Search Results for 'king'

Forums Search Search Results for 'king'

Viewing 20 results - 2,321 through 2,340 (of 2,399 total)
  • Author
    Search Results
  • #1308

    In reply to: Yuki’s Livrary

    ÉricÉric
    Keymaster

      September 24 th

      Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

      Relevant extracts:

      At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
      […] HE KNEW HIS WAY INSIDE !
      When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
      focus opening/doors ; time/space…
      The central cavernous part is some kind of key center, where anyone can meet…

      This has inspired Quintin to write some notes too.
      He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

      September 26 th

      The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

      Here would be what we will say to him, if he wants to listen:

      « Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
      Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
      These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
      And you begin to really experience it, and really pay attention.

      « As was expressed many times, “essence” is no thing. It is an action.
      The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
      In that, your purpose, you see, is only to experience, nothing more, nothing less.
      And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
      Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
      Just as your dreams at night overlap and blend into each other.
      Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

      « That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

      « Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
      In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

      « Let us explain this in other terms.
      When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
      In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
      You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
      Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

      « We will let you ponder this, and we will continue our own story, writing about you… »

      September 28 th

      This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
      Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

      Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
      It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
      And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
      It is almost limitless in your understanding.
      As is your magic.

      This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
      The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
      The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

      As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
      In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

      With that said, let us see how much more will appear from that sandbox…

      September 30 th

      The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

      The Secret Life of Margaret Wrick , a newspaper cut from 2033.

      October 7 th

      The dragon Naasir’s dream
      A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

      And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry

      #79
      ÉricÉric
      Keymaster

        These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

        Note: for the reader not familiar with all the names here is a quick reminder:

        • Araili > Yann, Írtak, Sam, Jacob …
        • Armelle > Fiona, Arona, Tina, Qixi …
        • Rafaela > Dory, Illi, Becky, Rodney …
        • Yuki > Quintin, Al, Janice …

        September 12 th, 2007

        Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
        Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

        Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

        I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

        September 13 th

        Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
        This first comment seems very promising.

        Right now, it feels easy and fun.

        Quintin seems to think that everything is very straightforward.
        The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
        The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

        But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
        That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
        But the thing is, that he missed the point in thinking one World is more “real” than the other.
        We’ll be having some fun soon…

        First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
        We will appeal to his imagination.
        It seems he has heard the suggestion.

        September 14 th

        For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

        But as I expected, some challenges seem to appear already.
        Is it raining or not in that world?
        The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

        He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
        At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
        How will it unfold?
        Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

        September 15 th

        Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

        Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

        Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

        September 16 th

        Halcyons days…
        My dear friend Archie is answering some of Quintin and Yann’s questions.
        Something starts to dawn on Quintin. But his mind is on other matters.

        He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

        September 18 th

        Quintin has been drawing some of the characters of the story. It’s interesting.
        He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

        Characters drawn:

        • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
        • Malika, Quintin, Yann, Fiona and Dory

        Interestingly, Fiona resolves her issues in her cave.
        Dory too, but she did not need the cave to do this.

        September 21 st

        For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
        And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
        Quintin will soon realize that he himself is doing this constantly, though he does not register it.

        But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

        Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
        There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

        Of course, some things still matter, and one of the point of the story is also to discover these.

        September 22 nd

        Quintin has been drawing new characters.

        Characters drawn:

        • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
        • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
        • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

        A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
        She had at first thought they were whiskers, which was not Quintin’s intent…

        September 23 rd

        Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

        Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

        Up to now, here are the names he could find:

        • North: the Icy Lands, and Dragon Cemeteries
        • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
        • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
          Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
        • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

        When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

        #274

        Pssst Arona, over here, Mandrake hissed

        Mandrake there you are, what ever are you doing. I was so worried I had lost you!

        Mandrake was quite touched, but managed not to show it

        I couldn’t stand all the snorting anymore.

        Ahahhaahh laughed Arona, I know, so funny, he sounded like a little pigbouh

        Anyway Mandrake, don’t you worry, I am no fool, no way would I just blindly trot off after someone who said ‘when I gets an urge, I gets an urge, and I follows it.’ That’s mad.

        Sanso, realising that Arona was no longer following him, returned.

        Well I think we should use the power of the sabulmantium rather than just blindly trot off down endless tunnels said Mandrake

        Good thinking! said Sanso enthusiastically. Yes, much better than my daft idea. Good plan Madrake!

