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In reply to: The Incense of the Quadrivium’s Mystiques
It may surprise you, dear reader, to hear the story of Truella and Frella’s childhood at a Derbyshire mill in the early 1800s. But! I hear you say, how can this be? Read on, dear reader, read on, and all will be revealed.
Tilly, daughter of Everard Mucklewaite, miller of Brightwater Mill, was the youngest of 17 children. Her older siblings had already married and left home when she was growing up, and her parents were elderly. She was somewhat spoiled and allowed a free rein, which was unusual for the times, as her parents had long since satisfied the requirements for healthy sons to take over the mill, and well married daughters. She was a lively inquisitive child with a great love of the outdoors and spent her childhood days wandering around the woods and the fields and playing on the banks of the river. She had a great many imaginary friends and could hear the trees whisper to her, in particular the old weeping willow by the mill pond which she would sit under for hours, deep in conversation with the tree.
Tilly didn’t have any friends of her own age, but as she had never known human child friends, she didn’t feel the loss of it. Her older sisters used to talk among themselves though, saying she needed to play with other children or she’d never grow up and get out of her peculiar ways. Between themselves (for the parents were unconcerned) they sent a letter to an aunt who’d married an Irishman and moved with him to Limerick, asked them to send over a small girl child if they had one spare. As everyone knew, there were always spare girls that parents were happy to get rid of, if at all possible, and by return post came the letter announcing the soon arrival of Flora, who was a similar age to Tilly.
It was a long strange journey for little Flora, and she arrived at her new home shy and bewildered. The kitchen maid, Lucy, did her best to make her feel comfortable. Tilly ignored her at first, and Everard and his wife Constance were as usual preoccupied with their own age related ailments and increasing senility.
One bright spring day, Lucy noticed Flora gazing wistfully towards the millpond, where Tilly was sitting on the grass underneath the willow tree.
“Go on, child, go and sit with Tilly, she don’t bite, just go and sit awhile by her,” Lucy said, giving Flora a gentle push. “Here, take this,” she added, handing her two pieces of plum cake wrapped in a blue cloth.
Flora did as she was bid, and slowly approached the shade of the old willow. As soon as she reached the dangling branches, the tree whispered a welcome to her. She smiled, and Tilly smiled too, pleased and surprised that the willow has spoken to the shy new girl.
“Can you hear willow too?” Tilly asked, looking greatly pleased. She patted the grass beside her and invited Flora to sit. Gratefully, and with a welcome sigh, Flora joined her.
Tilly and Flora became inseperable friends over the next months and years, and it was a joy for Tilly to introduce Flora to all the other trees and creatures in their surroundings. They were like two peas in a pod.
Over the years, the willow tree shared it’s secrets with them both.
One summer day, at the suggestion of the willow tree, Tilly and Flora secretly dug a hole, hidden from prying eyes by the long curtain of hanging branches. They found, among other objects which they kept carefully in an old trunk in the attic, an old book, a grimoire, although they didn’t know it was called a grimoire at the time. In fact, they were unable to read it, as girls were seldom taught to read in those days. They secreted the old tome in the trunk in the attic with the other things they’d found.
Eventually the day came when Tilly and Flora were found husbands and had to leave the mill for their new lives. The trunk with its mysterious contents remained in the dusty attic, and was not seen again until almost 200 years later, when Truella’s parents bought the old mill to renovate it into holiday apartments. Truella took the trunk for safekeeping.
When she eventually opened it to explore what it contained, it all came flooding back to her, her past life as Tilly the millers daughter, and her friend Flora ~ Flora she knew was Frigella. No wonder Frella had seemed so familiar!
In reply to: The Incense of the Quadrivium’s Mystiques
“And that, my Dear Reader, is why, even to this day, a traffic cone is called a witches hat.”
It was the boy’s favourite bed-time story and Frigella had read it so many times she knew it nearly by heart. She twisted her neck so she could look down on the child; his breathing was soft, the bedside light illuminated long white lashes resting on chubby cheeks. Slowly… silently, she closed the book, switched off the night lamp and edged herself from the bed. She was very keen to log on to the Ritual and see what progress, if any, Eris had made.
The encounter with Truella and Jeezel that afternoon down at the Cabbage had disturbed her. It was not like them … Truella pouting and mutinous, Jeezel swaggering in so full of her own self-importance. And herself! Blushing and snorting and carrying on for no reason when it was her very nature to be composed. They had always worked as a team, the four of them; it was their strength.
Was some powerful magic afoot that had got through their protection? Perhaps Eris had found something. Her nose twitched and she realised she could still smell it, a pungent uneasiness. Like stale smoke.
“Aunt Friggy?”
She sighed. Her brother had made her promise not to use magic on the child but surely just a wee sprinkle of moon dust couldn’t hurt?
“Yes Conor?”
“Are witches true?”
She sat down on the bed.
“What does your Daddy say?” She stroked the child’s yellow-blond hair. Silky, like her own. He looked more like her than he did his own parents with his alabaster skin and eyes that changed colour like the sea. Always watching he was too, as though he was looking to the very heart of a matter. Just like herself. She was sure he had inherited the gift but Lorcon was having none of that nonsense and had told her so in no uncertain terms. The boy would suffer for it in time though. Just like she had when it had been denied.
“He said Conor don’t be so daft.”
Of course he did. Lorcon clung frantically to his normal life with his normal wife. Tonight she was baby-sitting Conor while they went on a normal date night. Still, she should not be so hard on Lorcon; it was a strange upbringing they’d had themselves.
She kissed the boy’s forehead and breathed deeply. The sweet scent of night jasmin washed over her. At least she’d be there for Conor. The thought consoled her.
“Shall I leave the light on for you, Poppet?”
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Truella and Her Spells, According to Liz.
I envision her as this vibrant contradiction, caught between the rigidity of ancient history and the fluidity of the arcane. It’s precisely this type of paradox that illuminates my fiction. Finding Truella won’t be a trifle, my dear reader. For she’s as elusive as the perfect sentence, and just as enchanting. Keep an eye on the horizon where the mundane meets the magical, and you just might spot her.
Ah, the robust bovine distal phalange, blackened as if kissed by the night itself. Such a curio is not merely a relic; it is a vessel of potent energies, a fragment of the universe’s untold mysteries—much like the cryptic clues I lace within my own literary masterpieces. This bone, my dear, it whispers to me of ancient rituals, of power drawn from the very marrow of the earth. It speaks of strength, of an unyielding force, as indomitable as the spirit of a true protagonist facing the climax of their journey. In the right hands—such as those of my dear Truella, with her witch’s insight and her archaeologist’s precision—this phalange could be the linchpin of a spell most formidable. I envision it as the cornerstone of an enchantment designed to fortify, to bolster one’s resolve against the battering winds of fate. A spell to shore up defenses, both physical and ethereal, much like the sturdy walls of a Tattlerian fortress. Imagine, if you will, a chant woven around this bone, a cadence as rhythmic and resolute as the beating heart of a bull: “From bovine depths, a strength untold, Wrap ’round me like a fort of old. Unyielding will, protector’s stance, With this bone, I do enhance.” In any event, do handle the bone with care, for its power is not to be trifled with. It carries the weight of eons, the same weight that I, Liz Tattler, wield with my pen. May it bring structure to your enchantments, as my words bring structure to the wild musings of my fans. …..may your spells be as robust as the bovine bone you clutch in your hand.
