Search Results for 'moment'

Forums Search Search Results for 'moment'

Viewing 20 results - 41 through 60 (of 832 total)
  • Author
    Search Results
  • #7735

    The “do not enter, crime scene” sticker haphazardly printed, was not even sealing the door. Amateur job, but of course, this was to be expected when such murder event had not been seen in a generation.

    She entered surrepticiously, the door to the drying chamber slid shut with a hiss behind her, muffling the last of the frantic voices outside. Evie exhaled. She needed a moment. Just her, the crime scene, and—

    A flicker of light.

    “Ah-ha!” Trevor Pee Marshall, aka TP, materialized beside her, adjusting his holographic lapels with exaggerated precision. “What we have here, dear Evie, is a classic case of les morts très mystérieux.” His mustache twitched. “Or as my good friend Clouseau would say—‘Zis does not add up!’”

    Evie rolled her eyes. “Less theatrics, more analysis, TP.”

    Despite the few glitches, she was proud and eager to take her invention to a real-life trial run. Combining all the brilliant minds of enquêteur Jacques Clouseau, as well as the flair of Marshall Pee Stoll from the beloved Peaslanders children stories, TP was the help they needed to solve this.

    “Ahem.” TP straightened, flickering momentarily before reappearing near the machine, peering inside with a magnifying glass he absolutely didn’t need.

    Evie pulled up the logs. The AI had flagged the event—drying cycle activated at 0200 hours. Duration: excessive. But no shutdown? That was impossible.

    TP let out a thoughtful “hmm.” Then, with the gravitas of a seasoned investigator, he declared, “Madame, I detect a most peculiar discrepancy.”

    Evie looked up. “Go on.”

    TP pivoted dramatically. “The AI should have stopped the cycle, yes? But what if… it never saw a problem?”

    Evie frowned. That wasn’t how safety protocols worked. Unless—

    She tapped rapidly through the logs. Her stomach dropped.

    The system hadn’t flagged a human inside at all.

    Someone had altered the ship’s perception of Mr. Herbert before he ever stepped into the machine.

    Evie’s pulse quickened. This wasn’t just murder.

    It was premeditated.

    #7734

    It was quite dark by the time Molly and Tundra entered the woods but the firelight flickered through the trees, guiding them to the clearing.  Now that the meeting with the strangers was close, the initial excitement gave way to trepidition, particularly for Molly. Despite not seeing other people for years, the old world caution about strangers resurfaced.

    “Slow down, Tundra, we don’t want to shock them. They may be hostile,” whispered Molly.

    “Hostile? What does that mean?” asked Tundra, who had never come into contact with other people.

    Molly looked at her in amazement.  The dear innocent poppet has never known the fear of strangers in dark woods! And not once did I think to appreciate that, Molly marvelled silently.

    “Never mind that now. Come on.” No need to fill the childs head with fear.  “Haloooo!  We come in peace!” Molly shouted.  “Haloooo! We’re coming in pieces!” echoed Tundra, who was unfamiliar with the word peace, not having had any call the use the word in any conversation thus far.

    There was a pregnant silence and then an animated burble of exclamations from the clearing, and then silence again as Molly and Tundra emerged from the darkness.

    Dear god, there are so many of them.  Molly’s initial reaction was overwhelm.  She tried to look at them all individually and it made her head swim. She wondered for a moment if it would be rude to just turn around and leave. But no, it was dark already, and the rapturous excitement on Tundra’s face put paid to that idea.

    Gregor was the first to move forward. His leathery old face creased in smiles, he offered his hand to Molly.

    #7711

    Matteo — December 2022

    Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”

    Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.

    At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.

    “It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”

    “New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”

    “And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
    “Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”

    “Let me see…”

    Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”

    Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.

    The app processed for a moment before responding in its overly chipper tone:
    “Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”

    Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”

    “Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”

    The app spun its virtual gears and spat out a more detailed suggestion.
    “Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.

    Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”

    “Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”

    Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”

    Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”

    Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”

    The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.

    “You think she’s got more work like that?” he asked, more to himself than to Juliette.

