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“Yet another splendid piece of synchronicity!” The Leprechaun praised himself, while eyeing the delicious-looking chocolate cake with three layers of vanilla cream that simply willed itself into different flavours before his delighted, excited taste buds. Just as he was about to take his first bite into the scrumptious cake, a multi-coloured portal opened before his very eyes. Unsurprisingly, the host of elves, each in a different physical manifestation, jumped out of the portal and dusted the stardust off their garments.

“Mr Leprechaun,” one elf began. He took the form of a Spanish gentleman by the name of Raul Iniesta. “Raul” (as he will be called for the time being until he shifts shape) had long, black hair that he had no intention of bounding, instead allowing its blackness to flow freely upon his neck and over his shoulders like a nightly waterfall of moonlight and starry gazes. He had an almond-shaped face, and his skin was gently golden-brown, as if his physical birth took place on a beach at sunset. His eyes were sea-blue, glimmering gently in the luminescence of his own aura. He spoke in a gentle voice that was mightily influenced by a touch of spanish mixed with french accents.
“I see you have taken the form of a Leprechaun-” Raul stepped closer to observe the essence’s current physical. “How quaint.”
The Leprechaun dryly stared at Raul. “I don’t see anything wrong with my physical form Mr INIESTA,” he replied, placing emphatic strain on ‘Iniesta’. “Would it have made any difference if I were a flower?”
“If you were a flower you’d fit perfectly with my body of hair!” Raul exclaimed. The Tw’Elves laughed heartily at the joke, and an iridescent beam of energy simultaneously rose from their esoteric beings, giving forth a ray of happiness, albeit for a short while, towards the inhabitants of the sleeping dimension.

“I had no idea we had so many characters, Godfrey” remarked Elizabeth, rubbing her eyes. She was just about to say “and who the devil is Mc Tart” when the door burst open by none other than Mc Tart. She was wearing a black dress teamed with a white pith helmet…

“No, I’m not” said Mc Tart. “This Mc Tart is not so black and white, my friend.” The character Mc Tart stood just inside the door looking defiant.

“Wait a minute, whoa, you’re my character, Mc Tart, if I say you’re wearing a black dress and a white pith helmet, then that’s what you’re wearing!” Elizabeth had no intention of being dictated to by one of her own characters.

“Black dress, white pith helmet, black and white, bore ~ ring” yawned Mc Tart. “We’re bored! What happened to your imagination? Who is Mc Tart anyway? Do you know?”

Elizabeth shook her head, tight lipped and uncharacteristically silent.

Mc Tart was wearing a floor length bright yellow garment which had an inbuilt feature of breeze fluttering about the scalloped layered hem, so that indoors or out, regardless of weather or air currents, the fluttering hem effect was maintained.

{from Elizabeth’s Mote Pad}

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

While Yuhara and Sylvestrus were exploring Second Life worlds (Frolic Caper~Belle was still on an extended leave of absence), Blithe Gambol, although she didn’t entirely realize it at the time, was exploring First Life worlds on the Coast of Light.

Blithe and her partner Winn set off for the drum festival in the late afternoon heat, with the intention of reaching the Light Coast before sundown. The strong low sun flickered on and off as it hid behind trees and hills, and the hot dry wind whipped Blithes hair into her eyes, leaving the heavy heat of the Coast of the Sun behind and tranforming it into a light bone dry atmosphere that seemed to suck the air out of Blithe’s lungs. She filled the vacuum with smoke, listening to the words of the music playing ~ must be a reason why I’m king of my castle….king of my castle…it reminded her of Dealea’s story about King Author.

When they reached Vejer de la Frontera they made a wrong turning, although they were well aware that no turning is a wrong one. The new direction took them in a circle behind the Vejer promontory, through the umbrella pines along the coast. The sky was golden yellow behind the black sillouttes on one side, with a periwinkle sea on the other, rocky pale grey outcrops blushed with pink paddling in the gently lapping waves.

As they entered the village of Canos de Meca, they slowed to crawl behind the inching cars, as tanned people in brightly coloured clothes wove in and out of the traffic, and in and out of the exotic looking bars and restaurants. Blithe remembered the Second Life worlds she had been exploring earlier that day, and wondered if Second Life came with the smells of sardines barbequeing on the beach, or a warm breeze wafting past laden with snatches of laughter and conversation. Visually, certainly, Second Life would be hard presssed to beat the visual appeal of Canos de Meca at sunset on an August evening. There were plenty of opportunities to observe the people and the hostelries, as the traffic got progressively worse until it eventually came to a standstill. The narrow lanes were lined with parked cars, and throngs of people carrying coolers made their way to the sand dunes near the lighthouse.

