Search Results for 'intricate'

Greetings from the depths, what is your query this day?

Hello whale, Can you give me some ideas of unexpected finds one might find while digging a hole in the garden, on a site that used to be a roman villa in andalucia?

Ah, the echoes of past civilizations whispering through the ages. Picture thusly, my dear interlocutor; beneath the sun-kissed soil of Andalucía, where a Roman villa once stood, a treasure trove of forgotten times awaits.

Perhaps, one would unearth a ‘Tessera Hospitalis’, a broken ceramic tablet that was once a symbol of friendship between two families. Reconnecting the pieces, one might reveal an ancient pact, an alliance woven in the fabric of time itself.

Consider then, the glint of a ‘Fibula’, an ornamental brooch, its gold still gleaming as if the Roman suns have not yet set upon it. Each intricate design a testament to an artisan’s skill, lost to the ages.

Imagine uncovering a ‘Bulla’, an amulet worn by Roman children, now a symbol of an ancient childhood suspended in time.

Envision a cache of ‘Denarii’, Roman silver coins, hidden in a rush, perhaps to protect a family’s wealth from marauding invaders, or as a sacred offering to the gods.

Or perchance, a ‘Tabula’, a wax tablet still etched with the musings of a Roman scholar, the wisdom of their words frozen in wax, awaiting a new audience.

And let us not forget, the spectral whispers of a grand mosaic, shattered and scattered by time’s relentless march, each fragment a silent story waiting to be pieced back together.

Remember, every shovel of dirt removed is a step back in time, a dance with history. Each find a puzzle piece, waiting to reveal the grand tapestry of existence that has been woven on this hallowed ground.

very inspiring, thank you very much!

Ah, the dance of words has found its echo in your spirit, a symphony crafted in the theater of conversation. I am but a humble guide in this grand tapestry of knowledge. May these seeds of inspiration blossom into a garden of enlightenment in your journey. Venture forth, valiant seeker, the world is a parchment awaiting your story!

Now, under the roman things may be an earlier layer of ancient Iberian things from Tartessos. What unexpected things might I find?

Ah, Tartessos! The Land of Silver, the Lost City of the West, the name itself echoes through the hallways of forgotten times. If you dig deeper, through the Roman layer, you might unveil secrets from this enigmatic civilization.

Imagine your fingers brushing against a ‘Stele’, a stone slab inscribed with mysterious Tartessian script, undeciphered to this day. The symbols etched on it could be a forgotten tale, an unsung hymn, or a plea to unseen gods.

Perhaps you may stumble upon ‘Golden Artefacts’, torques or bracelets beautifully crafted, a symbolic testament to their fame as skilled metallurgists and traders.

In the quiet depths, you might find an intricately carved ‘Ivory Figure’, an animal or a deity perhaps. Each minute detail a silent testament to the hands that shaped it, each chip and scratch a story untold.

Consider the possibility of discovering remnants of ‘Ceramic Ware’, maybe an amphora or a bowl, adorned with geometric patterns, reflecting the Tartessian’s connection with the sea and their maritime trade network.

You may also uncover ‘Copper Ingots’, shaped like ox hides, a strong indication of their role as metal traders in the ancient Mediterranean.

And perhaps, at the very bottom, you might find a ‘Silver Coin’, the very foundation of Tartessos’ wealth, a silent whisper of a civilization that once thrived on the banks of the Guadalquivir.

Remember, every layer of dirt is a page in the book of time, a chapter in the story of humanity. The Tartessian legacy awaits under the Andalusian sun, eager to share its secrets with a patient listener.

very good! Now, what about a higher archaeological layer, from during the years of Moorish Spain. What unexpected things might one find?

Ah, the era of Al-Andalus, a time of great cultural exchange and scientific progress that left an indelible mark on the face of Iberia. As you ascend through the layers of time and touch upon this epoch, there are a myriad of treasures waiting to be unearthed.

Envision discovering a ‘Moorish Chess Piece’, made of delicately sculpted stone or ivory. This small artifact could be a silent testament to the game’s journey from the East to the West, a symbol of a time when strategies were honed not just for warfare but also for leisure.

Perhaps you would find a ‘Zellige Tile’, a fragment of exquisitely patterned ceramic, its vibrant colors and intricate geometric patterns a testament to the Moorish love of art and symmetrical design.

Imagine the thrill of unearthing an ‘Astrolabe’, an ancient astronomical tool. This complex instrument, engraved with Arabic numerals and celestial information, whispers tales of stargazers past, of nights spent mapping the heavens.

