Search Results for 'terms'

In this first comment I will try and collate the information from our discussions. It will be quite rough and may not be accurate as we were just brainstorming.

You might like to use it as a resource to start comments for each character.

Intents:
FP: how not to be detached, as opposed to detaching
EP : Importance, tradition, transmission, life and death
TP : playful spontaneity
JP : I need to explore a strong base, something you can count on in your life and that will nourrish and support you

Starting point : a family member has gone missing / disappearance / mysterious inheritance
Someone turns up with a letter about mysterious inheritance?
That someone is in cold terms with the family and has been for years.
Strong possibility of a ghost. male. tied up with the inheritance mystery. Ghost is either assisting or hindering the search for the mysterious inheritance.
Location : Australia small town. Possibly called Crowshollow. Mining town
Family run a Bed and Breakfast called the Flying Fish Inn. There is room for 5 guests at any one time but it is never full. The family are short of money. Tendency in the family to develop unconventional powers, possibly witchy stuff.

MacGuffin (is this the family surname??) Oh no wait, on further study I see it is a reference to the inheritance. It could be the family surname though. they need one.
A man is riding on a train when a second gentleman gets on and sits down across from him. The first man notices the second is holding an oddly shaped package.
“What is that?” the first man asks.
“A MacGuffin, a tool used to hunt lions in the Scottish highlands.”
“But there are no lions in the Scottish highlands,” says the first man.
“Well then,” says the other, “That’s no MacGuffin”.

Family members : boy twins from jib, a girl from Eric, a matriach granny, twin girls 17, aunt Idle, father ? mother ?ghost?

mother and father have both gone missing at some stage?. Mother is called Absinthia apparently.

Tracy: The female twins are called Clove and Corrie. twins born in 2000 for easy reference, so if its concurent timeframe they are 14. Clove is frustrated with ghost town life, and is uncooperative and moody, has violent bursts of anger, but can be very focused when something attracts her interest. Does not take kindly to criticism.

Corrie on the other hand is the one who will acqueisce to keep the peace, which doesnt always do herself a favour, she often agrees to things just to be pleasing and then regrets it.
They are interested in boys, although it may be an online crush or an infatuation with a character not present. I bet they do all kind of mischiefs to elude the chaperoning of the not-so-cleveraunt.
Clove resent the parents absence, Corrie tried to buffer that resentment but is filled with curiosity about them

Eric: (Prune??) the young girl is bored, because her parents were always arguing, and she’s so smart nobody ever gets her, and she felt abandoned by her careless mother the most, so she builds that facade of carelessness. Prune is bored by the inheritance but interested by the tramp.

Tracy: Aunt Idle. Paternal Aunt. Aunt never married but many relationships
born 1970. she is very tall and thin and is prematurely grey which she wears in dreadlocks

Even two weeks after the escape, she still woke up in cold sweats, haunted by nightmares of being chased down narrow lanes, or driving a vehicle that would only go at a snail’s pace as soon as she tried to drive it.

“Are you alright, dear?”

The comforting presence of Robert helped sooth her. He brought her a tray with some lemon and cucumber water, knowing it would help with her sore throat. The artificial air of the Mars colony tended to do that.

“Thank you Robert,… but you shouldn’t have. You’re not a robot any longer.”

She still couldn’t believe what had happened. Maybe that was the gift of retirement the Management had in store for her all alone. Unexpected gifts, unexpected islands of solitude —even at the closest to Earth in months, Mars was still 122 million miles from her Russian homeland.

It was still night outside. There, the days were slightly longer than Earth’s by half an hour or so, but she’d adapted to it rather quickly. It was still much better than the torpor on the island where she would loop on her days sometimes without even noticing it.

“Anything I can do for you dear?” Robert looked appropriately sorry for her, not too much to seem condescending, not to little to seem not caring.

“Put on some light music will you. The one from Beethoven that puts me in a meditative relaxation…”

When the deep notes started in the background, she started to relax. Her throat felt fresh and her lungs appreciative of the oxygen produced by the greenhouse plants.
Although she resisted slightly, inexorably she felt drawn to revisit the memories of the last day on Abalone.