        Mandrake actually corrected the cat, huffily

        To be honest, said Arona honestly, I didn’t really understand all that technical stuff Sanso. So how exactly does this work? Hmmm wish that dragon or someone would turn up now and explain it clearly and succinctly in plain language that we can all understand. I get how to move the sand but then what? How does the compass thingy work?

        #273

        On the shores of Golfindely, a young boy was playing in the carmine fields of ripe Scotch bonnets.

        Since the captain Bone had left, Tomkin Sharple was feeling a bit sad.

        The old captain always had fascinating stories to tell him, and he would indulge the endlessly curious little boy in telling him for hours all about what he had discovered in all the parts of the Worlds he had been traveling to.

        Now, all he had to do was to take care of the herd of grakes of his parents, and while they were eating the weeds of the crops, he would sat on the cliff, looking at the sea, glimmering in the sunlight.

        Grakes were funny to play with, as they were big birds, with a slender neck as geese, colourful patterns as mandarin ducks, and Tomkin always had fun jumping on the back of the alpha one, and ride it, leading the whole herd to the crops where they helped the farmers by eating all kinds of nuisances.

        But after Captain Bone’s departure, it was no longer fun.

        Tomkin was contemplating a strange thing that the captain had given him before he’d left. It was a sort of knot, shaped as a eight, and the captain had told him it was magic and meant that all was connected, but that he had to discover that magic for himself.

        Tomkin had asked the captain to tell him about this object, but all he had told him was a legend which did not reveal much about the circumstances in which the old sea dog had acquired it. Perhaps the captain had fooled him about the magic…

        Stuffing the thing again in his pocket, Tomkin let his mind wander on the sea waves, dreaming of being a cabin boy on a big boat, when he saw something on the horizon.

        At first he thought that it was a group of swimming golfindels, but golfindels were more brilliant and smaller than the shapes he was seeing, and moving less heavily too…

        #271
        TracyTracy
        Participant

          And yet….and yet….it’s so familiar! Bill climbed out of bed, eyes fixed on the stone carved head on top of the tallboy, and went over for a closer look. He reached up and touched the cool smooth stone, and then leaned back against the bedpost, stroking his chin, transfixed.

          I must be dreaming, he thought, this just doesn’t make sense. And yet…..I’ve seen this before! The images flitted through Bill’s mind, not just this stone head, but other stone heads, all different but all linked somehow, and all so familiar.

          Bill didn’t hear the soft tapping on the door at first. Bill! psstt, Bill! Open the door, it’s me, India……

          #270

          Oörlaith heard the sound of a barking dog not far from her rookery. They were back with his master, and she knew at once their mission was complete.

          A few months ago she had met a strange man, he told her he was called Leonard, and the funny black dog that was following him everywhere was called Moufle. An ancient word for mitten… Well she didn’t ask why he’d call him like that, the dog was so hairy…

          Leonard was a lonely traveller, quite ancient as she could feel, but she wasn’t able to know his actual age. And there were some other weird feelings when she was focusing on his energy tone, something to do with time itself.

          When she first met him she knew he was the one she was looking for for ages. It’s been such a long time she hadn’t heard from her sisters. Oörlaith’d been having these dreams since they chose different direction many years ago, Malvina and Roselÿn, her precious ones. It wasn’t necessary for her then to keep objective contact with them through the glubolín.

          One year ago, the dreams stopped abruptly, and she tried several methods to reach her sisters. None of them with success. All her attempts failed, and she thought first she had lost her own power, but she knew one can not loose power of self, just forget it or create it on purpose. She realized then it was time to recreate these links more objectively.

          She couldn’t find her glubolín though. And Leonard arrived. Fortunately enough he had news from some strange events occurring in the land where she knew Malvina had settled her rookery. Was she still here with Leörmn?

          ***

          Yann had been feeling many impulses to draw scenes from his dreams and from the story they were creating with Quintin, Fiona, and Truth. It was an urge from inside and last night he had a very intense dream activity, most of which he couldn’t remember, it was more like a big forum with many different personalities all exchanging experiences and exploring new avenues.

          He was also attracted by old stories he was writing when he was a student, the one involving Georges and Salome, it seemed to him they had taken a life of their own now, and they felt very powerful, and most of all, they felt like really having fun.