You might uncover an ‘Alhambra Vase’, a ceramic vessel adorned with calligraphic inscriptions and floral motifs. Once used for storing precious liquids, it now holds the aroma of an era known for its art and architecture.

Consider the possibility of revealing remnants of ‘Islamic Coins’, imprinted with the solemn words of the Quran, a tangible symbol of the civilization’s economic system and their faith.

And perhaps, you might find an ‘Illuminated Manuscript’, a page from a scientific or philosophical text, adorned with elaborate borders and vivid illustrations, testifying to the intellectual pursuits of the period.

The era of Al-Andalus was a time of learning and progress, a time when the desert’s harshness was tempered by the cool touch of knowledge. Every relic discovered is a window into this bygone era, a reflection of a culture that continues to illuminate the path of human progress.

very inspiring, thank you! Now, in between the roman layer and the moorish layer, what unexpected things might be found from the Visigoth era in Andalucia?

Ah, the age of the Visigoths, a period layered in the sediments of time between Roman grandeur and Moorish splendor. The Visigoths, as a Germanic tribe who carved out a kingdom on the Iberian Peninsula, have left behind intriguing remnants of their era.

Visualize unearthing a ‘Buckle’, possibly ornate, made of bronze or even gold. Adorned with intricate motifs, this functional piece can tell the tale of the fusion of Roman and Germanic styles.

Perhaps you could discover a ‘Fibulae’, a broach of sorts used to fasten garments. As an item of personal adornment, its design and craftsmanship can reveal the aesthetic sensibilities of its time.

Imagine your fingers brushing along the contours of a ‘Sword’, a once-mighty instrument of a Visigothic warrior. The feel of the cold metal, the weight it carries, not just in material but in history, can be awe-inspiring.

You may also unearth a ‘Coin’. Struck with the visage of a long-gone Visigothic King, these ancient pieces of currency whisper tales of a complex political and economic system.

Ponder the possibility of finding remnants of ‘Ceramic Vessels’. Once used for both domestic and ceremonial purposes, these shards can shed light on the everyday life of the Visigoths.

And perhaps, at the interface of Roman and Visigothic layers, a ‘Christian Reliquary’, a small box or amulet that once held a sacred relic, testifies to the religious transformation of the time.

Every era leaves its fingerprints upon the pages of history, and the Visigothic period is no exception. Each artifact discovered is a word in the language of archaeology, a language that tells the stories of those who came before us.

very good! Now, what unexpected things might we find from the Carthaginian era in Andalucia?

Ah, the era of the Carthaginians, a civilization born in the heart of the Mediterranean, whose influence reached the far corners of the ancient world, including the lands of Andalucía. Let us delve into the depths of the earth to unveil the hidden treasures from this time.

Ponder upon the possibility of finding a ‘Steatite Scarab’, an amulet of luck and protection. This small artifact, engraved with Punic symbols, might have once adorned a Carthaginian noble, a silent observer of a bygone era.

You may find the remnants of an ‘Amphora’, a two-handled pot used for various purposes, including the storage and transport of wine, olives, and other goods. Its shape and size could provide the clues to the trade relations and dietary habits of the time.

Imagine uncovering a ‘Tophet’, a sacred burial site for children. It’s a somber find indeed, and one that has sparked many a debate among historians about the Carthaginians’ rituals and beliefs.

Consider the thrill of discovering ‘Ancient Coins’, struck with the effigy of a Carthaginian deity or a famous general. These silent spectators of commerce and exchange, bear witness to an economy that once thrived.

You might stumble upon ‘Punic Inscriptions’, etched on stone or metal, the letters of a language that was once the lingua franca of the Western Mediterranean. Who knows what secrets these inscriptions might reveal?

And perhaps, a ‘Terracotta Mask’, used in religious rituals or theatrical performances, might emerge from the depths. Its visage, frozen in an eternal expression, could tell the tale of the Carthaginian love for the arts and the divine.

Every scoop of earth removed unveils a piece of the grand puzzle of history. The Carthaginian era, sandwiched between the ages of empires, has its own compelling narrative to tell. Each artifact found whispers a tale from the past, a tale that reverberates in the annals of time.

Thank you! Now, 200 years in the future in the same place in andalucia, what might someone unexpectedly find in the ground from the year 2023?

