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Mars Outpost — Welcome to the Wild Wild Waste

No one had anticipated how long it would take to get a shuttle full of half-motivated, gravity-averse Helix25 passengers to agree on proper footwear.

“I told you, Claudius, this is the fancy terrain suit. The others make my hips look like reinforced cargo crates,” protested Tilly Nox, wrangling with her buckles near the shuttle airlock.

“You’re about to step onto a red-rock planet that hasn’t seen visitors since the Asteroid Belt Mining Fiasco,” muttered Claudius, tightening his helmet strap. “Your hips are the least of Mars’ concerns.”

Behind them, a motley group of Helix25 residents fidgeted with backpacks, oxygen readouts, and wide-eyed anticipation. Veranassessee had allowed a single-day “expedition excursion” for those eager—or stir-crazy—enough to brave Mars’ surface. She’d made it clear it was volunteer-only.

Most stayed aboard, in orbit of the red planet, looking at its surface from afar to the tune of “eh, gravity, don’t we have enough of that here?” —Finkley had recoiled in horror at the thought of real dust getting through the vents and had insisted on reviewing personally all the airlocks protocols. No way that they’d sullied her pristine halls with Martian dust or any dust when the shuttle would come back. No – way.

But for the dozen or so who craved something raw and unfiltered, this was it. Mars: the myth, the mirage, the Far West frontier at the invisible border separating Earthly-like comforts into the wider space without any safety net.

At the helm of Shuttle Dandelion, Sue Forgelot gave the kind of safety briefing that could both terrify and inspire. “If your oxygen starts blinking red, panic quietly and alert your buddy. If you fall into a crater, forget about taking a selfie, wave your arms and don’t grab on your neighbor. And if you see a sand wyrm, congratulations, you’ve either hit gold or gone mad.”

Luca Stroud chuckled from the copilot seat. “Didn’t see you so chirpy in a long while. That kind of humour, always the best warning label.”

They touched down near Outpost Station Delta-6 just as the Martian wind was picking up, sending curls of red dust tumbling like gossip.

And there she was.

Leaning against the outpost hatch with a spanner slung across one shoulder, goggles perched on her forehead, Prune watched them disembark with the wary expression of someone spotting tourists traipsing into her backyard garden.

Sue approached first, grinning behind her helmet. “Prune Curara, I presume?”

“You presume correctly,” she said, arms crossed. “Let me guess. You’re here to ruin my peace and use my one functioning kettle.”

Luca offered a warm smile. “We’re only here for a brief scan and a bit of radioactive treasure hunting. Plus, apparently, there’s been a petition to name a Martian dust lizard after you.”

“That lizard stole my solar panel last year,” Prune replied flatly. “It deserves no honor.”

Inside, the outpost was cramped, cluttered, and undeniably charming. Hand-drawn maps of Martian magnetic hotspots lined one wall; shelves overflowed with tagged samples, sketchpads, half-disassembled drones, and a single framed photo of a fireplace with something hovering inexplicably above it—a fish?

“Flying Fish Inn,” Luca whispered to Sue. “Legendary.”

The crew spent the day fanning out across the region in staggered teams. Sue and Claudius oversaw the scan points, Tilly somehow got her foot stuck in a crevice that definitely wasn’t in the geological briefing, which was surprisingly enough about as much drama they could conjure out.

Back at the outpost, Prune fielded questions, offered dry warnings, and tried not to get emotionally attached to the odd, bumbling crew now walking through her kingdom.

Then, near sunset, Veranassessee’s voice crackled over comms: “Curara. We’ll be lifting a crew out tomorrow, but leaving a team behind. With the right material, for all the good Muck’s mining expedition did out on the asteroid belt, it left the red planet riddled with precious rocks. But you, you’ve earned to take a rest, with a ticket back aboard. That’s if you want it. Three months back to Earth via the porkchop plot route. No pressure. Your call.”

Prune froze. Earth.

The word sat like an old song on her tongue. Faint. Familiar. Difficult to place.

