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In reply to: Seven Twines and the Dragon Heartwoods
The garden was becoming too small for Gorrash. With time, the familiarity had settled down in his heart and he knew very well each and every stone or blade of grass there was to know. With familiarity, boredom was not very far. Gorrash threw a small pebble in the pond, he was becoming restless and his new and most probably short friendship with Rainbow had triggered a seed in his heart, the desire to know more about the world.
Before he’d met the creature, Gorrash could remember the pain and sadness present in the heart of his maker. He had thought that was all he needed to know about the world, that mankind was not to be trusted. And he had avoided any contact with that dragon lady, lest she would hurt him. He knew that all came from his maker, although he had no real access to the actual memories, only to their effects.
Gorrash threw another pebble into the pond, it made a splashing sound which dissolved into the silence. He imagined the sound was like the waves at the surface of the pond, going endlessly outward into the world. He imagined himself on top of those waves, carried away into the world. A shiver ran through his body, which felt more like an earthquake than anything else, stone bodies are not so flexible after all. He looked at the soft glowing light near the bush where Rainbow was hiding. The memory of joy and love he had experienced when they hunted together gave his current sadness a sharp edge, biting into his heart mercilessly. He thought there was nothing to be done, Rainbow would leave and he would be alone again.
His hand reached in his pocket where he found the phial of black potion he had kept after Rainbow refused it. He shook it a few times. Each time he looked at it, Gorrash would see some strange twirls, curls and stars in the liquid that seemed made of light. He wondered what it was. What kind of liquid was so dark to the point of being luminous sometimes ? The twirls were fascinating, leading his attention to the curls ending in an explosion of little stars. Had the witch captured the night sky into that bottle?
Following the changes into the liquid was strangely soothing his pain. Gorrash was feeling sleepy and it was a very enjoyable feeling. Feelings were quite new to him and he was quite fascinated by them and how they changed his experience of the world. The phial first seemed to pulse back and forth into his hand, then the movement got out and began to spread into his body which began to move back and forth, carried along with this sensual lullaby. Gorrash wondered if it would go further, beyond his body into the world. But as the thought was born, the feeling was gone and he was suddenly back into the night. A chill went down his spine. It was the first time. The joy triggered his sadness again.
The dwarf looked at the dark phial. Maybe it could help ease his pain. He opened it, curious and afraid. What if it was poison? said a voice of memory. Gorrash dismissed it as the scent of Jasmine reached his nose. His maker was fond of Jasmine tea, and he was surprised at the fondness that rose in his heart. But still no images, it was merely voices and feelings. Sometimes it was frustrating to only have bits and never the whole picture, and full of exasperation, Gorrash gulped in the dark substance.
He waited.
Nothing was happening. He could still hear the cooing of Rainbow, infatuated with it eggs, he could hear the scratches of the shrews, the flight of the insects. That’s when Gorrash noticed something was different as he was beginning to hear the sharp cries of the bats above. He tried to move his arm to look at the phial, but his body was so heavy. He had never felt so heavy in his short conscious life, even as the light of the Sun hardened his body, it was not that heavy.
The soil seemed to give way under his increasing weight, the surface tension unable to resist. He continued to sink into the ground, down the roots of the trees, through the tunnels of a brown moles quite surprised to see him there, surrounded by rocks and more soil, some little creatures’ bones, and down he went carried into hell by the weight of his pain.
After some time, his butt met a flat white surface, cold as ice, making him jump back onto his feet. The weird heaviness that a moment before froze his body was gone. He looked around, he was in a huge cave and he was not alone. There was an old woman seated crosslegged on a donkey skin. Gorrash knew it was a donkey because it still had its head, and it was smiling. The old woman had hair the colour of the clouds before a storm in summer, It was full of knots and of lightning streaks twirling and curling around her head. Her attention was all on the threads she had in her hands. Gorrash counted six threads. But she was doing nothing with them. She was very still and the dwarf wondered if she was dead or asleep.
What do you want? asked the donkey head in a loud bray.
It startled the dwarf but it didn’t seem to bother the old lady who was still entranced and focused on her threads.
Nothing, said Gorrash who couldn’t think of anything he would want.
Nonsense, brayed the donkey, laughing so hard that the skin was shaking under the old lady. Everyone wants something. You wouldn’t be here if you didn’t want something.
