a stop. “You don’t mind, do ya?”
Without waiting for an answer, he leaned over and opened the front passenger door.
“Oy, Veranassessee! You wanna a lift somewhere?”
“I’m out for the exercise. Thanks though. “ She waved them on.
She’s a good sort,” said the driver, narrowly avoiding a large pot hole. “Bloody roads are a disgrace. She’s been on the island for years. Since the upset.”
“What upset was that?” Asked Maeve, raising questioning eyebrows at Shawn-Paul.
The driver turned round and looked at them in the back seat. “I’ve probably said more than I should but …. “
“Watch out!” shouted Shawn-Paul.
In reply to: Pop﹡in People Tribulations
Not knowing what to do with the powder, Jerk pondered for a moment, then recalled a tradition from India that he’d seen on a documentary or in a magazine; taking the blue sand, he started to pour it on the ground to draw a rangoli in the shape of a feather. He clearly wasn’t very experienced at sandpainting, and the drawing looked more like a stick in an old worn sock, but he was glad that it could illuminate somehow the bland and cold fake marble at the entrance of the mall.
Granola was starting to get anxious in her red crystal. It wasn’t very comfortable. She thought she could just adjust her mental size to make it more spacious, but it was automatically adjusting. She was starting to feel desperate when she noticed a blue thing with the shape of a deflated condom glowing on one of the sides of the crystal.
The imprint of a magical act of grace she could hear vibrating. The vibration was slow and steady. She could guess she needed two, or maybe three, more of these symbols to resonate properly and break the crystal open.In reply to: Pop﹡in People Tribulations
Granola felt a bit stupid in her squishy giraffe suit, lying deflated on the carpeted floor of the entrance.
“Ailill!” she called for her afterlife tech support guy in blue.
“Up here, darling.”
She looked up, and sure enough, he was there, a blue pompom ball dangling from the ceiling. It landed quite gracefully next to her giraffe, and turned into a small guy in blue overalls.
“Got yourself again stuck in rut, haven’t you?” he smiled at the giraffe, propping it up on its elastic legs.
“You can say that. It feels like days I’ve been stuck in a loop, observing the same people doing the same things. When I think I’m moving on, I’m actually just switching to the next one, but it’s always the same moment.
Lucinda blathering on the phone while I’m her cushion, and next I’m a paper roll in Jerk’s cash register, and the moment after, I’m the blank page that Shawn Paul stares at for hours, or one of Maeve’s unfinished dolls next. Actually, the giraffe feels kind of an improvement.”She looked musingly and a bit enviously at Ailill’s form: “I didn’t think it’d be that tough to graduate to human form. Blobs of red lights were fun enough, but… things! This!” The giraffe looked at its chewed legs and wobbled precariously.
“In actuality…” Ailill started loftily
“Oh dear… make it simple please.”
“It’s part of the evaluation of attachments. You need to move beyond them, then you’ll be free to do more things, to be more. For now, you still see yourself as a props in these characters’ dramaless lives. But try to think about that one: what if they were the props of yours? You are trying too hard to move around the wrong things. The journey is inwards, always my friend.”
Something squished into the small giraffe, as if it something in Ailill’s speech had made sense to Granola.
In reply to: Seven Twines and the Dragon Heartwoods
“That is unfortunate,” said Rukshan when Fox told him about the dogs’ answer. They were all gathered around the fire on rough rugs for a last meal before activating the portal. For a moment shadow and light struggled on Rukshan’s face as the flames of the fire licked the woods, making it crack and break. A few sparkles flew upward into the dark starry night.
Lhamom used the magic metal spoon to serve steaming soup in carved wooden bowls, and Olliver was doing the service.
When he took his, Fox felt a chilly breeze find its way past his blanket. He shivered, put the bowl on the carpet in front of him and attempted to readjust the yakult wool blanket in a vain attempt to make it windproof. He took back the bowl and took a sip. The dogs barked in the distance. They were impatient to start the hunt. Fox shivered again.“I could still serve as bait,” Fox said because he felt it was his fault if the plan failed. “You know, surprise the dogs while they are focused on the Shadow and make it follow me to trap it into the portal after we crossed it.”
“Don’t be ridiculous,” said Rukshan. “It’s too dangerous. If you try to do that, we could have not one but two problems to solve. And you might get stuck too.”
Fox tried not to think about the implications of being stuck here, or in between the portals. He looked at Olliver who was looking at his soup as if it was the most important thing in the world.
Rukshan shook his head. “No. It was a foolish of me to hope those dogs would help us.”
“What can we do then?” asked Lhamom. They all drank their soup, the silence only broken by the fire cracking and the dogs barking.
“I can be in several places at once,” said Olliver quickly. Fox held his breath.
