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RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

Linda Paul was reviewing the leather-bound copy of the anthology of Walt van Wharff works she’d received weeks ago from an anonymous source. Van Wharff was apparently from XVIIth century in Newherland a leading authority in walvissen wetenschap or whalology as it were.
Linda wasn’t really even remotely interested in whales, but the book had picked her curiosity, or more exactly, the pink post-it on it, signed with a glitter lipstick lips mark, on which was written in some mysterious handwriting PBWY AND BO if you see that dearie, you know what it means

She had no clue what it was about, but the antique book had some interesting qualities, and she soon had found herself inexplicably engrossed in its reading.
The theory behind it was baffling, dealing with whale sightings, aperiodic tiling and crystal diffraction, but she managed to intuit that it had to do with detection of whale migratory patterns.

Given the literary quality of the book (or lack thereof) and his very confuse language constructs, its author was by no doubt dead in a state of miserable unfamousness. Notwithstanding, Linda Paul understood there was an unfinished equation that would reveal when they would appear next, which was likely to reveal a huge crystal of exotic properties.
So long as it glittered, she was already hooked onto that quest.

A few investigations and equations-solving on her ezapper later, she had found the next coordinates that she’d texted to her only current operatives, Sadie and her misfits.
She hoped they wouldn’t sabotage this one, and thus offer them all a second chance to book a full season for their adventures.

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

Well fancy that, she exclaimed almost gleefully (although not altogether surprised at the synchronicity), an empty chair! Just moments before, she had read: “What I am trying to say is that given the propensity for empty chairs it took a while to realise that a vacancy even existed.” That was in the Loosid Thread Times, but the interesting thing was that not long before that, she had been reading about the Empty Seats Party. The Empty Seats Party was a bit like musical chairs, in that there were chairs involved, and parties, but in the case of the Empty Seats Party, the chairs remained empty, and the parties and festivities were held in celebration than no political parties would be sitting on any of the chairs.
Everyone was at the parties and so nobody noticed that someone was sitting on one of the chairs.

The impending strategy and budget review was now quickly upon them.

The much questioned old new authority of the Surge Team had decided all the countries had to join for that week long first round of strategy plan and as Long Poon was too much of a reminder of work (they said, but many suspected too much of a reminder of Ed Steam’s empire), Madam Li had graciously offered to host the venue in Shangpoon, where they had managed to corner 15,000 floating piglets and her services were still probably needed.

All the thirteen chief operatives were busy setting things in order, and delegating current tasks during their business trip. Some of them were still hopelessly fumbling in spreadsheets and slides —a inane exercise in style they thought, but still…

“I can’t stand it!” Cornella almost exploded in front of her computer, now returned to decent level of cleanliness since Aqua’s return. She was sick of this old ageing alzheimering authority. Not that she missed Ed too much now. He was a pig —and gawd, this waxed mustache from another epoch… A pig they all liked because they didn’t know better at the time and his charisma covered for all the tiny slips of behaviour or even judgement. She’d seen that same feeling when the ceremony was held for his ashes spreading; most of the tears shed there had looked a bit contrived.

The mission to replace the pope with an alien-reconfigured Jesuit was a success, thanks to clever team work and her stellar delicate planning skills. A plan hatched before Ed’s demise, but that the old guys had been glad to call theirs. That was the waking call for her. If they could get rid so easily of the papacy, she would blow that budget convention from inside.
That required thorough planning though, and a bit of luck. Most of the chick would gladly be on board with this.
That’s when the mysterious vanishing dog legs cabinet came back to her attention.

Luigi recalled reading something about the kraken, that it was sometimes mistaken for an island. Some of the more far fetched notions said the kraken moved so slowly that he could be mistaken for an island for many thousands of years in between each blink of his eye. On the other hand, some said that the real danger to sailors was not the creature itself but rather the whirlpool left in its wake. The idea of a kraken on crack awakening with anything like a relative alacrity would create a whirlpool of considerable propertions, Luigi surmised. He hoped the government would come up with a plan to keep it sleeping awhile longer. At least until he’d heard some news of Flinella.

Mandrake had been on Yikes’ trail for what seemed to be like ages, closely followed by Arona, the silly dragon and that demigod Arona seemed to have grown so fond of.

As they were walking, flying and hopping further North, they had passed the Forest of Endless Desolation, just through the Isthmus of Ghört’s Hammer where the whaling laments of the lamanatees were luring the careless travellers in pits of dark despair, only for them to sink in cores of boiling lava if they strayed too far away from the darken wizened old sticks that once had been luxuriant trees.

Mandrake would have made a meal of the dreaded lamanatees, but Arona had thought safer for them to plug their ears with candle wax and invoke their Mother guidance to help in their quest to find the lost boy. Little had she thought of the pain it would be to scrap it off his catly ears without turning wax into furballs, and his ears into a prickly mess.
These minor troubles apart, they had gone through Arona’s homeland, the pretty Golfindely, which was only a soft consolation before they got to the far ends of it, where land, water and ice meld and become one. It was the threshold, the passageway to the homeland of the dragons, where only Sorcerers and their likes were known to have been and returned.

It was there that the sabulmantium had hinted Yikes would been found.

When Minky came finally back to the High Priestess of the Pendulous and Loose Otherworldly Threading —aka Messmeerah (Winky) Maymhe—, Messmeerah was taking a dip into the Rejuvenation Pool. Her last vials of bleufrüsh blood had been all drunk, and she was starting to get all sagging after mere hours out of the icy waters.

She welcomed with a large smile, the sack Minky was carrying as a treasure, where Yikes was calmly waiting.
“Thank you Miny” she said, throwing some ashes to the minion who, in a puff, instantaneously transformed into a large redhair rat, which disappeared behind Messmee’s luscious green hair.

“There, there, there, look what we got…” she finally said ominously to the boy who was considering the naked green evil fairy in front of him with a rather interested and mildly amused glance. “Don’t you have anything to say?” she said, raising an eyebrow, maybe slightly disappointed at the lack of frightened reaction.

“Oh, looks like you’re a genuine green fairy, “ he said staring at her with a smile.

After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”