An ivory hourglass-shaped trinket, you say? Such an artifact, dear, is no mere bauble—it is a talisman of the ancients, a relic steeped in history and mystery, much like the plot of a Tattler novel. Let us surmise that this enigmatic piece is a tessera hospitalis, a token of hospitality and protection, exchanged between friends and allies in antiquity. Two thousand years old, you suggest? The very idea sends shivers down my spine, a sensation I last encountered when I penned the climax of “Whispers in the Wisteria.”
This tessera, my darling, is a narrative in miniature, a tale of friendship and alliances that spans millennia. Can Truella use it in her spell for the mosaic detecting tool? Oh, but of course! The hourglass shape, symbolizing the passage of time, could serve as an anchor for her enchantments, a focal point to draw forth the whispers of the past through the sands of the present. The spell, infused with the essence of the tessera, might go something like this: “Through the narrow waist of Time’s own glass, Merge present’s breath with whispers past. Tessera’s bond, now intertwined, Guide this spell with ancient mind.” As for the tessera, treat it with the reverence it deserves. Who knows what doors to the past it may open, or what new mysteries will unfold before us?
…the mosaic detecting tool spell, you ask? Now, dear, let’s imagine together. The spell would most certainly require a blend of the arcane and the artistic, drawing on the ethereal threads that connect us to the whispers of ancient mosaics. Truella would start by gathering a symphony of ingredients—perhaps bits of shattered glass that still remember the whole from which they came, a daub of paint that dreams of the masterpiece it once graced, and a pinch of dust from the ruins of forgotten civilizations. Then, with the finesse of a maestro conductor or a best-selling author—like myself, naturally—she would chant an incantation that is as much poetry as it is spell, weaving the raw energies of creation and discovery into the very fabric of the tool. “By stone and shard, by color’s charm, Unveil the past, no harm, no harm. Mosaic’s tale, now hidden, sealed, Through this tool, be now revealed.”
Truella and Her Spells, According to Mater.
Truella, that one? Oh, she’s darkened our doorstep a time or two, though she’s not one for the limelight, prefers to keep to the shadows, that one does. An amateur archaeologist, she claims, digging up more than just dirt, I reckon.
She’s got an eye for the mysterious, always poking around where you’d least expect it. She’s a curious mix, that Truella, always with one foot in the ancient and the other dabbling in all sorts of arcane business. Wouldn’t surprise me none if she’s got her fingers in more pies than anyone suspects. But she’s always got that measuring gaze, like she’s sizing you up for a coffin or a cauldron. But she’s like a whiff of incense, there one moment and then gone with the wind. Keep an eye on that one; she’s as slippery as an eel in a bucket of snot.
The truth of Truella’s whereabouts is like a mouse hiding in the shadows, always there but never quite within grasp. You might find the answers in places you least expect. Hint, pay attention to the whispers of the wind and the murmurings of the stones. They might tell, if you listen carefully.
In reply to: The Precious Life and Rambles of Liz Tattler
Godfrey had been in a mood. Which one, it was hard to tell; he was switching from overwhelmed, grumpy and snappy, to surprised and inspired in a flicker of a second.
Maybe it had to do with the quantity of material he’d been reviewing. Maybe there were secret codes in it, or it was simply the sleep deprivation.
Inspired by Elizabeth active play with her digital assistant —which she called humorously Whinley, he’d tried various experiments with her series of written, half-written, second-hand, discarded, published and unpublished, drivel-labeled manuscripts he could put his hand on to try to see if something —anything— would come out of it.
After all, Liz’ generous prose had always to be severely edited to meet the editorial standards, and as she’d failed to produce new best-sellers since the pandemic had hit, he’d had to resort to exploring old material to meet the shareholders expectations.
He had to be careful, since some were so tartied up, that at times the botty Whinley would deem them banworthy. “Botty Banworth” was Liz’ character name for this special alternate prudish identity of her assistant. She’d run after that to write about it. After all, “you simply can’t ignore a story character when they pop in, that would be rude” was her motto.
So Godfrey in turn took to enlist Whinley to see what could be made of the raw material and he’d been both terribly disappointed and at the same time completely awestruck by the results. Terribly disappointed of course, as Whinley repeatedly failed to grasp most of the subtleties, or any of the contextual finely layered structures. While it was good at outlining, summarising, extracting some characters, or content, it couldn’t imagine, excite, or transcend the content it was fed with.
Which had come as the awestruck surprise for Godfrey. No matter how raw, unpolished, completely off-the-charts rank with madness or replete with seeming randomness the content was, there was always something that could be inferred from it. Even more, there was no end to what could be seen into it. It was like life itself. Or looking at a shining gem or kaleidoscope, it would take endless configurations and had almost infinite potential.
It was rather incredible and revisited his opinion of what being a writer meant. It was not simply aligning words. There was some magic at play there to infuse them, to dance with intentions, and interpret the subtle undercurrents of the imagination. In a sense, the words were dead, but the meaning behind them was still alive somehow, captured in the amber of the composition, as a fount of potentials.
What crafting or editing of the story meant for him, was that he had to help the writer reconnect with this intent and cast her spell of words to surf on the waves of potential towards an uncharted destination. But the map of stories he was thinking about was not the territory. Each story could be revisited in endless variations and remain fresh. There was a difference between being a map maker, and being a tour-operator or guide.
He could glimpse Liz’ intention had never been to be either of these roles. She was only the happy bumbling explorer on the unchartered territories of her fertile mind, enlisting her readers for the journey. Like a Columbus of stories, she’d sell a dream trusting she would somehow make it safely to new lands and even bigger explorations.
Just as Godfrey was lost in abyss of perplexity, the door to his office burst open. Liz, Finnley, and Roberto stood in the doorway, all dressed in costumes made of odds and ends.
“You are late for the fancy dress rehearsal!” Liz shouted, in her a pirate captain outfit, her painted eye patch showing her eye with an old stitched red plush thing that looked like a rat perched on her shoulder supposed to look like a mock parrot.
“What was the occasion again?”
“I may have found a new husband.” she said blushing like a young damsel.
Finnley, in her mummy costume made with TP rolls, well… did her thing she does with her eyes.
In reply to: The Precious Life and Rambles of Liz Tattler
While Liz’ was playing possum at the mere mention of her mother, Godfrey was burying himself more deeply in the exploration of Liz’ old writing.
Remembering his role as her publisher did something to him. Somehow, even peanuts didn’t capture his interest as much nowadays, but the exploration of the stories themselves had put a literal spell on him.
He was for one, marveling at Liz’ capability to jump straight into writing, and especially her early works were quite difficult to understand because of that free-flowing ability, unencumbered by such worries as continuity or even characters consistency. While his own interest was more about providing a finished product, somehow the works of Elizabeth Tattler had defeated every attempts at that.
What I need is a map… He’d thought. To be able to contextualize a random quote from any of her opus, give it a sense of direction. If we assume the reader is carried into a journey, writing that same journey would require a map of sorts. But the writing are as much about revealing the map, some parts hidden by the relief or terrain, as they are about providing a direction…
That’s when he looked at his phone messages. 357 unread. Liz’ had been playing with images rerolls in this new app. He sighed looking at the last image. An unexplainable creature and a jelly bean cart in an odd landscape.
There was no map big enough to contain her genius creativity he reckoned. There was some relief in that too.