    Juliette handed him the phone. “You’re the one with the questions. Go ahead.”

    Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.

    The app processed again, and the next response was less clinical, more anecdotal.
    “Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”

    Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”

    “Maybe she’s your type,” Juliette teased, grinning.

    Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”

    The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.

    To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.

    Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.

    #7708

    Elara — Nov 2021: The End of Genealogix

    The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

    She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

    Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

    Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

    When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

    The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

    And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

    :fleuron2:

    She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

    Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

    Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

    As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

    Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

    By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

    Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

    It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

    :fleuron2:

    Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

    The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

    #7707

    Matteo — Easter Break 2023

    The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

    Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

    Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

    “Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

    She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

    The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

    Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

    “This guy’s great,” Matteo said. “What happened to him?”

    “Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

    Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

    The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

    As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

    “The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

    “Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

    Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

    “Reinventing where they came from, like us, always reinventing where we go…”

    Juliette chuckled but didn’t reply.

    Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

    As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

    :fleuron2:

    Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

    “Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

    Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

    Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

    As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

    #7706
    TracyTracy
    Participant

      “Where are you scurrying of to now, Finnley? And what are you doing with my pantomime costumes?”

      Shooting a look of exasperation at Liz, Finnley replied, “To the cleaners, they smell of mold. And stale cigarette smoke. Disgusting, if you ask me.”

      “Nobody did ask you what you thought Finnley, I asked what you were doing.”

      Finnley had had enough. She bundled up the voluminous satin and sequinned net into an approximation of a big snowball and launched it at Liz. As it flew through the room it unravelled, an updraught sending a length of lacy net upwards to catch on the chandelier, causing it to swing in lurching circles.

      At that moment, Roberto’s face appeared in the window, registering a look of fascinated horror. “It’s the ghost of Pink Pantomine Past!  Now we’re in trouble!”

      #7701
      F LoveF Love
      Participant

        Amei attached a card and ribbon to the last of the neatly wrapped gifts and placed it under the tree. This one was for Paul—a notebook with a cover of soft fabric she’d block-printed with delicate, overlapping circles in muted blues and greens. The fabric was left over from a set of cushions for a client, but she had spent hours crafting the notebook, knowing all the while Paul probably wouldn’t use it. He was impossible to buy for, preferring things he picked out himself. Tabitha had been far easier: Amei had secretly made a dress out of a soft, flowing fabric that Tabitha had fallen in love with the moment Amei showed it to her.

        The house felt calm for the moment. Tabitha had gone out earlier, calling over her shoulder that she’d be back in time for dinner. Amei smiled at the memory of her daughter’s laughter. Her excitement about Christmas was palpable, a bright contrast to the quietness that had settled over everything else. Amei used to feel like that about Christmas too. This year, though, she was only making the effort for Tabitha.

        Somewhere down the hallway, Paul’s voice murmured on a call—distant, like everything about him lately. The air smelled faintly of cinnamon and cloves from the mulled wine simmering on the stove, but even that warm, festive scent felt like it was trying too hard.

        The house felt big, despite the occasional bursts of life it saw on days like this. It had felt that way for months now, the weight of unspoken things pressing against the faded walls.

        She sighed and reached for the decoration box, pulling out a small clay angel with chipped wings. The sight of it made her pause. Lucien had given it to her years ago, one Christmas, and declared it “charmingly imperfect,” insisting it belonged at the top of her tree. She smiled faintly at the memory, turning it over in her hands. Every year since, it had held its place at the top of the tree.

        “Still not done?” Paul’s voice cut into her thoughts. She turned to see him standing in the doorway. At the sound of Paul’s voice, Briar, their elderly cat—or technically Paul’s cat—emerged from behind the curtain, her tail curling as she wove around his legs. Paul crouched slightly to scratch behind her ears, and Briar leaned into his touch, purring softly

        “She thinks it’s dinner time,” Amei said evenly.

        “You always go overboard with these things, Amei,” Paul said, straightening and nodding towards the gifts.

        “It’s Christmas,” she snapped, the irritation slipping through before she could stop it. She turned back to the tree, her fingers moving stiffly as she busied herself with strands of sparkly tinsel.

