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This discussion could receive all your impressions and discussions about the latest developments in the story.
Could be ranging from synchronicities to idle chat. Have fun!
You can also make use of the “whisper” feature, which will make the comment viewable only by the name selected in the whisper box.
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
Topic: Yuki’s Livrary
These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.
Note: for the reader not familiar with all the names here is a quick reminder:
- Araili > Yann, Írtak, Sam, Jacob …
- Armelle > Fiona, Arona, Tina, Qixi …
- Rafaela > Dory, Illi, Becky, Rodney …
- Yuki > Quintin, Al, Janice …
September 12 th, 2007
Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.
I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…
September 13 th
Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
This first comment seems very promising.Right now, it feels easy and fun.
Quintin seems to think that everything is very straightforward.
The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
But the thing is, that he missed the point in thinking one World is more “real” than the other.
We’ll be having some fun soon…First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
We will appeal to his imagination.
It seems he has heard the suggestion.September 14 th
For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.
But as I expected, some challenges seem to appear already.
Is it raining or not in that world?
The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
How will it unfold?
Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…September 15 th
Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.
Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin
Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.
September 16 th
Halcyons days…
My dear friend Archie is answering some of Quintin and Yann’s questions.
Something starts to dawn on Quintin. But his mind is on other matters.He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.
September 18 th
Quintin has been drawing some of the characters of the story. It’s interesting.
He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.Characters drawn:
- Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
- Malika, Quintin, Yann, Fiona and Dory
Interestingly, Fiona resolves her issues in her cave.
Dory too, but she did not need the cave to do this.September 21 st
For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
Quintin will soon realize that he himself is doing this constantly, though he does not register it.But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!
Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.Of course, some things still matter, and one of the point of the story is also to discover these.
September 22 nd
Quintin has been drawing new characters.
Characters drawn:
- Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
- Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
- Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter
A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
She had at first thought they were whiskers, which was not Quintin’s intent…September 23 rd
Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.
Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.
Up to now, here are the names he could find:
- North: the Icy Lands, and Dragon Cemeteries
- Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
- Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators. - South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.
When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.
In reply to: Circle of Eights, Stories
Sanso was finding it hard to stop laughing at Arona’s funny wooping hoots of laughter. He snorted and gasped until his side ached.
Mandrake? Mandrake! Arona came to her senses. Where has he gone? Mandrake!
He’s taken that glass sand thing, too! All that laughing had jumbled up Sanso’s memories, and he couldn’t recall the name of that Glass sand thing
(that glass sand thing, Becky made a note to look it up and correct the script later)
That creature’s made off with it!
Oh, bugger off, Sanso, Mandrake wouldn’t do that! Arona spoke sharply, forgetting her manners in her panic. What would a Mandrake want with a glass sand thing? Arona almost stamped in frustration at not remembering the name of that thing, and in front of Sanso, too.
Sanso didn’t hear her anyway, he was striding purposefully across the cavern towards the waterfall.
Well wait for me! Arona ran to catch up with him. How do you know he went this way?
I don’t, Sanso was honest, But when I gets an urge, I gets an urge, and I follows it.
Arona couldn’t think of a better idea, so she followed him. Slow down, will you! Mandrake! MANDRAKE! Where are you, Mandrake!
In reply to: Circle of Eights, Stories
Malvina had been busy opening doors for herself, and thus, for the All.
Creating the sabulmantium with Leörmn had revealed new potentials to her. And just before putting the final touch to the device, she had felt engulfed in a huge wave and before she knew it, she was talking with someone. A great creative power, which was stemming from herself, and also from which she stemmed too.
It had named itself Naasir.
It had revealed to her, in the form of a dark abyss, myriads of unknown potentials waiting for her to leap in faith into them. It had gently requested that she release her hold on the caves openings, so that she could explore more, and also bring more to herself.