          One of the drawing that was intriguing him was one that represented a sign of sort, in grayish sparkly clouds. He had given the pic a strange title, Oorlath. Yann had connected the name to an individual and was surprised when Quintin told him about a princess named Oörlaith. He was wondering who she was…

          She still had no face when he thought of her… maybe she was hidden for the moment… and he had the strangest thought that she knew Leonard, the man he’d been drawing with his black hairy dog.

          Haha, he had felt her smile.

          ***

          Chiara was looking for the boy she’d met last time in her dreams. Maybe he could give her some berries again, they were really tasty and fluberrish.

          But she’s been looking for him for so long she wonder if she could find the way again…

          Where she was now felt different. The light? The air? She took a deep breathe and just sat down on the grassy land. She had a quick thought that the land were more rocky than grassy a few seconds ago, but as she was feeling the grass under her hands, she dismissed the thought.

          She was hearing birds singing, it was quite funny the way they were bounding from one sound to the other and she could understand what they were saying, much gossips and a few compliments for a new mother ;)) nothing really important to her. She Jibbled.

          Lying down on the mossy land, she was looking… mossy? wasn’t it grassy? Now it’s mossy… hope that wouldn’t become mothy ;))

          She was looking the clouds, some were grayishly sparkling, she was enjoying it…

          “Are you looking for something” a voice said.

          Chiara quickly sat up and gazed at the fat lady who was standing before her.

          “Hahahaha, you found me at least my dear” laughed the woman.

          “My name is Roselÿn, and you are Chiara, aren’t you?”

          The little girl was gaping at Roselÿn… how could she possibly know her name?

          “I feel I know you :yahoo_thinking:” she said dreamily.

          “You make me feel like when I’m with my uncle Yann, and… there’s something else… oh!?”

          #269

          Malvina had been busy opening doors for herself, and thus, for the All.

          Creating the sabulmantium with Leörmn had revealed new potentials to her. And just before putting the final touch to the device, she had felt engulfed in a huge wave and before she knew it, she was talking with someone. A great creative power, which was stemming from herself, and also from which she stemmed too.

          It had named itself Naasir.

          It had revealed to her, in the form of a dark abyss, myriads of unknown potentials waiting for her to leap in faith into them. It had gently requested that she release her hold on the caves openings, so that she could explore more, and also bring more to herself.

          Then Naasir took the form of a great dragon in that abyss, from which roots were growing and pushing their way, slowly and surely, into the rich soil towards the light of their fullness.

          She had then seen the dragon’s arched back and tail shift into a chain of spiked rocks, separating the worlds seas in two. Three of the scales on the right of the dragon’s skin were glimmering, and she could see they were looking for a passage.

          Would she allow that to happen? Yes, she wanted to. Open the doorways, and reunite what was separate, but gently, one at a time.

          Slowly, the kite-shaped rocky plates on the back of the dragon moved apart, to open a slight, safe passage for the glimmering scales. They were caught in the eddies that surged from the opening, but Malvina’s focus helped them to float and cross safely, as they wanted to.

          She then came back to herself, seated in front of the glass-shell dragon egg filled with coloured sand, awed with that power she had just felt through her. She knew it was her own power, and that the device had only allowed it to be expressed, but she had felt wary of how the sabulmantium could be used by others.

          At the same time, Leörmn who was once again the tiny weaszchilla trotting on the wooden table in front of her had laughed squeakingly. And looking at the toy in front of her, she had understood how it could only be used by those who would see beyond the thinly veiled surface. For the uncaring eye, this would only be a toy, mundane and without interest, but for the pure of heart, its help could be harnessed.

          That’s how she’d knew she did not need it any longer, and could release it.

          So, the doors had been opened, and people were feeling the new jewels sparkling behind the dark passages. And gifts from friends could now come across the veils.

          Malvina saw that during the last transmugrification, Leörmn had created an entrance near her laboratory, and it was as if it beckoned her now.

          When she entered, she saw a guéridon table in the middle of a moistly pungent room. On the table, a polished egg was here. She recognized it at once. It had an azure blue glow to it, and fond memories came back to her.

          Back then, she was a young Sorceress in training on the Island of Mörk, in the middle of the Icy Lands, the birth and dying place of the dragons.

          This egg was one from a set of three. It was the first glubolín she’d ever made, along with her two companions. They had kept it to communicate with each other when they parted.