She stepped out to the ridge, watching the sun dip low across the dusty plain. Behind her, laughter from the tourists trading their stories of the day —Tilly had rigged a heat plate with steel sticks and somehow convinced people to roast protein foam. Are we wasting oxygen now? Prune felt a weight lift; after such a long time struggling to make ends meet, she now could be free of that duty.

Prune closed her eyes. In her head, Mater’s voice emerged, raspy and amused: You weren’t meant to settle, sugar. You were meant to stir things up. Even on Mars.

She let the words tumble through her like sand in her boots.

She’d conquered her dream, lived it, thrived in it.

Now people were landing, with their new voices, new messes, new puzzles.

She could stay. Be the last queen of red rock and salvaged drones.

Or she could trade one hell of people for another. Again.

The next morning, with her patched duffel packed and goggles perched properly this time, Prune boarded Shuttle Dandelion with a half-smirk and a shrug.

“I’m coming,” she told Sue. “Can’t let Earth ruin itself again without at least watching.”

Sue grinned. “Welcome back to the madhouse.”

As the shuttle lifted off, Prune looked once, just once, at the red plains she’d called home.

“Thanks, Mars,” she whispered. “Don’t wait up.”

Chapter Title: A Whiff of Inspiration – a work in progress by Elizabeth Tattler

The morning light slanted through the towering windows of the grand old house, casting a warm glow upon the chaos within. Elizabeth Tattler, famed author and mistress of the manor, found herself pacing the length of the room with the grace of a caged lioness. Her mind was a churning whirlpool of creative fury, but alas, it was not the only thing trapped within.

“Finnley!” she bellowed, her voice echoing off the walls with a resonance that only years of authoritative writing could achieve. “Finnley, where are you hiding?”

Finnley, emerging from behind the towering stacks of Liz’s half-finished manuscripts, wielded her trusty broom as if it were a scepter. “I’m here, I’m here,” she grumbled, her tone as prickly as ever. “What is it now, Liz? Another manuscript disaster? A plot twist gone awry?”

“Trapped abdominal wind, my dear Finnley,” Liz declared with dramatic flair, clutching her midsection as if to emphasize the gravity of her plight. “Since two in the morning! A veritable tempest beneath my ribs! I fear this may become the inspiration—or rather, aspiration—for my next novel.”

Finnley rolled her eyes, a gesture she had perfected over years of service. “Oh, for Flove’s sake, Liz. Perhaps you should bottle it and sell it as ‘Creative Muse’ for struggling writers. Now, what do you need from me?”

“Oh, I’ve decided to vent my frustrations in a blog post. A good old-fashioned rant, something to stir the pot and perhaps ruffle a few feathers!” Liz’s eyes gleamed mischievously. “I’m certain it shall incense 95% of my friends, but what better way to clear the mind and—hopefully—the bowels?”

At that moment, Godfrey, Liz’s ever-distracted editor, shuffled in with a vacant look in his eyes. “Did someone mention something about… inspiration?” he asked, blinking as if waking from a long slumber.

“Yes, Godfrey, inspiration!” Liz exclaimed, waving her arms dramatically. “Though in my case, it’s more like… ‘inflation’! I’ve become a gastronaut! ” She chuckled at her own pun, eliciting a groan from Finnley.

Godfrey, oblivious to the undercurrents of the conversation, nodded earnestly. “Ah, splendid! Speaking of which, have you written that opening scene yet, Liz? The publishers are rather eager, you know.”

Liz threw her hands up in mock exasperation. “Dear Godfrey, with my innards in such turmoil, how could I possibly focus on an opening scene?” She paused, eyes narrowing thoughtfully. “Unless, of course, I were to channel this very predicament into my story. Perhaps a character with a similar plight, trapped on a space station with only their imagination—and intestinal distress—for company.”

Finnley snorted, her stern facade cracking ever so slightly. “A tale of cosmic flatulence, is it? Sounds like a bestseller to me.”

