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  • #298

    The City, year 2257

    Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

    Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
    They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
    Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

    Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

    Janice could hear Al or Quintin complain about how things were getting confusing.
    She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

    ~~~

    Somewhere Al was saying to Becky
    — The more you try to fix it, the more confused I am
    — Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
    — Ahahah, yes!

    Al started again to moan:
    — So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat? :-??

    (Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

    Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
    — Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
    Becky nodded
    — I got lost myself when two Illis appeared, and a grip-thing as well
    — Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

    ~~~

    While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
    A funny thought had come to Janice, that she shared with Rodney.
    — Oh, the funny thing you know, about Becky having written to Sean
    Rodney nodded. Janice continued:
    — It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

    — Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
    — What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
    — Who is he? Where is he? was asking Rodney now.
    Rodney was having a hard time remembering what had been inserted yet in the story about him.

    So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

    — Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
    — Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
    Janice laughed “So that you can surprise yourself again!”

    Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

    Janice stopped the growth of the family tree for a moment and started to comment it.
    — See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
    — When is Becky’s time then? Rodney wondered, I hadn’t though of that…
    Becky’s time for the reality play is around 2033…
    Then Janice had the tree grow again, and sprout more branches from Sean’s children:
    — …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
    TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

    Rodney was beginning to remember it all.
    — I just remember the part about Sean, so he is still a bit of a mystery
    — Yes, absolutely
    — We don’t really know do we why Hilarion didn’t mention him
    — Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
    — Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

    Rodney was squinting his dream eyes
    — So, Sean was into humanitarian effort after 2001…
    — His father actually I think, said Janice. He was a bit too young.
    — Oh OK, I misread, that’s hard to read!

    Then, all of a second, Rodney erupted in an uproarious laugh
    AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
    Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
    Then she added:

    Sean is born around 2000, a bit before.
    — OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
    — You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
    — Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
    Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

    Now, Janice was hooked:
    — Was it where Illi learned about shapeshifting tricks from the old tribe?
    Rodney noticed Janice’s funny remark and laughed before continuing:
    — The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

    Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
    — Around which year? she asked
    — Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
    — It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
    — Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
    — Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
    — Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
    — And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
    — Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
    — Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
    — Wow, said Rodney, this is even more interesting…

    “But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
    — Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice

    — Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
    — Yes, she was young with her parents. They were traveling…

    They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

    She then remembered something else:
    — Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
    … by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory
    Date fits again, she said in awe.
    — Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
    — Hmmm
    — Hmmm
    — So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
    — Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

    Janice bust out laughing imagining Rodney in bandages. Yes, of course!
    Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
    Now, that was Rodney’s turn to burst out laughing.
    — “I am not sure about that!”
    — Doubting my insights… mmm, how rude… Janice frowned then laughed again.
    — If you call me that, I may have to make you out to have a speech impediment
    — Sounds a good Egyptian name for me though, seems it means “Light of the Dawn
    — Does it? Oh that sounds nice…
    — Well, in some Egyptian dialect, yes. She was a Princess…
    — Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
    — Bit bossy Princess
    — Which dynasty?
    III rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
    — What year?
    Janice projected the timeline below then said
    — I’d say around 2657 B.C., in Ancients way of telling time.

    They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

    Rodney was seeing something else
    — There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
    Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
    — We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
    — Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
    — Exactly
    — And they communicated because they are helping each other
    — Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
    — And they have some difficulties at times with translations of other dimensional stuff
    — Yes! resulting in confusion!

    And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

    #287
    TracyTracy
    Participant

      India Louise and Eugenia momentarily forgot about the gold locket and walked over to the exceptionally long trunk. India dropped the locket into her pocket as she investigated the exterior of the trunk, which didn’t appear to have an opening. It seemed to have been made around whatever it housed, and permanently.

      ‘How strange’, mused India, ‘it must not be intended to open, ever!’

      ‘That makes me want to open it’, said Eugenia. ‘Let’s! Let’s open it!’

      Eugenia was rummaging in the desk drawers for a suitable tool.

      ‘Wow, look at this, Indy’. She held a heavy black letter opener up to show India, with an elaborate carved dragon on the handle. The dragon had glittering amethyst eyes, and a serpentine line of coloured stones along its back.

      India shivered involuntarily at the sight of the dragon. Horrid nasty creatures, dragons, she muttered, resisting an urge to cross herself. ‘Peace be with you, now bugger off’ she whispered the spell under her breath so Eugenia wouldn’t hear her and think she was a silly goose. Horrid scaley slimy stinky reptiles.

      ‘You go first, Genie, try and prise the trunk open.’ India didn’t want to touch the letter opener, but she was rather curious about the contents of the trunk.

      Eugenia was a strong and capable lass, with a practical methodical mind ~ unlike India Louise ~ and before long the first piece of wood came splintering off.

