Search Results for 'reader'

Ann slapped her forehead when she realized her mistake, notwithstanding that there were no ‘mistakes’ as such.

The story is for the writer that writes it, not the reader.

What the repercussions of that were for the future of publishing, Ann wasn’t quite sure.

“Oh, I can answer that for you, dear” Lavender responded. “On my recent trip to the future I went to the Pick Your Own Pages book store. There’s a wonderful Pick ‘N’ Mix section, and a Lucky Dip. You can pick various quantities, such as chapters, pages, paragraphs or sentences, and you arrange them yourself.”

“What a wonderful idea!” Ann replied.

“Oh, the idea was an old one, very old!” Lavvie explained. “People were doing it all along, though they didn’t realize it. The idea of being spoon fed an entire story went out with the Ark. It was the advent of random quote generators that started the ball rolling.”

Ann beatled off to check the random quote for the day….

“Arona! Sanso! Oh, how wonderful to see you guys again! Come and meet Lavender and Walter, we’re discussing continuity….”

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

Franlise had an outward beauty which matched the sweet loveliness of her inner being. Yes, she was a vision of pure loveliness, and many gallant knight had attempted to woo her away from her cleaning job. But Franlise knew that it was here, amongst the filth and dust of Ann’s office, that her true work was done. By day a cleaner, by night she toiled endlessly weaving Anne’s words into works of beauty. Words which would then go out into the world and give solace to many a despondent and lonely reader. To know that her words gave hope where once there was despair was all the thanks that Franlise needed.

Of course no one must know it was Franlise who was the true author. The Fellowship had insisted when they gave Franlise her mission that her part be kept hidden. Being humble, as well as outwardly beautiful and inwardly lovely, Franlise was happy to obey the wishes of the Fellowship in this matter. Besides, she knew that if Ann were to find out the truth, the pour deranged creature would probably be driven to place of complete madness.

Franlise shuddered at the thought.

Siobahn had a few more cages to rattle before she she made her way to the meeting. The Freakus management had invited a spokesman from the S.E.C.R.E.T. department (otherwise known as Special Exploration Corps of Really Entertaining Trivia) to give a speech on the art of C.R.A.P.S. (also known as the Coordinated Redistribution of Ambiguously Protected Secrets). All staff were expected to attend the meeting, which unfortunately meant that Siobhan had to refuse an invitation to the F.U.N. picnic (otherwise known as Foundation of Unimportant Nonsense to Those In The Show, which, dear reader, you will recall are also known as T.I.T.S.)

Siobhan rattled the last few cages on her list, and made her way back to her caravan. She had an hour to relax before the meeting so she turned the portable channelvision on and settled herself comfortably on the sofa to surf through the channels. The first channel she landed on was twitching and shouting, ‘The present is not a result of the past, orlright? Orlright, orlright’; the next channel was chuckling and saying with a sly grin, ‘…that would be your choice…”. Flicking through a few more channels, hearing the words ascended higher density love and light and light and love and all is one stuff, Siobahn kept surfing. Sheesh, they are all just saying the same thing, over and over again, she thought to herself, same old same old, blah blah blah… what she wouldn’t have given for some new channel to say something completely different.

Pfft. Siobahn turned off the channelvision and stood up. She made up her mind in the moment to go to the F.U.N. picnic anyway, and bugger the meeting. Maybe she would even start channeling something completely different, just for some bloody variety. Cage Rattling was in her blood, after all, she was a born Cage Rattler and it seemed to her that the whole channelvision empire was getting altogether too samey.

In the fat ladies thread, here are a few funnies, consequent to a little video from Little Britain, with iconic Bubbles DeVere

About Jilly Cooper ;

• “She also wrote a series of children’s books featuring the heroine ‘Little Mabel’.” Little Mabel Saves The Day etc.
• Riders and the following books are characterised by intricate plots, featuring multiple story lines and a large number of characters. (To help the reader keep track, each book begins with a list and brief description of the characters.)
• “The stories heavily feature adultery, (sexual) infidelity and general betrayal, melodramatic misunderstandings and emotions, money worries and domestic upheavals.” (T’Eggy Pooh?)
• Jolly in her books titles, a word I used without much thought to it in the last comments
• Angels Rush In
• Adopted children Emily and Felix (I had a Felix sync when I opened the book at random and got caught in FP’s comment about Felix Otterworthy )

“Oh just leave the reader to do the proof reading, Yurick! If ‘there are no accidents’ then a few misspellings or a bit of mangled grammar might contain a clue for someone somewhere, somewhen….
it might be best to leave them in. You never know, you know… and anyway, I have this funny feeling that the pages aren’t quite as officially fixed as we might be inclined to think. Not quite cast in stone, as it were….Don’t ask me what I mean, Yurick,” Dory said with a laugh, “Because I can’t explain it.”

Yurick knew better than to ask Dory to explain anything, and remained silent, with one eyebrow raised quizzically as Dory rambled on.

“It’s like the branches of a tree,” Dory continued, with a faraway look in her eyes. “The branches on a tree look like such a tangle, but they are all connected to the trunk ~ the roots might look like a hopeless tangle too, if we could see them, but they do know what they’re doing ~ feeding the trunk or the core which sprouts out all over the place. There’s a bird in the tree, hopping from branch to branch. Does he care if he hops from one branch to another? No! Imagine if the bird was so rigid that he had to hop all along one branch from start to finish before changing to another branch.”

“Hahahah,” Yurick laughed, “A Sumafi bird?”

“You might say the little bird is the present moment, free to hop onto any branch at any time, or even fly to another tree…” continued Dory, who hadn’t heard Yurick.

“Another tree?” asked Yurick with a mock pained expression. “I have enough trees on my plate already.”

“And the thing is with trees, there isn’t really a place to start hopping or a place to stop hopping, from the birds perspective.”

Dory turned to Yurick with a grin. “It’s a book that you can read from any starting point. No beginning, and no end… maybe we can have all the pages loose with no numbers on, sort of a do-it-yourself assembly…”

Yurick laughed, a trifle nervously, and asked Dory if she would like a cup a coffee.

To all our readers:

El Sanso will be standing in for our dear Snoot, while he takes a much needed reality break.

If you have any questions, dear readers, El Sanso will be happy to respond.

Eric I wanted to know if when I edit a very old comment that isn’t on the last page, is it said somewhere so other readers could look for it?
Or is it just me and the Administrator who know about it?

After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.

She found this quite irritating. They are really bit rude around here, she muttered.

Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.

It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.

(Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)

All I have done is wander around dark passageways really.

And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?

AND if one more person tells me to use my magic I will probably scream or something!

Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.

And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.

Oh cute, said Arona, a talking cat.

Cute yourself, responded Mandrake, love your cape by the way.

(Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)

Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.

Mandrake sighed in an impatiently eggsagerated sort of a way.

Heavens to murgatroyd^¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?

All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.

of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!

—

[¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
Anyway, here is some complement on that ‘Murgatroyd’ .