And with that, Liz knew she had found her muse—an unorthodox one, to be sure, but a muse nonetheless. As the words began to flow, she could only hope that relief, both literary and otherwise, was soon to follow.

(story repeats at the beginning)

Eris was looking at the moving sausages in the frying pan, like they were possessed with unexplainable energy.

She was not doing the cooking, but Thorsten had thought to send her a video for reasons known to him only. It was making her hungry now. Looking at the moon outside, she was again burning the midnight oil, lost in between bits of plots, vagrant duties and other’s dumped concerns. When did she get caught up in everyone’s mess, she wondered.

She would have tried the doppelganger spell to ease off the pressure by sending a body double to the needful —in most situations, that would do the trick perfectly well. How many times people were sitting in boring meetings nowadays, only present physically while their minds were wandering in other places. That wouldn’t be so different. But the spell came with a bad case of hangover, and last Truella used it was a keen reminder to use with caution.

So she still hadn’t find a way to navigate the demands pressed upon her; to be dependable for her coven, the headwitchstress and basically everyone else with needy emotions.

It was time to get back home. If any of them were left, sausages were waiting.

“Don’t mind me” said Eris, “I’m letting Echo check our connection to the ancestors’ wisdom. There seems to be a strange thing happening since the last energetic update. We can’t do the spell safely if this isn’t fixed I’m afraid. I have a theory this happens whenever one of us posts a new idea on our board. Suddenly it loses the plot and the ancestral wisdom of the lots gets lost.”

“Oh go on,” Truella said “I’m searching, but I’ve run out of fucks to give.”

Everyone looked at her shocked and offended. She started to giggle and replied with a smile. “Oh stop with the looks, I’ve always wanted to say that.”

In the dimly lit chambers of the Quadrivium’s headquarters, a cold gust slipped through the cracked window, teasing the heavy velvet drapes and sending shivers down Malové’s spine. The Head Witchtress sat behind her opulent mahogany desk, lost in the musty pages of an ancient tome, when a discreet rap disturbed the solemnity of the room. With an air of urgency, a Beige House maid entered, her demeanor betraying the weight of her message.

“Mistress Malové,” she began, her voice a mere whisper, “I bear dire tidings.”

Malové arched an eyebrow. “Speak plainly, my dear.”

The spy-maid straightened, her gaze unwavering. “Lump, the ex-president, plots a resurrection across the pond. The Coven cannot allow it.”

A sly grin danced upon Malové’s lips as she pondered the revelation. “Indeed, we cannot.”

After a pregnant pause, she continued, her voice dripping with intrigue. “And perhaps, I have just the antidote.”

Rising from her seat, Malové cast a commanding presence upon the room. “We shall concoct a brew, a potion so potent that it shall pierce through the veil of deception and illuminate the truth. I dub it the ‘Illuminare Blend‘—a fusion of veracity essence, clarity petals, and a hint of the elusive enlightening elixir.”

This concoction, once ignited, would unleash a smoke suffused with spells of clarity and truth, penetrating minds and hearts alike. Under its influence, the populace would awaken to the reality of Lump’s nefarious designs.

“The essence of truth lies in the realm of the Forsaken Fae, beneath the boughs of the ever-blooming Tree of Veracity. Clarity petals are harvested beneath the Full Cold Moon from the enigmatic Clarity Bloom. And the enlightening elixir, rarest of all, is distilled during a solar eclipse, using the crystallized tears of a celestial phoenix.”

Malové’s laughter rang through the chamber, cutting through the tension like a knife. “Are we now in a Barry Otter novel? What do you expect me to say next? ‘This is the mission. We must procure these ingredients. The fate of the nation hangs in the balance. There is no room for failure’?”

The Beige House maid stood, bewildered by the abrupt shift in tone.

Chuckling, Malové waved a dismissive hand. “Fear not, my dear. Though the task is grave, most of these ingredients are but a click away, courtesy of Jibborium’s Emporium. They have yet to disappoint.”

With a nod, the maid retreated, prepared to execute her mission with alacrity.

