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In reply to: Circle of Eights, Stories
1/11/2007
Finn felt the time had come to call a meeting.
She closed her eyes and waited to see which of the others would appear.
Yuni1 arrived first. Yuni had first arrived in her meditations about a year ago, a playful, mischievous character, gnomelike, who nonetheless had always given her very wise and practical advise. Armelle the wise Owl appeared next, silently, her loving energy enveloping Finn. The Indian also appeared. Finn did not know the Indian’s name, she called him White Feather and she was pleased to see him there, having not seen him for some time. A playful Lemur came bounding over. There were several other energies present and Finn knew they would make their identity known if needed, but she could feel their support.
I have been feeling quite heavy for several months now and it has been becoming more intense. I am tired of it. It’s as though I am wearing the cloak of heaviness again. I don’t understand it, and I don’t know how to take it off, Finn announced to the assembled group.
I want to know if you can help me?
Yuni spoke first, or rather he waved the faith document2 at her. Finn winced. She remembered the document well. I didn’t know you meant this long, she said quietly.
Armelle gave her a gift. When Finn opened the box, there was a joyful explosion of light and colour. There was also a key.
The key is Self Trust, said Finn, answering Armelle’s unspoken question.
White Feather had been whittling a piece of wood. He handed it to Finn. It was a staff. This symbolises powerful magic, he told her.
Finn felt herself withdraw, not wanting to cause offense and reject the gift, yet not feeling worthy.
This is your decision, said White Feather
Finn felt Armelle smile at her. She took the staff and thanked White Feather.
Do you remember the boxes you made as a child? asked Armelle
Finn nodded. It was one of the games she had loved to play with her older sister, transforming old cardboard boxes into designer rooms. They would painstakingly and lovingly decorate the interiors to create new worlds. Once the rooms were created they may play with them for a few minutes, but would pretty soon be onto the next one, it was the creating they loved.
Cast your mind back a few years, Armelle said. What were the things you wanted then?
Finn cast her mind back.
You have it all don’t you, said Armelle gently.
Yes I do, said Finn. Everything I wanted I have in my life.
You have created powerfully Finn.
Why do I feel so heavy? I suppose because what I thought I wanted has changed and I am trying to still keep it the same. Finn wanted to cry.
I don’t really know what I want anymore though.
What do you know? asked Armelle
I know how I want to feel.
Finn was on a raft, floating downstream. She closed her eyes and decided to let the river take her where it will.
1 Finn had tried to spell Yuni’s name as Uni initially, interpreting him to be symbolic of one of the “faeries of the Universe”, however Yuni had been adamant that was not the correct spelling. When Finn looked up Yuni only meaning she could find was “man from Iunu”.
2 The “Faith Document” was like a legal document Yuni gave Finn to sign, indicating that whatever happened she would keep trusting. Finn was surprised to note when she looked up in her records that this was November 1 st, exactly a year ago.
In reply to: Circle of Eights, Stories
Well I think I can answer that for you, said a small round green blobby creature, in response to Roselyn’s question. The creature had actually been sitting there all the time, however everyone had assumed it was some sort of exotic plant.
Let me introduce myself, I am Frowdup, yes an unusual name I know. I am a long time and faithful friend to the dear little Fairy Princess, who is rather friendless at the moment owing to her extraordinarily antisocial behaviour , such as that which you see so sadly exhibited before you.
Frowdup cleared his throat in an important and significant sort of way. I will try and relate this sad tale as succinctly and precisely as possible, he said.
Our dear little Fairy Princess was the head Fairy Princess of the Hot Pink and Sky Blue bands of the North East Fairies from the Land of the Long White Cloud. Each Fairy Princess in her initiate years has a witch assigned to her, to help her develop her magical abilities. Our dear little Fairy Princess was designated one of the 13 Witches of Loathing, Whanga, from the far North of the North Island of the Land of the Long White Cloud.