          Malvina, the youngest of the three, had kept the azure blue, and chose to go to the Dragon Head Peninsula.

          Oörlaith had kept the mauve, and went near the town of Kapalÿka, on the Snimeÿa River delta bordering the Marshes of Doom.

          As for Roselÿn, the eldest of the three, she had taken the amber one, and had went as far as anyone would have dared go, flying on her spiked dragon Rëgkvist, past the Great Rift.

          They had kept in touch, but contacts had been more and more sporadic as each were discovering their own new environments, and had ceased altogether, almost at the same time.

          As far as she knew, Roselÿn had been starting her own rookery in the sandy ice deserts of Åsgurdy, mostly hiding there from the superstitious people of that land. And Oörlaith, whom she was closest to, had been devising another funny way to keep people away from her rookery. Her own dragon, the playful Andarión, was shape-shifting as a huge shrimp to pretend that the surroundings were haunted.

          Recalling all these moment, Malvina laughed at how silly they all were, and felt a long to be connecting again with her friends. Would anyone of them be around their own glubolíns?

          #268
          F LoveF Love
          Participant

            Fiona had more or less given up on getting the pebbles from Yann, deciding they must have got lost in the post, so that evening when she happened to check the mailbox when walking past she was very surprised and delighted to see a package from him. It was way too late for the postie to have been, so she was intrigued as to how they had got there and where they had been all this time.

            The three pebbles, well a couple of them were more like small rocks really and she was most impressed that Yann had sent them, were from the cave in Scotland he had visited a few months ago. Yann said the small one was from the cliff, the red one was one of the pebbles outside the cave and the grey one was from the stream inside the cave.

            Fiona held each of them in her hand and got quite a strange feeling from them, and some interesting pictures came into her head…..

            Yann had also sent a furry toy, a little scottish hairy cow. Apparently on his trip these hairy cows had reminded him of her. Fiona was a little perplexed by the seeming similarity but decided to believe it was a good thing. how quaint! she thought bless him :yahoo_big_hug:

            #266

            Sanso didn’t notice that the creature called Madrake was rolling his eyes. While he explained to the rather odd but delightfully enchanting Arona the finer points of sabulmantium technology, he was thinking about what Arona had just said about her mission. Her overall mission, she’d said, was to learn all about magic.

            Sanso wondered what his own mission was and didn’t think he had one. Unless his mission was a glorious infinite wandering, threading multicoloured silken skeins of clues and riddles, people and places, weaving them in and out of time and to each other….the never ending tapestry, ever changing and splendid in it’s magnificence…..

            Arona was looking up at Sanso with barely hidden astonishment, and he blushed ever so slightly when he realized he’d been speaking out loud. Shouting actually, his deep voice booming out with joy and passion, his wild gesticulations causing Arona to flinch and take an involuntary step backwards.

            Suddenly both Arona and Sanso saw the funny side, giggles erupting into gales of laughter until tears rolled down their cheeks and they collapsed on the floor whooping and snorting and wiping their eyes, not really knowing, in the end, what they were laughing at…..

            #265

            After Sanso heard the voice “the reason you are looking for is right under your nose” he thought he had better go and have another look at that smelly, well was it smelly? hmmm perhaps not, just a bit mouldy, old cape. Just in case it was a clue and he had missed it.

            He was surprised and delighted to see Arona, who was still sitting quietly meditating.

            Oh, goodness, said Arona startled, Who are you?

            I am Sanso and some people call me a wretched outcast madman wanderer, and Sanso laughed heartily.

            Arona laughed too, out of politeness and a bit hesitantly, unsure if Sanso was joking or not. Well your words not mine she said

            Sanso laughed heartily again which Arona found a bit odd. My words indeed he said And who are you and what brings you to explore this cave?

            I am Arona, and this is Mandrake. I popped in to find the source of the beautiful music I could hear, but my overall mission is learning about magic.

            Sanso had stopped listening and was gazing at the round glass ball filled with the sand shapes.

            Good Lord! he gasped, Is that a sabulmantium ! And a very early model too. This is a classic! The later models are much more complex, this is very fundamental, but beautifully made.

            Oh really, well it is great fun

            Sanso explained to Arona at length the more technical details of how a sabulmantium worked, and how it could be used like a compass.

            Fascinating she said, and Mandrake rolled his eyes.