“Wait,” Malové called after her. “You may need a prescription for some of these.” With a flourish, she produced a document that bore an official seal, albeit embellished with whimsy.

“Contact me when you have procured them. I shall dispatch my finest witches to assist with the incantations. Though we may be persona non grata in the Americas, we shall make do with Zoom.”

With a murmured acknowledgment, the maid vanished, leaving Malové to her thoughts and her dusty tome, a faint smirk playing upon her lips. “One cannot have that, indeed,” she mused, her mind already devising the spell that would thwart Lump’s resurgence and safeguard the nation.

After the first of the four Rites of the Annual Incense Making was done, and the Coven disbanded for the day, Frigella was pulled by the sleeve by the weird one Truella.

“Psstt. Come to the Faded Cabbage in 30 min. Have something to tell you.”

Frigella rolled her eyes. She was not one for secrecies, cloaks and ladle, all that sort of mischiefs. But Truella seemed intent, if her electric hair had to tell the story for her. “Alright, I’ll be there.” she finally said, surprising Truella who’d thought she’d have to do more coaxing.

The Fadded Cabbage was hidden around a darker corner a stone’s throw away from the headquarters of the Quadrivium, some place the city council and gentrification had not yet touched for some reason, probably a strong ghosting spell.

Frigella sighed. She had been as usual too punctual, and of course, Truella was nowhere in sight. Unless…

She put a light spell on her round glasses which turned a subtle tint of violet. There she was. Under a cloaking spell, in a shady corner, slurping on a macchiatto lagger with cinnamon. Or some odd brewage of the sort she knew the secret.

“The old hare’s clearly lost the plot.” She spent no time engaging the discussion.

“I’ll have to stop you there, Tru.” said Frigella, “I don’t care about the politics. Much less if you’re trying to make a power move.”

Truella spluttered her offensive brewage all over Frigella’s neat starched apron. “You got it all wrong, Frig’. I don’t care about the power, I only care about my craft and freedom. It’s been too long we’ve been called to arms, like every bloody year. And my interest have grown since.”

Frigella chuckled. “You mean, you’ve been all over the place, haven’t you. From Energetic History, you’ve moved to Concrete Plasticity, Telluric Archaelogy, Familial Arborestry, I must say… It’s been hard to keep up.”

“You’re one to tell. All that mystery, and not much to show for. You’re barely doing the minimum to keep our flagship household Incense ‘Liz n°5’ afloat.” Truella sighed.

“So what’s your plan?” Frigella wondered?

Tomlinson of Wergs and Hancox of Penn

John Tomlinson of Wergs (Tettenhall, Wolverhamton) 1766-1844, my 4X great grandfather, married Sarah Hancox 1772-1851. They were married on the 27th May 1793 by licence at St Peter in Wolverhampton.
Between 1794 and 1819 they had twelve children, although four of them died in childhood or infancy. Catherine was born in 1794, Thomas in 1795 who died 6 years later, William (my 3x great grandfather) in 1797, Jemima in 1800, John, Richard and Matilda between 1802 and 1806 who all died in childhood, Emma in 1809, Mary Ann in 1811, Sidney in 1814, and Elijah in 1817 who died two years later.

On the 1841 census John and Sarah were living in Hockley in Birmingham, with three of their children, and surgeon Charles Reynolds. John’s occupation was “Ind” meaning living by independent means. He was living in Hockley when he died in 1844, and in his will he was “John Tomlinson, gentleman”.

Sarah Hancox was born in 1772 in Penn, Wolverhampton. Her father William Hancox was also born in Penn in 1737. Sarah’s mother Elizabeth Parkes married William’s brother Francis in 1767. Francis died in 1768, and in 1770 Elizabeth married William.

William’s father was William Hancox, yeoman, born in 1703 in Penn. He died intestate in 1772, his wife Sarah claiming her right to his estate. William Hancox and Sarah Evans, both of Penn, were married on the 9th December 1732 in Dudley, Worcestershire, by “certificate”. Marriages were usually either by banns or by licence. Apparently a marriage by certificate indicates that they were non conformists, or dissenters, and had the non conformist marriage “certified” in a Church of England church.

