Search Results for 'story'

“We walk, Ia’eh and Minkah, Desher and I,” Elizabeth read the email from Hypatia, “ towards the dark ridge of stone where the books lie hidden, awaiting the day they should be found again…..When Cleopatra ruled, the books numbered 400,000…and this, I think, is true. By the time of Theon of Alexandria, an age in which the books were no loner in the Great Library of the Palace of the Ptolemies, which was also no longer, but housed instead the “daughter” library of the Serapeum, they numbered 360,000. Those lost to the Bishop of Theophilus amounted to a tenth of these. But no matter if full half were lost, that Minkah brought out from Alexandria so many amazed me then; it amazes me still. He not only carried them here, but brought back an account of where each cave was sited, and which jars were placed in which cave.”

“Godfrey, didn’t we know a Minky once, who was a sort of a servant?”

“We did indeed, Liz, you were the one who inserted him into the story, surely you remember?”

“Well, the name rings a bell, Godfrey, but where did we meet him?”

Godfrey snapped his fingers and as if by magic, an excerpt from the Reality Play appeared:

“Just then a funny little man with a huge cheeky grin appeared and held out a tray. Smoothies! Coconut and berry smoothies, and pink cakes, croissants”

“Croissants!” interrupted Elizabeth.

“… and oranges, and a box of cadbury’s chocolates…”

“Don’t remind me about Cadbury’s” groaned Elizabeth. “I simply can’t bear it that they’ve blinked into another dimension”

Godfrey continued: “ Dory slurped and munched and gobbled and slurped some more, and underneath where the chocolate was, she saw a brochure.
On the front cover was a picture of a cave. OOHH A CAVE! Dory loved caves! Let’s go to the cave today, Minky! she said to the funny fellow with the impish grin. Minky winked.”

“He was going to take Dory to the caves!” Elizabeth exclaimed. “Why didn’t I finish that story thread!”

“There’s no need to wring your hands like that, Liz” said Godfrey soothingly. “You can continue it now!”

There was a blue light spiral whirlwinding in the center of what should have been a head. Ann seemed not at all surprised as if she had taken too much of those weeds of hers, though Lavender was terrified. Was that a wormhole? She coughed a few times.

“Please, pardon me!” said the raucous voice coming from the center of the spiral. Ann was so fascinated that she stretched her arm to touch the vortex. In doing so, the voice took goaty characteristics that made her giggle.
“We need your help…” said the goaty voice, which hurried to add “In peace, always…”

For a moment, Lavender thought she heard someone coughing from the other end of the wormhole. But with Ann messing with the vortex who knows what it could have been.

Note from the editor: in another version of the story, it has been a double of Ann playing with a device. Her voice was sounding much like the one of Darn Vadoor in Stare Worms before he informed Lurk that he was his janitor.

One thing led to another, as it tends to do, while Sanso sat meditating on the enigma of The Dead Cow. Random and seemingly disjointed images flashed through his mind, not unlike a random google had been back in the old days, the first being an odd word, Kogaionon . Accessing further information, Sanso discovered that it was an ancient Transylvaniun skull. The link between the dead cow and the skull was clear ~ it was a bone sync, they both had bones, there was no denying it. Encouraged, Sanso continued to meditate.

After some images of a battle at sea , presumably Trafalgar, Sanso intuitively felt, he heard the words “Do not go where the path may lead, go instead where there is no path and leave a trail.” Wise words, he thought, and appropriate too. He popped these snippets into his indigo clue bag and continued to meditate. An image of a strange creature, half fish and half lion appeared next, a Merlion, which quickly morphed into an entertaining old movie playing across the screen of his minds eye, so to speak, in which someone who reminded him of Becky arrived in Paris during a rainstorm with just the clothes on her back ~ and interesting clothes they were, too! Sanso was glued to the screen, in a manner of speaking, and watched with amusement as a whole new wardrobe was delivered to the puzzled woman, followed by her mysterious benefactor: Georges.

Well, fancy Georges turning up again like that! Sanso was delighted. Perhaps Georges could shed some light on the mystery of the Dead Cow Blocking the Cave Entrance.

Sanso returned to his meditation and found himself eavesdropping on a conversation.

— Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
— These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds — worlds that he has no conception of yet.
Georges is more consummate in that art. Their meeting is not coincidental. You will see that.
— Thank you Grandad, it’s becoming a bit less confusing.
— Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

“Their meeting is not coincidental” Sanso repeated to himself, popping it into his clue bag. “Well, I don’t know about Meanings, but at least I have a new bag of clues now!”

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”

#87 Quintin had a woman near London ~ a strange small replicate, put here for gracious officials. Strangely linked to the story, was Dory. The other participants didn’t really expect this quaint dream…

Dory made Quintin in Madagascar for the first time. Funny, but now they seemed to connect to Arona. Malvina disappeared, and once again Arona found this quite irritating. She could barely remember the music.

Really, things are shifting. In the name of heaven use magic I Scream or something!

A Man emerged from Arona’s lap. This is great, more comfortable than the ground.

Oh cute, said Arona, a talking Man, love your cape by the way.

Arona stroked Man. It was all feeling heat and humidity… and especially her hunger. Man sighed in an eggs sort of a way. She exclaimed delightedly, hugging the Man.

[¹] Note from the editor: Man being a noble reader

~~~~

Dory was dry, with strange hard shoulders and face. Her shawl finally surfaced flapping in time to a cloud of dust.

PPFFT! I’m all on my own. Dory was momentarily speechless.

Ann had to admit it wasn’t a bad idea. She wondered why she hadn’t thought of that herself. Why haven’t I been expressing more of the perecption in front of my eyes, I wonder? The more she thought about it, the more confused she became. It did sound like a good idea, and she was pleased that she had created another ‘her’ as it were, to mention it.

On the other hand, of course, there was nothing stopping Walter (or was it Gordon? No, Godfrey…wait, wasn’t it Al?) from creating another one of his ‘hims’ masked as an Ann to express more of her perceptions in HIS own ‘It’s All You’ story.

Am I getting this right? Ann whispered to her left ear.