Then Naasir took the form of a great dragon in that abyss, from which roots were growing and pushing their way, slowly and surely, into the rich soil towards the light of their fullness.
She had then seen the dragon’s arched back and tail shift into a chain of spiked rocks, separating the worlds seas in two. Three of the scales on the right of the dragon’s skin were glimmering, and she could see they were looking for a passage.
Would she allow that to happen? Yes, she wanted to. Open the doorways, and reunite what was separate, but gently, one at a time.
Slowly, the kite-shaped rocky plates on the back of the dragon moved apart, to open a slight, safe passage for the glimmering scales. They were caught in the eddies that surged from the opening, but Malvina’s focus helped them to float and cross safely, as they wanted to.
She then came back to herself, seated in front of the glass-shell dragon egg filled with coloured sand, awed with that power she had just felt through her. She knew it was her own power, and that the device had only allowed it to be expressed, but she had felt wary of how the sabulmantium could be used by others.
At the same time, Leörmn who was once again the tiny weaszchilla trotting on the wooden table in front of her had laughed squeakingly. And looking at the toy in front of her, she had understood how it could only be used by those who would see beyond the thinly veiled surface. For the uncaring eye, this would only be a toy, mundane and without interest, but for the pure of heart, its help could be harnessed.
That’s how she’d knew she did not need it any longer, and could release it.
So, the doors had been opened, and people were feeling the new jewels sparkling behind the dark passages. And gifts from friends could now come across the veils.
Malvina saw that during the last transmugrification, Leörmn had created an entrance near her laboratory, and it was as if it beckoned her now.
When she entered, she saw a guéridon table in the middle of a moistly pungent room. On the table, a polished egg was here. She recognized it at once. It had an azure blue glow to it, and fond memories came back to her.
Back then, she was a young Sorceress in training on the Island of Mörk, in the middle of the Icy Lands, the birth and dying place of the dragons.
This egg was one from a set of three. It was the first glubolín she’d ever made, along with her two companions. They had kept it to communicate with each other when they parted.
Malvina, the youngest of the three, had kept the azure blue, and chose to go to the Dragon Head Peninsula.
Oörlaith had kept the mauve, and went near the town of Kapalÿka, on the Snimeÿa River delta bordering the Marshes of Doom.
As for Roselÿn, the eldest of the three, she had taken the amber one, and had went as far as anyone would have dared go, flying on her spiked dragon Rëgkvist, past the Great Rift.
They had kept in touch, but contacts had been more and more sporadic as each were discovering their own new environments, and had ceased altogether, almost at the same time.
As far as she knew, Roselÿn had been starting her own rookery in the sandy ice deserts of Åsgurdy, mostly hiding there from the superstitious people of that land. And Oörlaith, whom she was closest to, had been devising another funny way to keep people away from her rookery. Her own dragon, the playful Andarión, was shape-shifting as a huge shrimp to pretend that the surroundings were haunted.
Recalling all these moment, Malvina laughed at how silly they all were, and felt a long to be connecting again with her friends. Would anyone of them be around their own glubolíns?
In reply to: Circle of Eights, Stories
Fiona had more or less given up on getting the pebbles from Yann, deciding they must have got lost in the post, so that evening when she happened to check the mailbox when walking past she was very surprised and delighted to see a package from him. It was way too late for the postie to have been, so she was intrigued as to how they had got there and where they had been all this time.
The three pebbles, well a couple of them were more like small rocks really and she was most impressed that Yann had sent them, were from the cave in Scotland he had visited a few months ago. Yann said the small one was from the cliff, the red one was one of the pebbles outside the cave and the grey one was from the stream inside the cave.
Fiona held each of them in her hand and got quite a strange feeling from them, and some interesting pictures came into her head…..