Gorrash thought about what he could want, what he had been wanting that night. He remembered his desire to get out of the garden.
And there you are, brayed the donkey head, that’s a start. What do you want then?
Getting out of the garden?
Noooo! That’s a consequence of a deeper desire, but that’s not what you want.
I have never thought about desires before, said Gorrash. It’s pretty new to me. I just came to life a few weeks ago during a full moon.
The donkey head tilted slightly on its right. No excuses, it spat, If you’re awake, then you have a desire in your heart that wants to be fulfilled. What do you want? Take your time, but not too long. The universe is always on the move and you may miss the train, or the bus, or the caravan…
As the donkey went on making a list of means of transportation, Gorrash looked hesitantly at the old lady. She was still focused on her six threads she had not moved since he had arrived there.
Who is she? he asked to the donkey.
_She’s known by many names and has many titles. She’s Kumihimo Weaver of Braids, Ahina Maker of Songs, Gadong Brewer of Stews…
Ok! said Gorrash, not wanting the donkey go on again into his list enumeration pattern. What is she doing?
She’s waiting.
And, what is she waiting for?
She’s waiting for the seventh thread, brayed the donkey head. I’m also waiting for the thread, it whined loudly. She won’t leave my back until she’s finished her braid. The head started to cry, making the dwarf feel uncomfortable. Suddenly it stopped and asked And, who are you?
The question resonated in the cave and in his ears, taking Gorrash by surprise. He had no answer to that question. He had just woken up a few weeks ago in that garden near the forest, with random memories of a maker he had not known, and he had no clue what he desired most. Maybe if he could access more memories and know more about his maker that would help him know what he wanted.
Good! brayed the donkey, We are making some progress here. Now if you’d be so kind as to give her a nose hair, she could have her last thread and she could tell you where to find your maker.
Hope rose in Gorrash’s heart. Really?
Certainly, brayed the head with a hint of impatience.
But wouldn’t a nose hair be too short for her braid? asked the dwarf. All the other threads seemed quite long to him.
Don’t waste my time with such triviality. Pull it out!
Gorrash doubted it would work but he grabbed a nose hair between his thumb and index and began to pull. He was surprised as he didn’t feel the pain he expected but instead the hair kept being pulled out. He felt annoyed and maybe ashamed that it was quite long and he had not been aware of it. He took out maybe several meters long before a sudden pain signalled the end of the operation. Ouch!
hee haw, laughed the donkey head.
The pain brought out the memory of a man, white hair, the face all wrinkled, a long nose and a thin mouth. He was wearing a blouse tightened at his waist by a tool belt. He was looking at a block of stone wondering what to make out of it, and a few tears were rolling down his cheeks. Gorrash knew very well that sadness, it was the sadness inside of him. Many statues surrounded the man in what looked like a small atelier. There were animals, gods, heads, hands, and objects. The vision shifted to outside the house, and he saw trees and bushes different than the ones he was used to in the garden where he woke up. Gorrash felt a strange feeling in his heart. A deep longing for home.
Now you have what you came here for. Give the old lady her thread, urged the donkey. She’s like those old machines, you have to put a coin to get your coffee.
Gorrash had no idea what the donkey was talking about. He was still under the spell of the vision. As soon as he handed the hair to the woman, she began to move. She took the hair and combined it to the other threads, she was moving the threads too swiftly for his eyes to follow, braiding them in odd patterns that he felt attracted to.
Time for you to go, said the donkey.
I’d like to stay a bit longer. What she’s doing is fascinating.
Oh! I’m sure, brayed the donkey, But you have seen enough of it already. And someone is waiting for you.
The dwarf felt lighter. And he struggled as he began levitating. What!? His body accelerated up through the earth, through the layers of bones and rocks, through the hard soil and the softer soil of years past. He saw the brown mole again and the familiar roots of the trees of the garden in the enchanted forest.
Gorrash took a deep breath as he reintegrated his stone body. He wobbled, trying to catch his ground. He felt like throwing up after such an accelerated trip. His knees touched the ground and he heard a noise of broken glass as he dropped the phial.
“Are you alright?” asked a man’s voice. Gorrash forced his head up as a second wave of nausea attempted to get out. A man in a dark orange coat was looking down at him with genuine worry on his face.
“I’m good,” said the dwarf. “But who are you?”