Dear Fairy Princess had her own cave which she took admirable pains to make sure was always fully stocked with sand. You know about the sand of course? I can see you are a woman of great stature, no offense intended, I mean I can see you are tremendously well versed in the ways of magic yourself, so you will know that some of the more basic ways of magic involve a symbolic representation of magical symbols, so to speak, such as sand and wands and whatnot sort of thingies. Really completely unnecessary, of course, as you will know, however for her, each grain of sand was the exact and precise equivalent of one wish, activated by a determined wave of her magic wand and the words abracadabra. Yes, I know, very primitive, but she is a very young initiate, although I will say she showed great potential had Whanga the Witch of Loathing not managed to convince her of her own lack of worth.
Whanga was constantly and every single moment whispering in the ear of the Fairy Princess magic spells of self loathing. My young friend lacked the expertise to counteract these powerful spells and began to believe them. One day she was so sad at her own horridness that she could bear it no longer and put a spell on herself. This enabled her to curl up into a deep sleep of forgetfulness for a rather long time, enabling Whanga to easily procure said wand. In addition to this Whanga managed to obtain the source of the music which the Fairy Princess felt she required in order to help her to fly. When the dear little Fairy Princess awakened from her sleep, she was devastated by the loss of her wand and music, and still convinced of her own worthlessness you see this poor creature before you today.
The poor creature had stopped sobbing and was glaring at Frowdup.
In reply to: Yuki’s Livrary
September 24 th
Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.
Relevant extracts:
At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!September 26 th
The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.
Here would be what we will say to him, if he wants to listen:
« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.
« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.« We will let you ponder this, and we will continue our own story, writing about you… »
September 28 th
This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.With that said, let us see how much more will appear from that sandbox…
September 30 th
The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).
The Secret Life of Margaret Wrick , a newspaper cut from 2033.
October 7 th
The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…
In reply to: Circle of Eights, Stories
Sanso was beginning to feel an urge to move. Waiting under the door in the ceiling in the cave tunnel, just watching India Louise and Illi fade in and out of view, and waiting for Dory and the parrot to return was getting boring. He was a wanderer by nature, and so he wandered off along the tunnel. He didn’t stop to wonder which tunnel to choose when he came to a junction, he just went with whatever one he happened to choose. He didn’t really mind where he ended up, that was the thing. This philosophy had always seemed to work well for him, because he ALWAYS ended up somewhere interesting; somewhere where he couldn’t imagine not being, once he was there, as if it was always the ‘right’ place to be, and at the ‘right’ time to be there.
The cave tunnel was becoming wider and less cramped. Sanso straightened his back and quickened his pace, and started to sing.
Hello Dolly, oh helloooo Dolly, do de dooo de do do dodedodedooooo……. chuckling to himself and wondering where on earth did THAT come from….. Oh helloooooo Dolly……
and walked right into a coatstand, of all things, getting splodged in the face with a rather smelly wet blue cape. The coatstand teetered and Sanso grabbed it to stop it falling over. There was a note pinned onto it:
Watch my shifting, Tell the time; Shape me wet, and Lose me dry; Colour me pink and grey and gold, and Find the secrets that I hold, What am I?
Sanso didn’t hesitate for a single moment. SAND!
Sanso grinned with delight at guessing the riddle so quickly, and then laughed out loud. How clever am I, he said, I guessed the answer to my own riddle! Still chortling, Sanso gave the wet cape a fond pat and set off again.
The tunnel was widening and eventually broadened into a cavern. Bright sparkling shafts of sunlight were beaming down from several holes in the cavern roof.
Sanso blinked a few times and squinted until his eyes became accustomed to the light. The cavern was huge, and everywhere he looked were paintings and markings on the walls, even the places impossible to reach. Some were creatures, some were symbols, in black and red and yellow and orange.
Sanso was entranced. He sank down to a sitting position, and then stretched out flat on his back, gazing at the markings on the walls. He stretched his arms out, filling his palms with sand and then letting it go, and trailing his fingers through the sand…sand…..
Sand! I may have got the riddle, thought Sanso, but I didn’t get the POINT of the riddle being there in the first place!
HHMM, I’m not so clever after all……
