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Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

Quite frankly, Midora didn’t know how and where to look for Badul. She had spent lots of time delving into the labyrinth of chapters that composed the book, at first to no avail.
Only after some familiarization with the narrative had she come to roughly understand that the two books where rewriting the pages —or even, rewiring them— so that each time she started over, it was like a similar yet different story. Most of the alternate versions did occur within the same kind of environment, or the same dimensions as the previous ones, but there were always all kinds of small hints that made her get a small hunch that it was not quite the same story she had read before that was taking place now.
She had even become quite good at tracking down these flimsy moments where she found herself wondering what felt “different”, at odds, or simply not quite at the same place. Like in her dreams, these were precious cues telling her to pay attention. More than simple cues, of course some of them where howling at her face that something required her attention. The additions made by her distant relative Dory, or later on by her step-daughter Becky were compelling cases of such occurrences. Asynchronous apparitions of mummies sometimes reminded her of stories told by one of her father and where more generally speaking of symbolic death and regeneration, but when all of these cues where as many portals the details of which she could lose herself in…

Naasir had told her to find Badul. She knew Badul… Like Midora herself, Badul was a facet of the dreaming dragon who was exploring the many facets of itself in an intricate play, and it felt to her that Badul was stuck somewhere in the process and required some attention. In fact, she remembered that in all the versions of the stories that she had read about, Badul’s history was never ended. Each time, he was on his way to explore the new land he had discovered, and somehow, he just never get there.
When she was trying to get to the rest of the story, as much as she would search for it, there were only blank pages.
Perhaps it was for her to write them, like Indy did after she encountered that mummy decades ago, not necessarily to exorcise the experience, but rather to learn more about her connections.

What were her own connections? She wondered.
What did happen to Badul on his way to the clandestine traveling portal of Gralm Tur? And why did it matter? Did he found something about the network, and some link to the skulls which have been an obsession for quite some time for some of the major and most intriguing characters of this inter-dimensional sopoohpera?

Truth was, Badul felt a bit like an oddball to her. She didn’t know how to get close to him. Apparently, when she had read the early articles from her great-uncle Cuthbert, she had found out that he had connected quite well to the daunting character. As a matter of fact, most of his comments had helped flesh out the character, while most of the other participants in the books had been only remotely observing his deeds. However priceless these clues were, Midora knew by now that they were not absolute, and would rewrite differently if the story was asking for it. And in fact, perhaps her own addition would change whatever his fate would have been.

Midora could feel Badul differently now… a young boy, whom she is babysitting, in another life.
Bastian is baby Badul’s name and he’s a toddler, a toddler exploring an unknown world made of colourful toys.
Midora (her name’s Ada in that focus) likes to work for little Bastian’s family. The woman, his mother, looks a bit odd like Morticia Addams, or like a Cher just out of her bed, but Ada likes her. She’s busy traveling alot, and doesn’t have much time to care for the baby.

Midora thinks she has read about his woman somewhere in the books…
Could it be that? Yes,… there is little doubt about it.
It seems like she’s just run into young Carla…

It had been a moonth now that Elizabeth had got her first encounter with Pigoosus, her inner inspirer, on a dirty bench of the public park littered with pigeons droppings.

A whole moonth, and yet, it had been so full that she had barely noticed it passing. Even Finnley, the ever grunchy grumpy one, had felt ubiquitously absent (Elizabeth was quite fond of Lemone’s profoond quotes, and his consummate uooze of exquisitively bizarre words; so, “ubiquitously absent”, oxymoronic as it was, for all matter and purposes felt deliciously adequate to her present mood).
So, yes, even Finnley… who had felt recently so deeply absorbed by flocks of dust bunnies that went around the corners.

As for her, the grandioosa noovelist, she had used the inspiration of that day to take a break from that strange story she was writing, and which had accumulated so many loose ends that she’d grown yucky at the mere sight of a dish of spooghetti.
Instead, she had written a small unpretentious (as far as she could, that is) novelette, or children book as her publisher said. Of course, everything a little bit out of the ordinary was only good for children, and in fact, she couldn’t care less. She had tremendoose fun writing the Extra-vagrant Illustrated Tales of The Oogletoon Twins. Not only writing in fact, but also illustrating that intermission work (which was a first, as she had mostly the habit of doing coollages of various pictures teafed around, hence her fondness for Robert the robber magpie).