1732 marriage of William Hancox and Sarah Evans:

William and Sarah lost two daughters, Elizabeth, five years old, and Ann, three years old, within eight days of each other in February 1738.

William the elder’s father was John Hancox born in Penn in 1668. He married Elizabeth Wilkes from Sedgley in 1691 at Himley. John Hancox, “of Straw Hall” according to the Wolverhampton burial register, died in 1730. Straw Hall is in Penn. John’s parents were Walter Hancox and Mary Noake. Walter was born in Tettenhall in 1625, his father Richard Hancox. Mary Noake was born in Penn in 1634. Walter died in Penn in 1689.

Straw Hall thanks to Bradney Mitchell:
“Here is a picture I have of Straw Hall, Penn Road.
The painting is by John Reid circa 1878.
Sketch commissioned by George Bradney Mitchell to record the town as it was before its redevelopment, in a book called Wolverhampton and its Environs. ©”

And a photo of the demolition of Straw Hall with an interesting story:

In 1757 a child was abandoned on the porch of Straw Hall.  Aris’s Birmingham Gazette 1st August 1757:

The Hancox family were living in Penn for at least 400 years. My great grandfather Charles Tomlinson built a house on Penn Common in the early 1900s, and other Tomlinson relatives have lived there. But none of the family knew of the Hancox connection to Penn. I don’t think that anyone imagined a Tomlinson ancestor would have been a gentleman, either.

Sarah Hancox’s brother William Hancox 1776-1848 had a busy year in 1804.
On 29 Aug 1804 he applied for a licence to marry Ann Grovenor of Claverley.
In August 1804 he had property up for auction in Penn. “part of Lightwoods, 3 plots, and the Coppice”
On 14 Sept 1804 their first son John was baptised in Penn. According to a later census John was born in Claverley.  (before the parents got married)

(Incidentally, John Hancox’s descendant married a Warren, who is a descendant of my 4x great grandfather Samuel Warren, on my mothers side,  from Newhall, Derbyshire!)

On 30 Sept he married Ann in Penn.
In December he was a bankrupt pig and sheep dealer.
In July 1805 he’s in the papers under “certificates”: William Hancox the younger, sheep and pig dealer and chapman of Penn. (A certificate was issued after a bankruptcy if they fulfilled their obligations)
He was a pig dealer in Penn in 1841, a widower, living with unmarried daughter Elizabeth.

Sarah’s father William Hancox died in 1816. In his will, he left his “daughter Sarah, wife of John Tomlinson of the Wergs the sum of £100 secured to me upon the tolls arising from the turnpike road leading from Wombourne to Sedgeley to and for her sole and separate use”.
The trustees of toll road would decide not to collect tolls themselves but get someone else to do it by selling the collecting of tolls for a fixed price. This was called “farming the tolls”. The Act of Parliament which set up the trust would authorise the trustees to farm out the tolls. This example is different. The Trustees of turnpikes needed to raise money to carry out work on the highway. The usual way they did this was to mortgage the tolls – they borrowed money from someone and paid the borrower interest; as security they gave the borrower the right, if they were not paid, to take over the collection of tolls and keep the proceeds until they had been paid off. In this case William Hancox has lent £100 to the turnpike and is leaving it (the right to interest and/or have the whole sum repaid) to his daughter Sarah Tomlinson. (this information on tolls from the Wolverhampton family history group.)