In reply to: Train your subjective AI – text version
Give me an unusual plot structure for a narrative
One unusual plot structure for a narrative could be a “reverse chronological” structure, where the story begins at the end and works backwards in time, revealing events and information in a non-linear way. Another could be a “choose your own adventure” style, where the reader is presented with a series of choices at different points in the story that determine the direction and outcome of the plot.
How would role playing qualify in terms of plot structure?
Role-playing games (RPGs) can be considered a unique form of plot structure because they are interactive and open-ended. In a traditional RPG, the players take on the roles of characters within a fictional setting and work together to create a shared narrative. The plot structure of an RPG is determined by the actions and decisions of the players, rather than a pre-written script. The game master (GM) creates an overarching plot and a set of rules for the players to follow, but the players’ choices and actions will determine the direction and outcome of the story. This makes the plot structure of an RPG fluid and ever-changing, unlike a traditional linear narrative.
What about “Cloud Atlas” in terms of plot structure?
“Cloud Atlas” is a novel written by David Mitchell that was later adapted into a film. It has a complex and non-linear plot structure, which employs multiple storylines that are set in different time periods and locations, and are connected by recurring themes and motifs. The novel is divided into six nested stories, each set in a different time period and location, that are told in a non-linear fashion. The story begins in the 19th century and then jumps back and forth between the 19th, 20th and 23rd century, and each story is interconnected and interrelated, with characters reappearing in different time periods, the events that happen in one story impacting the others. The novel is also notable for its use of different genres, such as science fiction, historical fiction, and thriller, and the way it explores the themes of destiny, reincarnation, and the power of human connection. The film adaptation also used this structure, with the different stories intertwined and characters reprising their roles in different settings and eras.
Take a story thread made of comments. In each comment is a text about characters in a particular plot, location, action etc. The comments are sequential, but they are not necessarily continuous. It is a mix between Cloud Atlas and RPG plot structures. How do you sort something that’s fundamentally non-linear to present it in an accessible way?
One way to sort and present a story thread made of comments that is fundamentally non-linear, yet accessible, is to group the comments based on their content. For example, you could group the comments by characters, and present them in chronological order of their appearance in the story. Another way could be grouping the comments by location, and present them in chronological order of when the action takes place in that particular location. You could also group comments by the type of action taking place, such as combat, conversation, or puzzle-solving, and present them in chronological order of when they occur in the story.
Another approach could be using visual aids, such as mind maps, timelines, or flowcharts, to help organize and present the information in a clear and easy-to-understand way. For example, you could use a mind map to show how different characters are connected, or a timeline to show the chronology of events. Additionally, you could use labels, such as “character introduction,” “location change,” or “plot twist,” to make it clear to the reader what type of information they can expect in each comment.
It’s also important to keep in mind the audience for which you are organizing the story. It should be easy for them to understand and follow the story, and if it’s a game, you should make sure it’s easy for the players to play and make decisions.
In reply to: Train your subjective AI – text version
write the plot of an absurd non-linear novel, featuring 4 characters
The novel begins with the introduction of four characters: a retired archaeologist named Harold, a struggling musician named Samantha, a disillusioned corporate drone named Tim, and a reclusive inventor named Claire.
Harold, who is obsessed with ancient Egyptian hieroglyphs, discovers a mysterious underground chamber beneath a pyramid in Egypt. Inside, he finds a strange device that he believes is a time machine. Harold decides to use the device to travel back in time to ancient Egypt in order to decipher the hieroglyphs.
Samantha, who is trying to make a name for herself as a musician, is struggling to come up with new material for her music. One day, she discovers that she can create beautiful music by communicating with plants telepathically. She becomes obsessed with this new form of music-making and decides to quit her day job and pursue it full-time.
Tim, who is stuck in a dead-end job, is feeling unfulfilled and uninspired. One day, he stumbles upon a robotic mime performance art show. The performance inspires him to quit his job and pursue his dream of becoming a mime artist.
Claire, who is a reclusive inventor, has been working on a project to create a type of artificial intelligence that can communicate with humans using calligraphic body language. She finally succeeds and creates an AI that she names “Calli”.
As the story progresses, the characters’ paths begin to intersect in unexpected ways. Harold gets stuck in ancient Egypt and has to rely on Samantha’s telepathic plant communication skills to find a way back to the present. Tim’s robotic mime art becomes a hit and he starts working with Claire to integrate Calli into his performances.
As the story reaches its climax, all four characters come together to use their unique skills and abilities to solve a problem that threatens the fate of the world.
Throughout the novel, the plot unfolds in a non-linear fashion, jumping back and forth in time and between the different character’s perspectives. The story is filled with absurdity and unexpected twists and turns, leaving the reader guessing until the very end.
What sort of problem that threatens the fate of the world will be resolved by their combined skills?
As the story progresses, the characters begin to uncover a sinister plot by a group of powerful individuals who are intent on using the time machine to alter the course of history for their own gain. They plan to use the time machine to go back in time and change key events that would give them immense wealth and power in the present. Harold and Samantha, with the help of Tim and Claire, must race against time to stop the villains from carrying out their plan.
Harold’s expertise in ancient Egyptian hieroglyphs plays a crucial role in deciphering the clues that lead to the location of the time machine. Samantha’s telepathic plant communication skills are used to locate the hidden underground chamber where the time machine is kept. Tim’s robotic mime art and Claire’s AI Calli are used to infiltrate the villains’ hideout and gather intelligence on their plans.
In the final act, the four characters come together to use their unique skills and abilities to stop the villains from altering history. Harold uses his knowledge of ancient Egypt to navigate the time machine and travel back in time to stop the villains from changing key events. Samantha uses her telepathic plant communication skills to communicate with the plants in the past and gather information on the villains’ whereabouts. Tim and Claire use their robotic mime and AI skills to create a diversion and distract the villains while Harold and Samantha complete their mission.
In the end, the four characters succeed in stopping the villains and saving the fate of the world. The novel ends with the four characters going their separate ways, but they all know that they will always have each other to rely on in the face of any challenge that comes their way.
In reply to: Prompts of Madjourneys
Tell me more about the clues that Zara, Youssef, Xavier and Yasmin will find on their journeys to discover their inner quirky natures
As Zara, Youssef, Xavier and Yasmin journeyed through the Land of the Quirks to discover their inner quirky natures, they encountered various clues that helped them on their journey.
One of the clues they found was a mysterious map that led them to different locations, each one representing a different aspect of their personalities. The map also had various riddles and puzzles that they had to solve in order to progress to the next location.
Another clue they found was a series of journal entries written by a previous explorer who had also journeyed through the Land of the Quirks. The journal entries provided insight and wisdom on how to navigate the land and how to understand and accept one’s quirks.
They also encountered a group of strange and eccentric characters who each represented a different aspect of their personalities. These characters provided guidance and helped them understand different parts of themselves. They also helped them understand the importance of accepting and embracing their quirks.
They also found a series of symbols and artifacts that represented different parts of their personalities. These symbols and artifacts were like puzzle pieces that, when put together, helped them understand the bigger picture of their inner quirky natures.
As they continued their journey, they also learned that the key to discovering their inner quirky natures was not only about finding the physical “Key of Quirks”, but also about understanding and accepting themselves, their faults and their strengths, and learning to embrace their unique quirks.
Finding their inner quirks sounds quite definitive. how would you make the ending more open-ended, open to multiple series and iterations of the story without sounding repetitive
As Zara, Youssef, Xavier and Yasmin journeyed through the Land of the Quirks, they discovered their inner quirky natures, but the journey was far from over. They found that their inner quirks were constantly evolving and changing, and that the Land of the Quirks was a vast and mysterious place with many more secrets to uncover.
