Search Results for 'shot'

When Veranassessee entered the secret facility with Gloria and Sharon, her blood congealed in her veins.
Patient 4 had escaped the safety straitjacket and was holding the doctor at paper-clip point.
Patient 4, was one of the first six patients they’d treated on the island, an awful miscarriage… Of the six, all had developed strong reactions to the medication especially as they had not yet found the appropriate dosage for the blue spider venom. Some had developed extra appendices, most had been hideously disfigured, and all of them had gone bonkers.
“Four” was the last alive of them all, by an inexplicable combination of luck and genetics, and by far the most dangerous one. Apparently, apart from madness, the venom had gifted “Four” with supra-human velocity and strength. It was what had kept that mad doctor from “erasing” that mistake, so sure he could find some interesting way of making profit out of that prodigious lucky find.
But now that was compromising everything…

V’ass pushed the two chatty old ladies in a broom-closet behind with a wink Be right back ladies!

Sharon and Gloria giggled in the small room, wondering about the unexpected sense of hospitality of the people of that resort. All was so funny and exciting since they’d decided to come to that place.

— Four! Release the doc’!
— Don’t move an inch closer or I’ll kill him!
— You have nowhere to go Four, backups will be here any minute now…
— One second is all I need to snap his neck!
— No! Dr. Chris Bronklehampton was moaning
— You, stay still, the mummified Four snapped to the panting doctor.

Quicker than light, V’ass shot a powerful sedative into the arm of the mummy. Four winced, drawing the dart out of the arm, crushing the fluffy fletchings between the fingers. Quickly assessing chances to escape, Four sent the doctor flying at the other side of the room, in a powerful swing of the arm, and jumped through the window in a formidable sound of smashed glass, disappearing into the jungle.

— Chris! Are you alright? Nurse Bellamy was already caring for the fainted doctor.

Marvin Scrozzezi was considering a script that had been sent to him by his friend.
Betty, his assistant, had insisted that he reads it…

Seeing his current movie, it couldn’t be any worse in any case.
The title of the script cracked him up.

Ogregan, the Origeans

Marvin giggled, almost spluttering his smoking chai on the script.

He started to read the first paragraphs.

FADE IN:
EXT. WOODS
A big humphing man plunges into the woods. Twigs slap at him,
but the sound of gunfires keeps him going. Sheriff Marshall is
taking the lead, but an auburn haired man plunges into the woods
before him, followed by one dark-haired one. They are obviously
brothers. The older one is ELVIN STREWN, he is following his
younger brother with the lopsided hair, JAY STREWN.
JAY is shooting at the fugitive, ALDO MC GALLIGAN, a local
mobster known as the OGREGAN.

Gunfire explodes in trees near the STREWN brothers, shot at them
by MC GALLIGAN, and they dive and roll into hiding under a
palisade.

Interesting stuff, wonders Marvin… That mobster looks like a fascinating character…

Flipping though the script he found page 57 another catching bit of reading…

 DISSOLVE TO:
EXT. PROSPERITY BANK ; SHOT of a Texan bank on a quiet street.
INT. PROSPERITY BANK
There are three customers, male. Enters a MOTHER and her SON.
TELLER#1: What can I do for you Mrs MC GALLIGAN?
MRS GALLIGAN to her SON who is drawing on her dress: ALDO, will
you keep still for a moment, good for nothing!

…

Pfff, Marvin sighed, feeling bored.
Not long after, he was sound asleep, snoring loudly on the comfortable chair.

Aldous Mc Gaughran (nicknamed Ogrean by his employees), was taking deep puffs on his voluminous cigar.
A bit podgy in his white tight suit, the face dripping in sweat, he was eying with barely dissimulated lust the young dancer on the scene of the saloon while sipping his cognac and playing poker with his oily fingers.

The blond bewitching dancer was drawing attention from miles around, and was known by her stage name: Twilight.
She wasn’t really a blonde, but she had been convinced by her two brothers to use a wig not so much to make her more desirable as she was already, but more to be able to keep a certain amount of anonymity.
Seeing Ogrean’s glances, she was more than glad to have listened to her brothers.

Ogrean was calling the shots here in that small town, and somehow it would be difficult to refuse anything he would ask… He was supervising, as far as she knew, many traffics. Officially, he was a cattle breeder, but there was obviously more.
On his last business trip on the coast of British Honduras, officially for dealings of mahogany imports, he’d come back with a self-satisfied look that meant that he had got more than a pile of precious wood…

The saloon door opened in a creaking sound. A tall lean figure came barging in.
Answering the barmaid’s question, he got himself a glass of the local alcohol. A bitter cactus beer that no one living here would have thought of ordering. Obviously a wandering stranger.
His scrawny horse seemed to have run tiring long miles.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…