William Hancox, Penn Wood, maltster, left a considerable amount of property to his children in 1816. All household effects he left to his wife Elizabeth, and after her decease to his son Richard Hancox: four dwelling houses in John St, Wolverhampton, in the occupation of various Pratts, Wright and William Clarke. He left £200 to his daughter Frances Gordon wife of James Gordon, and £100 to his daughter Ann Pratt widow of John Pratt. To his son William Hancox, all his various properties in Penn wood. To Elizabeth Tay wife of Thomas Tay he left £200, and to Richard Hancox various other properties in Penn Wood, and to his daughter Lucy Tay wife of Josiah Tay more property in Lower Penn. All his shops in St John Wolverhamton to his son Edward Hancox, and more properties in Lower Penn to both Francis Hancox and Edward Hancox. To his daughter Ellen York £200, and property in Montgomery and Bilston to his son John Hancox. Sons Francis and Edward were underage at the time of the will.  And to his daughter Sarah, his interest in the toll mentioned above.

Sarah Tomlinson, wife of John Tomlinson of the Wergs, in William Hancox will:

What satisfying conclusion to this saga?

Granola was the tying material to their friend, and her pop-in nascent capabilities (ability to project into material matter, sometimes being corporeal) could help. Her goal was to wake her friends out of their routines, and reinvigorate the stories they tell themselves about their lives.

• Maeve was the one making custom dolls.
• Shawn Paul her handsome bearded bachelor next door was an aspiring writer looking for a story to tell and to become published.
• Lucinda is their neighbour, enrolled in creative writing courses.
• Jerk is a clerk at a local WholeDay*Mart and also manages a forum in his spare time.

• Uncle Fergus is Maeve’s father’s estranged brother.

The dolls were found in all across places, used by different groups, maybe glamour bombs for some, maybe ways to smuggle information and keys.

Across their trips they connect with story characters, and unknowingly revive their stories.

POP*IN THREAD (plot development suggestions, to be looked into later)

Maeve and Shawn-Paul are still in Tikfijikoo, investigating the mysterious dolls and their connection to Uncle Fergus. They’ve also encountered strange happenings, including a missing girl and a strange man in a top hat.

Meanwhile, Jerk is still moderating the forum and dealing with the strange messages. Lucinda is continuing her creative writing course and enjoying her time with Fabio.

Granola is currently on a mission to find Ailill and learn more about pop-ins, while also trying to reconnect with her friends and figure out what’s going on with the dolls.

As for the mysterious man following Maeve, his intentions are still unclear, but it seems he has some connection to Uncle Fergus and the dolls. The group is still trying to uncover the truth and figure out their next steps.

In the end, Granola’s pop-in abilities proved to be the key to unlocking the mystery of the dolls and their connection to Uncle Fergus. With her help, Maeve and Shawn-Paul were able to uncover the truth about the dolls and their purpose, and use them to reconnect with various story characters across their trips.

Through their adventures, they also discovered the power of storytelling and the importance of shaking up their routines to keep their lives interesting and full of wonder. Jerk found a new sense of purpose in managing the forum and connecting with others through his passion for the dolls and their stories.

In the final chapter, Uncle Fergus reconciled with Maeve’s father and shared the true meaning behind the dolls and their connection to their family history.

While Shawn-Paul’s path led him to become a successful author, Lucinda’s path took a different turn. She found fulfillment in her creative writing course and continued to hone her skills, but she didn’t pursue a career as a writer. Instead, she used her passion for storytelling to help others, working as a therapist and using storytelling techniques to help her clients work through their struggles and find healing. Lucinda’s work was deeply rewarding, and she felt fulfilled in being able to help others in such a meaningful way.

As for Granola, she continued to pop-in and out of their lives, using her abilities to bring joy and excitement to their everyday routines, and keeping their stories alive for years to come. The group remained close friends, bonded by their shared experiences and love of storytelling.

Luckily for them, the sand structure with the nearby nests of snapping sand turtles was also a graveyard for the military drones that weren’t apparently programmed to register natural elements as threats.

They quickly found four of them who weren’t completely damaged, and with some technical assist from Jorid, Georges was able to repair the propulsion and deactivate the military programs and tracking beacons.

Klatu had some ropes in his speedster that they tied to their rudimentary drive and the drones, so they could carry Léonard’s body while he was still in stasis.

His vitals were generally positive, and Salomé kept checking on him, while Georges and Klatu managed attaching the odd assemblage of drones to their craft.