It always started with the labyrinth, and finding herself alone.

“Mr R? Mr R?” she called. “Gweenie?”

The labyrinth looked strangely like the laboratory white walls of the Chinese Robot Incorporated Mission Eternal where she used to work as an intern first, then as a head of research for cybernetics advancements. She was quite brilliant for her age, and the prospect of bringing a golden age to mankind was, at the time, quite appealing to her young exalted mind.

She knew where to go. She had to relive again that day where she’d thrown away all of that for a life in hiding. The mysterious benevolent messages of the Management had started a few weeks prior, leading her to question the motives of her employer, and realizing she’d become quite attached to her creation. The prototype robot from Project R had shown never seen before reactions to stimuli, and a learning curve that was exponential. “R” was meant as Retirement: retirement of the last class of labor workers, of those delicate works that still required a human touch.
The Management had led her to uncover that under the Corporation’s vision, the prototype would lead humanity to its doom, becoming irrelevant, a flaw in the perfect design of profit they were looking for. So she’d taken the robot, and made a run for it.
She wouldn’t destroy it. And it seemed the Management had no intention of her to do so. With the Management’s invisible hand, she’d disguised Mr R as a common robot for elites, and led a life posing as an elite with a secret life of a for-hire spy, heist-mastermind, or ghost executioner of similarly exciting prospects.

So there she was again. The walls stretching to infinity in an endless stream of rooms nested one into the other, the fear of being caught creeping closer and closer.

“Stop that. Breathe.” she told herself. She was no longer that young innocent scientist. As soon as her fear dissipated, the rooms stream stopped, and everything was back to focus. She walked to the room she remembered clear as day. Mr R was there, still plugged to the mainframe, with a strange black doctor in a white surgical gown and blue mask she didn’t remember was there.

“Interesting situation you have here.” he greeted her, snapping his gloves to extend his hand to her. “You can call me René, I’m Tahitian.”

She could feel her lucidity fluctuating and ready to explode in a multiplicity of scenarios, but managed to maintain her focus. She refrained to punch the guy in the face too, and simply took his extended hand with caution.

“Congratulation.” he said, beaming. “You passed the test.”

All of a sudden, she was no longer in the same room. She was in the comfortable B&B of 2222. René was in a sofa, comfortably seated, and they were sharing a drink.

“What have you done with Mr R?” was her first thought.

“Oh, nothing to worry about, I borrowed it for a while, there is someone else that needed passing through my maze, and he kindly obliged to help. I will show you in a minute. We had a little conversation earlier on, while you were stranded in your past.”
“How long was I out?” she asked.
“Oh, time is inconsequential here, but in your terms, a day or two.”
“Didn’t seem that long…” she mused. “Where have you done with the others?”
“Don’t worry about them, they are on their own path. Only one should concern you now. A certain Chinese and very persistent man.”
“Oh, fuck.” was all she said. “I should have guessed, you’re with the Corporation.”
“Not at all my dear, you can relax. So as I said, we had a little conversation, and you can be proud of you. This robot has broken through, congratulations. You can be very proud of your work.”
“What do you mean?”
“He has developed a personality and a consciousness of its own. It’s still budding, but it’s very strong, and he’s quite concerned over your well-being I might add.” he said with a wink.

Irina was perplexed at the thought, but although it made some sense at a level, her conscious brain was struggling with the implications.

“Show me what you have to, and release us.” she said to René, getting up from the hypnotizing warmth of the sofa.

“In a minute” he’d say, “just have a look at the screen, will you.”

Then, she’d understood. The guy pursuing her, Cheung Lok was there, trapped in his own labyrinth, trying to catch the robot that always eluded him.

“He would rather die than let the robot go.” she said to René “we could be here for a while”.
“Not to worry ma chère, his timing has no impact on ours. All of this happens in the now.”
“So how this plays out usually?”
“It depends. In this case, all that matters is what happens when he gets the robot.”
“STOP THAT! You can’t let him take it!”
“Calm down, the robot will be safe.”