“My name is Fox. What’s yours?”
In reply to: Seven Twines and the Dragon Heartwoods
Gibbon was peeling a red apple at the end of their impromptu lunch. He handed a thin slice to Fox who took it and chewed it carefully. It was sweet and juicy, prompting him to want more.
They had returned to Fox’s hut outside the city wall. It had not the comfort that plumbing and central heating could bring, but its four walls were enough to protect them from the chilly air outside and give them a sense of proximity. Humans like to be in human sized boxes, thought Fox. They lived in boxes they called houses; they went to work in other boxes they called bank, or smithery, or medical centre —even their outdoor markets were full of virtual boxes called booth or stand; then they had fun in another kind of boxes they called Inn, or Night Club, or brothel (depending on the persona).
“You’re thinking again,” said Gibbon without raising his eyes from his apple. He handed another slice to Fox who was impressed and annoyed by how his master could read him so easily. Maybe it was luck or real power. Gibbon never told about how he did all that he did. He only said: “I’m not sure that would help you quiet your thoughts.” And that was the end of the subject.
Fox took the slice and came back to his conscientious mastication. It was the rule, he had learned, with Gibbon. You don’t talk when you eat. You don’t think when you eat. You just eat, and breath when you are not swallowing. Fox felt like he was back into the Southern forest where Gibbon had found him, the lone survivor of a litter of five. His mother had been killed, and already four of his siblings were dead. Gibbon, who was already old at that time, took him in and taught him the wisdom of breathing innate among his kind. Fox then did as he was taught, focus his attention on his actions, and particularly on his breathing at all time. It helped him focus and calm down his heart.
After they finished the apple and cleaned the place a bit, Gibbon took a deep breath. Fox knew it was the time he would Talk.
“You’ve been looking for a reason,” said the old master in a breath. Fox was all ears, he almost began to feel them becoming pointy again. He moved his attention back to his breathing and peace filled in his heart again. It was mingled with the excitement of listening to his old master’s voice again, but Fox sticked to the peace and the excitement subsided naturally.
“I’m going to give you an assignment,” continued Gibbon in between his long breaths. His eyes were shiny and seemed to glow in the dim light of the hut. He wasn’t blinking. He never blinked when he Talked. “I see you’ve mastered the power of breathing. You need to learn the wisdom of the Heart now.”
Fox was ready. He had been for many years. Even when Fox left the Southern forest to find his destiny he was ready. He now realised he left because Gibbon would not teach him. And now, he came to teach me! Fox let the thought and the excitement subside again. His master would not Talk again until it was quiet.
“IIIIIIII’m not going to teach you,” said the master. “You are going to find your own master for this one.”
“But you are my master,” said Fox, not understanding why it was happening again. “You have the power of the Heart. You can teach me.”
“IIIIII’m not your master on this one, Fox. I taught you all I was supposed to teach you. No less, no more.”
“Where will I find my master then?”
“You will find him in time. But first your assignment,” said Gibbon. He paused to breath deeply, his eyes intense as the full Moon. “You’ll find a lost soul in the enchanted forest. Bring it back to its rightful owner. Then you shall find your master.”
Fox had opened his mouth to ask him how he could find a lost piece of soul, or what a piece of soul looked like, but Gibbon had already closed his eyes and entered in a deep meditation from where there were no outside interruption possible. He stood up and stretched his body. There was no need to wait aimlessly around, hoping Gibbon would come out of his meditation state soon. It could last days, even weeks.
While packing a few things he would need on the road, like food, a knife, some clothes, Fox pondered his options. Going in the enchanted forest looking randomly for something he didn’t even know about seemed to much like his old self. He needed some more information and he had an idea about who could give them to him. The witch from the market. She would know. And she lived in the enchanted forest.
Before closing the hut’s door, Fox looked at his master one last time. His body was very still, if you didn’t know him, you’d think he was not breathing. He had a serene smile on his face. Fox smiled and felt the love of his master and his master’s way fill his heart. He had given him a purpose, and for that Fox was grateful. He shut the door quietly and began to walk toward the enchanted forest. He heard ducks in the distance, it was as if they were singing. He laughed. It was mid afternoon. If he walked at a good pace, he would arrive at the old mansion before nightfall.