        Paul didn’t respond, but she could feel his gaze linger. It was the silence that had grown between them in recent months, filled with everything they couldn’t bring themselves to say…yet.

        The sound of the front door banging shut and brisk footsteps broke the tension. Tabitha burst past Paul into the room, her cheeks flushed from the cold. “Hey, Paul. Hey, Mumma Bear,” she said brightly. Her eyes lit up as they landed on the tree. “The tree looks gorgeous! Don’t you just love Christmas?”

        #7698
        Jib
        Participant

          December 2023

          Lights and Christmas decorations were starting to pop up everywhere, like frost and icicles after a frozen winter night. Lucien—no, Julien, as he had started calling himself a few years ago—enjoyed walking in the streets at the end of the day, when the balance between light and night shifted into the darkness. That was the time when decorations would start to come to life like a swarm of fireflies, flickering in time with the city’s heartbeat.

          It was Julien’s first time in Paris after Lucien’s three years of exile, far from all his concerns and the glacial grasp of the dark couple. Julien had enjoyed his time traveling the world, discovering Asia, South America and even certain parts of Africa he would never have imagined he would dare enter. Julien made friends along the way, always curious about their ways of living and the way they looked at the world. But always the voice of Lucien made him wary of staying too long. He had the impression it would increase the possibility of chance encounters with Darius. And he longed to reconnect with his friend and his former life, it would lead to awkward moments, and he would have to give some explanations. But he feared it would make him want to go back, with the risk of attracting unwanted attention. So Julien had to leave in order to be free. That was the price he was willing to pay.

          But in the end, it was the longing of French winter time that made him come back home.

          “Lucien! Is that you?”

          #7682

          Matteo — Autumn 2023

          The Jardin des Plantes park was quiet, the kind of quiet that settled after a brisk autumn rain. Matteo sat on a weathered wooden bench, watching a golden retriever chase the last of the fallen leaves tumbling across the gravel path. The damp air was carrying scents of the earth welcoming a retreat inside, and taking the time to be alone with his thoughts was something he’d missed.

          His phone buzzed with a notification—a news update about the latest film adaptation from a Liz Tattler classic fiction. The name made him smile faintly. Juliette had loved Tattler’s novels, their whimsical characters, and the unflinching and unapologetic observations about life’s quiet mysteries and the unexpected rants about the virtues of cleaning and dustsceawung that propelled the word in the people’s top 100 favourite in the Oxford dictionary for several years consecutively.

          “They’re so full of texture,” Juliette once said as she was sprawled on the bed of their tiny Parisian flat, a battered paperback in her hands. “Like you can feel the pages breathe.”

          His image of her was still vivid, they’d stayed on good terms and he would still thumb up some of her posts from time to time —but it was only small moments rather than full scenes that used to come back, fragmented pieces of memories really —her dark hair falling messily over her face, her legs crossed in a casual way.

          Paris had been a playground for them. For a while, they were caught in a whirlwind of late-night conversations in smoky cafés and lazy Sunday mornings wandering the Seine. They’d spent hours in bookstores, Juliette hunting for first editions and Matteo snapping pictures of the handwritten notes tucked between the pages of used novels.

          A year ago, a different park in a different city—Hyde Park, London. She was there, twirling a scarf she’d picked up in Vienna the weekend before, the bright red of it like a ribbon of fire against the soft gray skies. They had been enamored with each other and with the spontaneity of hopping trains to new cities, their weekends folding into one another like pages of a travel journal. London one week, Paris the next, Berlin after that. Each city a postcard snapshot, vibrant and fleeting.

          Juliette would tease him about his fascination with the little things—how he would linger too long over a cup of coffee at a café or stop to photograph a tree in the middle of nowhere. “You’re always looking for stories,” she’d said with a laugh, tucking a stray strand of hair behind her ear. “Even when you’re not sure what they mean.”

          “Stories are everywhere,” he would reply, snapping a picture of her against the backdrop of the park, her scarf billowing in the wind. She had rolled her eyes but smiled, and in that moment, he had believed her smile was the most perfect thing he’d ever seen.