Notwithstanding, this was an interesting adventure for Elizabeth. Life was full of surprises, and she wouldn’t have thought that in becoming more “down to Oorth”, as her parents would have exhorted her to do, so to spook, she would have indeed be really, really closer to Oorth, but nonetheless, still in fairy land. Ahaha, that was putting her in the greatest of moods.
She smiled a broad smile to a fidgeting Finnley who was under the glowing neon light of the dark copy machine room, apparently in great conversation with some invisible being, as she went past the room, on her way to her office.

Checking on her compooter (her gorgeous iPear) she noticed an email from Barash… Another publisher that she was considering working with, when her current one had felt hesitant at publishing her illustrated book.
Decidedly, everything was going well for her these days.

And then Al said “I AM that I am”.

Phew. Germaine was right, he could just let go of Becky’s feelings like this. That was quite a ride, and Al wasn’t sure he would do it again anytime soon. Perhaps with dolphins, there would be less vertigo…

Last Tobi show yesterday had been running earlier with a stand-in for Tobi the ventriloquist. But Germaine the fortune teller with her crystal ball was good too.
She had said, with a stern teacher look and her horn-rimmed glasses, to take a breathe, dive into the ball, and feel.

Of course Tina, with all the courses she’d taken lately, was well aware of these, but Al was not very fond of diving too much into other’s feeling. He always found himself waddling in other’s muck. Had enough of his own.
But now he had the magic words, or at least, the magic finger snapping movement.

I AM that I am.

Phew… That ride had been scarier and funnier than any scary tartignole movie.

In the middle of the Aborigines Village in Tasmania, Sam was carrying a heavy wooden pail of kangaroos shite to spread on the crops of the Dreamtime.

Looking at the scene, a Tasmanian Devil was laughing frantically.
— Hinhiiinhiiiin, that old woman was tricky wasn’t sheeeeeee?

He was now standing in front of a huge rainbow-coloured Nanaconda.

I googled Circle of Eights

Give pairs seven post-its and ask the children to write down the main scenes. Take feedback and allow children to adjust/add to their post-its. Pairs then work on listing the scenes and sticking them in order. They should disregard any scenes that are not crucial, and just keep the key events.

Agree with the class the basic key scenes. Demonstrate how to make a few notes about each scene to help with a retelling.

In pairs, children make notes about each scene to help with retelling the tale. These should be kept to the barebones. In pairs, practice retelling the story, taking it in turns. Then put pairs together to retell their versions to another pair.

If time allows, build this up to circles of eight.

End the session by hearing several retellings. Encourage the children to evaluate between tellings, refining and improving their version.

Explore ways of altering the retellings. Children decide to alter one aspect. They then retell the tale, with the alteration. Pairs should then move into fours
and retell their new versions.

Build up to circles of eight if time allows.

The children recommend a version they have heard that is really effective. Listen to these, and as a class evaluate what makes an effective retelling. This enables more in-depth evaluation, especially by the storytellers themselves.

— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.

tjmarshall57: hahahaha as if it’s not bad enough with the weeding, now poor girl has blotches all over her face!
tjmarshall57: wedding not weeding
tjmarshall57: do russian wear velis?
tjmarshall57: veils
tjmarshall57: hhhm, blessing by a shaman, plaiting together of the couples hair….(is Becky still blad?)
tjmarshall57: The biggest concern at the wedding is to have enough liquor. A Russian Wedding is an event where everybody must be drunk. No one will be surprised if people drink themselves to unconscious on the wedding – and many do.
tjmarshall57: well, that will appeal to Sean
tjmarshall57: You are probably surprised to find out that a Russian wedding lasts for 2 days!! (Well, at least. Some weddings last as long as a week, and this is something to be proud of and remember for years: it means the couple had enough liquor to go on and on, and enough devoted friends to stay.)
tjmarshall57: The Russian church ceremony is colorful and solemn but the complete traditional ceremony is very long, and as guests and the couple have to stand during the ceremony (there are no benches in Russian churches at all; people must stand during all church services), faints are not rare.
tjmarshall57: right, so a fair amount of fainting and drunkeness then
tjmarshall57: Then the witnesses continue running the wedding, reading jokes and poems, and sometimes asking the new couple questions to make fun of them.
tjmarshall57: Franci will you be my witness, you’d be perfect
tjmarshall57: “Za molodykh!” (“For the newlywed!”)
tjmarshall57: Traditionally money is considered as the best gift, and is given in an envelope. Some time after the beginning of the reception when people start to become drunk the witnesses will ask everybody to give their gifts and one of the witnesses will collect envelopes from the rest of the guests with a tray.
tjmarshall57: Then people have time to dance. First dance is opened by the new couple. After the music starts, there is no exact script anymore, and witnesses can relax a little. They still occasionally announce a toast but do not entertain the guests with jokes and poems; guests by this time are already having lots of fun and are able to entertain themselves.

