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okay serious synchs now as you guys have clearly lost the plot. Plot? hmmmm, silly me, I thought there was a plot.

Last night I had a LOVELY dream I gave birth to twins, a boy and a girl and we were so happy and I was so proud of myself.

Yesterday, across the road in the park all these cars gathered, funny racing cars, old ones, for some big racing event or other. I was wandering around with a friend, who is more into cars than me, and a bit bored so started thinking of the story. I looked up and on a little yellow car the number plate said “Flynn Hi”. Of course this must be Tracy I thought because she has said several times now she likes the name Finn, and then she always adds “and the name Flynn”. Then I looked and saw another number plate and it was ‘TTTTTT”

When Dory finally woke up from her coleslaw induced stupour, she felt quite befuddled. What a peculiar trip it had been! I’ve taken some recreational drugs in my time, Dory thought, but I’ve never had a trip quite like that one. She wondered what on earth George had drugged the coleslaw with. Dory closed her eyes again, recalling snatches of the hallucinations.

Being chased by bandits on hairpin mountain roads with a small baby girl in the car; being held at gunpoint by Idi Amin in an Afrian court; running, running, gasping with terror, chased by old fashioned Bobbies on pushbikes, and dough faced bowler hatted debt collectors…..

Dory’s heart was pounding again as she recalled the images that rolled along like a crazy movie montage, a psycho thriller, a horror movie…..

……being held down under the bathwater as a baby with a vicious scowling face looming above her; fighting with a witch in the garden shed for tense petrifying hours; monstrous demons snaking blacky out of ouija boards, and madness and asylums; a man lying in a double bed dying from self inflicted stab wounds and she was shouting and calling and nobody hearing; running, running and gasping, shouting for help and no-one was there…..

Well, Dory pulled herself together, No point in dwelling on it, it was just a freaky bad trip.

Coffee? George asked.

Dory’s head snapped round. Huh? Oh! Gosh, YES please! You’re still here are you? Dory rubbed her eyes and shook herself a bit. Just the mention of coffee had already started to snap her out of her unpleasant reverie.

Of course I’m still here, Dory, George said kindly. I am always here. I was with you during you trip, every step of the way, but you were not focused on me.

You WERE? Dory was momentarily non-plussed. And then, Well why did you let all that awful stuff happen then? Why didn’t you help me? You just stood there and watched?

Becky woke up in a sweat. Her bedclothes were tangled and what remained of her pillow was on the floor. The room was full of downy feathers.

Sheesh, said Becky, pushing sweaty strands of hair out of her eyes and reaching for her cigarettes.

What a dream! Wow, I wonder what that witch did to deserve that! Becky couldn’t quite believe she’d had such a violently aggressive dream. All she could really remember was attacking a witch, and slapping her repeatedly, and punching her, screaming all the while DON’T…EVER….DO THAT AGAIN Wangwangawanga…… DON’T DO IT wangawanga… then the witch had turned into a goose, but still Becky kept punching her, causing the poor gooses feathers to fly everywhere, and all the while Becky kept shouting WANGAWANGAWANGA……

I can’t believe I did that, even in a dream! Becky hated violence so much that she walked out of the room if a violent scene was showing on the television, and she loved witches and geese.

That poor goose! Becky decided to go back into the dream, to smooth what was left of the gooses ruffled feathers, and apologize.

She stubbed out her cigarette, and settled back against the pillows and closed her eyes. Now the goose was looking at her reproachfully, in between straightening her plumage, and huffing and tutting a bit.

I’m awfully sorry about that! I don’t know why I did it. Becky hoped it was a forgiving kind of goose, and not a vengeful one.

It matters not, I suppose, grumbled the goose, I must have created being slapped around by a sweaty madwoman, though gawd knows why.

Were you a witch in another focus? Becky asked. Because I was angry with a witch initially, not a big white goose and I don’t know how I came to be pummeling you. Come to think of it, I don’t know why I was attacking the witch either. The witch did look unpleasant though, but you look nice enough….

Well I don’t look very blimmen nice with my feathers in this state, dearie! And don’t remind me of that dratted witch focus, gawd, I was horrid. Not surprised you lashed out at that one!

Becky started to relax. Things were looking promising. The goose was turning out to be rather sweet.

But as you can see, continued the goose, I am not a witch, I am a big white goose now, a rather sweet one too, even if I do say so myself, so let’s hear no more about it.

Becky smiled broadly at the goose. I appreciate that very much! Oh by the way…what’s your name?

Angela, answered the goose, Angela Wing.

REALLY? Becky said, rather rudely, and then caught herself and said: Angela! What a lovely name! Angela Wing, would you like to be in our play?

http://www.north-of-africa.com/article.php3?id_article=418

This might be a better link for the comment about the connection between Egypt and Tuaregs

as well as the Egypt connection :

At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….)

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AND: The Tassili n’Ajjer

…..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

(this reminds me of Oversoul Seven! # book by Jane Roberts)

Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

more:

http://www.philipcoppens.com/tassili.html

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ENORMOUS CATS??????

Sanso was beginning to feel an urge to move. Waiting under the door in the ceiling in the cave tunnel, just watching India Louise and Illi fade in and out of view, and waiting for Dory and the parrot to return was getting boring. He was a wanderer by nature, and so he wandered off along the tunnel. He didn’t stop to wonder which tunnel to choose when he came to a junction, he just went with whatever one he happened to choose. He didn’t really mind where he ended up, that was the thing. This philosophy had always seemed to work well for him, because he ALWAYS ended up somewhere interesting; somewhere where he couldn’t imagine not being, once he was there, as if it was always the ‘right’ place to be, and at the ‘right’ time to be there.

