— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.

“Hang on a minute” he shouted to his friends as soon as they were out of the grocery store, burden with the loads of the bags.
Molly, Harvey and Francis looked puzzled at their foreign friend.
Then with a shrug, Harvey sat on a pile of snow that had fallen from the roof, and leaned against one of the pillars of the square place dimly lit by a buzzing orange light.

He run to the chalet on the left, which was apparently closed, but he knew there would probably be someone in there.
He opened the creaking door, not startled by the bells tinkling at his left ear, and went straight to the counter, as though he had always known the place. A young man with a goatee was there, busy sorting old papers for the annual closing of the hostel.

— Do you have a glass of water please? the stranger asked
— Oh yes, sure… And with that?

The man seemed to expect an answer… The stranger felt as if he knew that answer…

— Yes… one of your… you know… chocolate things, with the wolf on it.
— Exactly! the tenant was smiling.

The stranger fumbled in his pocket, not having thought of requiring any money for a glass of water. But now…
Phew, there was a coin in his left pocket. He drew it out, looked at it… A 3 euros coin? He didn’t know such a currency existed…

— Oh, I won’t have the change I fear, the man answered… But I can make you a credit memo.

He had no idea he would come back here soon, but the familiar place as much as the obliging man made him think that anything would be okay. At worse, he would have lost a few euros, which was no big loss.

— Sure.

The man showed him a red ticket, and leaning on the counter, proceeded with some explanations.

— This is your credit memo. Additionally, as the hostel won’t be fully rented, you can use this as a reservation for next week. It’s for Mr Arkandin. You will be able to enter the special exhibit and join the guided tour. It’s a laying down travel. People are expected to go nowhere, yet they will travel. Pillows and blankets will be provided.

He had a strange image in his mind of people laying on their backs and gliding on the floor in patterns leaving some tracks on the ground with various colours.

— It is supposed to show people some beliefs about monogamy. And keeping track of their own travels…

That was most puzzling… He wasn’t sure he would still be here next week, but that sounded intriguing enough to not be thrown in the bin right away…
He thanked the man after having had his glass of water and putting the wolf-brand candy and red square of paper in his pocket.

— There you are, sighed Molly, and what have taken you so long?

Sirielle looked through the crystalline window.

A humpback whale was passing by. Sirielle loved the song of the whales. Gorgean whales like this one were males, singing all during the rut to attract females miles away. Every season they would keep most of the same music, adding variations at times to the melody. This one was a sly one, Sirielle could tell. With its beautiful purulent budgeonic spots on its back, it was an old mighty male whale that she had seen already the past seasons, but its song had changed ever so slightly. It had probably plagiarized some of the most successful songs from other whales to become more attractive and that would make him a bit over the top.
At least, the females had a good parade for such insistent huge males, they could just put themselves upside down, close to the surface, so that the indelicate male could not have access to the holy of holies.
Sirielle felt so close to the whales.

Today, she had noticed the first changes on her body. She was growing gills, and soon would be able to breathe underwater. She was already a proficient swimmer, from a young age, as her hands and feet had grown swimfins. But the most interesting modification wouldn’t occur before a certain age.
When she had entered the room of Crystals, she had been a bit disappointed. She had expected some great ceremony with old wizened long-bearded robed priests to operate the crystals, but there had been only a young man not much older than herself, and a distracted middle-aged woman.
The Crystals had the ability to beam some specially focused light and provoke realignment of the patterns of the body. It was like the vibration carried by the light and enhanced by the crystal would be modifying the vibrational quality of her organism, and make it change itself quite naturally from the inside.

She couldn’t wait to go out in the oceanic depths and test her newly grown organs to swim with the huge cetacean.

The legend of The Weaving Princess

Once upon a time, in the Warring Kingdom of Landgurdy, lived the Yellow Princess Atiara. She was living with her father, the Yellow King of Landgurdy in the Subtle Palace of Aram Ardun, the capital.

The day of Her 20 ^th birthday was a very special day. As for any normal citizen of the Warring Kindgom, it was the day She fully became an adult. And furthermore, it was the day of Her wedding with the man to whom she was betrothed the day of her 12 ^th birthday, Prince Shomar At Gurna from the War Clan Gurna Drom.

The Yellow King had organized a sumptuous banquet in the Palace, and although the people of Landgurdy was not invited in the Palace, many banquets had been set all around the country. Only the War Clanners of Landgurdy were to be admitted in Her presence in this most special day.

At the very moment of the blessing by the Priest of Tatasi, the slaughter had already been perpetrated. The treacherous War Clanner Namad Gurdin had made an agreement with the Warring Kingdom of Cromash Tur. One of them had been replaced by the Assassin Varad Romash Karad Din, Master of this infamous Guild. Cromash Tur had sworn that very day would be the end of the Landgurdy. And it was. Many had tried to unfold the mystery of the sudden death of all the War Clanners and the Nobles present at that moment. The fact is that they were all found dead by the servants who were intrigued by the silence following the blessing… No wound, no trace of poison. The death of all these people remains a mystery.

Though, two were missing. The Assassin, and the Yellow Princess.

Cromash Tur’s army invaded the Landgurdy shortly after that… No resistance encountered, no more War Clanners to assure the safety of the land.