          The break-up came unannounced, but not fully unexpected. There were signs here and there. Her love of the endless whirlwind of life, that was a match for his way of following life’s intents for him. When sometimes life went still during winter, he would also follow, but she wouldn’t. She had insatiable love for a life filled with animation, bursts of colours, sounds. It had been easy to be with her then, her curiosity pulling him along, their shared love of stories giving their time together a weight that felt timeless. It was when Drusilla’s condition worsened, that their rhythms became untangled, no longer synching at every heartbeat. And it was fine. Matteo had made his decision then to leave Paris and bring his mother to Avignon where she could receive the care she needed. Those past two weeks that brought the inevitable conclusion of their separation had left him surprisingly content. Happy for the past moments, and hopeful for the unwritten future.

          He could see clearly that Juliette needed her freedom back; and she’d agreed. Regular train rides to Avignon, the weekends spent trying to make the sparse walls of his mother’s room feel like home as she started to forget her son’s girlfriend, and sometimes even her own son.

          Last they were in this park together was one of their last shared moments of innocent happiness ; It was a beautiful sunny afternoon —or was it only coloured by memories? They had been sitting in the Jardin des Plantes, sharing a crêpe. Juliette had been scrolling through her phone, stopping at an announcement about an interview with Liz Tattler airing that evening. “You should watch it,” she’d said, her tone light but distant. “Her books are about people like us—drifting, figuring it out.”

          He had smiled then, nodding, though he wasn’t sure if he’d meant it. A week later, she told him she was moving back to Lille, closer to her family until she figured out her next step. “It’s not you, Matteo,” she’d said, her eyes soft but resolute. “You need to be here, for her. I need… something else.”

          Now, sitting in the park a few weeks later, Matteo pulled his phone from his pocket and opened his gallery. He scrolled through the pictures until he found one from their weekend in London—a black-and-white shot of Julia standing in front of a red telephone booth, her smile sharp and her eyes already focused on the next shooting star to catch.

          Julia was right, he thought. People like them—they drifted, but they also found their way, sometimes in unexpected ways. He put on his earpods, listening to the beginning of Liz Tattler’s interview.

          Her distinct raspy voice brimming with a cackling energy was already engrossing. Synchy as ever, she was saying:

          “Every story begins with something lost, but it’s never about the loss. It’s about what you find because of it.”

          #7679
          Yurara FamelikiYurara Fameliki
          Participant
            #7675
            Yurara FamelikiYurara Fameliki
            Participant

              Glynis making potions (in Dragon Heartswood Fellowship story)

              [Scene opens in Glynis’s cozy alchemical nook, where sunlight filters through stained glass, casting a kaleidoscope of colors onto the wooden workbench.]

              Glynis, hair tied in a practical bun, hums a gentle melody, her hands deftly moving among jars of fragrant herbs and sparkling crystals. The air is rich with the scent of cinnamon and cardamom, mingling with the earthy aroma of freshly picked herbs.

              Among her collection of vials and beakers, a group of soft, furry baby Snoots frolics, their fur a dazzling array of colors—from vibrant blues to shimmering purples—each reflecting their unique magic-imbued personalities.

              One baby Snoot, with fur like a sunset, nudges a vial toward Glynis, its tiny paws leaving prints of glowing stardust. Glynis chuckles, accepting the offering with a warm smile. “Thank you, little one,” she whispers, adding a sprinkle of the sparkling dust to the simmering potion.

              The Snoots, enchanted by the alchemical ballet, gather around the cauldron, their eyes wide with wonder as the potion bubbles and swirls with hues to match their fur. Occasionally, a brave Snoot dips a curious paw into the brew, causing a cascade of giggles as their fur momentarily absorbs the potion’s glow.

              Glynis, her heart full with the joy of companionship, pauses to gently scratch behind the ears of a Snoot nestled by her elbow. “You’re all such wonderful helpers,” she murmurs, her voice a melody of gratitude.

              As the potion reaches its peak, the room is momentarily filled with a burst of iridescent light, a reflection of the harmonious magic that binds Glynis and her Snoot companions in their delightful symbiotic dance.

