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  • #7809

    Earth, Black Sea Coastal Island near Lazurne, Ukraine – The Tinkerer

    Cornishman Merdhyn Winstrom had grown accustomed to the silence.

    It wasn’t the kind of silence one found in an empty room or a quiet night in Cornwall, but the profound, devouring kind—the silence of a world were life as we knew it had disappeared. A world where its people had moved on without him.

    The Black Sea stretched before him, vast and unknowable, still as a dark mirror reflecting a sky that had long since stopped making promises. He stood on the highest point of the islet, atop a jagged rock behind which stood in contrast to the smooth metal of the wreckage.

    His wreckage.

    That’s how he saw it, maybe the last man standing on Earth.

    It had been two years since he stumbled upon the remains of Helix 57 shuttle —or what was left of it. Of all the Helixes cruise ships that were lost, the ones closest to Earth during the Calamity had known the most activity —people trying to leave and escape Earth, while at the same time people in the skies struggling to come back to loved ones. Most of the orbital shuttles didn’t make it during the chaos, and those who did were soon lost to space’s infinity, or Earth’s last embrace.

    This shuttle should have been able to land a few hundred people to safety —Merdhyn couldn’t find much left inside when he’d discovered it, survivors would have been long dispersed looking for food networks and any possible civilisation remnants near the cities. It was left here, a gutted-out orbital shuttle, fractured against the rocky coast, its metal frame corroded by salt air, its systems dead. The beauty of mechanics was that dead wasn’t the same as useless.

    And Merdhyn never saw anything as useless.

    With slow, methodical care, he adjusted the small receiver strapped to his wrist—a makeshift contraption built from salvaged components, scavenged antennae, and the remains of an old Soviet radio. He tapped the device twice. The static fizzled, cracked. Nothing.

    “Still deaf,” he muttered.

    Perched at his shoulder, Tuppence chattered at him, a stuborn rodent that attached himself and that Merdhyn had adopted months ago as he was scouting the area. He reached his pocket and gave it a scrap of food off a stale biscuit still wrapped in the shiny foil.

    Merdhyn exhaled, rolling his shoulders. He was getting too old for this. Too many years alone, too many hours hunched over corroded circuits, trying to squeeze life from what had already died.

    But the shuttle wasn’t dead. After his first check, he was quite sure. Now it was time to get to work.

    He stepped inside, ducking beneath an exposed beam, brushing past wiring that had long since lost its insulation. The stale scent of metal and old circuitry greeted him. The interior was a skeletal mess—panels missing, control consoles shattered, displays reduced to nothing but flickering ghosts of their former selves.

    Still, he had power.

    Not much. Just enough to light a few panels, enough to make him think he wasn’t mad for trying.

    As it happened, Merdhyn had a plan: a ridiculous, impossible, brilliant plan.

    He would fix it.

    The whole thing if he could, but if anything. It would certainly take him months before the shuttle from Helix 57 could go anywhere— that is, in one piece. He could surely start to repair the comms, get a signal out, get something moving, then maybe—just maybe—he could find out if there was anything left out there.

    Anything that wasn’t just sea and sky and ghosts.

    He ran his fingers along the edge of the console, feeling the warped metal. The ship had crashed hard. It shouldn’t have made it down in one piece, but something had slowed it. Some system had tried to function, even in its dying moments.

    That meant something was still alive.

    He just had to wake it up.

    Tuppence chittered, scurrying onto his shoulder.

    Merdhyn chuckled. “Aye, I know. One of these days, I’ll start talking to people instead of rats.”

    Tuppence flicked her tail.

    He pulled out a battered datapad—one of his few working relics—and tapped the screen. The interface stuttered, but held. He navigated to his schematics, his notes, his carefully built plans.

    The transponder array.

    If he could get it working, even partially, he might be able to listen.

    To hear something—anything—on the waves beyond this rock.

    A voice. A signal. A trace of the world that had forgotten him.

    Merdhyn exhaled. “Let’s see if we can get you talking again, eh?”

    He adjusted his grip, tools clinking at his belt, and got to work.

    #7807

    HELIX 25: THE JARDENERY

    Finkley pressed herself against the smooth metal doorway of the Jardenery, her small wiry frame unnoticeable in the dim light filtering through the tangle of vines. The sterile scent of Helix 25’s corridors had faded behind her, replaced by the aroma of damp earth. A place of dirt and disorder. She shuddered.

    A familiar voice burst through her thoughts.

    What’s going on?

    Finja’s tone was strident and clear. The ancient telepathic link that connected the cleaner family through many generations was strong, even in space. All the FinFamily (FF) had the gift to some extent, occasionally even with strangers. It just wasn’t nearly as accurate.

    Shush. They’re talking about blood. And Herbert.

    She felt Finja’s presence surge in response, her horrified thoughts crackling through their link. Blood!

    Riven’s skeptical voice: “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”

    Finkley sniggered. Was that even possible?

    It’s not particularly funny, responded Finja. It means someone on the ship is carrying distorted DNA. Her presence pulsed with irritation; it all sounded so complicated and grubby. And god knows what else. Bacteria? Ancestral grime? Generational filth? Honestly Finkley, as if I haven’t got enough to worry about with this group of wandering savages …

    Finkley inhaled sharply as Romualdo stepped into view. She held her breath, pressing even closer to the doorway. He was so cute. Unclean, of course, but so adorable.