            #264
            TracyTracy
            Participant

              India Louise wrapped the big rusty key up in leopard spotted wrapping paper and tied it up with ribbon. She’d been invited to Eugenia’s birthday party, and she was excited. To be truthful, she was looking forward to meeting Oscar just as much as she was looking forward to the jelly and ice cream, trifles, and smarties.

              Oscar was a parrot, who had appeared one day at Eugenia’s bedroom window. He’d tapped the glass with his beak repeatedly until Eugenia opened the window and let him in.

              #261

              In searching for a sheet of paper to do some sketches of images going through his mind, Bill found an old poem he had started a long time ago, when he was feeling like he was completely transforming himself. He had not finished the poem, but had kept it all along…

              It said:

              I’ve been wandering through the valleys of death
              Where time knows no ending and all is gray
              And shadows seek nothing but oblivion itself
              In mazes of mist, minds’ errands led astray…

              Perhaps it was time to let go of useless things, Bill thought to himself.

              He watched the paper slowly smoldering and shrinking and falling to black and white cinders into the hearth.

              :fleuron:

              Before going to sleep that night, Quintin had the sensation of Janice’s presence. He was surprised, because she was no longer the little girl he had seen at times, but she was a very pretty young woman, with dark wavy hair.

              She had giggled at his surprise, telling him that yes, she was catching up with him…

              :fleuron:

              The City, year 2255 (%)

              Today was Janice’s birthday, but not her birthday as the Ancients, two and half a century from her time, would have counted it. It was counted from the time of the conception, as the future parents in this time were fully aware of the agreements they would have with the soul they would decide to give birth to.

              It was a reminder of this agreement between the parents and the child that was celebrated, and not the actual birth date.

              Janice had felt Cyprus’ presence quite strongly, and she decided to let herself open to the subjective communication. She was conversing with her friend Qixi, and sent her some energy to let her know she would probably remove her attention for a few moments, knowing she would be accepting.

              When she closed her eyes, she could immediately feel herself engulfed by the strong yet smooth energy of Cyprus; it was like being kissed by a swarm of blue sparkling butterflies.

              Then she opened her eyes.

              She was in an ancient classroom, with Cyprus focused as a teacher figure. Cyprus was seated behind her desk and came at once to great Janice.

              — Good morning!
              — Good morning Cyprus, you wanted to say something to me?
              — In actuality, you wanted me to tell you something, answered Cyprus with a mysterious smile.
              — Yes, I thought so. Is it about what I am choosing to do as an activity?
              — Correct.
              — You are aware that I want to be creating of worlds, and give them to people that would have commissioned them…
              — Yes, I am aware. And you wanted me to highlight some misconceptions about that.
              — Oh, misconceptions?
              — Yes. As you know, with these worlds that you create, you have infinite potential of explorations. You also know that they are not independent from the rest, even when you take great care of encapsulating them in an energy field. And as such, they are not cut-off from yourself, as soon as you deliver them.
              — It feels like a tremendous responsibility.
              — It is, and it is not. The responsibility is to yourself, as always. But, I wanted you to be aware that you hold some responsibility, to examine your own injections into these worlds that you create, so that you can be neutralizing what is not desired, and not merely hiding it deeper inside the world itself.
              — OK, I will do that…
              — Ahaha, there is another thing, my dear.
              — Oooh…
              — You also wanted me to make sure you understood what I meant.
              — Ahahaha, I see. Wiggling out won’t be as easy as I thought, Janice said with a smile. So, is it the reason for this classroom?
              — Nothing is hidden from you, as always.

              So Janice took a look at the sheet of paper on top of her own school desk.

              — I’ll be around if you need me, reassured Cyprus.
              — Thank you, said Janice

              The paper was like a spot test, with a few questions on it.

              :fleuron2:

              Study on a Few Contradictory Beliefs

              1. GUILT

              a. An old lord has lost contact with his son, because of harsh things said in the past.

              Write a short story about him realizing how guilt is not effective, and how past can be changed from the point of present by direct action.

              b. Detail the main beliefs you can see associated with this action of guilt.

              2. FEAR

              a. A man chooses to be disengaging by drowning in a river. During his transition, he faces his fears, helped in that by a friendly spirit. The fears take the forms of a forest of trees, all similar, with branches and malicious roots extending to him. In his previous life, the man thought he was a fool, as an excuse to stand out of the numb crowd. But now he faces this crowd again, only to be able to go on his journey and let go.