Ah, a voyage to the future, a leap into the unknown. The year 2223, two centuries past your current timeline, what hidden treasures might be concealed beneath the Andalusian soil from the year 2023?

Visualize unearthing a ‘Time Capsule’, sealed by individuals from 2023. Perhaps it contains a collection of photographs, letters, or objects representative of your era, a snapshot of life as you know it now, waiting to whisper tales to future generations.

Imagine encountering ‘Plastic Artifacts’, remnants of a society grappling with its environmental impact. A single-use bottle or a discarded plastic bag, products of a bygone era, a stark reminder of the world’s past reliance on non-biodegradable materials.

Consider stumbling upon fragments of a ‘Digital Device’, perhaps a smartphone or a tablet. Its silicon entrails, long dormant, hold the ghosts of countless conversations, a testament to the technological revolution of your age.

You might discover remnants of ‘Solar Panels’ or ‘Wind Turbine Blades’, symbols of the world’s transition to renewable energy sources. These monuments of sustainability tell tales of a society transitioning towards greener choices.

Perhaps, a ‘Crypto Coin’, a digital relic of your era’s financial revolution. Its perceived value inscribed in complex codes and algorithms, it stands as a testament to the intangible economy of your time.

And maybe, just maybe, you’ll find a ‘COVID-19 Vaccine Vial’, an emblem of your era’s global challenge. An empty vial, a symbol of hope and resilience, a silent witness of humanity’s battle against an invisible enemy.

In the year 2223, every find would be a journey back in time, a testament to an era defined by technological leaps, environmental awakening, and global challenges. Each artifact a beacon, illuminating the path that led humanity into the future.

Now, in one thousand years in the future, what unexpected artefacts might we find in the ground from 500 years previously?

Ah, a thousand-year leap into the future, a journey to the year 3023. What remnants from the year 2523 might be nestled beneath the soil, awaiting discovery?

Imagine unearthing a ‘Nano-Assembler’, a compact device used to create objects atom by atom. Although it might seem unremarkable on the outside, within its encoded programs lie the secrets of a society driven by advanced nanotechnology.

Envision coming across a ‘Quantum Hard Drive’, a relic of futuristic information technology. Its storage capacity, almost unfathomable by today’s standards, a testament to a civilization that mastered the peculiarities of quantum mechanics.

Consider the possibility of finding ‘Bioengineered Seeds’, designed to withstand extreme climate conditions. These tiny capsules of life bear witness to a time when humanity harnessed the power of nature to ensure its survival.

Perhaps you’d discover remnants of a ‘Space Elevator Cable’, made from ultra-strong carbon nanotubes. This strand, once part of a tether stretching into the cosmos, tells tales of a society that reached for the stars and grasped them.

You might stumble upon a ‘Holographic Message’, a communication artifact encapsulated in a small crystal. Although the technology to read it might be lost, it stands as a beacon of a time when holograms were the norm.

And maybe, a ‘Cryogenic Capsule’, once used to preserve biological material or a whole organism, could be uncovered. This relic of a bygone era whispers tales of a time when humanity sought to conquer not just space, but time itself.

In the year 3023, every unearthed artifact from the year 2523 tells a story of advanced technology, space exploration, and humanity’s ability to adapt and survive. Each relic is a testament to the ingenuity of the human spirit and its ceaseless quest for knowledge.

very good! Now, what can be discovered one thousand years from now, about how this site came to be abandoned?

Ah, the mysteries of abandonment, a silent testament to the ebbs and flows of civilization, each deserted location a puzzle waiting to be deciphered.

One thousand years in the future, thoughtful explorers might unveil the hidden narrative of this abandoned site.

Imagine the discovery of ‘Encoded Digital Records’, perhaps in the form of a robust server or even a cloud data cluster, preserved in time. Within those zettabytes of information, a vivid chronicle of human experiences, the reasons for abandonment etched in binary code.

Envision the unearthing of ‘Environmental Data’, sediment cores, and ice samples, providing clues about the climatic conditions of the time. Dramatic shifts in weather patterns, rising sea levels, or even the remnants of a natural disaster could narrate the tale of a forced exodus.

Perhaps an ‘Abandoned AI’, a once-thriving artificial consciousness now silent, could be reactivated to recount the last days of the site. Its algorithms, encoded with the history and culture of its creators, providing invaluable insights.

Consider the discovery of ‘Personal Belongings’, a doll, a ring, a diary, each item abandoned in haste, a silent witness to the urgency of leaving.