      ‘Nice one, Genie, well done.’ India said as Eugenia wrenched off another few planks.

      ‘Oh MY GOD!’ ‘Jumping Jehosophat!’ ‘What the……’ ‘Holy Moly, Genie, what the….’. After a few initial exclamations, the girls were silent, the hair standing up on their arms.

      They were looking down at the shrivelled features of a dried up body, covered in bits of disintegrating faded fabric.

      ‘A mummy! It’s a friggen mummy!’

      #275

      Oh well bugger it, said Arona, I have had enough of this. Perhaps we had better just play it by ear if no one really knows how this thing works.

      Which is really, although not in so many words, if I may be so rude as to remind you, what I was suggesting, said the charming Sanso, rather rudely.

      Well yes, that is true … but whatever, let’s not argue, shall we just get going? Are you ready Mandrake? All of a sudden Arona was feeling unaccustomably energised and assertive, and was totally fed up with herself for wasting time so much time sitting around. This was causing her to be a bit sharp with the others.

      You know my problem? she asked, rhetorically, although of course Mandrake felt compelled to offer a reply.

      Hmmmm and which one would that be?

      Ahahahah Mandrake, laughed Arona, well the one I was thinking of was that I think too much. I need to be more like our friend Sanso here. I mean, what does it matter where we end up, it is all a big adventure anyway.

      Well I for one, would prefer to end up somewhere in the vicinity of food, responded Mandrake.

      Sanso wasn’t really listening but was gazing at the sabulmantium with a look of awe and muttering to himself. This really is a remarkable find. I have never actually used a sabulmantium before but I gather that one uses it as a tool to focus their intention, which is a crucial component of the magical creative process. Tremendously powerful tool and when used with awareness by the pure of heart it has great potential.

      Oh great! shall we just get going then, said Arona picking up the Sabulmantium, and next thing you know, after a little bit more wandering down a few more tunnels, which isn’t really that interesting to write about, our three intrepid adventurers found themselves gazing in astonished delight at a most wonderous sight.

      #79
      ÉricÉric
      Keymaster

        These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

        Note: for the reader not familiar with all the names here is a quick reminder:

        • Araili > Yann, Írtak, Sam, Jacob …
        • Armelle > Fiona, Arona, Tina, Qixi …
        • Rafaela > Dory, Illi, Becky, Rodney …
        • Yuki > Quintin, Al, Janice …

        September 12 th, 2007

        Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
        Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

        Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

        I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

        September 13 th

        Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
        This first comment seems very promising.

        Right now, it feels easy and fun.

        Quintin seems to think that everything is very straightforward.
        The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
        The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

        But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
        That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
        But the thing is, that he missed the point in thinking one World is more “real” than the other.
        We’ll be having some fun soon…

        First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
        We will appeal to his imagination.
        It seems he has heard the suggestion.

        September 14 th

        For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

        But as I expected, some challenges seem to appear already.
        Is it raining or not in that world?
        The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

        He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
        At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
        How will it unfold?
        Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

        September 15 th

        Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

        Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

        Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

        September 16 th

        Halcyons days…
        My dear friend Archie is answering some of Quintin and Yann’s questions.
        Something starts to dawn on Quintin. But his mind is on other matters.

        He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

        September 18 th

        Quintin has been drawing some of the characters of the story. It’s interesting.
        He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

        Characters drawn:

        • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
        • Malika, Quintin, Yann, Fiona and Dory

        Interestingly, Fiona resolves her issues in her cave.
        Dory too, but she did not need the cave to do this.

        September 21 st

        For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
        And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
        Quintin will soon realize that he himself is doing this constantly, though he does not register it.

        But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

        Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
        There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

        Of course, some things still matter, and one of the point of the story is also to discover these.

        September 22 nd

        Quintin has been drawing new characters.

        Characters drawn:

        • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
        • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
        • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

        A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
        She had at first thought they were whiskers, which was not Quintin’s intent…

        September 23 rd

        Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

        Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

        Up to now, here are the names he could find:

        • North: the Icy Lands, and Dragon Cemeteries
        • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
        • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
          Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
        • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

        When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

        #134
        F LoveF Love
        Participant

          As Arona put her map carefully away she suddenly realised she was not alone. An odd looking creature was sitting on a rock a short distance away. Arona’s eyesight was not that strong, and she found it hard to make out clearly what sort of a creature it was, but she was amused to notice how it seemed to be talking and laughing to itself, nodding it’s head and sniffing the air. Perhaps it has been taking some of the hallucinogenic plants which grow so abundantly in this terrain, she thought to herself. The creature was now looking to the sky, as though rain were falling, and the sniffing was becoming more intense. How odd, thought Arona, and so convincing was the creature that she looked upwards herself, yet saw only the brilliant blue sky she knew to be there. Poor little fellow, she thought, it has really lost the plot.

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