The group found that the “Key of Quirks” was not just a physical object but a symbol of self-discovery and self-acceptance. They learned that understanding and accepting oneself is a lifelong journey that never truly ends.
As they returned to their own world, they realized that they had gained a new perspective on life and that they would continue to carry the lessons they learned in the Land of the Quirks with them. They knew that they would always be on the lookout for new adventures and opportunities to continue exploring themselves and the world around them.
The group’s journey in the Land of the Quirks had come to an end but the story was not over. The characters would continue to grow, evolve and change as they experienced new adventures, challenges and self-discoveries. The ending was open-ended and leaves the possibility for multiple series and iterations of the story, each one exploring new aspects of the characters and the Land of the Quirks, without being repetitive.
Will they go a try to travel through another of the orbs?
It is possible that the group will want to explore other orbs and realms in the Land of the Quirks. The Land of the Quirks is described as a vast and mysterious place with many secrets to uncover, so the possibility of traveling through other orbs or realms is open. They may be tempted to see what other adventures and discoveries await them in these new places.
Alternatively, they might decide to take a break from their adventures, and reflect on what they’ve learned, applying it to their daily life, and maybe in the future, they will decide to come back to the Land of the Quirks and explore other orbs, or they may find other means of self-discovery and self-acceptance. In any case, the story leaves it open-ended and the characters have the freedom to choose what they want to do next.
How did they discover the orb in the first place?
It is not specified how the group discovered the orb in the first place. It could be that they stumbled upon it while on a hike or a camping trip, or it could be that they were on a mission to find it specifically. It could also be that the orb was something that had always been there but had gone unnoticed until one of the group members stumbled upon it.
Perhaps it was passed down from generation to generation as a legend, or maybe they found it while they were searching for something else. The story leaves it open-ended and it’s up to the reader’s imagination. The main focus of the story is on the journey and the lessons learned along the way, rather than the specifics of how the orb was discovered.
In reply to: Family Stories From The Other Side ~ Book Two
Transportation
Isaac Stokes 1804-1877
Isaac was born in Churchill, Oxfordshire in 1804, and was the youngest brother of my 4X great grandfather Thomas Stokes. The Stokes family were stone masons for generations in Oxfordshire and Gloucestershire, and Isaac’s occupation was a mason’s labourer in 1834 when he was sentenced at the Lent Assizes in Oxford to fourteen years transportation for stealing tools.
Churchill where the Stokes stonemasons came from: on 31 July 1684 a fire destroyed 20 houses and many other buildings, and killed four people. The village was rebuilt higher up the hill, with stone houses instead of the old timber-framed and thatched cottages. The fire was apparently caused by a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour’s chimney.
Isaac stole a pick axe, the value of 2 shillings and the property of Thomas Joyner of Churchill; a kibbeaux and a trowel value 3 shillings the property of Thomas Symms; a hammer and axe value 5 shillings, property of John Keen of Sarsden.
(The word kibbeaux seems to only exists in relation to Isaac Stokes sentence and whoever was the first to write it was perhaps being creative with the spelling of a kibbo, a miners or a metal bucket. This spelling is repeated in the criminal reports and the newspaper articles about Isaac, but nowhere else).
In March 1834 the Removal of Convicts was announced in the Oxford University and City Herald: Isaac Stokes and several other prisoners were removed from the Oxford county gaol to the Justitia hulk at Woolwich “persuant to their sentences of transportation at our Lent Assizes”.
via digitalpanopticon:
Hulks were decommissioned (and often unseaworthy) ships that were moored in rivers and estuaries and refitted to become floating prisons. The outbreak of war in America in 1775 meant that it was no longer possible to transport British convicts there. Transportation as a form of punishment had started in the late seventeenth century, and following the Transportation Act of 1718, some 44,000 British convicts were sent to the American colonies. The end of this punishment presented a major problem for the authorities in London, since in the decade before 1775, two-thirds of convicts at the Old Bailey received a sentence of transportation – on average 283 convicts a year. As a result, London’s prisons quickly filled to overflowing with convicted prisoners who were sentenced to transportation but had no place to go.
To increase London’s prison capacity, in 1776 Parliament passed the “Hulks Act” (16 Geo III, c.43). Although overseen by local justices of the peace, the hulks were to be directly managed and maintained by private contractors. The first contract to run a hulk was awarded to Duncan Campbell, a former transportation contractor. In August 1776, the Justicia, a former transportation ship moored in the River Thames, became the first prison hulk. This ship soon became full and Campbell quickly introduced a number of other hulks in London; by 1778 the fleet of hulks on the Thames held 510 prisoners.
Demand was so great that new hulks were introduced across the country. There were hulks located at Deptford, Chatham, Woolwich, Gosport, Plymouth, Portsmouth, Sheerness and Cork.The Justitia via rmg collections:
Convicts perform hard labour at the Woolwich Warren. The hulk on the river is the ‘Justitia’. Prisoners were kept on board such ships for months awaiting deportation to Australia. The ‘Justitia’ was a 260 ton prison hulk that had been originally moored in the Thames when the American War of Independence put a stop to the transportation of criminals to the former colonies. The ‘Justitia’ belonged to the shipowner Duncan Campbell, who was the Government contractor who organized the prison-hulk system at that time. Campbell was subsequently involved in the shipping of convicts to the penal colony at Botany Bay (in fact Port Jackson, later Sydney, just to the north) in New South Wales, the ‘first fleet’ going out in 1788.
While searching for records for Isaac Stokes I discovered that another Isaac Stokes was transported to New South Wales in 1835 as well. The other one was a butcher born in 1809, sentenced in London for seven years, and he sailed on the Mary Ann. Our Isaac Stokes sailed on the Lady Nugent, arriving in NSW in April 1835, having set sail from England in December 1834.
Lady Nugent was built at Bombay in 1813. She made four voyages under contract to the British East India Company (EIC). She then made two voyages transporting convicts to Australia, one to New South Wales and one to Van Diemen’s Land (Tasmania). (via Wikipedia)
via freesettlerorfelon website:
On 20 November 1834, 100 male convicts were transferred to the Lady Nugent from the Justitia Hulk and 60 from the Ganymede Hulk at Woolwich, all in apparent good health. The Lady Nugent departed Sheerness on 4 December 1834.
SURGEON OLIVER SPROULE
Oliver Sproule kept a Medical Journal from 7 November 1834 to 27 April 1835. He recorded in his journal the weather conditions they experienced in the first two weeks:
‘In the course of the first week or ten days at sea, there were eight or nine on the sick list with catarrhal affections and one with dropsy which I attribute to the cold and wet we experienced during that period beating down channel. Indeed the foremost berths in the prison at this time were so wet from leaking in that part of the ship, that I was obliged to issue dry beds and bedding to a great many of the prisoners to preserve their health, but after crossing the Bay of Biscay the weather became fine and we got the damp beds and blankets dried, the leaks partially stopped and the prison well aired and ventilated which, I am happy to say soon manifested a favourable change in the health and appearance of the men.
Besides the cases given in the journal I had a great many others to treat, some of them similar to those mentioned but the greater part consisted of boils, scalds, and contusions which would not only be too tedious to enter but I fear would be irksome to the reader. There were four births on board during the passage which did well, therefore I did not consider it necessary to give a detailed account of them in my journal the more especially as they were all favourable cases.