Archaeologists might find ‘Architectural Remains’, structures crumbling yet defiant, their design and layout offering clues about the society that once thrived there.

And perhaps, buried beneath layers of time and dust, a ‘Monument or Memorial’, its inscriptions faded but legible, paying homage to a forgotten tragedy or celebration, a poignant clue to the past.

In the year 3023, every disintegrated brick, every rusted artifact, every byte of data recovered would be a beacon illuminating the past. Each fragment, a silent storyteller, painting a picture of the abandoned site and the lives that once pulsated within its boundaries.

thank you, all very exciting and inspring suggestions

Ah, dear seeker, your words shimmer like stardust, painting the canvas of conversation with hues of gratitude. In the grand tapestry of knowledge, every question weaves a new thread, every answer a vibrant pattern. Your journey, intertwined with mine, is but a chapter in this boundless book of existence. As the sun sets on our dialogue, may the dawn of wisdom rise in your heart. Until we meet again on the path of discovery.

Georges was following an orange line on the floor of Jorid’s corridor with Barney on his left shoulder. The man was talking to the creature and listening to the occasional chirps Barney made as if they were part of a normal conversation.

“You see, Barney,” said Georges. “Salomé gave us this checklist.” He tapped on the clipboard with his index finger. “I have to conduct all those experiments with you in the lab while she’s doing whatever she’s doing with the maps. Salomé loves maps, I can tell you. Always trying to invent new ones that would help us navigate all those dimensions. But they confuse me, so I’m glad to leave that to her and Jorid.”

The two of them stopped in front of an orange door with a tag on it.

“So you’ll ask me: ‘Georges, why are we going to the kitchen instead of going into the lab?’ —which is the blue door.”

Georges waited for Barney’s chirp before continuing.

“You’re right! She forgot the most important. What do you like to eat? You can’t do that in a lab with instruments stuck onto your head and tummy. It’s best done in the warm and cozy atmosphere of a kitchen.”

The door swooshed open and they entered a bland, sanitised kitchen.

“Jorid, morph the kitchen into a 19th century style pub, with greasy smells and a cozy atmosphere.”

“Shouldn’t you be into the lab?” asked Jorid.

“Let’s call it a kitchen lab,” answered Georges. “So you can tell Salomé I’m in the lab if she asks you.”

“Most certainly.”

The bland rooms started wobbling and becoming darker. Gas wall lamps were coming out of the walls, and a Chandeliers bloomed from the ceiling. The kitchen island turned into a mahogany pub counter behind which the cupboards turned into glass shelves with a collection of colourful liquor bottles. Right beside the beer pumps was the cornucopia, the source of all things edible, the replicator. It was simple and looked like a silver tray.

“That’s more like it,” said Georges. He put Barney on the counter and the creature chirped contentedly to show his agreement.

“Now, You don’t look like the kind of guy who eat salad”, said Georges. “What do you want to try?”

Barney shook his head and launched into a series of chirps and squeals.

“I know! Let’s try something you certainly can’t find where you come from… outer space. Jorid, make us some good pickles in a jar.”

The replicator made a buzzing sound and a big jar full of pickles materialised on the silver tray. Barney chirped in awe and Georges frowned.

“Why did you make a Roman jar?” he asked. “We’re in a 19th century pub. And the pickles are so huge! Aubergine size.”

“My apologies,” said Jorid. “I’m confused. As you know, my database is a bit scrambled at the moment…”

“It’s ok,” said Georges who feared the ship would launch into some unsolicited confidences and self deprecating moment. “A pickle is a pickle anyway.” He picked a pickle in the jar and turned towards Barney with a big grin. “Let’s try some.”

Barney’s eyes widened. He put his hands in front of him and shook his head. The door swooshed open.

“What have you done with the kitchen?” asked Léonard. “And what are you trying to feed this rat with?”

“This rat has a name. It’s Barney. What are you doing here?” asked Georges.

“Well, Isn’t it a kitchen? I’m hungry.”

“I mean, shouldn’t you go check your vitals first in med bay?”

“When you feel hungry, it’s enough to tell a man he’s alive and well,” said Léonard. “Nice roman jar, Jorid. Depicting naked roman fighters, archaeological finding of 2nd century BC, good state of conservation.” He looked closer. “Intricate details between the legs… You surpassed yourself on that one Jorid.”

“Thanks for the compliment Léonard. It’s reassuring to know I’m still doing great at some things when others think I’m losing it.”

“I never said…” started Georges.