    She pondered whether she could overlook the hygiene. Maybe … if he bathed first?

    Get a grip. Finja’s snarl crashed through her musings, complete with eye-roll.

    Finkley reddened. She had momentarily forgotten that Finja was there.

    So Herbert was looking for something. But what?

    I bet they didn’t disinfect properly. Finja’s response was immediate. See what you can find out later. 

    Inside, Romualdo picked up a book from his workbench and waved it. Finkley barely needed to read the title before Finja’s shocked cry of recognition filled her mind.

    Liz Tattler!

    A feeling of nostalgia swept over Finkley.

    Yes Liz Tattler. Finley’s Liz. 

    Finley—another member of the family. She cleaned for Liz Tattler, the mad but famous author. It was well known—at least within the family— that Liz’s fame was largely due to Finley’s talents as a writer. Which meant, whatever this was, it had somehow tangled itself up in the FF network.

    Liz’s Finley hasn’t responded for years —I assumed… Finja’s voice trailed off.

    There’s still hope! You never know with that one. She was always stand-offish and mysterious. And that Liz really abused her good nature. 

    Finkley swallowed hard. They were close to something big—something hidden beneath layers of time and mystery. And whatever it was, it had just become personal.

    Finja, there’s no time to lose! We need to find out more. 

    #7799

    Helix 25 – Lower Decks – Secretive Adjustments

    Sue Brittany Kaleleonālani Forgelot moved with the practiced grace of someone accustomed to being noticed—but tonight, she walked as someone trying not to be. The Upper Deck was hers, where conversations flowed with elegant pretense and where everyone knew her by firstname —Sue, she would insist. There would be none of that bowing nonsense to her noble lineages —bless her distinguished ancestors.

    Here, in the Lower Decks, she was a curiosity at best, an intrusion at worst.

    Unlike the well-maintained Upper Decks, here the air was warmer, and one could sense mingled with the recycled air, a distinct scent of metal, oil, and even labouring bodies. Maintenance bots were limited, and keeping people busy with work helped with the social order. Lights flickered erratically in narrow corridors, nothing like the pristine glow of the Upper Deck’s crystal chandeliers. The Lower Decks were functional, built for work and survival, not for leisure. And deeper still—past the bustling workstations, past the overlooked mechanics keeping Helix 25 from falling apart—the Hold.

    The Hold was where she found Luca Stroud.

    A heavy, reinforced door hissed as it unlocked, and Sue stepped inside his dimly lit workshop. Stacks of salvaged tech lined the walls, interspersed with crates of unauthorized modifications in this workspace born of a mixture of necessity, ingenuity, and quiet rebellion.

    Luca barely looked up as he wiped oil from his hands. “You’re late, dear.”

    Sue huffed, settling into the chair he had long since designated for her. “A lady does not rush. Besides, I had affairs to attend to.” She crossed one leg over the other, her silk shawl catching on the metallic seam of a cybernetic limb beneath it. “And I had to dodge half the ship to get here unnoticed.”

    Luca grunted, kneeling beside her. “You wouldn’t have to sneak if you’d just let one of the Upper Deck doctors service this thing.” He tapped lightly on the synthetic skin to reveal the metallic prosthetic, watching as the synthetic nerves twitched in response.

    Sue’s expression turned sharp. “You know why I can’t.”

    Luca said nothing, but his smirk spoke volumes.

    There were things she couldn’t let the Upper Deck medics see. Upgrades, modifications, small enhancements that gave her just enough edge. In the circles she moved in, knowledge was power. And she was far too valuable to be at the mercy of those who wanted her dependent.

    Luca examined the joint, nodding to himself. “You’ve been walking too much on it.”

    “Well, forgive me for using my own legs.”

    He tightened a wire. Sue winced, but he ignored it. “You need recalibration. And I need better parts.”

    Sue gave a slow, knowing smile. “And what minor favors will you require this time?”

    Luca leaned back, thoughtful. “Information. Since you’re generous with it.”

    She sighed, shifting in her seat. “Fine. You’re lucky I find you amusing.”

    He adjusted a component with expert hands. “Tell me about the murder.”

    Sue arched a brow. “Everyone wants to talk about that. You’d think no one had ever died before.”

    “They haven’t,” Luca countered, voice flat. “Not for a long time. And not like this.”

    She studied him, his interest piquing her own. “So you think it was a real murder.”

    Luca let out a dry chuckle. “Oh, it was a murder alright. And you know it.”

    Sue exhaled, considering what to share. “Well, rumor has it, the DNA found in the crime scene doesn’t belong here. It’s from the past. Far past.”

    Luca glanced up, intrigued. “How far?”

    Sue leaned in, voice hushed. “Crusader far.”

    He let out a low whistle, shaking his head. “That’s… new.”

    She tilted her head. “What does that mean to you?”

    Luca hesitated, then shrugged. “Means whoever’s playing god with DNA sequencing isn’t as smart as they think they are.”

    Sue smiled at that, more amused than disturbed. “And I suppose you have theories?”

    Luca gave her cybernetic limb one final adjustment, then stood. “I have suspicions.”

    Sue sighed dramatically. “How thrilling.” She flexed her leg, satisfied with the result. “Keep me informed, and I’ll see what I can find for you.”

    Luca smirked. “You always do.”