Yann had also sent a furry toy, a little scottish hairy cow. Apparently on his trip these hairy cows had reminded him of her. Fiona was a little perplexed by the seeming similarity but decided to believe it was a good thing. how quaint! she thought bless him
In reply to: Circle of Eights, Stories
After Sanso heard the voice “the reason you are looking for is right under your nose” he thought he had better go and have another look at that smelly, well was it smelly? hmmm perhaps not, just a bit mouldy, old cape. Just in case it was a clue and he had missed it.
He was surprised and delighted to see Arona, who was still sitting quietly meditating.
Oh, goodness, said Arona startled, Who are you?
I am Sanso and some people call me a wretched outcast madman wanderer, and Sanso laughed heartily.
Arona laughed too, out of politeness and a bit hesitantly, unsure if Sanso was joking or not. Well your words not mine she said
Sanso laughed heartily again which Arona found a bit odd. My words indeed he said And who are you and what brings you to explore this cave?
I am Arona, and this is Mandrake. I popped in to find the source of the beautiful music I could hear, but my overall mission is learning about magic.
Sanso had stopped listening and was gazing at the round glass ball filled with the sand shapes.
Good Lord! he gasped, Is that a sabulmantium ! And a very early model too. This is a classic! The later models are much more complex, this is very fundamental, but beautifully made.
Oh really, well it is great fun
Sanso explained to Arona at length the more technical details of how a sabulmantium worked, and how it could be used like a compass.
Fascinating she said, and Mandrake rolled his eyes.
In reply to: Circle of Eights, Stories
Arona and Mandrake sat side by side looking into the glass ball filled with sand. They had been practising for some time, and had both become quite proficient at shifting the sand.
So what shall we make now Mandrake? Something we both like maybe?
A fish perhaps? suggested Mandrake
Oh excellent idea! and no sooner was it thought of than the sand would shift accordingly.
Scrambled eggs I think too, on chunks of homemade bread, said the still hungry Arona, and chocolate!
Some milk for me, said Mandrake
Hmmm not sure about that Mandrake. Lots of cats have allergies to cows milk.
Mandrake rolled his eyes And chocolate might make you fat, he said, but was I so rude as to mention it? and Mandrake created a hairy cow, and a farmer to milk the cow.
Arona laughed, and created a little sand langoat, just in case the stubborn Mandrake changed his mind. Langoat’s milk would be much better for him she thought.
The glass ball was now filled with a miniature world of sand objects.
Arona leaned back against the wall and stroked Mandrake. She felt very fond of the grumpy cat. The feeling of being able to create whatever she wanted had been fun. Perhaps, she thought, her creations were rather rudimental at this stage, but then already she could feel bigger things brewing within her as her confidence grew. She felt as though the sand game had focused her, like a beam of light which shone only on that which was intended.
Arona closed her eyes and allowed her mind to open and reach out, something she knew she had always been able to do easily, but her fear of the “madness” had made her cautious and hide these abilities, till she became unsure of them. The “madness” was the term the people in her Village had given to the poor wretched wandering ones, who claimed to hear voices and communicate with Gods. Once as a child she had seen the Villagers drive one of these poor souls from the Village, shouting and abusing him. She did not really understand what he had done, only that the Villagers were afraid of him. So Arona had felt it was better to keep some things to herself.
Arona left her mind open and allowed images to enter. Some of the images she did not understand, and she let them flow on, enjoying the energy of them notwithstanding. She saw a dragon, it was not the one with the mouthful of riddles, but another one, a baby one she felt. Her ability to see pictures was quite rusty, but she felt a connection with this baby dragon and a great fondness for it.
She felt a great peacefulness in her body, a knowledge that walking in the world of magic would be easier from now on
In reply to: Circle of Eights, Stories
When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.
— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…
— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?
Tina was taken aback…
— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway? — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?
Quintin had answered distractedly, as he was engrossed by his last painting…
Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.
She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…
— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…Wow he had thought, she can really see.
Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.
The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…
— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).
Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.
Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.
The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…
Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.
Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.
She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…
She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.
When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.
Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.