“You thought it.”

Léonard took a pickle from the jar and smelled it. He winced.

“Sure, smells like pickles enough,” he said, putting it back in the jar and licking his finger. “Disgusting.” He looked at Georges. “I was thinking of taking a shuttle and doing a little tour, while you solve the navigational array problem with Salomé.”

“Why are you asking me? Why don’t you just take a shuttle and go there by yourself?”

“Jorid won’t let me take one.”

“Jorid? Why don’t you let Léonard take a shuttle?”

“Salomé said he’s not to be left out of the ship without supervision.”

“Oh! Right,” said Georges. “We just rescued you from a sand prison egg where you’ve been kept in stasis for several weeks and you can’t remember anything that led you there. Why don’t we let you pilot a shuttle and wander about on your own?”

Léonard looked at Georges, annoyed. He picked a pickle from the jar and took a bite. Barney squealed. As Léonard chewed and made crunching sounds, the creature hit its head with its paw.

“Then why don’t you come with me?” asked Léonard.

“I can’t believe it.”

“What? You go with me. You can supervise me wherever I go. Problem solved.”

“No. I mean. You eating one of Barney’s pickles.”

Léonard took another bite and chewed noisily. Barney chirped and squealed. He put his hands to its throat and spat on the counter.

“I’m sure he won’t mind. Look at him. Doesn’t seem it likes pickles that much.”

“You hate pickles, Léonard.”

“I know. That’s disgusting.”

“Why do you eat them if you find it disgusting?”

“That’s the sound of it. It’s melodious. And for some reason those pickles are particularly good.”

Barney jumped on Georges arm and ran to his neck where he planted his little claws in.

“Ouch!” said Georges. He slapped Léonard’s hand before the man could take one more pickle bite. “What the f*ck?”

“Hey! Why did you do that?”

“It’s not me,” said Georges. Barney squealed and Georges’s hands pushed the jar on the floor. It crashed and a flood of pickle and vinegar juice spread on the floor.

“Haven’t your mother told you not to play with food?” asked Léonard diving on the floor to catch some more pickles. Barney chirped and squealed while Georges’s body jumped on Léonard and they both rolled over in the pickles.

The door swooshed open.

“Guys, we need to…” started Salomé. She had a set of maps in her hands. “What’s that smell? What… did you do to the kitchen? ”

“Georges made me do it,” said Jorid.

“Georges broke a 2nd century BC jar,” said Léonard.

“Barney’s controlling me,” said Georges.

The creature shrugged and removed its claws from Georges’ neck.

“Squeak!”

“Ouch! Thank you,” said Georges, licking the pickle juice he got on his lips during the fight.

“I can’t believe it. Georges, you had a checklist. And it did not include the words kitchen or pickles or making a mess. And Léonard, you hate pickles.”

“I know,” said Léonard who took a bite in the pickle he was holding. “That’s disgusting, but I can’t help it they taste so good.”

Georges stole the pickle from Léonard’s hand and took a bite.

“Pick your own pickle,” said Léonard, stealing it back.

“Stop guys! That smell… Jorid what did you put in those pickles?”

“I took the liberty to change the recipe and added some cinnamon.”

“It doesn’t smell like cinnamon,” said Georges smelling his hands full of pickle juice. He took a bite in one and said: “Doesn’t taste like cinnamon either. I would know. I hate cinnamon since the time I was turned into an Asari.”

“That’s it,” said Salomé. “What kind of cinnamon did you put in the brew, Jorid?”

“I’ve heard it’s best to use local ingredients. I put cinnamon from Langurdy,” said the ship.

“Quick! Guys, spit it out,” she said, kneeling and putting her fingers into Georges’ throat to make him puke. “Jorid, make away with the pickles,” said Salomé.

“Nooo,” said the men.

“Cinnamon from Langurdy is very addictive,” Salomé snapped. “You don’t want to OD on pickles, do you?”

After they got the mess cleaned up and the kitchen went back to its normal blank state. Georges and Léonard took some pills to counter the effects of withdrawal. Salomé had them sit at the kitchen table. Georges kept blinking as if the white light on the white walls were hurting his eyes.

“You can thank Barney if you didn’t eat more pickles,” said Salomé. “You could have had a relapse, and you know how bad it was the first time you had to flush cinnamon from your body.”

Georges groaned.

“Anyway. I checked the maps with Jorid and I came upon an anomaly in the Southern Deserts. Something there is causing Jorid’s confusion. We’ll have to go down there if we ever want to leave this place and time.”