Movements become quite hectic; some people go out “to refresh”, and at some moment in this movement the bride gets… “stolen”! She disappears, and when the groom starts looking for her, he is faced with a request for a ransom. Usually it’s his buddies who “steal” the bride. A more or less short wrangle about the amount, and he can have his new wife back. But he must watch out – the bride sometimes may be stolen a few times!

tjmarshall57: right, so we have drunkeness, fainting, jokes, poems and insults, and theft and abduction
tjmarshall57: Then there are the bride’s friends – they steal the bride’s shoe. The groom must pay ransom for the shoe too – the guests enjoy watching wrangles.
tjmarshall57: Often guests leave the wedding in such a condition that they cannot remember what happened. If this was the case with the majority of guests, then the wedding was a huge success
tjmarshall57: AHA! This is the key! I will write about it after the wedding, when nobody can remeber anything about it
tjmarshall57: Day two of the wedding:After the meal the bride must “clean” the floor in the room. The fun part is that guests are allowed to mess as much as they want while she is cleaning
tjmarshall57:
tjmarshall57: another part for you!
tjmarshall57: guests on a Russian wedding enjoy it much more than the newlywed couple who are all the time made fools of.
tjmarshall57: The most popular period for wedding ceremonies in Russia was between the Christmas and Shrovetide (a week before the spring fast). This period was called the wedding period.
tjmarshall57: well, the timing is right
tjmarshall57: One of the many superstitions still prevailing among the peasant population of Russia is that, on the occasion of a marriage, the happiness of the newly-married couple is not assured unless the parents of the contracting parties are soaked with water from head to foot. When a marriage takes place in summer this is easily accomplished by ducking the fathers and mothers in the nearest river, but in winter they are laid on the ground and rolled in the snow.
tjmarshall57: who are the parents?
tjmarshall57: Among the Koraks of Siberia a young man seeks for a maiden with considerable dowry in the form of rein-deer
tjmarshall57: oh, well we can have psychoactive reindeer pies, anyway
tjmarshall57: Kovalevsky has well shown that many of the marriage customs of this country are survivals from a primitive and prehistoric age when the woman ruled the household and had more than one husband.
tjmarshall57: hhmmmm
tjmarshall57: it all points to a distant age when the matriarchal system prevailed, and the brother was his sister’s guardian. In Little Russia the brother’s sword is decked with the red berries of the rowan tree, red being the emblem of maidenhood.
tjmarshall57: red fruit sync!
tjmarshall57: no wonder I threw the cherries away!
tjmarshall57: ahahahahha!
franci_free: oh hrllo
franci_free: goodness
franci_free: will need to read back
tjmarshall57: hahahah oh there you are
franci_free: well what a complicated theme
tjmarshall57: haahah well
franci_free: you will have to write about the wedding
tjmarshall57: the key to the whole thing is that everyone was so drunk that nobody can remeber any of it aftrwards
franci_free: hahahah
franci_free: great!
tjmarshall57: thats my angle, I think
franci_free:
tjmarshall57: and s few things fit perfectly
tjmarshall57: the red fruit
tjmarshall57: the time of year
tjmarshall57: the drunkeness, Sean will love that
franci_free: the splotches?
tjmarshall57: well, nobody will remeber that
tjmarshall57: afterwards