    As she rose to leave, she paused at the door. “Oh, one last thing, dear.”

    Luca glanced at her. “What?”

    Sue’s smirk deepened. “Should I put in a good word to the Captain for you?”

    The question hung between them.

    Luca narrowed his eyes. “Nobody’s ever met the Captain.”

    She nodded, satisfied, and left him to his thoughts.

    #7794
    Yurara FamelikiYurara Fameliki
    Participant

      Some pictures selections

      Evie and TP Investigating the Drying Machine Crime Scene

      A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.

       

      Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor

      A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.

       

      Romualdo, the Gardener, Among the Bioluminescent Plants

      A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.

       

      Finja and Finkley – A Telepathic Parallel Across Space

      A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.

      #7788

      At first, no one noticed.

      They were still speculating about the truck—where it had come from, where it might be going, whether following it was a brilliant idea or a spectacularly bad one.

      And, after all, Finja was always muttering about something. Dust, filth, things not put back where they belonged.

      But then her voice rose till she was all but shouting.

      “Of course, they’re all savages. I don’t know how I put up with them! Honestly, I AM AT MY WIT’S END!”

      “Finja?” Anya called. “Are you okay?”

      Finja strode on, intent on her diatribe.

      “No, I don’t know where they are going,” she yelled.  “If I knew that, I probably wouldn’t be here, would I?”

      Tala hurried to catch up and stepped in front of Finja, blocking her path. “Finja, are you okay? Who are you talking to?”

      Finja sighed loudly; it was tedious. People were so obsessed with explanations.

      “If you must know,” she said, “I am conversing with my Auntie Finnley in Australia.”

      “Ooooh!” Vera’s eyes lit up. “ A relative!”

      Yulia, walking between Luka and Lev, giggled. She adored the twins and couldn’t decide which one she liked more. They were both so tall and handsome. Others found it hard to tell them apart but she always could. It was rumoured that at birth they had been joined at the hip.

      “Finja is totally bonkers,” she declared cheerfully and the twins smiled in unison.

      “I will have you know I’m not bonkers.” Finja felt deeply offended and misunderstood. “I have been communicating with Auntie Finnley since childhood. She was highly influential in my formative years.”

      “How so?” asked Tala.

      “Few people appreciate the importance of hygiene like my Auntie Finnley. She works as a cleaner at the Flying Fish Inn in the Australian Outback. Lovely establishment I gather. But terrible dust.”

      Vera nodded sagely. “A sensible place to survive the apocalypse.”

      “Exactly.” Finja rewarded her with a tight smile.

      Jian raised an eyebrow. “And she’s alive? Your aunt?”

      “I don’t converse with ghosts!” Finja waved a hand dismissively. “They all survived there thanks to the bravery of Aunt Finnley. Had to disinfect the whole inn, mind you. Said it was an absolute nightmare.” Finja shuddered at the thought of it.

      Gregor snorted. “You’re telling us you have a telepathic connection with your aunt in Australia… and she is also mostly concerned about … hygiene?”

      Finja glared at him. “Standards must be maintained,” she admonished. “Even after the end of the world.”

      “Do you talk to anyone else?” Tala asked. “Or is it just your aunt?”

      Finja regarded Tala through slitted eyes. “I’m also talking to Finkley.”

      “Where is this Finkley, dear?” asked Anja gently. “Also at the outback?”

      “OMG,” Finja said. “Can you imagine those two together?” She cackled at the thought, then pulled herself together. “No. Finkley is on the Helix 25. Practically runs it by all accounts. But also keeps it spotless, of course.”

      “Helix 25? The spaceship?” Mikhail asked, suddenly interested. He exchanged glances with Tala who shrugged helplessly.

      Yulia laughed. “She’s definitely mad!”

      “So what? Aren’t we all,” said Petro.

      Molly, who had been quietly watching with Tundra, finally spoke. “And you say they are both… cleaners?” She wasn’t sure what to make of this group. She wondered if it would be better to continue on alone with Tundra? She didn’t want to put the child in any danger.

      “Cleanliness runs in the family,” Finja said. “Now, if you’ll all excuse me, I was mid-conversation.”

      She closed her eyes, concentrating. The group watched with interest as her lips moved silently, her brow furrowed in deep thought.

      Then, suddenly, she opened her eyes and threw her hands in the air.

      “Oh, for goodness’ sake,” she muttered. “Finkley is complaining about dust floating in low gravity. Finnley is complaining about the family not taking their boots off at the door. What a pair of whingers. At least I didn’t inherit THAT.”

      She sniffed, adjusted her backpack, and walked on.

      The others stood there for a moment, letting it all sink in.

      Gregor clapped his hands together. “That was the most wonderfully insane thing I’ve heard since the world ended.”

      Mikhail sighed. “So, we are following the direction of the truck?”

      Anya nodded. “I’ll keep an eye on Finja. The stress is getting to her, and we have no meds if it escalates.”

      #7776

      Epilogue & Prologue

      Paris, November 2029 – The Fifth Note Resounds

      Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.

      It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.

      The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.

      And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.

      The bell above the door rang—the fifth note, as her mother had called it once.

      She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.

      Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.

      “Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”

      And that was what had happened.

      The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.

       

      True Stories of How It Was.

       

      It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.

      As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.

      Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.

      Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.

      Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.

      Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.

      And Matteo—Matteo had grounded it.