The cave tunnel was becoming wider and less cramped. Sanso straightened his back and quickened his pace, and started to sing.

Hello Dolly, oh helloooo Dolly, do de dooo de do do dodedodedooooo……. chuckling to himself and wondering where on earth did THAT come from….. Oh helloooooo Dolly……

and walked right into a coatstand, of all things, getting splodged in the face with a rather smelly wet blue cape. The coatstand teetered and Sanso grabbed it to stop it falling over. There was a note pinned onto it:

Watch my shifting, Tell the time; Shape me wet, and Lose me dry; Colour me pink and grey and gold, and Find the secrets that I hold, What am I?

Sanso didn’t hesitate for a single moment. SAND!

Sanso grinned with delight at guessing the riddle so quickly, and then laughed out loud. How clever am I, he said, I guessed the answer to my own riddle! Still chortling, Sanso gave the wet cape a fond pat and set off again.

The tunnel was widening and eventually broadened into a cavern. Bright sparkling shafts of sunlight were beaming down from several holes in the cavern roof.

Sanso blinked a few times and squinted until his eyes became accustomed to the light. The cavern was huge, and everywhere he looked were paintings and markings on the walls, even the places impossible to reach. Some were creatures, some were symbols, in black and red and yellow and orange.

Sanso was entranced. He sank down to a sitting position, and then stretched out flat on his back, gazing at the markings on the walls. He stretched his arms out, filling his palms with sand and then letting it go, and trailing his fingers through the sand…sand…..

Sand! I may have got the riddle, thought Sanso, but I didn’t get the POINT of the riddle being there in the first place!

HHMM, I’m not so clever after all……

As the parrot set off in search of Dory he came to a fork in the tunnels. Down one tunnel he would find Dory, and down another tunnel he wouldn’t. HHMM. Well, I’ll just do bother, he decided, (chuckling to himself that he’d said bother when really he meant both) and probability parrot one set off down the right tunnel and probability parrot two set off down the left. Probability parrot one (or PP1 for short) did indeed find Dory, and was heading back towards Sanso and the door in the ceiling with Dory tripping along behind him, when he came to another crossroads. PP1 went right, and PP3 went left, and so on, and before long the caves were full of parrots.

Fiona wandered slowly along the road to the supermarket in the Village, deep in thought, pondering a recent dream. In her dream she had been talking to someone from the power company. He was very chatty. Eventually he asked her if she had any issues with her power service. In her dream she had started to focus on some electricity issues she was experiencing. Well as a matter of fact I do, she had replied. At which point the man from the power company had abruptly cut the call short.

In her dream she felt a little put out, although resolved to let the power company know later.

The message of the dream felt clear enough, it was her focusing on the difficulties which cut her connection. Yet this presented Fiona with some difficulty, because she dearly loved to analyse even when this did mean focusing on not so pleasant things, though she had been aware for some time how this mental work would deplete her energy.

Actually there was almost a feeling of grieving in her. To let go of this part of her felt like losing something warm and comforting in it’s familiarity, like a well worn and loved article of clothing. It left her wondering a bit about her own identity.

On the way back home, laden with bags of shopping, Fiona saw Jarrod.

Jarrod was lying on a park bench conversing loudly to himself. Well, Fiona mentally corrected herself, to someone I can’t see anyway.

They just don’t understand reality he was saying vehemently they just don’t get it.

Fiona smiled to herself, noticing Jarrod getting a few concerned looks from the well dressed locals. With his bare feet, unkempt hair and long beard he would stand out even if he wasn’t shouting at the top of his voice. She decided to try and sneak past herself, he looked like maybe today he would not recognise her anyway.

FIONA!

She turned back.

Hey Jarrod

Fiona, here’s the thing. Here’s the question okay. Should we swim up-stream or down? Fiona what do you think? Should we head for the Source or the Ocean? Up river or down? We’re on the edge of a new era Fiona. So what will it be, the shallows or the rapids?

Before she needed to come up with an answer Jarrod’s attention was diverted by the shopping bags.

FOOD! Great is that for me Fiona?

Dory suddenly saw the funny side, and started to laugh. She sank down onto the curb and laughed until tears rolled down her cheeks. As she fished in her tool kit for a tissue, she noticed her flying sandals and collapsed into another fit of laughter.

Lalalalalala she said and hooted again.

Blowing her nose and still chuckling, Dory stood up and got into the van. Hehehehehehe she sputtered, how easy was that, ahahahaha….

She sank back into the long comfortably cushioned seat, and relaxed.

She closed her eyes and the van set off, the rolling and rocking over the bumpy roads soothing her and sending her into a deep and restful sleep.

Lord Wrick was reading a bedtime story to his great grandson, Cuthbert. A huge open fire roared beneath the stone mantelpiece, and cast tall flickering shadows in the dark corners of the room. Cuthbert snuggled in to his great grandad, who pulled the red tartan shawl up under his chin. The Orkney Islands were cold in September, and a chill draught was ever present in the ancient castle. Cuthbert’s twin sister India Louise had already been taken to bed by Nanny Gibbon, who would read her a story in the nursery.

“Back from the depths of his sleep, the dragon Naasir exhaled in a puff of smoke” read Great grandfather Wrick. “He’d just woven a wonderful dream…”

A parcel had arrived at the castle yesterday, delivered by a travelling artist, who had been invited to paint portraits of the Wrick family. There was no message with the parcel, and the artist, Bill Jobsworth, explained that an old woman in black had given it to him at the crossroads, asking him to deliver it to Cuthbert and India Louise Wrick.