This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.
She started to move again, de-focusing, past the lazy honey drops.
The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.
In reply to: Circle of Eights, Stories
Yann have been working on the drawing sporadically, several subject were coming to his mind at the same time and he wanted to treat them all… All what he could do for the moment was just draw some sketches of all that… there was that scene with his niece and the dragon-boy, and that other scene where he could see that man on a dinosaur-like mount…
At times he could also feel the gentle energy of his dear friend Amanda. He’d wanted to meet her in Vienna in June, but unfortunately she couldn’t attend the meeting. She was participating in his current exploration of art. It was like he could feel many energies from different people and different beings and he could choose to express them as he wanted.
Some could be translated just in movement, like just drawing lines and create a harmonious disposition and interactions between them, suggesting other lines that weren’t fully expressed or weren’t expressed at all.
Some others could be translated as colors and shades, contrast and iridescence… possibilities were infinite.
He was wondering how he could introduce the gentle energy of his friend, but maybe it had already been incorporated.
Salome was feeling a draw to the cave…
She was focusing her energy slightly differently now, in order to manifest in this dimension an aspect of herself.
In reply to: Circle of Eights, Stories
Bill, the itinerant artist commissioned to paint portraits of the Wrick family, was uneasy. While he’d been staying in the castle with the eccentric family, he’d lost all track of linear time. It had been altogether too confusing, and his head was spinning. Manon the cook had sent a tray up to his room, with a pot of Earl grey tea, and a plate of Yorkshire parkin for his supper, when he’d claimed to be developing a mysterious ailment and begged leave to retire to his room.
Bill splashed some malt whiskey into his cup of tea. A good long sleep was what he needed, and with a sigh he drained his cup and climbed into bed, pulling the heavy eiderdown up over his chin. He lay there for awhile staring into space, not really aware of his thoughts. An owl hooted from the oak tree outside his window. Twit whoohooo twit whoo hooooooo…
Bill blinked and then frowned. On the top of the Queen Anne highboy facing the end of his bed was a large carved stone face. How odd, he thought, I don’t recall seeing that there before.
In reply to: Circle of Eights, Stories
Fiona was feeling a bit weird.
She was wondering what was real. Was she real? Wow I am starting to sound like Dory she said and then laughed
Oh my goodness and now I am laughing out loud and talking to myself. Jarrod does that and they put him on medication for it.
And were her online friends real? I mean what evidence did she have. There were these pebbles of course Yarn said he was sending, but where were they?
The other day she had been talking to her friends via the internet, and she found herself telling this ridiculous bird story, which basically boiled down to “I saw a bird and a cracked egg shell”
AHAHAHAHAHA
Ooops better stop laughing out loud so much. But at the time of seeing the bird it had felt really significant, as though something of importance was being communicated to her.
And the online story they had all been writing — well was it all of them, or was it really just her writing it? — whatever, it was getting weirder and weirder and quite rude at times too actually. Or was it??? Was that her imagination again?
And lately she kept winking. Good grief, I never wink, what is all that about? What the does a wink mean anyway?
Fiona patted her dog George. He was so funny and uncomplicated. All he wanted to do was eat and play and have as much fun as possible… so cool. Actually that is all I want really too, she decided, and felt much better.
In reply to: Circle of Eights, Stories
Fiona woke up smiling from her dream.
She had been in a new house, scrubbing the wooden floorboards, rearranging furniture. There was a nice garden, very green. Anyway all these ducks flew into the garden, well ducklings really, because they were cute and yellow, like cartoon ducks.
It had been drought conditions for so long that Fiona was concerned for them. So she filled a glass with water and threw it over them. She kept doing this, and the ducks were hopping happily around in the water. Then they all started clapping their wings together to thank her.