In reply to: Seven Twines and the Dragon Heartwoods
After the Elders were gone back to the Capitol City of the Seven Hills, Rukshan was left pondering for awhile about his duties.
The visit had been pleasant enough, thanks to his deft organisation, and he had the skills to let just enough imponderables and improvising spots so that the whole thing didn’t look too artificially prepared.
The Sultan was pleased, and Rukshan was aware that some behind the curtains politics were are play, where he, somehow also was involved, although he couldn’t yet see how. It seemed his capacity for solving or clarifying complex matters was in high demand. One of the Elders of senior attainment had talked to him briefly, in a very amenable tone which was best suited when asking favours. “How odd” he’d thought, as the discussing dynamics would usually be the other way around.
“Rukshan, I wanted to talk to you about your future” — was how he introduced the conversation. After a few minutes, the intent was clear that there were other places where they had planned to send him.The next few days had him struggle to appease his own feelings. As usual in the cities, people where dealing in abstractions, and abstractions had the inconvenient side-effect of stirring the sea of the mind in all sorts of directions, none of which related to what was happening in the present moment.
His family was for that matter very dismissive of his way of life, living as he had for many years in the city. Fays used to live in the forests flanking the mountains, deep inside the sacred groves, where they were in accordance with old rites and the natural time, the breath of life in the trees. They argued that men cities were an insane world of abstractions, that made you forget were you came from, and what sustained you.
Ages ago, one of his ancestors, CJ Soliman had written after a visit of the first city (a mere hamlet at the time) “It is quite possible that the Forest is the real world, and that men live in a madhouse of abstractions. Life in the Forest has not yet withdrawn into the capsule of the head. It is still the whole body that lives. No wonder men feel dreamlike; the complete life of the Forest is something of which they merely dream. When you walk with naked feet, how can you ever forget the earth?”He wouldn’t have disagreed actually. He’d found the pull of nature was strong, soft but steady and immovable. But as far as his life was going, he’d come to realise that cities were in need of a fine balancing act, otherwise, leaving them unchecked would probably hasten the pace at which they ate away acres of forests in their developments. Already, the sacred woods were threatened, and with them, his family and ancestors’ way of life.
After that discussion with the Elder, he’d found the need to clear up and make space for the new. He’d spent a whole day throwing away stuff, amazed at how much even himself would gather of unnecessary things. In the new space, he’d let the birds songs enter through the window, despite the biting cold and the grey fog.
A resolve was birthed in his mind and made clear at the time, as clear as the morning chirping in the thick air.
He would soon go back to the mountains, in the Dragon Heartwood, visit his family and look for the old Hermit for counsel.In reply to: Coma Cameleon
“Aaron!” his focus snapped. Was he day dreaming?
As he came to the door, he looked at his suit in the mirror. It was keen, with straight lines and not a wave or wrinkle to be found. It was the epitome of structure and order.
He hated it.
He hated the way it felt. He hated the properness that came with it. He hated the lie.
In the next moment, he began to shake off the prissiness. It felt as if he could wriggle out of it, loosen up a little. And as he stood there, shaking his hands and feet, trying to get the funk off him, the suit shook off, too. It fell to the floor in pieces as though it were the very manifestation of inhibition.
As he stood there, in front of the mirror and half naked, a low murmur came up from his stomach. It was an uneasiness, a call to action, a desire to move…but he had no idea what for or why. It welled up in him and he became anxious without the slightest clue as to what he was going through. Frankly enough, it scared him.
“AARON!”
The voice was a part of him and there was nothing but himself staring at himself. Everything seemed to become more and more energized. It felt like he extended beyond the limit of his skin, like water in a balloon trying to push outward.
Were it not for his containment, there was a very real possibility that he might just completely leap out of his skin and bones. He felt that, given a small slip in concentration, he’d be liable to explode headlong into the atmosphere with the vigor of a superhero on poorly made bath salts.
His heart raced. He could feel it beating in his chest. He could feel it beating all over. What was happening? Where was he?
He looked back at his surroundings and found himself sitting behind a tattered cloth spread with sunglasses and watches…and his suitcase?
Topic: Coma Cameleon Background
NOTES FROM GROUP DISCUSSION:
[unnamed protagonist] finds themself in a coma, but they don’t realize it. It’s like they’re in a dream state, moving through worlds, gradually discovering their past and what’s happening. The person knows that they’re trying to find their way home, which in reality is them trying to wake up.