              #7669
              Yurara FamelikiYurara Fameliki
              Participant

                Quintessence – Looking for the 5th — A concept film trailer… 

                The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:

                • Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
                • Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
                • Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
                • Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.

                The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.

                #7664
                F LoveF Love
                Participant

                  There was a sharp knock on the front door. Amei opened it to find Finnley from Meticulous Maids standing there, bucket in one hand, a bag of cleaning supplies in the other.

                  “Back to tackle that oven,” she announced, brushing past Amei and striding towards the kitchen.

                  “Good to see you too, Finnley.”

                  A moment later, an anguished cry echoed from the kitchen. Amei rushed in to find Finnley clutching her brow and pointing accusingly at the oven. “This oven has not been treated with respect,” she declared dramatically.

                  “Well, I told you on the phone it was quite bad.”

                  “Quite bad!” Finnley rolled her eyes and dumped her supplies on the counter with a thud. “Moving out, are we?”

                  “In a few weeks,” Amei said, leaning against the doorframe. “I’ve still got books and stuff to pack, but I’m trying to leave the place in decent shape.”

                  “Decent?” Finnley snorted, already pulling on a pair of gloves. “This oven’s beyond decent. But I’ll see if I can drag it back from the brink.”

                  Finnley proceeded to inspect the oven with the air of a general preparing for war. She muttered something under her breath that Amei couldn’t quite catch, then added louder, “Books and boxes. Someone’s got the easy bit.”

                  Finnley had cleaned for Amei before. She was rude and pricey, but she always got the job done.

                  “I’ll leave you to it, then,” said Amei, retreating back to her packing.

                  “Sure,” Finnley muttered. “But if I find anything moving in here, I’m charging extra.”

                  The house fell silent, save for the occasional scrape of metal and Finnley’s muffled grumblings. An hour later, Amei realized she hadn’t heard anything for a while. Curious, she walked back to the kitchen and peeked her head around the door.

                  Finnley was slumped in a chair by the kitchen bench, arms crossed, her head tilted at an awkward angle. Her bucket and gloves sat abandoned on the floor. She was fast asleep.

                  Amei stood there for a moment, not sure what to do. Finally, she cleared her throat. “I take it the oven won?”

                  Finnley’s eyes snapped open, and she straightened with a snort. “I just needed a regroup,” she muttered, rubbing her face. She looked at the oven and shuddered. “I dreamed that bloody monster of a thing was chasing me.”

                  “Chasing you?” Amei said, trying hard not to laugh.

                  Finnley stood, tugging her gloves back on with determination. “It’s not going to win. Not today.” She glared at Amei. “And I’ll be charging you for my break.”

                  #7662

                  The Waking 

                  Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
                  Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
                  The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
                  “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
                  The Endless Chase
                  Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
                  The Wandering Maze
                  Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
                  The Woven Tapestry
                  Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
                  The Scattered Grains
                  Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
                  The Mandala of Light
                  Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

                  :fleuron2:

                  Dreamtime

                  It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

                  The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

                  The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

                  I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

                  The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

                  I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

                  I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

                  #7659
                  Jib
                  Participant

                    March 2024

                    The phone buzzed on the table as Lucien pulled on his scarf, preparing to leave for the private class he had scheduled at his atelier. He glanced at the screen and froze. His father’s name glared back at him.

                    He hesitated. He knew why the man called; he knew how it would go, but he couldn’t resolve to cut that link. With a sharp breath he swiped to answer.

                    Lucien”, his father began, his tone already full of annoyance. “Why didn’t you take the job with Bernard’s firm? He told me everything went well in the interview. They were ready to hire you back.”

                    As always, no hello, no question about his health or anything personal.

                    “I didn’t want it”, Lucien said, his voice calm only on the surface.

                    “It’s a solid career, Lucien. Architecture isn’t some fleeting whim. When your mother died, you quit your position at the firm, and got involved with those friends of yours. I said nothing for a while. I thought it was a phase, that it wouldn’t last. And I was right, it didn’t. I don’t understand why you refuse to go back to a proper life.”