Lhamom and Rukshan looked at the boy.“I know,” said Lhamom. “You were so helpful today with the cooking and all.”
“What do you mean?” asked Rukshan. “Olliver was with me helping me with the sand all day.” He stopped. His face showed sudden understanding. “Oh! Of course,” he said. “The book we burnt. The shard’s power was not only teleportation, but also ubiquity.” Rukshan turned to look at Fox. “You don’t seem surprised.”Fox shrugged, making his blanket slip off of his shoulders slightly. Before he answered he adjusted it back quickly before the warmth he had accumulated could vanish into the night. “Well I saw him… I mean them. How do you think I came out of the negotiation alive? I can not teleport! I don’t even know what my powers are, or if I have any now that the shards have gone.”
“Grace and miracles,” said Rukshan with a grin.
A strange cristalline noise rang to Fox’s hears.
“What? Oh! Yes. Well, that explains it then,” he said, feeling a mix of grumpiness and contentment. He finished his soup and was about to leave the comfort of his blanket to take some stew when Lhamom took the bowl from his hands. She gave him a good serving and gave him back his bowl.“What is it about shards and powers?” she asked.
Fox, Rukshan and Olliver looked at each other.
“It’s…” started Fox.
“It’s a long story,” cut Rukshan.“Don’t make as if I said nothing important,” said Olliver.
The red of the flames enhances his angry look, thought Fox.
“I can be at two places, even more, at once. I can still be the bait and go back home with you at the same time.”A dog barked impatiently.
“Yes,” said Fox.
“I’m not sure it’s a good idea,” said Rukshan, concern on his face.
“Why? I’m not a boy anymore, if that’s what it’s all about. I can do it. I already did it this afternoon.”
“Well this afternoon was nice and cosy, wasn’t it? You had plenty of light, and yes you helped Fox escape from the dogs, so you can certainly do it. But what about the Shadow spirit. We have no idea what it is, or what it can do to you. And what will happen if one of you get killed?”Once again, they fell silent. There was a dog bark and that strange cristalline noise again. It sounded closer.
“What’s that noise?” asked Olliver. Fox suddenly realised the strange noise had nothing to do with the sound of miracles, but it was a real noise in the real world.
“What noise?” asked Lhamom. “And what are you all talking about, shards and powers and ubiquity?”
“I can hear it too,” said Fox. “I’ve heard it before, but thought it was just me.”The noise happened again, this time sounding a lot like metallic ropes snapping on ice.
Fox wriggled his nose. There was the smell of an animal and of a human.
“I think someone is coming,” he said, sniffing the cold air. “A donkey and a human.”It was not too long before they saw an odd woman riding a donkey. She was playing a lyre made of ice, the strings of which had a faint glow. The woman was smiling like she was having the best adventure of her life.
“Hi guys. I came to help you. You didn’t think I would remain forgotten in my cave, did you?”“Kumihimo! Ronaldo!” said Lhamom, standing up.
In reply to: Eight Turns of the Wheel
Albie pondered Lottie’s words. He’d been trying to forget the doline, but now he realized he’d been avoiding the inevitable. It was no good pretending there were other jobs for him, that much was becoming clear. His mission had been to protect the doline, and he’d failed.
Or had he? A new idea was glimmering in his mind, that he hadn’t failed at all. At first he’d been so embarrassed and anxious about the security breach that he’d only seen the obvious superficial layer of events. Yes, strangers had entered the doline; true, they were not supposed to let that happen. But now he wondered, were they strangers to the doline? Who were they? Maybe they were meant to enter, and his apparent lack of attention was a providential and timely. How did he, Albie, even know for sure that he was working for the right side? What did he really know about his bosses? And what about that handsome fellow who’d slithered out of the doline, the dark eyed one with leaves in his hair?
Albie hadn’t even told Alex about him, not after the shit hit the fan about the breach and illegal entry. The last thing he felt like doing was admitting that there had been an illegal escape as well. But Albie couldn’t stop thinking about him, the graceful way he shook the dust out of his hair, the depths of those lustrous dark eyes, his long slender fingers….
Now, Albie was kicking himself for hiding behind a tree, for not approaching the strange man, or at least following him to see where he was going. His job was to stop people from entering. Nobody had said anything about stopping people leaving it. It was unexpected, and he’d been scared. Was it too late to try and track his movements? He’d come out of the doline, he’d have stories to tell. Albie needed to know, he needed to find him.
He would find a way to trace him. He wondered if the new dog could help him, if he could find something with the mans scent upon it. Albie was determined to find a way.
In reply to: Seven Twines and the Dragon Heartwoods
The memories of the strange vision had faded away. Only the feeling of awe was lingering in his heart.
