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Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

Quite frankly, Midora didn’t know how and where to look for Badul. She had spent lots of time delving into the labyrinth of chapters that composed the book, at first to no avail.
Only after some familiarization with the narrative had she come to roughly understand that the two books where rewriting the pages —or even, rewiring them— so that each time she started over, it was like a similar yet different story. Most of the alternate versions did occur within the same kind of environment, or the same dimensions as the previous ones, but there were always all kinds of small hints that made her get a small hunch that it was not quite the same story she had read before that was taking place now.
She had even become quite good at tracking down these flimsy moments where she found herself wondering what felt “different”, at odds, or simply not quite at the same place. Like in her dreams, these were precious cues telling her to pay attention. More than simple cues, of course some of them where howling at her face that something required her attention. The additions made by her distant relative Dory, or later on by her step-daughter Becky were compelling cases of such occurrences. Asynchronous apparitions of mummies sometimes reminded her of stories told by one of her father and where more generally speaking of symbolic death and regeneration, but when all of these cues where as many portals the details of which she could lose herself in…

Naasir had told her to find Badul. She knew Badul… Like Midora herself, Badul was a facet of the dreaming dragon who was exploring the many facets of itself in an intricate play, and it felt to her that Badul was stuck somewhere in the process and required some attention. In fact, she remembered that in all the versions of the stories that she had read about, Badul’s history was never ended. Each time, he was on his way to explore the new land he had discovered, and somehow, he just never get there.
When she was trying to get to the rest of the story, as much as she would search for it, there were only blank pages.
Perhaps it was for her to write them, like Indy did after she encountered that mummy decades ago, not necessarily to exorcise the experience, but rather to learn more about her connections.

What were her own connections? She wondered.
What did happen to Badul on his way to the clandestine traveling portal of Gralm Tur? And why did it matter? Did he found something about the network, and some link to the skulls which have been an obsession for quite some time for some of the major and most intriguing characters of this inter-dimensional sopoohpera?

Truth was, Badul felt a bit like an oddball to her. She didn’t know how to get close to him. Apparently, when she had read the early articles from her great-uncle Cuthbert, she had found out that he had connected quite well to the daunting character. As a matter of fact, most of his comments had helped flesh out the character, while most of the other participants in the books had been only remotely observing his deeds. However priceless these clues were, Midora knew by now that they were not absolute, and would rewrite differently if the story was asking for it. And in fact, perhaps her own addition would change whatever his fate would have been.

Midora could feel Badul differently now… a young boy, whom she is babysitting, in another life.
Bastian is baby Badul’s name and he’s a toddler, a toddler exploring an unknown world made of colourful toys.
Midora (her name’s Ada in that focus) likes to work for little Bastian’s family. The woman, his mother, looks a bit odd like Morticia Addams, or like a Cher just out of her bed, but Ada likes her. She’s busy traveling alot, and doesn’t have much time to care for the baby.

Midora thinks she has read about his woman somewhere in the books…
Could it be that? Yes,… there is little doubt about it.
It seems like she’s just run into young Carla…

What a francitic woman thought Elizabeth, a bit less distressed now she had secured her last insights into her clooh-box.
Hopefully, she could happily forget about those, and go for a walk to have some welcomed cooffee.

Wishing she would not bounce into some unwelcome apparition, she trod her way to the outside world.
How long it had been? With all that pressure from her publisher, she had almost forgotten how exquisite it all was outside.
So simple, and yet so brilliant.

It didn’t have the complexity of the Worlds of which she intuited things, nor the same amount of excitement it aroused in her, but nonetheless it was appeasing, and that was perhaps all she needed for the moment.
Perhaps a walk to Garden Centrool would do her great.

Sitting on a bench near the dribbling foontain where cuckoos were drinking at the sound of woodpeckers’ holes drilling, she became entranced by the sound of water, and almost felt like dancing at the cuckoos and woodpecker’s cooing and drumming beats…
All this Lemone quotes were now far away… She’d had enough of them, and wanted simpler truths. Lively ones.

She could feel inspiration flow back into herself, as she envisioned her favorite depiction of inspiration, the mangeloose Pigoosus. Elizabeth was reeling in its wonderful aura, seeing the squinting eyes of the creature, the magnificence of its sprawled wings, its awe-inspiring moose antlers, and the slick body of a foxy mongoose with a protuberant snoot.

It all was symbolic of herself of course, the best depiction of all her awesome features. The snoot for curiosity (and nose in general), the wings for imagination, the antlers for connection, and the mongoose for the fearlessness and sex-appeal.

Pigoosus, or Pigooh, as she called him, was telling him tales, tales that were spun between the gapping holes of her clooh-box items, and that were weaving them together in beautiful macramooh patterns.