Eventually, after several slow drives past looking for a miraculous parking space that didn’t appear, Blithe and Winn found a restaurant in between the coastal villages that was strangely empty of people. Even Winn, who was much less inclined towards fanciful imaginings than Blithe, remarked on how surreal the place was. It could have been anywhere in Spain, so strangely ordinary was its appearance in comparison to the Moorish beach hippy style of the villages. They ordered food, and relaxed in easy silence in the oasis of calm ordinariness. Blithe wondered if the place actually existed or if she had created it out of thin air, just for a respite and a parking place, and a clean unoccupied loo. Another First Life world, perhaps, constructed in the moment to meet the current requirements of ease.

At 11:11, after another two drives through the crawling cars and crowds, Winn turned the car around and headed for home. At 12:12 they reached the Coast of the Sun, shrouded in sea mist, and at 1:00am precisely, they arrived home. Later, as Blithe lay on the bed listening to the drums playing on the music machine, she closed her eyes and saw the sunset over the Atlantic, and felt the ocean breeze of the fan. She projected her attention to the dunes of Trafalgar ~ which, incidentally, didn’t take two hours, it was instant. In another instant, she was back in her bedroom, sipping agua con gas on the rocks and chatting to Winn. Seconds later, she was in a vibrant nightclub overlooking the beach, dancing in spirit between the jostling holidaymakers being served at the bar. She imagined that one or two of them noticed her energy.

Clearly, teleporting from one place to another had its benefits. The question of parking, for example, wouldn’t arise. But Blithe wouldn’t have wanted to miss the late afternoon drive to the Coast of Light, and the golden slanting lightbeams flickering between the cork oaks making their cork shorn trunks glow red, or the ocean appearing over the crest of a hill. And if she had arrived in an instant at the location she was intending to visit, then she would never have encountered the sunset from the particular angle of the approach via the wrong turn. Variety ~ and impulse, and the opportunities of the unexpected turns ~ was the weft of weaving First Life worlds ~ or was it the warp?

link: weaving worlds

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

The entrances to Faerie (and indeed to other alternate realities and dimensions) had been shrouded in disbelief for several centuries, but times were changing and the fog of scepticism was dissipating, evaporating like river mist on a hot summer morning. Looking for the entrances deliberately, Blithe found, wasn’t the most efficacious method. Sat Nav alone would be unlikely to reveal them, unless the locating device was used in conjunction with impulse and intuition. Any device and method could be used effectively when combined with random impulse, even Google Earth or Google Moon. Blithe’s friend and colleage Dealea Flare was making good use of this device on her travels, using it as a personal non physical airline and space shuttle service. Dealea could get from A to B and back again in no time at all, or even from A to well beyond Z and back again in no time at all using this device in conjunction with impulse and large dose of intention and focus. Blithe had the impulse down pat but still had difficulty with the focus, which was largely a case of having too many intentions at once, most of them somewhat vague.

The more random and impulsive Blithe was, the better her investigations went, often leading her into a new and exciting exploration which may or may not be linked to the current intention. Such was the case when she went on a mundane shopping trip to the Rock of Gibber. As she sat sipping coffee at the Counterpart Cabana sidewalk cafe listening to the locals conversing in Gibberish, she noticed the extraordinary tangle of pipework on the building opposite. It reminded her of the steampunk world she had been investigating in her spare time. The text book steampunk world was intriguing to say the least, but rather grim, and tediously full of victims and fear. The inhabitants always seemed to be running away from someone. The steampunk world she was beginning to sense in Gibber was quite different in that it was a sunny cheerful alternate reality held together with a vast labyrinthine network of water pipes, scaffold, and connecting cables.

Blithe paid for her coffee and strolled off, noticing more and more scaffolding and tangles of pipes as she climbed the warren of narrow winding streets. The air was different the higher she climbed up the winding uneven steps, the sunlight was sharper and the shadows denser, and there was a crackling kind of hush as if the air was shimmering. Cables festooned the crumbling shuttered buildings like cobwebs, and centuries of layers of crackled sun faded pastel paint coated the closed doors. Open doors revealed dark passageways and alleys with bright rectangles of light glowing in the distance, and golden dry weeds sprouted from vents and windowsills casting dancing shadows on the uneven walls.

The usual signs of life were strangely absent and present at the same time; an occasional voice was heard from inside one of the houses, and there were pots of flowers growing here and there, indicating that a human hand had watered them with water from the pipe network. There was no music to be heard though, or any indication that the cable network was in use, and there were virtually no people on the streets. A lady in a brilliant blue dress who was climbing the steps from Gibber Town below paused to chat, agreeing with Blithe who remarked on the peaceful beauty of the place. The lady in blue said “Si, it’s very nice, but there are many steps, so many steps. If you are coming from below there are SO many steps!”