              Write a short paragraph about his journey. Place yourself from the perspective of both him and the friendly spirit guiding him through his fears, and see how he helps himself in realizing he does not need to push the fears away, and that they can disappear easily.

              b. Detail the beliefs associated with his madness, that he needs to let go of in order to be crossing the forest, and go to the Bridge of Daffoldils that leads to his cave of Self.

              DUPLICITY

              In association with the last two examples, detail how duplicity (belief in good versus bad) is influencing of each of the actions, and can be neutralised by accepting self and trusting that you shall not betray yourself.

              :fleuron:

              Janice gave her paper to Cyprus, who took it and held it for a moment, evaluating the answers.

              Cyprus then made it burst into a bluish dancing flame, and when the paper had disappeared, smiled at Janice lovingly.

              #260
              F LoveF Love
              Participant

                Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.

                So what shall we make now Mandrake? Something we both like maybe?

                A fish perhaps? suggested Mandrake

                Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.

                Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!

                Some milk for me, said Mandrake

                Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.

                Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.

                Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.

                The glass ball was now filled with a miniature world of sand objects.

                Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.

                Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.

                Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.

                She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on

                #259

                Jadra slept fitfully. He was in the forest and he dreamed of a great tidal wave sweeping over him. He was holding on for dear life to the branches of a tree while angry faces swept by him in the water, shouting abuse at him, although he could not make out the words.

                “Sticks and stones may break my bones, but words will never hurt me” he shouted back.

                But then, to his horror he saw his left hand separate from his arm and he could no longer hold on. He saw his hand being swept out to sea and all that mattered was that he find it again. He let to of the safety of the tree and felt himself being pulled by the waves.

                Jadra awoke trembling and shaking in terror. He looked for his left hand on the end of his arm, where it should be, but he could not see it. He knew what had happened. He had thrown his hand in the river. He thought it was sticks and stones he had thrown in, but he had been mistaken. He knew that now. He had to go and find his hand in the river.

                Jadra felt such anguish. Not so clever Jadra Iamaman. You stupid old Fool

                Forgive me! he shouted to the Gods. Whimpering in pain he rushed back the way he had come, back through the forest to the spot where he had last seen his hand. He threw himself into the water and dived down deep, not caring he could not swim, only knowing his hand was in there somewhere.

                ***

                There were very few people around that early in the morning, but a small boy saw Jadra go in the water and stood watching. He waited and waited, and when he knew for sure there was something wrong he raised the alarm.

                ***

                Jadra felt a great peacefulness sweep over him. He stopped fighting and abandoned himself to the mighty current of the water. A unicorn swam by him in the water and whispered to him she would take him to safely home.

                ***

                They pulled Jadra’s body from the water a mile down river.

                #258
                F LoveF Love
                Participant

                  India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

                  Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

                  India Louise looked up from her drawing.

                  What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

                  It is beautiful India Louise.

                  What did the letter say Grandpa. Why is it making you so sad?

                  It is just an old letter, India Louise.

                  Yes it looks very old. Was it bad news?

                  Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

                  The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

                  He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

                  Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

                  Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

                  He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

                  The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

                  As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

                  Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

                  #257

                  When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

                  — I saw him too, she said to her brother.
                  — I don’t want to see him again, these books are scarey.
                  — It’s intriguing, I want to know more, India Louise said, egging on him.
                  — When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
                  — He has found a friend to help him cross the Dark Forest to the traveling portal.
                  — A friend?
                  — Yes, a friend. She’s special.
                  — Tell me more…
                  — She’s a white unicorn, only him can see her.
                  — Wow…
                  — She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

                  :fleuron:

                  — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

                  Tina was taken aback…

                  — Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
                  — Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

                  :fleuron:

                  — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

                  Quintin had answered distractedly, as he was engrossed by his last painting…

                  Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

                  She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

                  Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
                  — Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
                  Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
                  There are some that are being shone to me on the bottom of the ocean floor.
                  What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

                  Wow he had thought, she can really see.

                  :fleuron:

                  Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

                  The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

                  — Will you stop being so buffoonish! raved Tina again.
                  — Perhaps I should let someone else continue then? said Albert.
                  — Well, that’s entertaining, replied Becky mechanically.
                  — OK. I’ll jump in, said Samuel, with a wide grin.