Once they remember their past and what happened leading up to the coma, they wake up…but remember nothing.
So, as I was trying to structure this, I initially wanted the first book to be their normal waking life and the second book being the coma and the third book being post coma and relearning stuff. But then I figured it would be best to combine the first and second books.
I wanted the reader to start out confused, just like they would be and gradually learn the back story as they went
The only thing is, that would mean that this thread has to remain written as coming from their perspective
we are all writing about ONE character essentially. obviously there are gonna be other characters, but the main thread is this one person
feel free to incorporate any and all previous characters and locations from your other threads. The protagonist will be moving through them. So he/she finds themselves in these other worlds.
They’re being swept up into an adventure right from the start without knowing a thing
let’s drop them into the middle of something exciting
It’s any time
It’s a big dream
In real life, the protagonist is in a coma right nowBut, also, you’ll have a lot of freedom to create those on the spot because neither you nor the reader nor the main character knows them until you write them
The characters in this story won’t have too much staying power because the main character is moving through so many worlds. Nearly everyone is incidental,
unless characters appear that are central to the main characters ongoing story, like a nurse for example or family
At max, there might be two or three reoccurring characters that tend to pop in more often than not as helpers
Oh, yeah, family from the back story would come in to play a lotIn reply to: The Chronicles of the Flying Fish Inn
I am 73 years old and some think I look pretty good for my age. Not the kids—the kids think I look as old as Methuselah. When I was young my hair was jet black. Now it is white and I wear it in a long braid down my back; it is easy to look after and I certainly don’t trust Dodi to cut it, though she has offered. I wash it once a week and put vinegar in the final rinse to get rid of the yellow tinge. My back is straight, no dowager’s hump like some my age, and I can still touch my toes at a push. I married my childhood sweetheart—the love of my life—in 1958 and he died of sickness, April 12th, 1978. My favourite dish is spaghetti and meatballs. When I was younger, when I lived in Perth, I was a milliner. I don’t make hats now; there is not the same demand out here. And of course there is Fred, my son, who scarpered God-knows-where a year ago.
It isn’t much to say about a life, but I suspect it is way more than you wanted to know.
This reminds me; Dodi went to a funeral in Sydney a few months ago. The funeral of a dear school friend who died in a motor vehicle accident. Not her fault, as I understand it. She was driving along, minding her own business, returning home from a quiet night playing trivial pursuits at the local community centre. A teenage driver lost control of her car. She was fine; I mean the other driver was fine, barely a scrape. Dodi’s friend was not so fortunate. At the funeral of her friend—I forget her name—the place was packed.
At the time, when Dodi recounted the events of the funeral, I started thinking about my own future demise. It may perhaps sound morbid, or vain, but I found myself wondering who might be there to see me off. Other than the family, who would be duty bound to attend, I couldn’t think of many who would care enough to pay their respects—perhaps a few locals there for the supper afterwards and a bit of a chinwag no doubt.
I am rambling; I have a tendency to do that. I can’t blame it on old age because I have always rambled. The point is, I don’t think I have done much with my life. And this saddens me.
However, I suspect this is of less interest to you than the ghost I mentioned earlier.
The idea of a ghost is not a new concept at the Flying Fish Inn. It has been around for as long as we have been here. But it was just a joke—it wasn’t a real ghost, if you see what I mean. Every strange noise or other untoward happening we would blame on “the ghost”. The dilapidated look of the place lent itself very well to having resident ghost, it was almost obligatory, and Fred even had a plan to market our imaginary ghost as a tourist attraction.
So what changed? Well, I saw him.
In reply to: Shamanic Journey Achronicles
Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same timeFlove
(no recollection)Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot thatTracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expressionIn reply to: Shamanic Journey Achronicles
Second Journey ~ August 24th, 2014
Duration 24 minutes
Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.
Accounts
Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.In reply to: Shamanic Journey Achronicles
Accounts of the Journey to the Lower Realm
Eric
I was at a steppe first, like I was meditating in the desert, then went through a forest entrance, and stayed under a tree. There were lots of sounds and animals life, flapping wings sounds, deers, ants, but the most vivid presence was that of snake, and I was a bit suspicious, but it came back very gently, inviting, and after I recognized it, it made me journey, travelling like a dragon or feathered multicolored snake to an ancient place.