There was a boy watching a white dog watching an empty space on the pavement, so Blithe stopped to watch the boy watching the dog watching nothing. Eventually Blithe inquired “What is he looking at?” and the boy shrugged and continued to watch the dog watching nothing. Blithe watched for a little while, and then wandered off. A small child was giggling from inside a doorway, and a mothers voice asked what he was laughing at. The child was looking out of the door at nothing as far as Blithe could see.

As the sun climbed higher, Blithe began to descend into Gibber town, winding and weaving through the alleys, wondering how she had failed to notice this place half way up the Rock until now. She came to a crumbling wall with a doorway in it that looked out over the bay beyond the town below. This must be one of the entrances, she deduced, to this alternate world in Gibber. “Entrance”! Blithe had a revelation. “I never noticed that the word ENtrance and enTRANCE are spelled the same.” Later, back at the office, Frolic Caper-Belle said she thought it was probably a very significant clue. “I’ll file that in the Clue Box, Blithe”, she said.

{link: entrance}

Sadness, whilst not being entirely unheard of, was alot more uncommon during the days of the Gardenation. The weather was kindness itself, and everyone, naturally enough, was at liberty to grow whatever they wanted in their gardens. There were no rules and regulations in the Gardenation; it worked on a sort of expanded “pay forward” system, not that there was any pay, or forward thinking for that matter, involved. The genesis of the new collaberation of independant garden nations (although it was actually more of a renaissance, simultaneous time notwithstanding) had come about as a result of the widespread discontent of the populace with all of the political parties, in just about every nation on the planet.

During a particularly wild and raucous bridge tart birthday party (they were always having birthday parties; it was always somebody’s birthday somewhere, after all) the avant garde shift pioneers, as well as the twelve Wisp rats, came up with a plan ~ of sorts. It was more of an imaginative play really.

One of the children had been bemoaning the fact that his friend in another nation could grow whatever he wanted in his garden, and he couldn’t, in his own nation. He asked the bridge tarts if they could create a new nation, from all the independant garden nations all over the world. The bridge tarts decided that it was a fine idea and set about bridging the independant garden nations all over the world together, in energy.

Some of the bridge tarts worked on the connecting links between the garden nations all over the globe, and some of the bridge tarts were instrumental in innovative new gardening ideas. One of them experimented with pulling funny faces at the seedlings, which resulted in bizarre comical blooms. New ideas bounced from one gardenation to another, originating you might say in all gardenations at the same time, so connected were they in energy.

Given sufficient motivation, the Gardenation might have started sooner ~ notwithstanding simultaneous time. Or perhaps they already did.

“Really, Godfrey, do you think it’s wise to let the children play tea parties down there? Every time I take a peek, it looks like they’re making a hell of a mess,” asked Elizabeth with a worried frown. “Just look at the mess they’re making with that cake. I dread to think what will happen when they ice it.”

“I think part of the problem” Godfrey replied wryly “Is that they iced it before it had finished rising.”

“We walk, Ia’eh and Minkah, Desher and I,” Elizabeth read the email from Hypatia, “ towards the dark ridge of stone where the books lie hidden, awaiting the day they should be found again…..When Cleopatra ruled, the books numbered 400,000…and this, I think, is true. By the time of Theon of Alexandria, an age in which the books were no loner in the Great Library of the Palace of the Ptolemies, which was also no longer, but housed instead the “daughter” library of the Serapeum, they numbered 360,000. Those lost to the Bishop of Theophilus amounted to a tenth of these. But no matter if full half were lost, that Minkah brought out from Alexandria so many amazed me then; it amazes me still. He not only carried them here, but brought back an account of where each cave was sited, and which jars were placed in which cave.”

“Godfrey, didn’t we know a Minky once, who was a sort of a servant?”

“We did indeed, Liz, you were the one who inserted him into the story, surely you remember?”

“Well, the name rings a bell, Godfrey, but where did we meet him?”

Godfrey snapped his fingers and as if by magic, an excerpt from the Reality Play appeared:

“Just then a funny little man with a huge cheeky grin appeared and held out a tray. Smoothies! Coconut and berry smoothies, and pink cakes, croissants”

“Croissants!” interrupted Elizabeth.

“… and oranges, and a box of cadbury’s chocolates…”

“Don’t remind me about Cadbury’s” groaned Elizabeth. “I simply can’t bear it that they’ve blinked into another dimension”

Godfrey continued: “ Dory slurped and munched and gobbled and slurped some more, and underneath where the chocolate was, she saw a brochure.
On the front cover was a picture of a cave. OOHH A CAVE! Dory loved caves! Let’s go to the cave today, Minky! she said to the funny fellow with the impish grin. Minky winked.”

“He was going to take Dory to the caves!” Elizabeth exclaimed. “Why didn’t I finish that story thread!”