Fox was walking in the forest near Margoritt’s cottage. The smell of humid soil was everywhere. Despite it being mostly decomposing leaves and insects, Fox found it quite pleasant. It carried within it childhood memories of running outside after the rain whild Master Gibbon was trying to teach him cleanliness. It had been a game for many years to roll into the mud and play with the malleable forest ground to make shapes of foxes and other animals to make a public to Gibbon’s teachings.
Fox had been walking around listening to the sucking sound made by his steps to help him focus back on reality. He was trying to catch sunlight patches with his bare feet, the sensations were cold and exquisite. The noise of the heavy rain had been replaced by the random dripping of the drops falling from the canopy as the trees were letting go of the excess of water they received.
It was not long before he found Gorrash. The dwarf was back in his statue state, he was face down, deep in the mud. Fox crouched down and gripped his friend where he could. He tried to release him from the ground but the mud was stronger, sucking, full of water.
“You can leave him there and wait the soil to dry. You can’t fight with water”, said Margorrit. “And I think that when it’s dry, we’ll have a nice half-mold to make a copy of your friend.”
Fox laughed. “You have so many strange ideas”, he told the old woman.
“Well, it has been my strength and my weakness, I have two hands and a strong mind, and they have always functioned together. I only think properly when I use my hands. And my thoughts always lead me to make use of my hands.”
Fox looked at Margoritt’s wrinkled hands, they were a bit deformed by arthritis but he could feel the experience they contained.
“Breakfast’s ready”, she said. “I’ve made some honey cookies with what was left of the the flour. And Glynis has prepared some interesting juices. I like her, she has a gift with colours.”
They left the dwarf to dry in the sun and walked back to the house where the others had already put everything on the table. Fox looked at everyone for a moment, maybe to take in that moment of grace and unlikely reunion of so many different people. He stopped at Rukshan who had a look of concern on his face. Then he started when Eleri talked right behind him. He hadn’t hear her come.
“I think I lost him”, she said. “What’s for breakfast? I’m always starving after shrooms.”
In reply to: Seven Twines and the Dragon Heartwoods
The remembrance had made the magic book reappear in Rukshan’s bag, and with it, its leaves ripe with vibrant parts of the long ago story. Rukshan started to read, immediately engrossed by the story it told.
When the Heartswood was young, many thousands of years ago, during the Blissful Summer Age
WHO
— The Dark FAE
— The Mapster DWARF
— The Glade TROLL
— The Trickster DRYAD
— The Tricked GIRL
— The Laughing CRONE
— The Toothless DRAGONACT 1, SCENE 1 – THE PREPARATION
NARRATOR: It all started as an idea, small and unnoticeable, at first. Almost too frail to endure. But it soon found a fertile soil in the mind of seven improbable acolytes. It took roots and got nourishment from greed, envy, despair, sorrow, despondence, rebellion and other traits. And it grew. That growing idea bound them together, and in search of the way to obtain what it wanted, got them to work together to do an unthinkable thing. Rob the Heartswood of its treasure, the Crest Jewel of the Gods, the radiant Gem that was at its centre. It would be the end of their sorrow, the end of the Gods unfair power of all creation… The idea obscured all others, driving them to act.
FAE: Did you get the map?
DWARF: Of course, what do you think, I am no amateur. What do you bring to the table?
FAE: I bring the way out. But first things first, the map will get us there, but we still need a way in. What says your TROLL friend?
DWARF: He heard rumours, there is a DRYAD. Her tree is dying, she tried to petition the Gods, but to no avail. She will help.
FAE: Can your friend guarantee it?
DWARF: You have damn little trust. You will see, when she brings in the GIRL. She is the key to open the woods. Only an innocent heart can do it, so the DRYAD will trick her.
FAE: How? I want to know everything, I don’t like surprises. An unknowing acolyte is a threat to our little heist. What’s her story?
DWARF: I don’t know much. Something about a broken heart, a dead one, her lover maybe. The DRYAD told the GIRL she could bring her loved one back from the dead, in the holy woods.
FAE: I can work with that. So we are good then?
DWARF: You haven’t told me about your exit plan. What is it?
FAE: I can’t tell you, not now. We need the effect of surprise. Now go get the others, we will reconvene at the woods’ entrance, tomorrow night, at the darkest moon of the darkest day.SCENE 2 – THE CURIOUS GODMOTHER
GIRL: Godmother, I need to go, you are not to worry.
CRONE (cackling): Let me come with you, the woods are not safe at this time of the year. The Stranger is surely out there to get you.
GIRL: No, no, Godmother, please stay, you cannot help me, you need to rest.Rukshan looked at some of the blank pages, there were still missing patches
ACT 2 – SCENE 3 – THE HEIST
In the heart of the Heartswoods
TROLL: Let me break that crystal, so we can share it!
GIRL (reaching for it to protect it): No! I need it whole!