The snake analogy with shedding old skin comes to mind, after accepting it, it makes a lot of sense.
I saw green and purple at times.
I felt a horse too but it was just a hooves’ sound.Flove
I went through the entrance to a cave. I asked my power animal to come. An ancient tortoise came up to me. I asked if this was my power animal but i felt such love for the tortoise that i felt that was my answer. We explored energetically what the tortoise wisdom i need is. I put my hand around the tortoise neck and we swam in the water.
I wanted to cry, I loved the tortoise energy so much. And the protection of the tortoise shell.
I saw a snake.
The horse was the first animal I felt, right as I went in the entrance. I stroked the horse as i went by.
I saw a unicorn too, [and ]was surprised by the unicorn.
I didn’t sense many creatures. just the horse, the snake and the unicorn.Jib
First I saw little white skulls, whistling like the shells of the guy in the video.
Then I become my shaman self and I have my magic cape. I find the entrance [to the lower realm,] which was kind of difficult at first as if there was some distracting energy.
I finally enter the lower realm and find my horse right away, he’s very excited and I ride with him for some time, just for the pleasure of being with an old friend.
Then I ask him to lead me to Abalone and show me whatever is interesting.
He leads me to see an old shaman, man or woman I don’t know.
The shaman makes me sit in his room and offers me tea, then tells me to relax and wait.
So I relax and I begin to project to Abalone as the Giant beanstalk, I begin to grow and grow and grow and have the city built on top of me. I am the whole island.
I have the impression that the beanstalk is in the center of Gazalbion or very close to it
Then I come back to the place and have the impression the Shaman wants to delay me, so I say thanks and ask my horse to show me the rest.
We go the the old Temple and I feel that there is something special there, once again he tells me to relax and just allow not look for things.
So I wait and feel that the time and space is weird that it flows around the stones in a particular way, like when you follow a certain path or corridor, you may go forward in time and another way lead you back in time. If you take a wrong turn you can end up in a loop.
Then the signal for the return begins, so I go back from where I come from and thank my horse.
It was cool and fun to be there again.
I projected at some point to check if everyone was ok, and felt like it was fine.
I saw a unicorn too.Tracy
That was interesting, about half way through a zebra started follwing me, well on my right. I saw all kinds of animals, but they were all doing their own thing or turned away, except for the zebra, until the change of tempo and then I was swept up in a flock of cranes I think (or herons or storks but I think cranes), but then the zebra was waiting at the top. I could feel his warm muzzle sort of on my right shoulder.
First was a field full of unicorns on the left but they were just grazing, then a bison head who turned away, then the group of deer I thought, but the zebra walked over to me grazing. Me and the zebra waited for goats to cross our path.
The feeling of being in amongst the cranes was amazing and the zebra fell back while that was happening, but then at the end he was waiting.
I was surprised by the unicorns cos I don’t even think about them usually.
There were lizards sucttlign around under the cranes.
A couple of times I strongly saw purple and green, and thought of Jib.<i> not really ask [the zebra if he was the power animal] in words, but his presence calmly walking beside me with the feeling of his muzzle on my shoulder was comforting.
When the cranes distracted me from him he fell back, but he was waiting at the top.
The cranes feeling was marvelous, really, they were all flapping gracefully all around me on the ascent. So cranes and zebra stand out the most.
[At some point] I started going down old stone steps, at first me and FP were kids holding hands, with jib and eric behind us, then I thought, wait, I’m supposed to be doing this alone.
The unicorns in the very beginning were in a castle courtyard type place but they ignored me.
Then a bison head who turned away these were in niches in the stone walls
I ended up in a stalactites type cave, but there were mostly old old stone steps with stone walls along the sides.
There was a crowd of people, well a small gathering, towards the bottom, but they were, er, faceless. Innocuous.
I am quite amazed at how great that was! and how many creatures actually popped up
and how the feeling was of the zebra and the cranes.
The zebra was stoic and steadfast and comforting, the cranes were exhilarating and uplifting.</i>In reply to: The Time-Dragglers’ Extravaganzas
“I’m rubbish at meditation!” Irina said, opening her eyes after her tenth session in a row.
But she stopped surprised. What was Greenie doing here, smiling at her, with her hands pressed against one another, and a sleeping parrot in her lap?