Fiona had been having lots of duck imagery lately. A funny thought crossed her mind as she thought of Rose, a friend of Dory’s who was into birds. Well she was a friend of all of them, but Fiona associated her with Dory, because Dory was always saying “Rose said this… or Rose said that”…
Quintin said ‘ducks and drakes’ was a game where you threw pebbles into the water or something. This cast a slight shadow over Fiona’s day thinking about it, because sadly her pebbles had still not arrived from Yann.
Anyway when they did get there, no way would she be throwing them away into the water. Not after this long a wait.
What was the time anyway? she wondered looking at her watch 1:11, cool time for some more housework.
In reply to: Circle of Eights, Stories
Arona hummed happily to herself. She felt so light without the cape and the tunnel was bathed in the gentle light of many glukenitches. Mandrake the cat followed along too, much to Arona’s delight, although she was a little hesitant to tell this to the grumpy cat
Magic magic magic magic she hummed to herself
Arona almost skipped along the tunnel, and, so wrapped up was she in thoughts of magic, that she tripped and fell heavily, hurting her left hand as she put it out to save herself
Ouch, hells bells and warty wizards, she muttered, for it did hurt quite considerably… and then she had some scarey thoughts. She looked around and realised that really, the fact of the matter was, undeniably, that she was still lost in the darkish tunnel.
What if I don’t believe in magic? and her happy mood plummeted.
Oh fuch, she swore, and sat down on the cave floor. FUCH FUCH FUCH FUCH she shouted as loud as she possibly could, and in fact hurt her throat a little in the process and quite possibly the sensitive ears of many glukenitches.
This blessed cave is doing my head in. I want to see the sunshine, or the rain, no matter, I don’t care what the weather is doing I JUST WANT TO BE OUT OF THIS CAVE.
Ooops that was rather loud
After coaxing Mandrake back, as he had retreated quite some distance at her outburst, she sat down and put her head in her hands and tried to think. Did she believe in magic? Well of course she had no choice. Life without magic was inconceivable to her.
She felt a familiar tiredness sweep over her as she struggled to work it out. Perhaps I will just have a small sleep before I continue, and she curled up on the ground, wishing she had her heavy black cape to wrap around her.
As she gave up the struggle and let sleep come she heard some soft words
It’s easy Arona … magic is easy … it is the thread linking all to all
************
A short while later she woke from her sleep, feeling refreshed and ready to continue.
In reply to: Circle of Eights, Stories
Fiona
ed as she read the latest updates on Quintin’s website. She felt the strong presence of her evil twin as she found herself compelled to play with some of the new features.
She hoped this would not make Quintin feel
as really it had nothing to do with the story.Or did it
Of course he can always
delete itif he wants, she thought happily
or make some rules, to stop this sort of thing happening in the future. 
In reply to: Circle of Eights, Stories
Becky noticed the round jars of coloured sand on the shelf as she went to look for some chocolate. She hadn’t known why at the time, but she’d followed the impulse to bring a little sand home with her from special places, usually scooped up quickly and a bit furtively in the clear plastic wrapper of a cigarette packet. They were all lined up in little round jars from a disused yogurt making machine in front of her unused cookbooks on the kitchen shelf.
In reply to: Circle of Eights, Stories
Dory was secretly delighted Georges had drugged the coleslaw, despite appearing to be angry. She loved the way different things altered her perception, and even though she knew how to alter her perception without using a drug now, she also knew she was creating the drug and its effects, and that it didn’t much matter whether she did or she didn’t.
(Becky wondered if that principle applied to pain relieving drugs too, and decided that indeed it must. She wondered though if she really really believed it enough to trust herself to create pain relief WITHOUT actually swallowing a little ball of physical matter)
Dory was reluctant to admit it at first, but she’d also known all along that she’d created Georges appearing out of nowhere like that, and that she had in fact invited him. Sometimes it seemed easier to forget that and just grumble, which of course was acceptable too. Grumbling was fun sometimes, but it got awfully boring if she carried it on for too long.