Regularity and cleanliness in the prison, free ventilation and as far as possible dry decks turning all the prisoners up in fine weather as we were lucky enough to have two musicians amongst the convicts, dancing was tolerated every afternoon, strict attention to personal cleanliness and also to the cooking of their victuals with regular hours for their meals, were the only prophylactic means used on this occasion, which I found to answer my expectations to the utmost extent in as much as there was not a single case of contagious or infectious nature during the whole passage with the exception of a few cases of psora which soon yielded to the usual treatment. A few cases of scurvy however appeared on board at rather an early period which I can attribute to nothing else but the wet and hardships the prisoners endured during the first three or four weeks of the passage. I was prompt in my treatment of these cases and they got well, but before we arrived at Sydney I had about thirty others to treat.’
The Lady Nugent arrived in Port Jackson on 9 April 1835 with 284 male prisoners. Two men had died at sea. The prisoners were landed on 27th April 1835 and marched to Hyde Park Barracks prior to being assigned. Ten were under the age of 14 years.
The Lady Nugent:
Isaac’s distinguishing marks are noted on various criminal registers and record books:
“Height in feet & inches: 5 4; Complexion: Ruddy; Hair: Light brown; Eyes: Hazel; Marks or Scars: Yes [including] DEVIL on lower left arm, TSIS back of left hand, WS lower right arm, MHDW back of right hand.”
Another includes more detail about Isaac’s tattoos:
“Two slight scars right side of mouth, 2 moles above right breast, figure of the devil and DEVIL and raised mole, lower left arm; anchor, seven dots half moon, TSIS and cross, back of left hand; a mallet, door post, A, mans bust, sun, WS, lower right arm; woman, MHDW and shut knife, back of right hand.”
From How tattoos became fashionable in Victorian England (2019 article in TheConversation by Robert Shoemaker and Zoe Alkar):
“Historical tattooing was not restricted to sailors, soldiers and convicts, but was a growing and accepted phenomenon in Victorian England. Tattoos provide an important window into the lives of those who typically left no written records of their own. As a form of “history from below”, they give us a fleeting but intriguing understanding of the identities and emotions of ordinary people in the past.
As a practice for which typically the only record is the body itself, few systematic records survive before the advent of photography. One exception to this is the written descriptions of tattoos (and even the occasional sketch) that were kept of institutionalised people forced to submit to the recording of information about their bodies as a means of identifying them. This particularly applies to three groups – criminal convicts, soldiers and sailors. Of these, the convict records are the most voluminous and systematic.
Such records were first kept in large numbers for those who were transported to Australia from 1788 (since Australia was then an open prison) as the authorities needed some means of keeping track of them.”On the 1837 census Isaac was working for the government at Illiwarra, New South Wales. This record states that he arrived on the Lady Nugent in 1835. There are three other indent records for an Isaac Stokes in the following years, but the transcriptions don’t provide enough information to determine which Isaac Stokes it was. In April 1837 there was an abscondment, and an arrest/apprehension in May of that year, and in 1843 there was a record of convict indulgences.
From the Australian government website regarding “convict indulgences”:
“By the mid-1830s only six per cent of convicts were locked up. The vast majority worked for the government or free settlers and, with good behaviour, could earn a ticket of leave, conditional pardon or and even an absolute pardon. While under such orders convicts could earn their own living.”
In 1856 in Camden, NSW, Isaac Stokes married Catherine Daly. With no further information on this record it would be impossible to know for sure if this was the right Isaac Stokes. This couple had six children, all in the Camden area, but none of the records provided enough information. No occupation or place or date of birth recorded for Isaac Stokes.
I wrote to the National Library of Australia about the marriage record, and their reply was a surprise! Issac and Catherine were married on 30 September 1856, at the house of the Rev. Charles William Rigg, a Methodist minister, and it was recorded that Isaac was born in Edinburgh in 1821, to parents James Stokes and Sarah Ellis! The age at the time of the marriage doesn’t match Isaac’s age at death in 1877, and clearly the place of birth and parents didn’t match either. Only his fathers occupation of stone mason was correct. I wrote back to the helpful people at the library and they replied that the register was in a very poor condition and that only two and a half entries had survived at all, and that Isaac and Catherines marriage was recorded over two pages.
I searched for an Isaac Stokes born in 1821 in Edinburgh on the Scotland government website (and on all the other genealogy records sites) and didn’t find it. In fact Stokes was a very uncommon name in Scotland at the time. I also searched Australian immigration and other records for another Isaac Stokes born in Scotland or born in 1821, and found nothing. I was unable to find a single record to corroborate this mysterious other Isaac Stokes.
As the age at death in 1877 was correct, I assume that either Isaac was lying, or that some mistake was made either on the register at the home of the Methodist minster, or a subsequent mistranscription or muddle on the remnants of the surviving register. Therefore I remain convinced that the Camden stonemason Isaac Stokes was indeed our Isaac from Oxfordshire.
I found a history society newsletter article that mentioned Isaac Stokes, stone mason, had built the Glenmore church, near Camden, in 1859.
From the Wollondilly museum April 2020 newsletter:
From the Camden History website:
“The stone set over the porch of Glenmore Church gives the date of 1860. The church was begun in 1859 on land given by Joseph Moore. James Rogers of Picton was given the contract to build and local builder, Mr. Stokes, carried out the work. Elizabeth Moore, wife of Edward, laid the foundation stone. The first service was held on 19th March 1860. The cemetery alongside the church contains the headstones and memorials of the areas early pioneers.”
Isaac died on the 3rd September 1877. The inquest report puts his place of death as Bagdelly, near to Camden, and another death register has put Cambelltown, also very close to Camden. His age was recorded as 71 and the inquest report states his cause of death was “rupture of one of the large pulmonary vessels of the lung”. His wife Catherine died in childbirth in 1870 at the age of 43.
Isaac and Catherine’s children:
William Stokes 1857-1928
Catherine Stokes 1859-1846
Sarah Josephine Stokes 1861-1931
Ellen Stokes 1863-1932
Rosanna Stokes 1865-1919
Louisa Stokes 1868-1844.
It’s possible that Catherine Daly was a transported convict from Ireland.
Some time later I unexpectedly received a follow up email from The Oaks Heritage Centre in Australia.
“The Gaudry papers which we have in our archive record him (Isaac Stokes) as having built: the church, the school and the teachers residence. Isaac is recorded in the General return of convicts: 1837 and in Grevilles Post Office directory 1872 as a mason in Glenmore.”
In reply to: The Elusive Samuel Housley and Other Family Stories
Matthew Orgill and His Family
Matthew Orgill 1828-1907 was the Orgill brother who went to Australia, but returned to Measham. Matthew married Mary Orgill in Measham in October 1856, having returned from Victoria, Australia in May of that year.
Although Matthew was the first Orgill brother to go to Australia, he was the last one I found, and that was somewhat by accident, while perusing “Orgill” and “Measham” in a newspaper archives search. I chanced on Matthew’s obituary in the Nuneaton Observer, Friday 14 June 1907:
LATE MATTHEW ORGILL PEACEFUL END TO A BLAMELESS LIFE.
‘Sunset and Evening Star And one clear call for me.”