The Shift in Earth-dimension awareness is coming and it is revealing long-lost hidden things, that is the reason of these other-dimensional bleed-through on the islands. Where those having hoped to bury some artifacts away of consciousness, in that dimension where all was so separated that even Pigooh would have had trouble getting throoh. The skulls gates one by one open now.…

Pen! She needed a pen!

— Arona, my dear?

The silky voice of Malvina resounded in Arona’s ear, while she was meditating on the implications of the story Vincentius had told her.

— Yes?
— May I borrow you Buckberry and your sabulmantium for a few moments?
— Oh sure, no need to ask… Though I don’t think you require my permission for Buckberry, isn’t he free as I am?
— Oh yes he is, exactly as you said, free as you are

Arona could have sworn she felt a winking energy rippling through her flesh, making some unfamiliar electrical currents crawl underneath her skin. She would have said she was thoroughly disliking it, though she wasn’t really sure if she was.

— Oh, Malvina added as if an innocent afterthought, we are moving by the way, perhaps you may find interesting to join us for the homationing ceremony. You may learn some more about your sabulmantium.
— Well, why not, answered Arona having no idea of what a homationing ceremony could be…
— Very well, please join us in the main entrance, where I am playing the harp. We will be waiting for you.
— I’ll be there in a second.

So, they were moving? Speak about implications… Arona muttered, stroking dozing Mandrake, who had feasted on too many of the moorats crawling inside the moisteous cave tunnels.
I guess I’ll take this astounding elan as a hint that I’ll be going alone she said. A yawn for all answer.
Considering it was Mandrake, that was almost a mark of distinctive affection… or was it rather of affectionate distinction?

Moving? She didn’t want to move, not yet, not like that… And to be honest, with all the stuff in that cave, she sure didn’t want to help pack all of this, be it by magic. What an impossible task.

Vincentius the nanny was taking care of Yikes, so she was confident should anything happen, he would be alright.

On the outside of the cave, the dragons were all lined up, as if waiting for some unknown signal. Leormn first in shades of teal, and his spawns, Buckberry, with the most florid and baroque hues of purple that one could imagine, and the two facetious Heckle and Jeckle in shades of emerald, looking unusually calm.

Malvina, with Leo the little marmoset on her left shoulder, was playing her harp, while Irtak was accompanying her playing a mouth harp.
Some drums had been disposed around, and quite naturally, Arona felt like beating the measure on these, getting slowly and slowly relaxed by the music and guttural sounds produced by the throat singing dragons.
She almost laughed and broke the meditating pattern when she let the memory of Sanso come into her awareness. What a shame he’d missed that, that would have fitted him better than her.

Slowly the sounds stopped, and Malvina very gracefully rose from her stool, and greeted Arona with a loving hug. Her flowing robe was a tender orchid hue with laces of thistle pink, and her silvery peach long flowing hair were giving her the aura of a princess.

— Wait, where are Georges and Salome? She said, are they already gone?
— No, they are waiting for us at the new location, she said with a smile… Now, Leormn will start the ceremony.

Arona almost said Wait again, in anticipation of what was to come, and finally decided to let it flow. The serene look of Malvina and her motherly smile was of a nurturing reassurance.

Outside, in the grassy lands, the dragons had all grown wings and were apparently ready to take off. A pile of conic shaped dirty sand was standing in front of the entrance, that Arona had never seen before.

She could feel Buckberry answer her unspoken question without even a word being uttered. It is soil from the cave, and we will use it now.

Arona watched the dragons rise in the sky full of damp gray clouds, and wondered what they were doing.
They are doing two things, Arona answered Malvina (again that disagreeable habit of reading thoughts, couldn’t help but think Arona, wishing there would be some World around where such thing wouldn’t be so easy), first they are checking what kind of creature are staying with us and following the movement, continued Malvina, ignoring the remark, and second, they are drawing with that sand from the cave a circle to enclose the area we want to move

Arona didn’t dare say the explanations were making her even fuzzier, so she nodded as if abreast of what was going on.

Popping sounds of the dragons blinking in and out to get some more dirt almost made her dizzy, and she forgot the strangest feeling she had when she thought she heard “the area we want to move”.

— Now, continued Mavina, the sabulmantium.

The dragons were now all back, and the pile of sand had disappeared.
Arona’s attention snapped back to herself, and she handed the fine object to the lady. She couldn’t help but notice the glowing eyes of Irtak, who apparently was very eager to see what would happen.
So he will move too, she thought, hope his father won’t be too sad… Why did she felt it was a separation from this place she had found she was liking…

— If you look closely, said Malvina to no one in particular, but Arona took it for herself, you will see how easy it is to come back if you feel so inclined.