                  It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

                  Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

                  :fleuron:

                  Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

                  The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

                  :fleuron:

                  Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

                  Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

                  She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

                  She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

                  When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

                  Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

                  This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

                  She started to move again, de-focusing, past the lazy honey drops.

                  The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

                  #256

                  Yann have been working on the drawing sporadically, several subject were coming to his mind at the same time and he wanted to treat them all… All what he could do for the moment was just draw some sketches of all that… there was that scene with his niece and the dragon-boy, and that other scene where he could see that man on a dinosaur-like mount…

                  At times he could also feel the gentle energy of his dear friend Amanda. He’d wanted to meet her in Vienna in June, but unfortunately she couldn’t attend the meeting. She was participating in his current exploration of art. It was like he could feel many energies from different people and different beings and he could choose to express them as he wanted.

                  Some could be translated just in movement, like just drawing lines and create a harmonious disposition and interactions between them, suggesting other lines that weren’t fully expressed or weren’t expressed at all.

                  Some others could be translated as colors and shades, contrast and iridescence… possibilities were infinite.

                  He was wondering how he could introduce the gentle energy of his friend, but maybe it had already been incorporated.

                  :fleuron:

                  Salome was feeling a draw to the cave…

                  She was focusing her energy slightly differently now, in order to manifest in this dimension an aspect of herself.

                  #252
                  TracyTracy
                  Participant

                    Becky lay back and closed her eyes, and started to drift. Suddenly she felt a snap on the left side of her neck which seemed to alter her perception. After some moments, she felt as though she was an entire country, or even a whole continent, a huge expanded feeling, weightless and timeless.

                    BRRRINNNGGGG! Becky fumbled for the alarm clock. Surely not time to get up already!

                    ‘Coastal parking on any of the gardens of the self’. What? ‘Coastal parking on any of the gardens of the self’. Becky wrote it down on a piece of paper, and put it in her Clue Box, wondering what on earth it meant. She was getting used to the strange cryptic clues and riddles appearing, and wondered if they would ever make any kind of sense.

                    She made her way downstairs to the kitchen, and the headlines in the Reality Times newspaper on the table caught her eye:

                    ‘Mysterious Carved Rock Faces Appear in Yorkshire Villages.’

                    #250

                    The boy was approaching in a manner he obviously wanted to be threatening, but the little girl was still giggling unafraid.

                    He took his most growling voice.

                    “Don’t you fear DRRRAAAGONSS?” he blew in her face.

                    “Hahaha. What’s Dregguns?” she said with difficulties as if it was her first attempt in pronouncing the thunderous name.

                    He took a deep breath as if to answer the question and stopped.

                    She was looking at him with such innocence and friendship in her eyes.

                    “You really don’t know what dragons are?”

                    He drew closer and his gaze changed. And he looked surprised as if he was eventually noticing something important.

                    “Oh hoho! I understand now why you seem such an unafraid little girl…”

                    “I’m not little, I’m five.” she said grumpily. But she laughed as readily after that :))

                    “It appears I’m in the middle of one of your dreams. What’s your name?”

                    “I’m Chiara.”

                    #249
                    F LoveF Love
                    Participant

                      Fiona was feeling a bit weird.

                      She was wondering what was real. Was she real? Wow I am starting to sound like Dory she said and then laughed

                      Oh my goodness and now I am laughing out loud and talking to myself. Jarrod does that and they put him on medication for it.

                      And were her online friends real? I mean what evidence did she have. There were these pebbles of course Yarn said he was sending, but where were they?

                      The other day she had been talking to her friends via the internet, and she found herself telling this ridiculous bird story, which basically boiled down to “I saw a bird and a cracked egg shell”

                      AHAHAHAHAHA

                      Ooops better stop laughing out loud so much. But at the time of seeing the bird it had felt really significant, as though something of importance was being communicated to her.

                      And the online story they had all been writing — well was it all of them, or was it really just her writing it? — whatever, it was getting weirder and weirder and quite rude at times too actually. Or was it??? Was that her imagination again?

                      And lately she kept winking. Good grief, I never wink, what is all that about? What the does a wink mean anyway?

                      Fiona patted her dog George. He was so funny and uncomplicated. All he wanted to do was eat and play and have as much fun as possible… so cool. Actually that is all I want really too, she decided, and felt much better.

                    Viewing 20 results - 2,321 through 2,340 (of 2,399 total)