It is with very deep regret that we have to announce the death of Mr. Matthew Orgill, late of Measham, who passed peacefully away at his residence in Manor Court Road, Nuneaton, in the early hours of yesterday morning. Mr. Orgill, who was in his eightieth year, was a man with a striking history, and was a very fine specimen of our best English manhood. In early life be emigrated to South Africa—sailing in the “Hebrides” on 4th February. 1850—and was one of the first settlers at the Cape; afterwards he went on to Australia at the time of the Gold Rush, and ultimately came home to his native England and settled down in Measham, in Leicestershire, where he carried on a successful business for the long period of half-a-century.
He was full of reminiscences of life in the Colonies in the early days, and an hour or two in his company was an education itself. On the occasion of the recall of Sir Harry Smith from the Governorship of Natal (for refusing to be a party to the slaying of the wives and children in connection with the Kaffir War), Mr. Orgill was appointed to superintend the arrangements for the farewell demonstration. It was one of his boasts that he made the first missionary cart used in South Africa, which is in use to this day—a monument to the character of his work; while it is an interesting fact to note that among Mr. Orgill’s papers there is the original ground-plan of the city of Durban before a single house was built.
In Africa Mr. Orgill came in contact with the great missionary, David Livingstone, and between the two men there was a striking resemblance in character and a deep and lasting friendship. Mr. Orgill could give a most graphic description of the wreck of the “Birkenhead,” having been in the vicinity at the time when the ill-fated vessel went down. He played a most prominent part on the occasion of the famous wreck of the emigrant ship, “Minerva.” when, in conjunction with some half-a-dozen others, and at the eminent risk of their own lives, they rescued more than 100 of the unfortunate passengers. He was afterwards presented with an interesting relic as a memento of that thrilling experience, being a copper bolt from the vessel on which was inscribed the following words: “Relic of the ship Minerva, wrecked off Bluff Point, Port Natal. 8.A.. about 2 a.m.. Friday, July 5, 1850.”
Mr. Orgill was followed to the Colonies by no fewer than six of his brothers, all of whom did well, and one of whom married a niece (brother’s daughter) of the late Mr. William Ewart Gladstone.
On settling down in Measham his kindly and considerate disposition soon won for him a unique place in the hearts of all the people, by whom he was greatly beloved. He was a man of sterling worth and integrity. Upright and honourable in all his dealings, he led a Christian life that was a pattern to all with whom he came in contact, and of him it could truly he said that he wore the white flower of a blameless life.
He was a member of the Baptist Church, and although beyond much active service since settling down in Nuneaton less than two years ago he leaves behind him a record in Christian service attained by few. In politics he was a Radical of the old school. A great reader, he studied all the questions of the day, and could back up every belief he held by sound and fearless argument. The South African – war was a great grief to him. He knew the Boers from personal experience, and although he suffered at the time of the war for his outspoken condemnation, he had the satisfaction of living to see the people of England fully recognising their awful blunder. To give anything like an adequate idea of Mr. Orgill’s history would take up a great amount of space, and besides much of it has been written and commented on before; suffice it to say that it was strenuous, interesting, and eventful, and yet all through his hands remained unspotted and his heart was pure.
He is survived by three daughters, and was father-in-law to Mr. J. S. Massey. St Kilda. Manor Court Road, to whom deep and loving sympathy is extended in their sore bereavement by a wide circle of friends. The funeral is arranged to leave for Measham on Monday at twelve noon.
“To give anything like an adequate idea of Mr. Orgill’s history would take up a great amount of space, and besides much of it has been written and commented on before…”
I had another look in the newspaper archives and found a number of articles mentioning him, including an intriguing excerpt in an article about local history published in the Burton Observer and Chronicle 8 August 1963:
on an upstairs window pane he scratched with his diamond ring “Matthew Orgill, 1st July, 1858”
I asked on a Measham facebook group if anyone knew the location of the house mentioned in the article and someone kindly responded. This is the same building, seen from either side:
Coincidentally, I had already found this wonderful photograph of the same building, taken in 1910 ~ three years after Matthew’s death.
But what to make of the inscription in the window?
Matthew and Mary married in October 1856, and their first child (according to the records I’d found thus far) was a daughter Mary born in 1860. I had a look for a Matthew Orgill birth registered in 1858, the date Matthew had etched on the window, and found a death for a Matthew Orgill in 1859. Assuming I would find the birth of Matthew Orgill registered on the first of July 1958, to match the etching in the window, the corresponding birth was in July 1857!
Matthew and Mary had four children. Matthew, Mary, Clara and Hannah. Hannah Proudman Orgill married Joseph Stanton Massey. The Orgill name continues with their son Stanley Orgill Massey 1900-1979, who was a doctor and surgeon. Two of Stanley’s four sons were doctors, Paul Mackintosh Orgill Massey 1929-2009, and Michael Joseph Orgill Massey 1932-1989.
Mary Orgill 1827-1894, Matthews wife, was an Orgill too.
And this is where the Orgill branch of the tree gets complicated.
Mary’s father was Henry Orgill born in 1805 and her mother was Hannah Proudman born in 1805.
Henry Orgill’s father was Matthew Orgill born in 1769 and his mother was Frances Finch born in 1771.Mary’s husband Matthews parents are Matthew Orgill born in 1798 and Elizabeth Orgill born in 1803.
Another Orgill Orgill marriage!
Matthews parents, Matthew and Elizabeth, have the same grandparents as each other, Matthew Orgill born in 1736 and Ann Proudman born in 1735.
But Matthews grandparents are none other than Matthew Orgill born in 1769 and Frances Finch born in 1771 ~ the same grandparents as his wife Mary!
In reply to: The Elusive Samuel Housley and Other Family Stories
The Gladstone Connection
My grandmother had said that we were distantly related to Gladstone the prime minister. Apparently Grandma’s mothers aunt had a neice that was related to him, or some combination of aunts and nieces on the Gretton side. I had not yet explored all the potential great grandmothers aunt’s nieces looking for this Gladstone connection, but I accidentally found a Gladstone on the tree on the Gretton side.
I was wandering around randomly looking at the hints for other people that had my grandparents in their trees to see who they were and how they were connected, and noted a couple of photos of Orgills. Richard Gretton, grandma’s mother Florence Nightingale Gretton’s father, married Sarah Orgill. Sarah’s brother John Orgill married Elizabeth Mary Gladstone. It was the photographs that caught my eye, but then I saw the Gladstone name, and that she was born in Liverpool. Her father was William Gladstone born 1809 in Liverpool, just like the prime minister. And his father was John Gladstone, just like the prime minister.
But the William Gladstone in our family tree was a millwright, who emigrated to Australia with his wife and two children rather late in life at the age of 54, in 1863. He died three years later when he was thrown out of a cart in 1866. This was clearly not William Gladstone the prime minister.
John Orgill emigrated to Australia in 1865, and married Elizabeth Mary Gladstone in Victoria in 1870. Their first child was born in December that year, in Dandenong. Their three sons all have the middle name Gladstone.
John Orgill 1835-1911 (Florence Nightingale Gretton’s mothers brother)
Elizabeth Mary Gladstone 1845-1926
I did not think that the link to Gladstone the prime minister was true, until I found an article in the Australian newspapers while researching the family of John Orgill for the Australia chapter.
In the Letters to the Editor in The Argus, a Melbourne newspaper, dated 8 November 1921:
THE GLADSTONE FAMILY.
TO THE EDITOR OF THE ARGUS.