The coleslaw was delicious.
Have some more, offered Geroges
(Becky made a note to change Georges name to Geroges. It was no accident that she kept typing it like that, and she was beginning to think correcting it all the time was futile, and that she was somehow missing the clue)
Dory munched the crunchy coleslaw.
(Without a moments appreciation for her lovely strong full set of teeth, Becky noticed)
Dory unexpectedly felt a moment of appreciation for her teeth. Wow, she thought, I never even think about that, but teeth are cool. She shuddered when she remembered an awful dentist dream she’d recently had.
Dory looked up at Geroges and smiled.
Got any chocolate?
In reply to: Circle of Eights, Stories
A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.
Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.
— Sorry for being late! said Al a bit uneasy.
— Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
— Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.A silence was on the scene.
At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.
Somewhere in Malvina’s cave.
Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.
She asked Leörmn to come.
Quintin’s bedroom.
[1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.
Leörmn came almost instantly, appearing in a puff of teal smoke.
Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.
— Why hasn’t that pirate, Badass…
— Badul, corected Al
— Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
— Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
— Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
— OK. So, for me, they have forgotten much about magic in his land.
— Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
— Which would explain the quest… said Al
— Yeah, and he would have hidden that to the rest of the crew, probably… said Tina… Leörmn had now finished assembling the magical artifact.
— That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
— Oh yes it is. And how would you call it?
— Let’s see… — sabulmantium !
Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.
— Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
— Hahahaha, the others continued
— Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
— Wow! Tina couldn’t help but say. Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.
In reply to: Circle of Eights, Stories
“HAHAHA! it is your first step now. Let me just remind you that you need not play MY game, the game is yours, ever.” said Georges.
Dory was feeling a bit confused now. What was he talking about, what game? And first step to what? She couldn’t hold to the anger nor the irritation; all of that was feeling not real or not here, or not there for all she knew.
“The direction you follow is your choice, and where I come from is not relevant to this conversation. You may say I come from yourself
and indeed you called me and I wanted company. Do you want more coleslaw?”Without waiting for her answer he refilled her plate with the tasty food.
All those smells,… she could feel so many different things, things that appeared not to be here. A movement caught her attention in her periphery. As she turned her gaze whatever was there had vanished. And this humming, it was like music, but not very clear… if she could just focus more on it, yes like that, she was feeling sooo calm and she began laughing.
“Hahahah… haha. Did you drug the coleslaw?” She asked, trying to appear angry and unhappy, but all she could do was smile and laugh.
The images around her were shape-shifting, there were many colors, some of them she didn’t know could be possible, the walls were melting of sort and becoming transparent, or just fluid maybe…
“Well you see how it’s easy to relax. Let’s see where you want to go now my dear Rafaela”, he said winking.
And everything turned into a great maelström but she felt secure and could feel his presence reassuring, and there were all those other faces and places, some felt very familiar, had she ever been there before?
In reply to: Circle of Eights, Stories
Salome had felt Georges closer… he was coming, though not here entirely yet.
She was feeling like he was in between worlds. And there was that other energy personality with him, a bit confused but ready to move on.
Salome was about to meet with another close aspect of herself in this dimension. She knew the connections and her other self knew she was coming. Malvina was her name.
Salome was moving fast through the elements of this dimension… it seemed she already had experienced it before, but it was different. New energies and new aspects were adding to the experience and the diversity of it. A movement that could be translated as a big Cheshire smile rippled from her center throughout the entire dimension, and Malvina’s giggle responded in different times.
Salome was not yet fully focused on the time and space of the encounter, it was not yet necessary, though it has already been done and they were all meeting in the cave(s)… These caves were a translation of the interconnectedness of the dimensions and were constantly reshaping in the timeline of this dimension —though with the particular focus she could experience most of the ramifications.
She was in a manner of speaking waiting for someone, someone has yet to do a little thing before she would send a focus of herself in the joyful party.
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