      The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.

      For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.

      Tabitha turned the page.

      “We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”

      They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.

      A grandfather’s voice recording of a train ride to a city that no longer exists.
      Handwritten recipes annotated by generations of hands, each adding something new.
      A letter from a protest in 2027, detailing a movement that the history books had since erased.
      An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.

      It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.

      At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.

      There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.

      Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.

      And yet, here in the café, none of that felt urgent.

      Tabitha looked up as the server approached. Not Matteo, but someone new.

      “Another espresso?”

      She hesitated, then nodded. “Yes. And a glass of water, please.”

      She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.

      A bell rang softly as the door swung open again.

      Tabitha smiled to herself. The fifth note always sounded, in the end.

      She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.

      #7772

      Upper Decks – The Pilot’s Seat (Sort Of)

      Kai Nova reclined in his chair, boots propped against the console, arms folded behind his head. The cockpit hummed with the musical blipping of automation. Every sleek interface, polished to perfection by the cleaning robots under Finkley’s command, gleamed in a lulling self-sustaining loop—self-repairing, self-correcting, self-determining.

      And that meant there wasn’t much left for him to do.

      Once, piloting meant piloting. Gripping the yoke, feeling the weight of the ship respond, aligning a course by instinct and skill. Now? It was all handled before he even thought to lift a finger. Every slight course adjustment, to the smallest stabilizing thrust were effortlessly preempted by Synthia’s vast, all-knowing “intelligence”. She anticipated drift before it even started, corrected trajectory before a human could perceive the error.

      Kai was a pilot in name only.

      A soft chime. Then, the clipped, clinical voice of Cadet Taygeta:

      “You’re slacking off again.”

      Kai cracked one eye open, groaning. “Good morning, buzzkill.”

      She stood rigid at the entryway, arms crossed, datapad in hand. Young, brilliant, and utterly incapable of normal human warmth. Her uniform was pristine—always pristine—with a regulation-perfect collar that probably had never been out of place in their entire life.

      Synthia calculates you’ve spent 76% of your shifts in a reclining position,” the Cadet noted. “Which, statistically, makes you more of a chair than a pilot.”

      Kai smirked. “And yet, here I am, still getting credits.”

      The Cadet face had changed subtly ; she exhaled sharply. “I don’t understand why they keep you here. It’s inefficient.”

      Kai swung his legs down and stretched. “They keep me around for when things go wrong. Machines are great at running the show—until something unexpected happens. Then they come crawling back to good ol’ human instinct.”

      “Unexpected like what? Absinthe Pirates?” The Cadet smirked, but Kai said nothing.

      She narrowed their eyes, her voice firm but wavering. “Things aren’t supposed to go wrong.”

      Kai chuckled. “You must be new to space, Taygeta.”

      He gestured toward the vast, star-speckled abyss beyond the viewport. Helix 25 cruised effortlessly through the void, a floating city locked in perfect motion. But perfection was a lie. He could feel it.

      There were some things off. At the top of his head, one took precedence.

      Fuel — it wasn’t infinite, and despite Synthia’s unwavering quantum computing, he knew it was a problem no one liked talking about. The ship wasn’t meant for this—for an endless voyage into the unknown. It was meant to return.

      But that wasn’t happening.

      He leaned forward, flipping a display open. “Let’s play a game, Cadet. Humor me.” He tapped a few keys, pulling up Helix 25’s projected trajectory. “What happens if we shift course by, say… two degrees?”

      The Cadet scoffed. “That would be reckless. At our current velocity, even a fractional deviation—”

      “Just humor me.”

      After a pause, she exhaled sharply and ran the numbers. A simulation appeared: a slight two-degree shift, a ripple effect across the ship’s calculated path.

      And then—

      Everything went to hell.

      The screen flickered red.

      Projected drift. Fuel expenditure spike. The trajectory extending outward into nowhere.

      The Cadet’s posture stiffened. “That can’t be right.”

      “Oh, but it is,” Kai said, leaning back with a knowing grin. “One little adjustment, and we slingshot into deep space with no way back.”

      The Cadet’s eyes flicked to the screen, then back to Kai. “Why would you test that?”

      Kai drummed his fingers on the console. “Because I don’t trust a system that’s been in control for decades without oversight.”

      A soft chime.

      Synthia’s voice slid into the cockpit, smooth and impassive.

      Pilot Nova. Unnecessary simulations disrupt workflow efficiency.”

      Kai’s jaw tensed. “Yeah? And what happens if a real course correction is needed?”

      “All adjustments are accounted for.”

      Kai and the Cadet exchanged a look.

      Synthia always had an answer. Always knew more than she said.

      He tapped the screen again, running a deeper scan. The ship’s fuel usage log. Projected refueling points.

      All were blank.

      Kai’s gut twisted. “You know, for a ship that’s supposed to be self-sustaining, we sure don’t have a lot of refueling options.”

      The Cadet stiffened. “We… don’t refuel?”

      Kai’s eyes didn’t leave the screen. “Not unless Synthia finds us a way.”

      Silence.

      Then, the Cadet swallowed. For the first time, a flicker of something almost human in her expression.

      Uncertainty.

      Kai sighed, pushing back from the console. “Welcome to the real job, kid.”

      Because the truth was simple.

      They weren’t driving this ship.

      The ship was driving them.