Though Cromash Tur’s Warlord always denied having captured the Yellow Princess, she was supposed held captive in an unknown shadowy place of the Marshes of Doom.

The Death Guards were keeping an eye on her, and every cloth, every dish, every book that was given to her was meticulously checked. Nothing was to bear the slightest trace of yellow. According to the legend, her family was famous with their use of this magic color, one of their most powerful talent was the control of the weather pattern, and the King of Cromash Tur feared strongly she would use her power to destroy his Kingdom if She could see a yellow dot.

The Marshes of Doom were so grey and shadowy, she could never see any trace of yellow there.

(to be continued)

When Al met the others, he was rather nonplussed by the profusion of capillar effects. Hairs colours were now a bit out of fashion, but he had to admit that Sam’s colours were radiant… Well, had it been for himself, he would have preferred something a tad bluer.

When Becky had made her appearance, he was really impressed. He found Becky had made a “bald” move that was suiting her dark complexion to a T.
(Becky was indeed sporting her African ancestry, coming from her mother Sabine Baina N’Diaye, with as much pride as her expensive boots).

As for himself, Al was not displeased that he had followed the good-hearted advice of sweet Tina about his hair loss. But, as he had discovered along with Hari Amgic, it all boiled down to the fact that was he was finding the tonsure rather elegantly distinguished, and giving him the looks of a wise old monk.
That had made Tina laugh of course, as she was finding him looking more like a monkey than anything else. Well, fine then, a Capuchin and that’ll make us agree on something at least, he had retorted a bit vexed.
The truth was that now, with the help of Hari, he was growing hair so fast that he had to shave them in the morning, and they would be knee-long and thick in the evening… But that was fun.
He was laughing now; he couldn’t have the monk look, but at least he had the sadhu look.

He said to Tina with a mischievous wink that he really loved her hot pink dress with the little white kitty cats patterns on it. Perfect Goldilocks look.

Al was concerned about Tina. He wondered why at times it was like their moods were at the antipodes of each other. Like one was in summer when the other one was in winter. Of course, seasons had gone awfully awry in the past (well, in people’s perception at least), and cherry trees were at times blooming in the late autumn, so that was hardly a good metaphore. Enfin bref…
Sometimes he wished they could move to a part of the Earth were the differences were leveled or not so dramatic, but of course, that would be focusing unduly on what seems awry, and not appreciating the differences for what they brought in understanding for each other.

Like most people now, Tina and him were living in a free relationship, not bonded by written contracts, just by a mutual wish to be experiencing a common exploration. But lately, especially with the play writing, deep issues had surfaced between them, and he was no longer sure of what they were exploring, as it was like shifting sands. Of course, now, most people were shifted themselves, thanks to the new generations of children who were exceptionally gifted in accessing their own essence. But for them, in their mid-30s, there were still issues linked to their old patterns of thoughts, many deeply ingrained ways of thinking, coming from many generations before them.
That T.R.A.P. attraction thing was a good example of the differences. It was mostly an attraction park for his generation, not really for children, as they were greatly able of doing these kinds of inner-travels without the aid of technology —not that they didn’t enjoy it either.

Al was thinking of a gift for Tina. He wanted to show her that she had really transformed Jadra, or that they had come a long way since the wandering in the cave tunnels, or that everything started to make sense, even the invisible friend Blohmul…
Well, there were still mysteries around him, (not mysteries really, but things yet at the state of seeds, or potentials) but he was no longer a hair on the soup they cooked. He was the blue fox of Mævel, and more interestingly, that cursed god was the son of Mirÿnda, the Goddess of Mirth —but that, Tina had not realized yet…

Actually, now that he was looking at the entry, Al noticed that Jadra was last seen with Mirÿnda, and that struck him as something more than a coincidence…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

On the shores of Golfindely, a young boy was playing in the carmine fields of ripe Scotch bonnets.

Since the captain Bone had left, Tomkin Sharple was feeling a bit sad.

The old captain always had fascinating stories to tell him, and he would indulge the endlessly curious little boy in telling him for hours all about what he had discovered in all the parts of the Worlds he had been traveling to.

Now, all he had to do was to take care of the herd of grakes of his parents, and while they were eating the weeds of the crops, he would sat on the cliff, looking at the sea, glimmering in the sunlight.

Grakes were funny to play with, as they were big birds, with a slender neck as geese, colourful patterns as mandarin ducks, and Tomkin always had fun jumping on the back of the alpha one, and ride it, leading the whole herd to the crops where they helped the farmers by eating all kinds of nuisances.

But after Captain Bone’s departure, it was no longer fun.

Tomkin was contemplating a strange thing that the captain had given him before he’d left. It was a sort of knot, shaped as a eight, and the captain had told him it was magic and meant that all was connected, but that he had to discover that magic for himself.

Tomkin had asked the captain to tell him about this object, but all he had told him was a legend which did not reveal much about the circumstances in which the old sea dog had acquired it. Perhaps the captain had fooled him about the magic…

Stuffing the thing again in his pocket, Tomkin let his mind wander on the sea waves, dreaming of being a cabin boy on a big boat, when he saw something on the horizon.

At first he thought that it was a group of swimming golfindels, but golfindels were more brilliant and smaller than the shapes he was seeing, and moving less heavily too…