Something had happened, something different… Prayer or meditation seemed to be the only solution she could come up with. What was happening? She was again in a loop of sorts, but so close to a breakthrough…
She looked at Greenie’s eyes, and started to remember… The flight above the clouds, the city…
“Gwinie!” Irina’s eyes widened. “That’s your real name, isn’t it?”
Bits of informations were passing by, like a dream about to slip out of reach, but she relaxed, and like gently untangling a ball of cotton wool, considered the delicate bits of feelings of the dreamlike meditation, yes, the flying, the clouds, the… beanstalk? Something else, more dangerous, shrouded… What had happened to the little girl?In reply to: The Time-Dragglers’ Extravaganzas
“Well, there’s absolutely no sign of him now” said Lisa, trying to work out what had been happening. “Igor must have been here, because this unusual shell is here, which wasn’t here before. But Igor, it’s as if he vanished into thin air. Jack’s been outside the front and he didn’t see him, Boris has been round the back, and he didn’t see him ~ it seems that you three are the only ones that saw him!”
~~
Igor woke up in his bunk below decks, rubbing his cheek. The slaps to his face had seemed so real that it had woken him up, with the word “Ebanashka!” ringing in his ears. He sighed as he thought of the three girls, and how rudely they always treated him, as if he was a stupid good for nothing. He felt under his blanket for the magic conch shell. It wasn’t there!
In reply to: The Time-Dragglers’ Extravaganzas
Belen quickly found out there was something amiss in the usual navigational patterns from her tile guidance system.
Her initial plotted course to jump from Bay of Biscay 1757 to Hawai’i 2222 was almost whale calf’s play. Relying on the tiles beacons, it was easy for her to hone to an intermediate time, at the same location, from where it would be easier to navigate the ghost whaling boat. 2222 customs clearance was always a bother, as soon as human had started to time-travel, they had put unnecessary barriers around some key timezones such as this one.
Her favourite stopover was on the other side of Galicia on the Mediterranean coast del Sol 2020, but then…
Peetee Pois as Peter was affectionately called by Belen was the first to notice the sails of Барк Крузенштерн, the Krusenshtern swollen by the wind, seconds before they came crashing onto it, launching all the birds in a massive flock around the town that the tall ship had just left (coincidentally with Igor on board as one of the newest recruits of the Russian sail training ship).
Lisa was still arguing with Adeline in broken Spanglish when they noticed the flock of birds at the horizon.
— Something’s happening on the beach, Lisa snapped, quick let’s go have a look.In reply to: The Surge Team’s Coils
The celebrity surge as well as the past week of haphazardous strategy meeting in Shangpoon had left Cornella panting and pondering on the mysterious meaning of the motto of these meetings: “touch stone, pass the river”…
Now with Easter happening around the same time as the Chinese Tomb Sweeping day festival, an odd impish idea crossed her mind of switching the invitations she was to send for tomb-sweeping with those for Easter eggs hunting.In reply to: The Surge Team’s Coils
Humans were not the only one worried by all the surges or strange events happening on Earth, or under Earth. I’m not talking about Lemurians or Atlanteans having taken refuge in the center core of the planet or anywhere else. I’m talking about a people counting more individuals than humanity could ever add up.
Ant 23532353577321 of the colony under the hill didn’t have a name. But it had been chosen for a very important purpose by the Queen. At first it wondered why it was so that such a small ant among the countless other ants would be chosen. Its little brain even began to wonder about chance and probability, but in the end when the Queen summoned it, she told Ant 23532353577321 that something happened when she expelled the 23532353577321st egg. An impulse of the Queen that she herself didn’t quite understand. And the Queen was quite intelligent because she could use the countless minds of her ants to think and to analyze and to evaluate. But an impulse, she couldn’t understand because everything she ever did was calculated and carefully thought.
Anyway, that impulse led to a change in her hormonal system at the very moment that she designed the egg. It was not a worker egg, neither was it a soldier egg, nor a prince or a princess. The Queen herself didn’t quite know what it was but she was sure Ant 23532353577321 was special and doted of unknown qualities. During the few ant years that had gone by since that moment, the Queen’s gigantic mindnetwork came to the logical conclusion that it could be a consequence of the surges. BUT, the smal spark of Ant 23532353577321’s mind, introduced the unexpected in the equation and the reflection, and the Queen wondered if Ant 23532353577321 came here for a purpose. Logically, another question followed : what purpose ?