                    “I already told you, it’s not what I want. I’ve made my decision.”

                    Lucien’s father sighed. “Not what you want? What exactly do you want, son? To keep scraping by with these so-called art projects? Giving private classes to kids who’ll never make a career out of it? That’s not a proper life?”

                    Lucien clenched his jaw, gripping his scarf. “Well, it’s my life. And my decisions.”

                    “Your decisions? To waste the potential you’ve been given? You have talent for real work—work that could leave a mark. Architecture is lasting. What you are doing now? It’s nothing. It’s just… air.”

                    Lucien swallowed hard. “It’s mine, Dad. Even if you don’t understand it.”

                    A pause followed. Lucien heard his father speak to someone else, then back to him. “I have to go”, he said, his tone back to professional. “A meeting. But we’re not finished.”

                    “We’re never finished”, Lucien muttered as the line went dead.

                    Lucien adjusted the light over his student’s drawing table, tilting the lamp slightly to cast a softer glow on his drawing. The young man—in his twenties—was focused, his pencil moving steadily as he worked on the folds of a draped fabric pinned to the wall. The lines were strong, the composition thoughtful, but there was still something missing—a certain fluidity, a touch of life.

                    “You’re close,” Lucien said, leaning slightly over the boy’s shoulder. He gestured toward the edge of the fabric where the shadows deepened. “But look here. The transition between the shadow and the light—it’s too harsh. You want it to feel like a whisper, not a line.”

                    The student glanced at him, nodding. Lucien took a pencil and demonstrated on a blank corner of the canvas, his movements deliberate but featherlight. “Blend it like this,” he said, softening the edge into a gradient. “See? The shadow becomes part of the light, like it’s breathing.”

                    The student’s brow furrowed in concentration as he mimicked the movement, his hand steady but unsure. Lucien smiled faintly, watching as the harsh line dissolved into something more organic. “There. Much better.”

                    The boy glanced up, his face brightening. “Thanks. It’s hard to see those details when you’re in it.”

                    Lucien nodded, stepping back. “That’s the trick. You have to step away sometimes. Look at it like you’re seeing it for the first time.”

                    He watched as the student adjusted his work, a flicker of satisfaction softening the lingering weight of his father’s morning call. Guiding someone else, helping them see their own potential—it was the kind of genuine care and encouragement he had always craved but never received.

                    When Éloïse and Monsieur Renard appeared in his life years ago, their honeyed words and effusive praise seduced him. They had marveled at his talent, his ideas. They offered to help with the shared project in the Drôme. He and his friends hadn’t realized the couple’s flattery came with strings, that their praise was a net meant to entangle them, not make them succeed.

                    The studio door creaked open, snapping him back to reality. Lucien tensed as Monsieur Renard entered, his polished shoes clicking against the wooden floor. His sharp eyes scanned the room before landing on the student’s work.

                    “What have we here?” He asked, his voice bordering on disdain.

                    Lucien moved in between Renard and the boy, as if to protect him. His posture stiff. “A study”, he said curtly.

                    Renard examined the boy’s sketch for a moment. He pulled out a sleek card from his pocket and tossed it onto the drawing table without looking at the student. “Call me when you’ve improved”, he said flatly. “We might have work for you.”

                    The student hesitated only briefly. Glancing at Lucien, he gathered his things in silence. A moment later, the door closed behind the young man. The card remained on the table, untouched.

                    Renard let out a faint snort, brushing a speck of dust from his jacket. He moved to Lucien’s drawing table where a series of sketches were scattered. “What are these?” he asked. “Another one of your indulgences?”

                    “It’s personal”, he said, his voice low.

                    Renard snorted softly, shaking his head. “You’re wasting your time, Lucien. Do as you’re asked. That’s what you’re good at, copying others’ work.”

                    Lucien gritted his teeth but said nothing. Renard reached into his jacket and handed Lucien a folded sheet of paper. “Eloïse’s new request. We expect fast quality. What about the previous one?”

                    Lucien nodded towards the covered stack of canvases near the wall. “Done.”

                    “Good. They’ll come tomorrow and take the lot.”