At her touch, the coloured sands in the sabulmantium’s transparent dragon shell globe started to move. And all could see the cave being formed, with all the little people, dragons, glukenitches and even Leo and Mandrake… They were all here, enclosed into a circle of sand.

— Now, if you will follow me… said Malvina who traced on the ground a curvy symbol.

And very slowly, as the whole sand scenery inside the sabulmantium was turning in a round, they all felt as though they were dissolving into the air. Yet, they were all solid, and the interior of the cave was still too.
The only thing that was moving was the exterior, twirling and changing, getting out of focus, and moving erratically at the beginning, and then getting close to a focal point. Some fine tuning was occurring.

And in a snap,
The landscape
Was
In all its splendor…

— Greetings! a smiling couple at the entrance of the cave said to the people inside.

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

I must be talking to an angel Yurick thought, as he was feeling the presence of the lady he had seen in his dreams a few times before. Her presence was remarkably soft, yet, she was unmistakably here, like a loving sisterly figure. Yurick could see at times streaks of a shimmering blue-green halo when he was thinking of her, and this morning, walking in the underground corridors, as he was humming and thinking of this angel, his gaze landed on a movie poster, with beautiful women profiles. None of these profiles had attracted his gaze at first, but a name. Salomé.
Then only, the poster slowly began to unfold itself into focus around that name…
The women were beautiful and seemed to be like beams of a multitude of variations from a single energy essence, like some traditional Avalokiteshvara (Kuan Yin) representations.
The title of that movie was “Les Femmes de l’Ombre” (Women of the Shadow), and that “Salomé” he had seen was the name of the director… How interesting symbolic information…

While she reminded him not of the Salomé of Wilde’s play, but of another biblical figure, the Salomé of the New Testament, follower of the Christ, and likely sister of Mary, Yurick decided he would call that gentle feminine presence “Salomé”…
A woman of the Shadow. For now…

In the flying car, Al was mentally reciting mantras and drawing symbols, and was distractedly participating in the conversation which he could follow thanks to telepathic transfers he grasped from his friends conversations.
His gums were now much better, and he had recovered a wonderful smile with shiny pearl-white teeth.

The car interior was now a bit small for them five, and Tina’d had to press herself on Al and Becky, who was almost disappearing in her boubou full of folds, her head wedged against the hat and the hat against the roof of the car.

— Can’t we get some air in there? asked Tina, who was feeling she needed to breathe more.
— Err… Let me check

Sam’s friend was looking clumsily at some buttons for one to release the hood.

— Watch out! Becky cried, propping up her hat which had fallen on her eyes.

They had narrowly missed a bunch of balloons floating in the middle of the buildings.

— Jeeze! It’s no better than the submarway this thing… Becky was being fidgety at everything and was wishing for the whole wedding preparations to soon be over.
— Is that a frog we hear? asked Armando who had finally released the hood, having Becky clutch her hat, as well as little Chump, with the strong wind now blowing on their heads.
— WHAT? FLOG A TIRE? Tina was shouting now, seeing now all the benefits of being able to telepathically communicate…

A click on a button. The hood was again put on top of the car.
— Bit too noisy, hey? said Armando
— Well, didn’t really mind said Albert dreamily

— Oh dammit! Is there a damn frog in that car’s engine or what? Armando was stressed.

Tina looked at Sam in the rear-view mirror and spluttered affectionately. Al had just mentally expressed he was experimenting with new yeast actions in his digesting system, and that there was some minor inconveniences on which he would have liked some discretion… His belly was swelling funnily and making gargoyling noises…

— Ahahah, a frog… perhaps even a blue-bullfrog with all that frogging noise! Tina was feeling surprisingly exuberant.

Before leaving the castle, the fake Viscountess needed to check something on the skull…
Was it a genuine one? She had almost trusted the so-called experts of the auction room, while she knew perfectly well that they only could see what they knew. And they didn’t know as much as her.

To her knowledge, there was only a handful of genuine old crystal skulls. But counterfeits were legions and a plague for such a skillful cat burglar as she was. Well, cat-burglar,… perhaps not as acrobatically as she used to… As a matter of fact, her life-long search for these skulls had suffered the competition of a little embonpoint… — the good thing being that those few sticky superfluous pounds had been perfect to impersonate the Viscountess.
In the past, she had come across a few of these fake skulls and most of them bore very similar indications leaving her to think stakes were high that they were coming from the same con-artist.