In reply to: Strings of Nines
It was a great relief for Arona to realise the hot pink bikini was just another figment of her slightly muddled brain. Shaking her head she desperately tried to work out what was happening, and who all these strangers were. Would there be enough tea cups to go around? she worried.
In reply to: The Eights’ Shift, Stories
Good thing for Pee and the others deep in the furcano; having no head to start with, they didn’t suffocate from the heinous Mother Blubbit attack.
Nothing of that sort could be said for the adventurer in the Fly Boat, as they sadly had to go back to the heliport, owing to the dreadful weather condition.
“WHAT IN THE NAME OF TARTINUN IS HAPPENING NOW!?” asked in a terribly raucous voice Pee, unable to see his way through the smoke. (Tartinun was the goddess of Peagemite, a holy yeastly paste made of fermented peas, consumed by shamans in order to bridge the gaps to the Great Unhead Aknown).
Unable to withstand the sheer amount of decibels of that raucous cry of despair, Mother Blubbit suddenly drop dead of a spleen failure.
In reply to: The Eights’ Shift, Stories
Almondus Blondor, the Keeper of the Old and notwithstanding Great portal of Nibabuz was on his way to Josephine Moodoo the Great Priestress of OzMoosis, and occasionnally witch-doctoress. It was for this last talent that Almondus had taken his day off. It was actually his first day off since the last century, but his arthretic was now becoming unbearable, and had on many times almost have him become nuts, a fate altogether far more enviable than the one of losing one’s head he would say (as he wasn’t truly a native Peaslander either).
So, this arthrectic was painful, terribly painful, the result of considerable arrhythmical calculus mixed with jointless restlessness. A few times he had to mend his limbs back together, and feared the witch would blame his indulgence on koomaroo, a variety of sweet potatoes he craved at the expense of following the ancestral Peaslander’s peas and marmite toasts usual diet. For that, he was often call Mr Koomaroo by the little neighbours, those nasty pests.
But as we said earlier (heed, heed, little Pooh), he was no native Peaslander either.So, during his day off, he had appointed his young apprentice, Bentworth Sadnick, a local and remarkably headless fellow, who wasn’t very wise for his seventy-year-young age ; as since the last decades, no one had tried to activate the Great and notwithstanding Rusty portal, he thought he could have that little day off without much trouble happening.
Josephine would surely repair him in a snap of her delicately podgy fingers (they reminded him of delicious sweet potatoes) and everything would be forever again perfect… at least for the next ten decades.
In reply to: Random RewrEights – The Del’Eights thread
a bluish little girl was unaware of what was happening but she was drawn to singing in the tall grass.
The advertisement said “Do You have the Ability to Feel a Scout?”
Annabel Ingman beamed, delighted. Four perfect guys and 57 more to love! I can’t wait to start!
It was quite thrilling and new.
“Focus on fun. Say whatever you want, and you’ll be Oliver Twist on Friday.”
Cool!
In reply to: Strings of Nines
Tuning into her other focus Becky, which was happening with an alarming increase in frequency, Yoland scribbled down a few lines of what might loosely be termed poetry.
Methinks it’s time to ponder not
Upon the box of black and white
Methinks the time has come again
To thinketh not and ponder not
Upon the need to clear explain.
Begone, oh wordy facts, begone!
And leave me free to talk some rot
And note and jot alot of snaps
Of this and that, beguiling snips
Of snaps and wisps, of tongues and lights;
Hums and sparks of nonsense blips
And plates of eggs and french fried chips.I’m running out of steam, said she
Report back now, Immediately
Toot! Toot!
“What I really love about this, Yoland” Grace said when she’d read her friend’s poem, “Is that it really is complete rubbish. I mean, it’s not cleverly pretending to be rubbish, it really IS rubbish. But I am feeling the energy, and I feel that you enjoyed posting utter rubbish, and that’s the feeling that counts.”
“Er….thanks, Grace…I think,” replied Yoland with a smirk.
“You rude tart” she added.
In reply to: Strings of Nines
Fell o’ the ship
Yann had the strangest impression of a big splash happening somewhere and of seagulls cries.
Maybe a mermaid or two could help this one