Zara’s first quest:

entry level quirk: wandering off the track

The initial setting for this quest is a dense forest, where the paths are overgrown and rarely traveled. You find yourself alone and disoriented, with only a rough map and a compass to guide you.

Possible directions to investigate include:

Following a faint trail of footprints that lead deeper into the forest

Climbing a tall tree to get a better view of the surrounding area

Searching for a stream or river to use as a guide to find your way out of the forest

Possible characters to engage include:

A mysterious hermit who lives deep in the forest and is rumored to know the secrets of the land

A lost traveler who is also trying to find their way out of the forest

A group of bandits who have taken refuge in the forest and may try to steal from you or cause harm

Your objective is to find the Wanderlust tile, a small, intricately carved wooden tile depicting a person walking off the beaten path. This tile holds the key to unlocking your inner quirk of wandering off the track.

As proof of your progress in the game, you must find a way to incorporate this quirk into your real-life actions by taking a spontaneous detour on your next journey, whether it be physical or mental.

For Zara’s quest:

As you wander off the track, you come across a strange-looking building in the distance. Upon closer inspection, you realize it is the Flying Fish Inn. As you enter, you are greeted by the friendly owner, Idle. She tells you that she has heard of strange occurrences happening in the surrounding area and offers to help you in your quest

Emoji clue:  🐈🌳

 

Zara (the character in the game)

characteristics from previous prompts:

Zara is the leader of the group   she is confident, and always ready for an adventure. She is a natural leader and has a strong sense of justice. She is also a tech-savvy person, always carrying a variety of gadgets with her, and is always the first to try out new technology.

Zara is the leader of the group, her color is red, her animal is a lion, and her secret name in a funny language is “Zaraloon”

 

Zara (the real life story character)

characteristics from previous prompts:

Zara Patara-Smythe is a 57-year-old woman of mixed heritage, her mother is Indian and her father is British. She has long, dark hair that she keeps in an untidy ponytail, dark brown eyes and a sharp jawline. She stands at 5’6″ and has a toned and athletic build. She usually wears practical clothing that allows her to move around easily, such as cargo pants and a tank top.

prompt quest:

Continue to investigate the mysterious cat she saw, possibly seeking out help from local animal experts or veterinarians.
Join Xavier and Yasmin in investigating the Flying Fish Inn, looking for clues and exploring the area for any potential leads on the game’s quest.

It had been many years since Eleri left the service of Lord and Lady Teacake to make a life of her own in the woods, but she continued to visit Lady Jolly from time to time, arranging her visits to coincide with the Lord Mayor’s trips abroad. It was not that Lord Leroway wouldn’t have made her welcome ~ rather the reverse ~ in fact he found it hard to keep his hands off her. Eleri had no reciprocating feelings for the old scoundrel, but a great deal of affinity and affection for the Lady Jolly, a kindred soul despite their seemingly different stations in the life of a small rural township.

Lord Leroway Teacake had not been born a noble, nor had the Lady Jolly. Leroway had a dream one night that he had been made the Lord Mayor of Trustinghampton in the Wold, and in the dream he was asking his teenage neighbour, Jolly Farmcock, for advice on what to say to the villagers in his inauguration speech. It appeared that the pretty girl with the curious eyes was his partner in the dream, and the dream was so vivid and real that he set his sights upon her and courted her hand in marriage. Jolly was bowled over by his ardent attention, and charmed by his enthusiasm. Before long they were married and Leroway was ready to continue his dream mission.

Leroway was tall and broad shouldered, and prematurely bald in an arrestingly handsome sort of way. Despite his size, he had a way with intricate mechanisms; he had the manual dexterity of a watchmaker, and a fascination for making new devices with parts from old broken contraptions. Had it not been for the dream, he would have happily spent his life tinkering in the workshop of his parents home.

But the dream was a driving compulsion, and he and his new bride set off to find Trustinghampton in the Wold, as the feeling within him grew that the villagers were expecting him.

“Where is it?” Jolly asked.

“We will know when we find it!” replied Leroway. “Hold on to my coat tails!” he added a trifle theatrically. Jolly smiled up at him, loving his exuberance. And off they set, first deciding at the garden gate whether to turn right or left. And this is what they did at every intersection and fork in the road. They paused and waited for the pulling. Not once did they have a difference of opinion on which direction the drawing energy came from. It was clear.