      And it all started when all hell broke lose on Earth, decades back, and when the ships of refugees caught up with the Helix 25 on its way back to Earth. One of those ships, his dad had told him, took over management, made it turn around for a new mission, “upgraded” it with Synthia, and with the new order…

      The ship was driving them, and there was no sign of a ghost beyond the machine.

      #7728
      TracyTracy
      Participant

        THE SURVIVORS ON EARTH AND THE POSTMAN IN SPACE

        The Marlowe Family.

        Ellis Marlowe, retired postman, on ship:  born 1980. 70 years old in 2050.

        Molly Marlow, his mother, born in 1957, 93 years old in 2050. Survivor on earth.

        Ellis’s son Ethan Marlowe born 2010. 40 in 2050 and a survivor on earth.

        Ethan’s daughter Tundra Marlowe, born in 2038. 12 in 2050 and a survivor on earth.

        Ethan and his Ukrainian partner Nina Shevchenko, Tundra’s mother, disappear in 2039, not returning from an expedition to find one of Effin Muck’s Farsink communication stations to maintain contact with Ellis the postman in space.

        Tundra is with her great grandmother Molly in the survivors group, who join with survivors from the mental facility.

        #7727
        F LoveF Love
        Participant

          THE SURVIVORS ON EARTH

          2050. Civilization has collapsed.
          Global warming, famine, plague, and the Tit-for-Tax war have devastated the planet.
          The ultra-wealthy, led by entrepreneur Effin Muck, left Earth for luxury space colonies.
          As civilization fell apart, other groups started ejecting ships into space. please see above comments for more details.
          No one knows what happened to Effin.

          Ukraine. An isolated psychiatric facility.
          Holds supposed political prisoners and a few who are genuinely insane. But it’s a good community and they look out for each other.
          Self-sufficient, growing their own food.
          Unaware of the full extent of the world’s collapse.
          one day in around 2030 A group sstaff and patients leave on a supply run.
          They never return.
          The remaining residents wait for months and then years, relying on their harvest, speculating about the outside world. Many die. The remainder decide to leave the facility – Driven by necessity and curiosity.
          Enter a world they don’t recognize—barren, fractured, sparsely populated.
          Encounter scattered survivors.

          They Find an abandoned space station.
          It was one of many.
          Manage to establish communication with one of the ships. The Helix 25. It turns out there is a connection but that is to be expanded on. it is of a murder and genealogical form.

          #7726
          Yurara FamelikiYurara Fameliki
          Participant

            (work in progress)

            Chronology elements of Earth & Helix 25

            • 2030: Following a catastrophic event during Earth’s history tumultuous period circa 2030, Earth was forever altered.
            • The murder victim is found on space cruise ship “Helix 25” in the year of 2050.
              Different generations live on the Helix 25, including:

              • space adults having never known Earth,
              • elderly people remembering Earth as it once was,
              • and even life-extended pre-digital Earth history people, sometimes called by the younger gents “fossil boomer”.
            #7720
            Yurara FamelikiYurara Fameliki
            Participant

              Some ideas to pick apart and improve on:

              Some characters:

              • The Murder Victim: A once-prominent figure whose mysterious death on Helix 25 is intertwined with deeper, enigmatic forces—a person whose secret past and untimely demise trigger the cascade of genetic clues and expose long-buried truths about the exodus.
              • Dr. Amara Voss: A brilliant geneticist haunted by fragmented pasts, who deciphers DNA strands imbued with clues from an ancient intelligence.
              • Inspector Orion Reed: A retro-inspired, elderly holographic AI detective whose relentless curiosity drives him to unravel the inexplicable murder.
              • Kai Nova: A maverick pilot chasing cosmic dreams, unafraid to navigate perilous starfields in search of truth.
              • Seren Vega: A meditative archivist who unlocks VR relics of history, piecing together humanity’s lost lore. Mandrake her cat, who’s been given bionic enhancements that enables it to speak its mind.
              • Luca Stroud: A rebellious engineer whose knack for decoding forbidden secrets may hold the key to the ship’s destiny.
              • Ellis Marlowe (Retired Postman): A weathered former postman whose cherished collection of vintage postcards from Earth and early space voyages carries personal and historical messages, hinting at forgotten connections.
              • Sue Forgelot: A prominent socialist socialite, descended from Sir Forgelot.
              • Sharon, Gloria, Mavis: a favourite elderly trio of life-extended elders. Of course, they endured and thrived in humanity’s latest exodus from Earth
              • Lexican and Flexicans, Pronoun People: sub-groups and political factions, challenging our notions of divisions
              • Space Absinthe Pirates: a rogue band of bandits— a myth to make children behave… or something else?

              Background of the Helix Fleet:

              Helix 25 is one of several generation ships that were designed as luxury cruise ships, but are now embarked on an exodus from Earth decades ago, after a mysterious event that left them the last survivors of humanity. Once part of an ambitious fleet designed for both leisure and also built to secretly preserve humanity’s legacy, the other Helix ships have since vanished from communication. Their unexplained absence casts a long shadow over the survivors aboard Helix 25, fueling theories soon turning into myths and the hope of a new golden age for humanity bound to a cryptic prophecy.