“There’s no need to wring your hands like that, Liz” said Godfrey soothingly. “You can continue it now!”

That’s when a particularly shiny object caught Pickel’s eyes. It was on the table, in plain sight, but it was as if the others couldn’t see it. Of course, they don’t have their head, thought Pickel… but he’d forgotten that he’d left his head at home too.
As he was approaching the table, Gnarfle noticed that he wasn’t following the bird keeper and the others in the other room and decided to stay with him. Maybe he wanted to play some game and Gnarfle would be glad to indulge him.

The other room was full of birds, and Silly’s throat got suddenly constricted as she let out a raucous gag.
Which startled both her father and the wise Peamon who let out an indescribable laugh.
PeAAHAHAHAHAHAHAHA, it’s just here, thanks little one!
Pee was a bit confused as he couldn’t see what the wise Peamon was showing them, and the little peagirl was trying not to think of the smell of the aviary… ( how do I know such a word? she thought to herself.)

“And how do I play these notes?” asked Pee raucously. “I can’t even see them without my head.”

“Mmmh! Yes that could be a problem” acquiesced Fwick. The saucerer scratched his chin for a few seconds as he couldn’t remember where he had put that ancient device.

“Well maybe I could just send you to the bird keeper, and he can give you one of our last Anthornis Melanura…”
“I beg your pardon?” Pee’s voice was more raucous than ever, it was quite disturbing to the saucerer who wasn’t used to talking with a headless Peaman, but he couldn’t show his discomfort though, as he thought of it, the headless Peaman was also eyeless and couldn’t see his discomfort.
“Hum! This is the ancient name of the legendary Bul Bird of New Peasland. Mewrich Peamon, the bird keeper, his family has been breeding these birds since the great Peaphetess Frean Psea found these notes some millenia ago; they are the only ones which can open the ED. Any other sequence of notes would… well we don’t know exactly what could occur. You’re on your own on this one, Pee. ehr, I’m sorry, ehh, But be assured that I’ll take care of Peanelope for you.”

“Oh! You’re too kind, Saucerer” said Pee who couldn’t have known that his faithful wife and the Saucerer were having an affair.

A sudden cry from Lilly startled them both. She had burst into tears and her brother was looking like a culprit. But Fwick wasn’t sure as he hadn’t got a head either…

“What have you done, Pickel?” asked Pee with his raucous voice.

There was a blue light spiral whirlwinding in the center of what should have been a head. Ann seemed not at all surprised as if she had taken too much of those weeds of hers, though Lavender was terrified. Was that a wormhole? She coughed a few times.

“Please, pardon me!” said the raucous voice coming from the center of the spiral. Ann was so fascinated that she stretched her arm to touch the vortex. In doing so, the voice took goaty characteristics that made her giggle.
“We need your help…” said the goaty voice, which hurried to add “In peace, always…”

For a moment, Lavender thought she heard someone coughing from the other end of the wormhole. But with Ann messing with the vortex who knows what it could have been.

Note from the editor: in another version of the story, it has been a double of Ann playing with a device. Her voice was sounding much like the one of Darn Vadoor in Stare Worms before he informed Lurk that he was his janitor.

One thing led to another, as it tends to do, while Sanso sat meditating on the enigma of The Dead Cow. Random and seemingly disjointed images flashed through his mind, not unlike a random google had been back in the old days, the first being an odd word, Kogaionon . Accessing further information, Sanso discovered that it was an ancient Transylvaniun skull. The link between the dead cow and the skull was clear ~ it was a bone sync, they both had bones, there was no denying it. Encouraged, Sanso continued to meditate.

After some images of a battle at sea , presumably Trafalgar, Sanso intuitively felt, he heard the words “Do not go where the path may lead, go instead where there is no path and leave a trail.” Wise words, he thought, and appropriate too. He popped these snippets into his indigo clue bag and continued to meditate. An image of a strange creature, half fish and half lion appeared next, a Merlion, which quickly morphed into an entertaining old movie playing across the screen of his minds eye, so to speak, in which someone who reminded him of Becky arrived in Paris during a rainstorm with just the clothes on her back ~ and interesting clothes they were, too! Sanso was glued to the screen, in a manner of speaking, and watched with amusement as a whole new wardrobe was delivered to the puzzled woman, followed by her mysterious benefactor: Georges.

Well, fancy Georges turning up again like that! Sanso was delighted. Perhaps Georges could shed some light on the mystery of the Dead Cow Blocking the Cave Entrance.

Sanso returned to his meditation and found himself eavesdropping on a conversation.

— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds — worlds that he has no conception of yet.
Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

“Their meeting is not coincidental” Sanso repeated to himself, popping it into his clue bag. “Well, I don’t know about Meanings, but at least I have a new bag of clues now!”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”