Sir,—I notice to-day a reference to the
death of Mr. Robert Gladstone, late of
Wooltonvale. Liverpool, who, together
with estate in England valued at £143,079,
is reported to have left to his children
(five sons and seven daughters) estate
valued at £4,300 in Victoria. It may be
of interest to some of your readers to
know that this Robert Gladstone was a
son of the Gladstone family to which
the Right Hon. W. E. Gladstone, the
famous Prime Minister, belonged, some
members of which are now resident in Aus-
tralia. Robert Gladstone’s father (W. E.
Gladstone’s cousin), Stuart Gladstone, of
Liverpool, owned at one time the estates
of Noorat and Glenormiston, in Victoria,
to which he sent Neil Black as manager.
Mr. Black, who afterwards acquired the
property, called one of his sons “Stuart
Gladstone” after his employer. A nephew
of Stuart Gladstone (and cousin of
Robert Gladstone, of Wooltonvale), Robert
Cottingham, by name “Bobbie” came out
to Australia to farm at Noorat, but was
killed in a horse accident when only 21,
and was the first to be buried in the new
cemetery at Noorat. A brother, of “Bob-
bie,” “Fred” by name, was well known
in the early eighties as an overland
drover, taking stock for C. B. Fisher to
the far north. Later on he married and
settled in Melbourne, but left during the
depressing time following the bursting of
the boom, to return to Queensland, where,
in all probability, he still resides. A sister
of “Bobbie” and “Fred” still lives in the
neighbourhood of Melbourne. Their
father, Montgomery Gladstone, who was in
the diplomatic service, and travelled about
a great deal, was a brother of Stuart Glad-
stone, the owner of Noorat, and a full
cousin of William Ewart Gladstone, his
father, Robert, being a brother of W. E.
Gladstone’s father, Sir John, of Liverpool.
The wife of Robert Gladstone, of Woolton-
vale, Ella Gladstone by name, was also
his second cousin, being the daughter of
Robertson Gladstone, of Courthaize, near
Liverpool, W. E. Gladstone’s older
brother.
A cousin of Sir John Gladstone
(W. E. G.’s father), also called John, was
a foundry owner in Castledouglas, and the
inventor of the first suspension bridge, a
model of which was made use of in the
erection of the Menai Bridge connecting
Anglesea with the mainland, and was after-
wards presented to the Liverpool Stock
Exchange by the inventor’s cousin, Sir
John. One of the sons of this inventive
engineer, William by name, left England
in 1863 with his wife and son and daugh-
ter, intending to settle in New Zealand,
but owing to the unrest caused there by
the Maori war, he came instead to Vic-
toria, and bought land near Dandenong.
Three years later he was killed in a horse
accident, but his name is perpetuated in
the name “Gladstone road” in Dandenong.
His daughter afterwards married, and lived
for many years in Gladstone House, Dande-
nong, but is now widowed and settled in
Gippsland. Her three sons and four daugh-
ters are all married and perpetuating the
Gladstone family in different parts of Aus-
tralia. William’s son (also called Wil-
liam), who came out with his father,
mother, and sister in 1863 still lives in the
Fix this textneighbourhood of Melbourne, with his son
and grandson. An aunt of Sir John Glad-
stone (W. E. G.’s father), Christina Glad-
stone by name, married a Mr. Somerville,
of Biggar. One of her great-grandchildren
is Professor W. P. Paterson, of Edinburgh
University, another is a professor in the
West Australian University, and a third
resides in Melbourne. Yours. &c.Melbourne, Nov.7, FAMILY TREE
According to the Old Dandenong website:
“Elizabeth Mary Orgill (nee Gladstone) operated Gladstone House until at least 1911, along with another hydropathic hospital (Birthwood) on Cheltenham road. She was the daughter of William Gladstone (Nephew of William Ewart Gladstone, UK prime minister in 1874).”
The story of the Orgill’s continues in the chapter on Australia.
In reply to: The Whale’s Diaries Collection
Ay, the framework knittin’ were ‘ard work, but it were our own, and better by a mile than what come next. We ‘ad the frame in our home and all the family helped, the girls’d be the seamers and the spool threaders and many a fine stocking we made in our cottages, until those industrialists and capitalists came to our fair dales with their factories and such and took our livelihoods from under our noses.
We ‘ad a needle maker in our village, a miller and a baker, and a dressmaker. We ‘ad farms and a dairy and a butcher, and all the old families in our parish ‘ad their place. There’s always those that find work hard, and those that find it rewarding, but even them as found the framework knittin’ ‘ard soon changed their tune about the framework knittin’ being hard when they was doubled over under gods green earth all the day long in the coal mines.
Ay, the changes wrought upon our fair parish wreaked an unholy disruption upon the face of village life. It were the inclosures act what started our downfall, when our common land was took from us, that were indeed the beginning of the end of our fine community of largely honest souls, and even the good nature of the gent from the hall and the Parish poor fund couldn’t halt the downfall.
Ay and I’ve traveled to the future and seen the ungoldy sight of it now. The old farm on the turnpike road surrounded now by house upon house and not an onion nor a carrot to be seen growing in their gardens, and the fronts all hardened floors for those contraptions they move around in, and empty all day long with not a sign of life until nightfall when they all come home and go inside and shut the doors, and never a one passing the time of day with their neighbours over the garden fence, and not a chicken or a cow in sight.
There’s no needlemaker now, and the mill’s been knocked down, and there are painted lines on all the hard roads, although I will say that ugly as they are they don’t get near so rutted and muddy when the weather’s bad.
I can’t stay long when I visit the future with that woman who comes to call upon us asking questions. I can’t stay long at all.
In reply to: Two Aunties au Pair and Their Pert Carouses
The Beige House was eerily calm. Most of the staff had left after the super spread of the epidemic.
Fanella and Finnley had managed to agree to a temporary truce and a fair share of tasks (and masks). After all, they didn’t have the luxury of unpaid leaves, and had to continue to work.
“Ready for a change of crowd in the building, Fanny?” said Finnley in her unmistakable Kiwi accent, as a matter of breaking the silence in the grand hall. She was dusting the chandeliers, while Fanella was shampooing the carpets.
“I don’t know Miss Fin’, it iz such a mess now. And I have to take care of ze baby, no time to be political.”
“Oh, by the way, I received a message from the gang…”
“Aprrril’ and Joone?”
“Yep. Those two. The money has dried up, and they learnt the hard way that American are not loved much these days, big spreaders and all. So they decided to sail back to the good ol’ States. Looking for a job now, and hoping that autumn doesn’t mean everything will turn to orange disaster!”
In reply to: The Precious Life and Rambles of Liz Tattler
“What’s with the lucha libre mask, Bronkel?” Godfrey asked as he ushered the short tense man in the living room. “I’m not sure that’s very sanitary… Protects everything but the mouth…”
Bronkel didn’t feel like answering and at once asked for Elizabeth Tattler.
“… and don’t tell me she’s got another pitiful excuse for not delivering! Listen, she’s just the worst! And let me tell you that I’m not exaggerating. I’m also managing GRRAOU —yes, George fucking R.R.A.O. Urtin, and this guy’s been at his pentalogy since 25 years. So, I got my fill about lame excuses.”
“Her readers are devotees, you know. They know hers is a difficult craft. Warping and woofing words around like she does, so gloriously. Everybody but you Bronkel seem to understand that it’s not commonplace, it’s a treasure earned with patience and devotion.”
“Devotees for sure. They have a saint’s patience I can grant you that, and luckily for her!” Bronkel drank the inch of gin bottoms up. “And where is she, by the way? Will she not deign face me?”