              100-Word Pitch:

              Aboard Helix 25, humanity’s last survivors drift through deep space on a generation ship with a haunted past. When Inspector Orion Reed, a timeless holographic detective, uncovers a perplexing murder, encoded genetic secrets begin to surface. Dr. Amara Voss painstakingly deciphers DNA strands laced with ancient intelligence, while Kai Nova navigates treacherous starfields and Seren Vega unlocks VR relics of lost eras. Luca Stroud and Ellis Marlowe, a retired postman with vintage postcards, piece together clues that tie the victim’s secret past to the vanished Helix fleet. As conspiracies unravel, the crew must confront a destiny entwined with Earth’s forgotten exodus.

              #7708

              Elara — Nov 2021: The End of Genealogix

              The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.

              She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.

              Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.

              Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.

              When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”

              The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.

              And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.

              :fleuron2:

              She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”

              Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.

              Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.

              As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.

              Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.

              By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.

              Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”

              It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.

              :fleuron2:

              Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.

              The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.

              #7707

              Matteo — Easter Break 2023

              The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

              Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

              Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

              “Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

              She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

              The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

              Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

              “This guy’s great,” Matteo said. “What happened to him?”

              “Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

              Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

              The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

              As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

              “The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

              “Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

              Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

              “Reinventing where they came from, like us, always reinventing where we go…”

              Juliette chuckled but didn’t reply.

              Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

              As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

              :fleuron2:

              Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

              “Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

              Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

              Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

              As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

              #7704

              Darius: Christmas 2022

              Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

              It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

              The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

              His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

               

              By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

              Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

              “You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

              Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

              “Sorry,” Darius muttered, setting down his bag. “Flight delay.”

              Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

              The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

              Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

              Darius hesitated. “I haven’t seen him in months,” he said carefully.

              Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

              “I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

              Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

              Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

              “Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

              The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

              For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

              “I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

              Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

              “Yes, I can.” Darius said simply, grabbing his bag.

              “You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

              Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

              :fleuron:

              The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

              His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

              Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

              Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

              As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

              #7700
              TracyTracy
              Participant

                Elara — December 2021

                Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.

                It’s because I can’t go out and buy any, she told herself, I hate tinsel.

                It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.

                The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.

                The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.

                England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops,  populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens.  Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.

                When the lockdown happened,  instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.

                The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.

                Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone.  The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.

                If only I had some tinsel though.

                #7669
                Yurara FamelikiYurara Fameliki
                Participant

                  Quintessence – Looking for the 5th — A concept film trailer… 

                  The scene begins in reverse motion at the Parisian café at dusk, vibrant with life as four friends sit together, laughter and connection tangible. The scenes fades backward into a flashback sequence, unraveling across time and space. Brief flashes rewind through their lives:

                  • Lucien, the artist, sketching furiously in his studio, charcoal dust flying as he creates a labyrinth of faces.
                  • Darius, a traveler, striding through sunlit banana trees in Guadeloupe, the dappled light casting moving patterns on his determined face.
                  • Amei, the fabric artist, flipping through a stack of vibrant postcards at her cluttered desk, her fingers brushing over familiar textures.
                  • Elara, the rebel scientist, chalking spiraling equations and shapes on a blackboard, her eyes alight with discovery.

                  The threads coil faster, converging in reverse at a vibrant field in the verdant South of France. The sun streams across open land dotted with wildflowers, a faint outline of a shared dream—a co-housing project—lingering in the golden light. The scene ends on an empty but inviting promise, the land glowing with warmth and possibility.

                  #7662

                  The Waking 

                  Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023
                  Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom
                  The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
                  “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.”
                  The Endless Chase
                  Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.
                  The Wandering Maze
                  Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”
                  The Woven Tapestry
                  Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.
                  The Scattered Grains
                  Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.
                  The Mandala of Light
                  Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

                  :fleuron2:

                  Dreamtime

                  It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

                  The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

                  The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

                  I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

                  The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

                  I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

                  I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

                  #7651
                  Yurara FamelikiYurara Fameliki
                  Participant

                    Exploring further potential backstory for the characters – to be explored further…

                    :fleuron2:

                    This thread beautifully connects to the lingering themes of fractured ideals, missed opportunities, and the pull of reconnection. Here’s an expanded exploration of the “habitats participatifs” (co-housing communities) and how they tie the characters together while weaving in subtle links to their estrangement and Matteo’s role as the fifth element.

                    Backstory: The Co-Housing Dream

                    Habitat Participatif: A Shared Vision

                    The group’s initial bond, forged through shared values and late-night conversations, had coalesced around a dream: buying land in the Drôme region of France to create a co-housing community. The French term habitat participatif—intergenerational, eco-conscious, and collaborative living—perfectly encapsulated their ideals.

                    What Drew Them In:

                    • Amei: Longing for a sense of rootedness and community after years of drifting.
                    • Elara: Intrigued by the participatory aspect, where decisions were made collectively, blending science and sustainability.
                    • Darius: Enchanted by the idea of shared creative spaces and a slower, more intentional way of living.
                    • Lucien: Inspired by the communal energy, imagining workshops where art could flourish outside the constraints of traditional galleries.

                    The Land in Drôme

                    They had narrowed their options to a specific site near the village of Crest, not far from Lyon. The land, sprawling and sun-drenched, had an old farmhouse that could serve as a communal hub, surrounded by fields and woods. A nearby river threaded through the valley, and the faint outline of mountains painted the horizon.

                    The traboules of Lyon, labyrinthine passageways, had captivated Amei during an earlier visit, leaving her wondering if their metaphorical weaving through life could mirror the paths their group sought to create.