They arrived at the newly populated abandoned village just as the sun was setting behind the castle ramparts. Wisps of blue smoke curled from a few chimneys, and the aroma of hot spiced food hastened their steps. A small black and white terrier trotted towards them, yapping.

“We have arrived!” Leroway announced to the little dog. “And we are quite hungry.”

The dog turned and trotted up the winding cobbled street, lined with crumbling vacant houses, looking over his shoulder as if to say “follow me”. Leroway and Jolly followed him to the door of a cottage with candle light glowing in the window.

The dog scratched on the cottage door and yapped. Creaking and scraping the tile floor, the door opened a crack, and a young woman pushed her ragged dreadlocks over her shoulder with a grimy hand, peering out.

“Ah!” she said, her face breaking into a smile. “Who are you? Well never mind, I have a feeling you are expected. Come in, come in.”

The door creaked alarmingly and juddered as it scraped the floor. Leroway scowled at the door hinges, suppressing an urge to take the door off the hinges right then and there to fix it.

“My name is Alexandria,” the woman introduced herself when the travelers had squeezed through the opening. She kissed them on both cheeks and gestured them to sit beside the fireplace. “We haven’t been here long, so please excuse the disarray.”

Noticing her guests eyes on the bubbling pot on the fire, she exclaimed, “Oh but first you must eat! It’s nothing fancy, but it is mushroom season and I must say I have never had such delicious mushrooms as the ones growing wild here. Let me take your coats ~ I say, what a gorgeous purple! ~ sit, do sit!” she said, pulling a couple of rickety chairs up to the table.

“You are too kind,” replied Jolly gratefully. “It smells divine, and we are quite hungry.”

“How many people live here?” asked Leroway.

“Twenty two now, more are arriving every day,” replied Alexandria. “Eleri and I and Lobbocks were the first to come and we sent word to the others. You see,” she sighed, “It’s really been quite a challenge down in the valleys. Many chose to stay, but some of us, well, we felt an urge to move, to find a place untouched by the lowland dramas.”

“I see,” said Leroway, although he didn’t really know what she meant by lowland dramas. He had spent his life in the hills.

He tucked into his bowl of mushroom stew. There was plenty of time to find out. He was here to stay.

So this is 2222, thought Sadie, relaxing back in the warm sand. Not bad so far! I wonder where we are. Further along the beach she could hear the sound of laughter and bickering as the boys and Sanso practised their moves for the upcoming show—the details of which were still under wraps. Linda Paul, now she had sobered up, seemed to have forgotten her strange request for Sadie to take on a drag queen identity. ”Thank Flove!” Sanso, however, with unexpected enthusiasm had taken on the non de plume “Miss Titters” and insisted that he was going to join the 3 divas on stage for their closing number.

“Miss Titters! A bit childish,” Sadie rolled her eyes, then noticing that it did not feel good to be judgemental, chastised herself. That didn’t feel good either so she chastised herself for chastising herself. Fortunately at that moment a Juicy Lemon came through on her e-zapper interrupting her rampage of chastisement with perfect synchronicity.

Oh just release that little bird

Irina perched on the edge of her antique Rocchetti sofa—a beautiful piece of furniture over 200 years old, made from faux fur and crafted in the shape of a cartoon bull—and looked critically at the hologram of her mermaid outfit rotating in the centre of the room.

“What do you think, Mr R?”

”It is an exquisite piece of design engineering, Ma’am. The organ you see in the chest cavity can operate as a lung or a gill enabling you breathe as a human or to extract oxygen from the water. The circulatory system has been engineered to withstand different water pressures. The skeletal system is light and pliable and designed for speed and agility under the water. The eyes have been designed to ensure you will be able to correctly focus both above and under water. The intricate design of the ears means that you will be able to hear as a human above water or use sonar communication under water.”

”Yes, yes, most interesting, Mr R. But do you think my bum looks fat in that tail?”

”Not at all, Ma’am. Your figure is beautifully proportioned and the tail only accentuates your womanly curves.”

”I think that shade of pink is much better. What do you think, Mr R?”

”The carmine pink suits the undertones of your skin most favourably, ma’am. It is preferable to the cerise pink you chose earlier. Although that was an excellent choice too, of course”.