The ride back wasn’t as bad as the first time, maybe due to the extra cargo that made maneuvres more complex for their green driver.

“This is worth the detour. Seems like Klatu really wanted to save time and avoided to show us the scenic route the first time,” said Georges trying to break the tense worried silence.

Salomé smiled weakly “Léonard’s consciousness is embroiled into complex thoughts; they have to deal about some threat, the nature of which eludes me for now. It looks as though he’s absorbed some sort of forbidden knowledge, something potentially dangerous,” Salomé said to Georges. “I’m no longer as sure he was imprisoned for his punishment, but rather for protection…” she sighed. “for everyone else’s protection… I will feel better when we’re all back to the Jorid and we can run a full diagnosis.”

Georges looked at his friend apparently sleeping, and wrapped a loving arm around Salomé’s shoulder “It’s not going to be long now. He’s going to be fine.”

“Horrible doing business with you.” Klatu said as they parted, rubbing his hands together in gleeful satisfaction. Whatever the Jorid had organised as a deal for his payment, it seemed the added drones weren’t part of it and came as an extra bonus.

Inside the Jorid, while Salomé was setting up space for Léonard and making the preparation for the diagnosis, Georges looked at the tiles board, readying the craft for imminent departure.

A new tile had appeared, with a distinct pattern form, almost like an ogee.

“Jorid, is this new?”

“Indeed Georges, our adventure has inspired me to create new avenues of exploration.”

“Oh, that’s fresh.” Georges looked into the shifting symbol at its surface. After it stabilised, he could see there was a sort of spiral shell with forms reminiscent of the mocking turtles peeking out from the centre, surrounded by sand dunes.

“Jorid, tell me more please.”

“Sure, I’d call it ‘Sandshell‘. Do you want the full curriculum?”

“Absolutely, colour me intrigued!”

“The Sandshell:
Function: A reminder of the fragility of our perceived reality and the importance of questioning our assumptions
Families: Vold, Zuli, Ilda
Significance: The Sandshell represents the shifting and unstable nature of our beliefs, assumptions, and understandings. Like the sand that slips through our fingers, so too can our perception of the world around us be ephemeral and illusory. The image of the mock turtle serves as a reminder that we often live under assumed identities and in a world built on questionable foundations.
As advice: The Sandshell encourages one to question their beliefs and assumptions, to examine the foundations upon which they have built their reality, and to search for a deeper understanding of truth.
Depiction: The Sandshell can be depicted as a spiral shell with a mocking turtle peeking out from the center, surrounded by sand dunes. The sand symbolizes the instability of our perceptions and the turtle represents the assumed identities and neurotic fairy tales that make up our reality. The spiral form of the shell represents the journey of discovery and self-reflection.”

“I love it,” said Georges enthusiastically “can we use it to plot our next course?”

“As a matter of fact we can Georges. Let me realign the grid and propose some suggestions. Do you have a seed thought to offer for this journey?”

Georges pondered for a while, when the image of the fishboard sprung forth in his mind. “Our little adventure is reminding me of our origins, Jorid —Léonard, working on the fishboard, your ancestor in a way… Us, finding Léonard… It feels like an adventure back to our origins. Can you project a destination on this vector…” then thinking at Salomé’s worried face “… that would be safe for our next stop, and allow us to find help for Léonard.”

“Verily.” Jorid answered back. “Course plotted. Please get comfortable until we arrive at our destination.”

Potential Plot Arch

The uncovered box in the garden of Bob & Clara is a Time Capsule which was actually buried in the future, but mistakenly sent to the past. It has symbols etched on it, that activate some nano-technology.
Due to its contact with it, Bob starts recovering his memories, while retaining the hallucinations of his dead wife Jane, which actually become more credible and intense.

Will Tarkin is actually a time traveler from the future, who came to live a simple life in the past, selling stone gargoyles at the local supermarket and rediscovering the ways of his ancestors.