                    The Role of Monsieur Renard

                    When it came to financing, the group faced challenges. None of them were particularly wealthy, and pooling their resources fell short. Enter Monsieur Renard, whose interest in supporting “projects with potential” brought him into their orbit through Éloïse.

                    Initial Promise:

                    • Renard presented himself as a patron of innovation, sustainability, and community projects, offering seed funding in exchange for a minor share in the enterprise.
                    • His charisma and Éloïse’s insistence made him seem like the perfect ally—until his controlling tendencies emerged.

                    The Split: Fractured Trust

                    Renard’s involvement—and Éloïse’s increasing influence on Darius—created fault lines in the group.

                    1. Darius’s Drift:
                      • Darius became entranced by Renard and Éloïse’s vision of community as something deeper, bordering on spiritual. Renard spoke of “energetic alignment” and the importance of a guiding vision, which resonated with Darius’s creative side.
                      • He began advocating for Renard’s deeper involvement, insisting the project couldn’t succeed without external backing.
                    2. Elara’s Resistance:
                      • Elara, ever the pragmatist, saw Renard as manipulative, his promises too vague and his influence too broad. Her resistance created tension with Darius, whom she accused of being naive.
                      • “This isn’t about community for him,” she had said. “It’s about control.”
                    3. Lucien’s Hesitation:
                      • Lucien, torn between loyalty to his friends and his own fascination with Éloïse, wavered. Her talk of labyrinths and collective energy intrigued him, but he grew wary of her sway over Darius.
                      • When Renard offered to fund Lucien’s art, he hesitated, sensing a price he couldn’t articulate.
                    4. Amei’s Silence:
                      • Amei, haunted by her own experiences with manipulation in past relationships, withdrew. She saw the dream slipping away but couldn’t bring herself to fight for it.

                    Matteo’s Unseen Role

                    Unbeknownst to the others, Matteo had been invited to join as a fifth partner—a practical addition to balance their idealism. His background in construction and agriculture, coupled with his easygoing nature, made him a perfect fit.

                    The Missed Connection:

                    • Matteo had visited the Drôme site briefly, a stranger to the group but intrigued by their vision. His presence was meant to ground their plans, to bring practicality to their shared dream.
                    • By the time he arrived, however, the group’s fractures were deepening. Renard’s shadow loomed too large, and the guru-like influence of Éloïse had soured the collaborative energy. Matteo left quietly, sensing the dream unraveling before it could take root.

                    The Fallout: A Fractured Dream

                    The group dissolved after a final argument about Renard’s involvement:

                    • Elara refused to move forward with his funding. “I’m not selling my future to him,” she said bluntly.
                    • Darius, feeling betrayed, accused her of sabotaging the dream out of stubbornness.
                    • Lucien, caught in the middle, tried to mediate but ultimately sided with Elara.
                    • Amei, already pulling away, suggested they put the project on hold.

                    The land was never purchased. The group scattered soon after, their estrangement compounded by the pandemic. Matteo drifted in a different direction, their connection lost before it could form.

                    Amei’s Perspective: Post-Split Reflection

                    In the scene where Amei buys candles :

                    • The shopkeeper’s comments about “seeking something greater” resonate with Amei’s memory of the co-housing dream and how it became entangled with Éloïse and Renard’s influence.
                    • Her sharper-than-usual reply reflects her lingering bitterness over the way “seeking” led to manipulation and betrayal.

                    Reunion at the Café: A New Beginning

                    When the group reunites, the dream of the co-housing project lingers as a symbol of what was lost—but also of what could still be reclaimed. Matteo’s presence at the café bridges the gap between their fractured past and a potential new path.

                    Matteo’s Role:

                    • His unspoken connection to the co-housing plan becomes a point of quiet irony: he was meant to be part of their story all along but arrived too late. Now, at the café, he steps into the role he missed years ago—the one who helps them see the threads that still bind them.
                    #7650
                    Yurara FamelikiYurara Fameliki
                    Participant

                      Some elements for inspiration as to the backstory of the group and how it could tie to the current state of the story:

                      :fleuron2:

                      Here’s a draft version of the drama surrounding Éloïse and Monsieur Renard (the “strange couple”), incorporating their involvement with Darius, their influence on the group’s dynamic, and the fallout that caused the estrangement five years ago.

                      The Strange Couple: Éloïse and Monsieur Renard

                      Winter 2019: Paris, Just Before the Pandemic

                      The group’s last reunion before their estrangement was supposed to be a celebration—one of those rare moments when their diverging paths aligned. They had gathered in Paris in late December, the city cloaked in gray skies and glowing light. The plan was simple: a few days together, catching up, exploring old haunts, and indulging in the kind of reckless spontaneity that had defined their earlier years.

                      It was Darius who disrupted the rhythm. He had arrived late to their first dinner, rain-soaked and apologetic, with Éloïse and Monsieur Renard in tow.

                      First Impressions of Éloïse and Monsieur Renard

                      Éloïse was striking—lithe, dark-haired, with sharp eyes that seemed to unearth secrets before you could name them. She moved with a predatory grace, her laughter a mix of charm and edge. Renard was her shadow, older and impeccably dressed, his silvery hair and angular features giving him the air of a fox. He spoke little, but when he did, his words had the weight of finality, as if he were accustomed to being obeyed.