                    Renard started to leave but paused, his hand on the doorframe. He said without looking back: “And don’t start dreaming about becoming your own person, Lucien. You remember what happened to the last one who wanted out, don’t you?” The man stepped out, the sound of his steps echoing through the studio.

                    Lucien stared at the door long after it had closed. The sketches on his table caught his eyes—a labyrinth of twisted roads, fragmented landscapes, and faint, familiar faces. They were his prayers, his invocation to the gods, drawn over and over again as though the repetition might force a way out of the dark hold Renard and Éloïse had over his life.

                    He had told his father this morning that he had chosen his life, but standing here, he couldn’t lie to himself. His decisions hadn’t been fully his own these last few years. At the time, he even believed he could protect his friends by agreeing to the couple’s terms, taking the burden onto himself. But instead of shielding them, he had only fractured their friendship and trapped himself.

                    Lucien followed the lines of one of the sketches absently, his fingers smudging the charcoal. He couldn’t shake off the feeling that something was missing. Or someone. Yes, an unfathomable sense that someone else had to be part of this, though he couldn’t yet place who. Whoever it was, they felt like a thread waiting to tie them all together again.
                    He knew what he needed to do to bring them back together. To draw it where it all began, where they had dreamed together. Avignon.

                    #7656

                    Matteo — December 1st 2023: the Advent Visit

                    (near Avignon, France)

                    The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.

                    When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.

                    His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.

                    “Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.

                    Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.

                    Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”

                    She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”

                    “It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”

                    Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”

                    As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.

                    Matteo’s chest tightened. “You’ve never told me much about him.”

                    “There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”

                    Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.

                    “Why didn’t you give it to me before?” he asked, his voice quiet.

                    “I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”

                    Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.

                    Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”

                    “Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”

                    Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”

                    Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.

                    “Do you remember our house in Crest?” she asked.

                    Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”

                    Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”

                    “It was a good idea,” Matteo said. “It just… didn’t happen.”

                    “No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”

                    Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”

                    Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”

                    :fleuron2:

                    They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.

                    When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”

                    Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.

                    Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”

                    Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.

                    “Patron saint of travellers”, that felt like a sign, if not a blessing.

                    #7655
                    F LoveF Love
                    Participant

                      Amei switched on the TV for background noise as she tackled another pile of books. The usual mid-morning chatter filled the room—updates on the weather, a cooking segment, and finally, the news. She was only half-listening until the anchor’s voice caught her attention.

                      “In the race against climate change, scientists at Harvard are turning to an unexpected solution: chalk. The ambitious project involves launching a balloon into the stratosphere, carrying 600 kilograms of calcium carbonate, which would be sprayed 12 miles above the Earth’s surface. The idea? To reflect sunlight and slow global warming.”

                      Amei looked up. The screen showed an animated demonstration of the project—a balloon rising into the atmosphere, spraying fine particles into the air. The narration continued, but her focus drifted, caught on a single word: chalk.

                      Elara loved chalk. Amei smiled faintly, remembering how passionately she used to talk about it—the way she could turn something so mundane into a story of structure, history, and beauty. “It’s not just a rock,” Elara had said once, gesturing dramatically, “it’s a record of time.”

                      She wasn’t even sure where Elara was these days. The last time they’d spoken was during lockdown. Amei had called to check in, awkward but well-meaning, only to be met with curt responses and a tone that made it clear Elara wanted the conversation over.

                      She hadn’t tried again after that. It hurt more than she’d expected. Elara could be all or nothing when it came to friendships—brilliant and intense one moment, distant and impenetrable the next. Amei had always known that about her, but knowing didn’t make it any easier.

                      The news droned on in the background, but Amei reached for the remote and switched off the TV. Her mind was elsewhere, tangled in memories.

                      She’d first met Elara in a gallery on Southbank, a tiny exhibition tucked away in a brutalist building. It was near Amei’s shared flat, and with her flatmates out for the evening, she had gone alone, more out of boredom than genuine interest. The display wasn’t large—just a few photographs and abstract sculptures, their descriptions dense with scientific jargon.