With the box being found and opened at the wrong time, it creates unwanted attention from the Time Dragglers who need to intervene to prevent alterations of the timeline.
Contents of the box are in part encoded books of stories from local families and would have revealed important things about the past, Jane’s death, and Clara’s future.

With Bob recovering his memories, it’s revealed Jane and Bob were actually also refugees from the future, but had aged naturally in the past, which is why Will seemed to recognize Bob. Bob was living in hiding from the Time Police, but with the box discovery, it changes everything. The box being opened at the wrong time disrupts the natural flow of events and starts causing unexpected consequences. This creates a complex web of relationships and events that must be untangled and understood in order to move forward.

With his recovering of mental capacities, Bob partners with Will in order to restore the natural flow of time, even if it means his mental health will deteriorate again, which he is happy to do while continuing to live the rest of his life span with his daughter.

Potential developments

Clara Meets the Mysterious Will

Nora finally reaches the little village where Clara and Bob live and is greeted by a man named Will
Will seems to know Bob from somewhere
Clara starts to feel suspicious of Will’s intentions and begins to investigate

The Power of Memories

Bob starts to have flashbacks of his past and begins to remember the connection between him, Will, and the mysterious time capsule
Bob realizes that Jane, his wife, had been keeping something from him and that the time capsule holds the key to unlocking the truth
Jane appears to Bob and urges him to tell Clara about their past and the significance of the time capsule

The Truth Behind the Capsule

Nora, Clara, and Bob finally find the answers they’ve been searching for by opening the time capsule
The contents of the capsule reveal a shocking truth about Jane’s past and the reason behind her death
They learn that Jane was part of a secret society that protected ancient knowledge and artifacts and that the time capsule was meant to be opened at a specific time
The group realizes that they were meant to find the capsule and continue Jane’s work in protecting the knowledge and artifacts

The Ties Between Living and Dead

Bob comes to terms with Jane’s death and the role she played in their lives
Clara and Bob grow closer as they work together to continue Jane’s work and preserve the knowledge and artifacts
The group encounters obstacles but with the help of the spirits of the past, they are able to overcome them and succeed in their mission

A Realization of the Past and Present

Clara, Bob, and Nora come to realize the power of memories and how they shape our present and future
They also learn that things never truly remain buried and that the past always finds a way to resurface
The group successfully preserves the knowledge and artifacts, ensuring that they will be passed down for generations to come
The story ends with Clara, Bob, and Nora sitting by the fire, reflecting on their journey and the lessons they’ve learned.

The plane trip stretched on forever. Xavier had the time to rewatch a few blockbusters, and catch up on light novels – in particular a roadtrip of 3 elderly Ukrainians —a story that didn’t seem to have much to say, but did put a smile on his face.

The plane has wifi, and he could have connected to the game, but he was trying his capacity to be weaned of the adrenaline rush that came with the adventures. Glimmer and the pirate ship would have to wait. He’d put his avatar on autopilot, and usually that helped propel the plot forward without investing too much time in going through relatively mundane adventures (those were needed to provide background balance and contrast against the rush of the occasional action). He hoped Glimmer wouldn’t abuse of it, and send them both to some crazy place looking for Flove knows what.

There was the occasional temptation to catch a hold of the news and his friends, but relying on the old ways of daydreaming and imagination, he could feel they were doing fine.

He could well picture Zara off to explore in and out of the game, that much was a given. As for Youssef he should be able to catch up in Alice Springs, since he wasn’t anywhere in Sydney when he landed. He was probably squeezed right now on an economy seat in between a sweaty tourist, an annoying expat, and a chatty woman. Xavier chuckled to himself thinking of the large frame of his friend in the tiny space.
He hoped all was right with Yasmin. He hadn’t be able to connect before the flight, but she was resourceful and given her competitive spirit, there was actually a good chance she had a shortcut to be there before any of them.

Alice Springs was close by now. The plane prepared for landing.

Xavier remembered he’d have to get the black notebook that was part of the last assignment. They surely would have something like that in the duty free area.