                      “They’re just friends,” Darius said when the others exchanged wary glances. “They’re… interesting. You’ll like them.”

                      But it didn’t take long for Éloïse and Renard to unsettle the group. At dinner, Éloïse dominated the conversation, her stories wild and improbable—of séances in abandoned mansions, of lost artifacts with strange energies, of lives transformed by unseen forces. Renard’s occasional interjections only added to the mystique, his tone implying he’d seen more than he cared to share.

                      Lucien, ever the skeptic, found himself drawn to Éloïse despite his instincts. Her talk of energies and symbols resonated with his artistic side, and when she mentioned labyrinths, his attention sharpened.

                      Elara, in contrast, bristled at their presence. She saw through their mystique, recognizing in Renard the manipulative charisma of someone who thrived on control.

                      Amei was harder to read, but she watched Éloïse and Renard closely, her silence betraying a guardedness that hinted at deeper discomfort.

                      Darius’s Growing Involvement

                      Over the following days, Darius spent more time with Éloïse and Renard, skipping planned outings with the group. He spoke of them with a reverence that was uncharacteristic, praising their insight into things he’d never thought to question.

                      “They see connections in everything,” he told Amei during a rare moment alone. “It’s… enlightening.”

                      “Connections to what?” she asked, her tone sharper than she intended.

                      “Paths, people, purpose,” he replied vaguely. “It’s hard to explain, but it feels… right.”

                      Amei didn’t press further, but she mentioned it to Elara later. “It’s like he’s slipping into something he can’t see his way out of,” she said.

                      The Séance

                      The turning point came during an impromptu gathering at Éloïse and Renard’s rented apartment—a dimly lit space filled with strange objects: glass jars of cloudy liquid, intricate carvings, and an ornate bronze bell hanging above the mantelpiece.

                      Éloïse had invited the group for what she called “an evening of clarity.” The others arrived reluctantly, wary of what she had planned but unwilling to let Darius face it alone.

                      The séance began innocuously enough—Éloïse guiding them through what she described as a “journey inward.” She spoke in a low, rhythmic tone, her words weaving a spell that was hard to resist.

                      Then things took a darker turn. She asked them to focus on the labyrinth she had drawn on the table—a design eerily similar to the map Lucien had found weeks earlier.

                      “You must find your center,” she said, her voice dropping. “But beware the edges. They’ll show you things you’re not ready to see.”

                      The room grew heavy with silence. Darius leaned into the moment, his eyes closed, his breathing steady. Lucien tried to focus but felt a growing unease. Elara sat rigid, her scientific mind railing against the absurdity of it all. Amei’s hands gripped the edge of the table, her knuckles white.

                      And then, the bell rang.

                      It was faint at first, a distant chime that seemed to come from nowhere. Then it grew louder, resonating through the room, its tone deep and haunting.

                      “What the hell is that?” Lucien muttered, his eyes snapping open.

                      Éloïse smiled faintly but said nothing. Renard’s expression remained inscrutable, though his fingers tapped rhythmically against the table, as if counting something unseen.

                      Elara stood abruptly, breaking the spell. “This is ridiculous,” she said. “You’re playing with people’s minds.”

                      Darius’s eyes opened, his gaze unfocused. “You don’t understand,” he said softly. “It’s not a game.”

                      The Fallout

                      The séance fractured the group.

                      • Elara: Left the apartment furious, calling Renard a charlatan and vowing never to entertain such nonsense again. Her relationship with Darius cooled, her disappointment palpable.
                      • Lucien: Became fascinated with the labyrinth and its connection to his art, but he couldn’t shake the unease the séance had left. His conversations with Éloïse deepened in the following days, further isolating him from the group.
                      • Amei: Refused to speak about what she’d experienced. When pressed, she simply said, “Some things are better left forgotten.”
                      • Darius stayed with Éloïse and Renard for weeks after the others left Paris, becoming more entrenched in their world. But something changed. When he finally returned, he was distant and cagey, unwilling to discuss what had happened during his time with them.

                      Lingering Questions

                      1. What Happened to Darius with Éloïse and Renard?
                        • Darius’s silence suggests something traumatic or transformative occurred during his deeper involvement with the couple.
                      2. The Bell’s Role:
                        • The bronze bell that rang during the séance ties into its repeated presence in the story. Was it part of the couple’s mystique, or does it hold a deeper significance?
                      3. Lucien’s Entanglement:
                        • Lucien’s fascination with Éloïse and the labyrinth hints at a lingering connection. Did she influence his art, or was their connection more personal?
                      4. Éloïse and Renard’s Motives:
                        • Were they simply grifters manipulating Darius and others, or were they genuinely exploring something deeper, darker, and potentially dangerous?

                      Impact on the Reunion

                      • The group’s estrangement is rooted in the fractures caused by Éloïse and Renard’s influence, compounded by the isolation of the pandemic.
                      • Their reunion at the café is a moment of reckoning, with Matteo acting as the subtle thread pulling them back together to confront their shared past.
                      #7642
                      TracyTracy
                      Participant

                        It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

                        When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

                        Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

                        Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

                        It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

                        When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

                        Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

                        “And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

                        “It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

                        “That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

                        Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

                        “A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

                        “Once a lecturer, always a lecturer, eh?” Florian teased.

                        “Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”

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