                      Amei stood in front of a piece labelled The Geometry of Chaos—a spiraling wire structure that cast intricate, shifting shadows on the wall. She tilted her head, trying to look engaged, though her thoughts were already drifting towards home and her comfy bed.

                      “Magnificent, isn’t it?”

                      The voice startled her. She turned to see a dark-haired woman, arms crossed, studying the piece with an intensity that made Amei feel as though she must have missed something obvious. The woman wore a long, flowing skirt, layered necklaces, and a cardigan that looked hand-knitted. Her dark hair was piled into a messy bun, a few strands escaping to frame her face.

                      “It’s quite interesting,” Amei said. “But I’m not sure I get it.”

                      “It’s not about getting it. It’s about recognizing the pattern,” the woman replied, stepping closer. She pointed to the shadows on the wall. “See? The curve repeats itself. Infinite, but contained.”

                      “You sound like you know what you’re talking about.”

                      “I do,” she said. “Do you?”

                      Amei laughed, caught off guard. “Not very often. I think I’m more into… messy patterns.”

                      The woman’s sharp expression softened slightly. “Messy patterns are still patterns.” She smiled. “I’m Elara.”

                      Amei,” she replied, returning the smile.

                      Elara’s gaze dropped, and she nodded toward Amei’s skirt. “I’ve been admiring your skirt. Gorgeous fabric. Where did you get it?”

                      “Oh, I made it, actually,” Amei felt proud.

                      Elara raised her eyebrows. “You made it? I’m impressed.”

                      And that was how it began. A chance meeting that turned into decades of close friendship. They’d left the gallery together, talking all the way to a nearby café.

                      #7650
                      Yurara FamelikiYurara Fameliki
                      Participant

                        Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

                        :fleuron2:

                        Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

                        The Strange Couple: Éloïse and Monsieur Renard

                        Winter 2019: Paris, Just Before the Pandemic

                        The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

                        It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

                        First Impressions of Éloïse and Monsieur Renard

                        Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

                        “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

                        But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

                        Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

                        Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

                        Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

                        Darius’s Growing Involvement

                        Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

                        “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

                        “Connections to what?” she asked, her tone sharper than she intended.

                        “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

                        Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

                        The Séance

                        The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

                        Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

                        The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

                        Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

                        “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

                        The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

                        And then, the bell rang.

                        It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

                        “What the hell is that?” Lucien muttered, his eyes snapping open.

                        Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

                        Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

                        Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

                        The Fallout

                        The séance fractured the group.

                        • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
                        • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
                        • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
                        • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

                        Lingering Questions

                        1. What Happened to Darius with Éloïse and Renard?
                          • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
                        2. The Bell’s Role:
                          • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
                        3. Lucien’s Entanglement:
                          • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
                        4. Éloïse and Renard’s Motives:
                          • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

                        Impact on the Reunion

                        • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
                        • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
                        #7648
                        Jib
                        Participant

                          Spring 2024

                          Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.

                          On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.

                          Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.

                          The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.

                          The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.

                          Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”

                          Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”

                          Matteo tilted his head, intrigued. “You mean you’ve drifted?”

                          Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”

                          Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.

                          Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”

                          Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.

                          Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”

                          “Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.

                          Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”

                          “Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”

                          Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.

                          For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.

                          #7644

                          From Decay to Birth: a Map of Paths and Connections

                          7. Darius’s Encounter (November 2024)

                          Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

                          He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

                          When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

                           

                          6. Matteo’s Discovery (near Avignon, Spring 2024)

                          The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

                          His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

                          Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

                          Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

                          “It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

                          Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

                          The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

                           

                          5. From Hand to Hand (1995–2024)

                          By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

                          2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

                          2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

                          1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

                          The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

                           

                          4. The Artist (1995)

                          The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

                          “I don’t map what is,” she once told a curious buyer. “I map what could be.”

                          In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

                           

                          3. The Ink (1990s)

                          The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

                          From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

                           

                          2. The Paper (1980)

                          The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

                          By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

                          The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

                          This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

                           

                          1. The Seed (1950s)

                          It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

                          “Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

                          Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

                        Viewing 20 results - 41 through 60 (of 832 total)