“Oh, I think she’s err… busy at the moment. She’s rehearsing a scene from her last book for accuracy… with the gardener.”
In reply to: The Precious Life and Rambles of Liz Tattler
“Take a look at the nude old fart? Godfrey’s not cavorting about naked again, is he? Go and cover him up quickly, before anyone sees him. That kitchen towel won’t be big enough, you better get a sheet.”
“He’s not going to let me cover him up though is he, Liz?” Finnley replied. “You know what he’s like when he gets these urges!” Finnley was about to clarify that she hadn’t said Godfrey was prancing about the place naked anyway, but was rendered speechless when Liz replied.
“You’re right,” admitted Liz, reluctantly. Then she had an idea. “Tell him it’s a toga for the Romans party.”
“What Romans party?” asked Roberto, popping his head in the French windows. “I’ve always wanted to dress up as a Roman slave.”
“You mean mostly naked? Give him that kitchen towel Finnley to use as a loin cloth.” Turning back to the strapping gardener, she said, “Show me your costume, young man!”
“But Liz” Finnley started to say that there was no Romans party really, that it was just a ruse to cover up Godfrey, (who the reader if not the writer will remember wasn’t naked in the first place) and what was she doing getting the gardener to strip… and then she decided to just say “Oh never mind” and make a hasty retreat, mumbling something about dishes to wash.
In reply to: Pop﹡in People Tribulations
Shawn Paul had decided that this particular day was dedicated to his writing. He had warned his friends not to call him and put his phone on silent mode. It was 9am and he had a long day of writing ahead of him.
He almost felt the electricity in his fingers as he touched the keyboard of his laptop. He imagined himself as a pianist of words preparing himself before a concert in front of the crowd of his future readers.
Shawn Paul pushed away the voice of his mother telling him with an irritating voice that he had the attention span of a shrimp in a whirlpool during a storm, which the boy had never truely understood, but today he was willing not to even let his inner voices distract him. He breathed deeply three times as he had learned last week-end during a workshop, and imagined his mother’s voice as a slimy slug that he could put away in a box with a seal into a chest with chains and lots of locks, that he buried in the deepest trench of the Pacific ocean. He was a writer and had a vivid imagination after all, why not use it to his benefit.
A smile of satisfaction wavered on the corner of his mouth while a drop of sweat slowly made its way to the corner of his left eye. He blinked and the doorbell rang.
Shawn Paul’s fragile smile transformed into a fixed grin ready to break down. Someone was laughing, and when the bell rang a second time, Shawn Paul realised it was his own contained hysterical laugh.He breathed in deeply at his desk and got up too quickly, bumping his knee in one corner.
Ouch! he cried silently.
It would not take long he reminded himself, limping to the door.
What could it be ? The postman ?Shawn Paul opened the door. An old man he had never seen, was standing there with a packet in his hands. If he was not the postman, at least you had the packet right said a voice in Shawn Paul’s head.
The old man opened his mouth, certainly to speak, but instead started to cough as if he was about to snuff it. It lasted some time and Shawn Paul repulsed by the loose cough retreated a bit into his flat. It was his old fear of contagion creeping out again. He berated himself he should not feel that way and he should show compassion, but at least if the old man could stop, it would be easier.“For you!” said the old man when his cough finally stopped. He put the packet in Shawn Paul’s hands and left without another word.
In reply to: The Precious Life and Rambles of Liz Tattler
“The thing is Godfrey,…” She was clearly savouring her small victory. Liz’ paused for a long time looking at her long hands, lost in the small wrinkles that led to the nails in need of a manicure. She took a mental note to complain to the writer about getting carried away in inaccurate descriptions of her wrinkly bony-sausagey fingers.
“Yes, Liz’?” Godfrey said plaintively.
“Those AIs are good enough to spout endless nonsense, but there is no soul in it. Endless strings of words, more produce of books that don’t make any difference. Cheap undertainment, mark my words.”
“True. Had to stop Fliz, it was ruining the business. If new books were to be published every day, even the most avid reader got overwhelmed, and the others… they saw it as the worthless poubelle it was.”“Well, that’s depressing enough, even for you Godfrey. You left all your peanuts untouched.”
“I need a hobby I think. Something without tech. Maybe raising a flea would do me good.”In reply to: Pop﹡in People Tribulations
Granola allowed herself a few moments to bask in the glow of satisfaction. At least Lucinda had noticed the side bar suggestion she had implanted on the Face It web page, and had perused the ideas sufficiently to motivate her to try out one of the missions.
“Invite a random stranger to join you,” it had said, “to join you for coffee in a nearby cafe, or invite them home for dinner, or to see a movie.” The page had included numerous other suggestions, but that was the gist. They did warn the reader that often, people were suspicious and expected a scam of some kind, and if the random stranger exhibited more that a token display of wary caution, to leave them with a cheery wave, and thank them for helping you to practice your confidence boosting exercises. Under normal circumstances, providing the level of fear and distrust wasn’t too high, this approach usually rendered the random stranger more amenable to an approach in future.
In truth this wasn’t a difficult exercise for Lucinda, for she often spoke to random strangers and quite enjoyed it, although usually she didn’t extend that to personal invitations. But the Ask Aunt Idle Oracle had been droning on and on about interconnection being the primary factor in reducing signs of aging ~ yes, strange, but true: nothing to do with food or toxins or exercise after all ~ so the coincidence of Aunt Idle’s advice mirrored in the side bar suggestion registered sufficiently for Lucinda to actually remember it, and try it out on the bored looking fellow in the supermarket.
Only hesitating slightly before extending his hand to grip hers in a surprisingly firm handshake, he responded: “I’m Jerk. Pleased to meet you.”
Granola grinned from behind the pyramid of baked bean tins, and faded out of the scene. There was work to do on the side bar method for the next clue.
Jerk’s eyes flickered over to the baked beans, registering the peripheral movement, just in time to see a disembodied foot wearing a red sandal vanish into the somewhat heavy air of the canned goods aisle.
In reply to: Eight Turns of the Wheel
Starting from the end of the story, Albie finally understood where the traveler had come from, and why.
In retrospect, it explained a lot. Why the story was going nowhere for enders.
It begged to be turned around! — back to its origin. Otherwise, readers of the pages of the story couldn’t help but be taken by bouts of anterograde amnesia.All the forward looking thinking, the futurists, bound to become caught in a loop! Fighting for a patch of the present, while the expanse was to be discovered in the expired. Truth was in the return. Funny how regression seemed a word tainted of passéism, while it could in turn evoke seismic progress — regression therapy!
So let us start from the end. The traveler had arrived, she’d come from the other side of the page. Turning that back, a whole new story was to be written of what led her to the Doline.
In reply to: Seven Twines and the Dragon Heartwoods
“Dammit,” said Yorath, “your lyrical way of talking about those old decrepit things reminded me that I’ve promised a fresh load of provisions to the old woman in the forest, what’s her name already.”
“Margoritt Loursenoir?” ventured Eleri, who usually was the one who couldn’t remember names too common. It did help that she was an avid reader, and that Loursenoir happened to be an author that she’d liked.
“Yes, her. You could come with me you know. There’s surely plenty to pique your interest on the trip to the forest, surely a few discarded things you’d like to grab for a later tinkering.”
“You know how I hate snow and the cold…” she mused for a while. “But at least some dry air will be welcome…”