She methodically drew a little dagger from a scabbard at her belt. Going to one of the window, she drew one of the curtains a few inches to reveal the pale sun of Shropshire which was already fading.
Then, she turned the jeweled hilt in such a special manner that a soft clicking sound was heard, and a beam of light started to converge from the sun rays into the dagger. She directed the ray coming from the tip of the dagger’s blade into the bottom of the skull, and hold her breath in expectation.

Soon the skull started to glow a bluish light, and light poured out of the skull onto the walls in dancing symbols, while a soft buzzing sound was being heard around, started to drown her in a slightly dissociated state.
She cut the dagger’s beam very quickly, her heart pounding at the validation. It was a genuine skull. One of the six.

She had to hurry, she needed to proceed on her investigations to find the missing ones.

The trunk was there. She took another key that she had around her neck, leaving the first one on the cupboard’s lock for the Viscountess to be freed as soon as she would be out.
With the key, she proceeded to open the high-tech lock of the armored trunk which opened with a blow of air.

Her jumpsuit was here, along with the two turbo-reactor powered condor-wings that she strapped on her jumpsuit in very professional movements.

A few moments later, with her big dark sunglasses that gave her the appearance of an obese fly, Carla was flying high over the countryside of England, enjoying the soft gliding on the slightly damp air.

The buzzing of the telepooh woke up Elizabeth with a flinch, her heart pounding in fast tremolos.

She grumbled restlessly, her throat dry and itchy and her limbs still limp from slumber; she was in a dream, and already, she was feeling the unusual distinct clarity of the dream scenario gently fade as her attention was focusing upon the unwelcome sound which had a distorting quality of her yet poorly focused perception of her surroundings.

The buzzing ceased abruptly. She opened an eye to see the ID of the caller, but it was not displayed. Bugger the caller
Still feeling groggy, she was hanging to the last images of her dreams. It was telling her a story, a legend… Something full of grandeur, like a galactic opera filled with awe, drama and excitement… A renewed fount of inspiration…

The voice of the lady who had been telling her that story was still inside her head, all she had to do was to slightly let herself drift into the numb and warm state of mind in which she was some minutes ago…

You are tapping into a mass event. You are translating but a minute portion of it, though it seems colossal already. It is in fact so wide that it reflects in many other worlds which all live in your imagination. Bound together, they represent more books that you could write in a lifetime, more books that you and any army of ghost-writers could write in a thousand lifetimes…

The voice was delightfully soothing, and Elizabeth was seeing herself drifting again in the blissful sleep bereft of irate publishers’ diktats. Beaming at her, Elizabeth could envision a light feminine figure with flowing dark hair illuminated by green-blue shimmers. How could she ever remember all that was said… She was plagued with such bad memory…

Elizabeth had her dictaphoo under her pillow, ready for such sudden strokes of genius, but her mouth dried up from nicobeck wasn’t ready to spew out words that early in the morning.

What the lady with the teal eyes had shown her was an old book of prophecies, which she had named the Last Gospel, unknown yet but which would be remembered as the mass event would be enacted again.
The book spoke of a triad of planets, named M’si, B’si and Earth. Just before Elizabeth woke up, she had seen that Earth was in the process of been isolated from the other parts of the cosmos, for untold reason. Suddenly, she had seen one of the planets, the one named B’si, change her quality and become a “gravitational lense” altering the perception of space from the “Earth” standpoint. The planet B’si became transparent and expanded, as though it was an exploding super-nova, but nothing radiated from the planet. Only the quality of the space was modified.

Elizabeth had the idea of a novel based upon this mass event which could be her next perfect best-seller. She reached out for her typewrooter.

When the World was young, the Powers were roaming in a void full of possibilities.
Initially, Three Syzygies there were. By two came the Six Powers. Three Syzygies, or couples of Light Beings, each Syzygy blessed with unlimited creative powers.

Elizabeth pondered for a moment… She wanted to say many things at the same time, and couldn’t write them fast enough. She started to write notes haphazardly as they came to her mind.

— Two planets for themselves to play; a planet for themselves to dwell. The planets gravitate around a sun on the same orbit. Each of the Powers possess a symbolic scepter power artifact, and each couple generates a crystal or a kind of light seed which allows them to create new sentient beings… When parted, that crystal kind of light is deactivated.
— One planet is home of dragons, created by one of the syzygies, another is home of giant eagles; they all are lesser Powers… The third one have giant-like Light beings…

— What made the planet B’si change its quality? What became of the Powers? (I can sense them desiring to become part of their creations, willing to forget about themselves and their powers… Punishment? Mere playfulness? Perhaps there was a coup organized by the Lesser Powers?)

Phew… Elizabeth yawned. All she could think of now was that she wanted to go back to sleep…

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…