DRYAD (in suave tone): Let it go! I will protect it and give you what you want…
GIRL: Your promises are worthless! You lied to me!
CRONE: (cackles) Told you!
DWARF: Give it to me!
FAE (quieting everyone): Let’s be calm, friends. Everyone can get what they want.GIRL (startled): Eek! A Guardian DRAGON! We are doomed!
FAE (reaching too late for the crystal): Oh no, it had broken in seven pieces. I will put them in this bag, each of us will get one piece after we leave. (to the DRAGON) Lead the way out of this burning circle!
DWARF (understanding): Oh, that was your exit strategy…
FAE (rolling eyes): Obvious-ly.That was all that the book had to show at the time. Rukshan thought the writer got a little lazier with the writing as the story went, but it was good enough to understand more or less what had happened.
There was one last thing that was shown in the book.
WHAT THEY STOLE
— Shard of Infinite Knowledge
— Shard of Transmutation and Shapeshifting
— Shard of Ubiquity and Teleportation
— Shard of Infinite Influence and Telepathy
— Shard of Infinite Life and Death
— Shard of Grace and Miracles
— Shard of Infinite StrengthIn reply to: Seven Twines and the Dragon Heartwoods
Looking at what was left in his bag, it made Rukshan realise he was walking in the Dragon Heartswood for longer than he thought.
It was a maze with layers of concentric circles of tree, and seemed far bigger and vast once you were inside that it should have been.
He had been presumptuous to venture in it, without any guidance or map, knowing very well that most of those who had entered it, never came out. There was a magical distress beacon that was in the bag, but he guessed it would only help him retrace his steps back to where he entered. He didn’t want to use it. He could still feel the glowing confidence infused in his heart by the potion, and now, it was as though it was telling him to do nothing, and just not worry. So he chose one of the trees, to just sit under, and meditate for a while.There was a bird, high in the small patch of sky that the treetops didn’t cover. Or at least, it looked like a bird. I had been there for a moment, as if watching him.
“Don’t you like birds?” the voice said “They are my favourite creatures, so smart and graceful. Ah, and the joy of the flight!”
He wouldn’t open his eyes, not sure the feminine voice was in his head or not. She was one and the same with the large bird hovering —it was one of her projections, but she was human.
“You know who I am, Rukshan, you have been searching for me.”
“You are the Hermit, aren’t you?”
“Yes, and here I am, saving you a long trip to the mountains.” There was a smile in her voice.He didn’t know what to say, but feared to open his eyes, and risk the spell to vanish.
“You can open them, your eyes. They are deceivers anyway, they are not the senses that matter.”
She was there, in front of him, looking ageless. There was no telling if she was a projection or real.
She had put something in front of him. A sort of flat braid, not very long, and made with different threads of diverse nature and impractical use, yet artfully arranged, revealing clever and shifting patterns.
“It is for you Rukshan, to help you remember. I have worked on it for the past days, and it is now ready for you.”
He looked at the patterns, they were clear and simple, yet they changed and seemed to elude understanding. The braid was only loosely attached at the end, and threatened to unravel as soon as moved.
“These are your lives, intertwined. You and six others. You don’t know them, in this life —however long yours has been. But you are connected, and you have know each other before, and you have intertwined before. Some of these past stories can be read in the patterns, and some are tragic, and they all bear fruits in this life and the next. It is no mystery why you have been attracted to the Heartswood, because it is where the Sundering started, and where you and the others have left things unresolved. If you don’t look deep now, and take steps to correct course, you will go from this life to the next and repeat your torments and endless search.”
While Kumihimo spoke, Rukshan had fleeting images and impressions, some linked to the visions the gingkos and the trees had sent him before, of the others, linked to his quest.
“Yes, you are starting to remember… That day, when you and the others tried to rob the Gods of the flame of creation. They cursed you, even their pet Dragon who was supposed to guard their treasure and sided with you against them.”
She showed him the ring of charred trees that marked that particular period in the middle of all the rings for each ages of growth of the Heartswood.
“The Sundering” he spoke softly, reminded of fables in the legends of the Fae. That was the ancient age, when most of the Gods had disappeared, some said, gone through the doorway that was at the very heart of the Heartswood, the very source of life and death, and creation. There had been new Gods after that. They also possessed great powers, but none with the aura of the Old Ones —no Old God would have been trapped in stone by a mere witch’s enchantment.
Rukshan turned to the Hermit with deep pondering. “What can we do?”
She was starting to fade away, turning again into a bird. “Each of you has a special power, that you stole in that past life, and with each new life, you carry it with you, and with it, its curse. Find who you were, find what you stole, and give it back. Then the threads will unravel and the knot of all the curses will be undone.”
- “The letters of Eleanor Dunbar Leslie to her parents and her sister in South Africa