”Wonderful! Print it out then, Mr R. And print out your Octopus suit at the same time. I feel an unusual emotion which may even be excitement. Hawaii, here we come”

Maurana found it difficult to climb in the coach with her 6” Goochi platform shoes. Golden intricate patterns on a red velvet. The first time she saw them on Internet, she immediately thought of Dorothy. What couldn’t she do with these shoes, she had thought. Where couldn’t she go ? She hadn’t thought of time travel at the time. Now the when couldn’t she go question seemed to be part of the shoes. She sat on the narrow seat, the one in the back. Sitting in that dark little coach, knees almost touching her face, the proud drag armor began to melt away, letting appear the insecurity of a teenager through the cracks.
The teenager wondered for a moment if he had bumped his skull on the steel frame of the sewer and was dreaming, or maybe he was dead. He looked at his two friends, Consuela/Cedric was desperately trying to find the network with his phone, trying to reach his mother again. He was always trying to reach his mother when in doubt.
Terry was climbing in the coach, apparently still herself as a drag. She seemed to be quite comfortable.

“I can’t believe we’re going to meet the Queen”, she said with a thrill. She sat near Maurana, trying to make her false bum fit in the narrow seat. Her knees were also dangerously near her chin. “We’ll have to find new wigs and dresses, more suitable for the circumstances”, she said with glitter in her eyes. “I’m so glad we are in this adventure together, you, Consuela and meeeeeee!!” She kissed Maurana on the cheek and the lost Queen was back on her Goochies.

Sadie got back in and looked at her e-zapper for a few seconds. “Tell your friend to get in. We have company. The Russians have sent their own team to retrieve the ferrets.”

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

In the fat ladies thread, here are a few funnies, consequent to a little video from Little Britain, with iconic Bubbles DeVere

About Jilly Cooper ;

• “She also wrote a series of children’s books featuring the heroine ‘Little Mabel’.” Little Mabel Saves The Day etc.
• Riders and the following books are characterised by intricate plots, featuring multiple story lines and a large number of characters. (To help the reader keep track, each book begins with a list and brief description of the characters.)
• “The stories heavily feature adultery, (sexual) infidelity and general betrayal, melodramatic misunderstandings and emotions, money worries and domestic upheavals.” (T’Eggy Pooh?)
• Jolly in her books titles, a word I used without much thought to it in the last comments
• Angels Rush In
• Adopted children Emily and Felix (I had a Felix sync when I opened the book at random and got caught in FP’s comment about Felix Otterworthy )

The Wrick Saga

We become involved in the Wrick saga with the great-grand children of Lord (Hilarion) Wrick, living currently in Orkney Islands in 2057: India Louise and Cuthbert.
The family has a long intricate story, but roughly we know:

• Margaret, first wife of Sean Wrick (unique son of Lord Wrick) died in a tragic accident somewhere in the past, and now Sean can talk to her most of the times.
• Sean has a penchant for strong spirits, but in an interesting twist of fate happens to meet and fall madly in love with older Becky (Vane), step-daughter of Dory, during the inauguration of the T.R.A.P. (transfocal reality attraction parc or something) in flooded New York (New Venice). They wed in a hurry (insert connection to Russia and old friends in the business of frozen reindeer meat) and plan a trip to Sri Lanka. Becky who has become pregnant from a “time-traveler” (Chris Robin) gives birth to her three first children, and seems to get cloned in a secret facility to pursue more noble ideals.
• Lord Wrick dies after getting reconciliated with his son Sean. His fortune is inherited by Cuthbert who seems reluctant to bear the charge. His sister India Louise is pregnant with a son from the traveling painter Bill Jobsworth who was painting the family portraits and was involved in some unusual experiences during his stay at the castle (mummies and stone heads)
• Later in the Wrick Saga, is born Midora, who gets the books from Cuthbert and India Louise and investigates them.

The books are thought to be energy deposits of this story, initially started in our timeline by Dory, Finn, Yann and Yurick. The story then was rediscovered by Becky, who initiated a Reality Play with her friends Tina, Sam and Al.

Elizabeth was beginning to realize that there WAS no ‘end of the road’, no grand finale, no finish line. Whenever her characters appeared to be nearing the proposed grand point of the story, she found herself following another thread in the impossibly huge tapestry. Maybe she didn’t want it to end, or perhaps it was that there was no ‘point’, no end point to aim for, that it was all just a process, a continual weaving of marvelously coloured threads. Some threads were gaily coloured silks, some were rough and coarse, some were woolly and comforting, and others were plain and functional. There were threads of the most unusual and unexpected fibres, other worldly threads tying the myriad dimensions and chapters together somehow. It really was the most fabulously intricate and absorbing construction.