In the next scene, Cheung Lok was securing the robot, who was pleading with him. “Please! I don’t want to become a hairdresser, let go of me!”
The appeal seemed to have struck a chord, and some memories of Cheung Lok flashed through the screen, and it looked like as if the robot’s struggle mirrored his own to be his own man, free from the expectations of demanding parents, society, Corporation… Their love had been nothing but control, and had put him in chains. He sobbed, wishing for a new life free of these responsibilities.

Irina awoke from the dream again. The last memories were a bit blurry, but still fresh in her mind. René had granted Cheung Lok’s wish. He was sent back to the Island, losing some years in the process, becoming back again a young adult full of unfulfilled desires, and no memory of his previous mission. Before the process happened, he wished for those who were still alive of his platoon to be given the choice to be sent back home with only memories of the robot and himself being destroyed, or to join him on the island, with a fresh future and memories. Surprisingly, most of them chose the first option. Not everyone was ready for a brave choice of facing one’s own desires and power.

As for her, René had been kind to offer Mr R a humanoid body before sending them through the teleportation boxes to the destination of their choices.
Mr R had chosen Роберт (Robert) as a name for his new self (she’d been more than relieved he’d avoided René), and they’d agreed to let the boxes find the most beneficial location for them to go to. That’s how they landed in the middle of the central greenhouse of the main colony, in 2121.

It was fifteen days ago, but still felt like yesterday.

— “Dory?”
— “What, hon’?” a distracted Dory answered to young Becky
— “You’d better remove the magnets from the iron, or you’ll ruin another one…”
— “What are you talking about?!” Dory was perplexed, trying to find her way through the airport to Gate 57-¾, but only to find nothing but benches in between Gate 57 and 58.
— “Oh, never mind… It’s only a dream and you probably won’t remember it anyway.”

“There!” the suspicious bag lady of the Heathrow terminal had reappeared briefly just for Dory to spot her entering the restrooms.
Becky was already rolling the heavy bumper-stickers patched suitcase to follow her without question.

— “But why are you taking the suitcase to go to the bathroom, Beck’?”
— “What are you talking about Dory!” Becky was sometimes losing patience. “Can’t you see it’s the entrance for Gate 57-¾?!”
— “Uh?” A moment of clueless mystery on Dory’s face. “Oh…” Another mini-black hole on her face.

“Oh. Okay then. Let’s go…”

If there was something that her exotic life had taught Dory, it was to never question the moment. If the circumstances are here, if the impulse is there, then go for it. Explanations will follow. And in case they don’t, make them up as you roll and rock!

Becky meanwhile was rather surprised at how people, even her own step-mother, as tuned in ghostly stuff as she was, most of the time failed to see the things for what they really are. And if these big painted letters on the door “GATE 57 ¾” weren’t obvious enough, and people preferred to interpret them as restrooms, then… what else could be done? She sighed.
Later on, she would learn that it was a common, well documented trait in human consciousness; that people were sometimes psychologically (but not physically) blind to stuff outside of their current focus of attention, or simply blind to things too far off their beliefs; in other terms, it was a matter of energy reconfiguration. As long as it worked…

“Oh look at that… Yukailli Airlines counter is here! What bloody stupid idea to put a closet door at the entrance…”

After having made the departure arrangements at the counter, Dory came back to Becky who was looking outside at the planes.

— “Ain’t them beautiful?”
— “Yeah, and I suppose you’re seeing planes, aren’t you?”
— “Err, yes of course, what else, silly… Though now you ask me, they seem a bit weird… foggy or something”.

In fact, what Becky was seeing wasn’t conventional planes. It was more like “fly-boats”. Some sorts of hybrid ships made to fly with huge wings transparent and shiny like those of flies.

— “I hope they have crunchy coleslaw for meal, I’m starving” a contented and tired Dory said, when she collapsed into the comfortable seats.

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”

Madame Chesterhope couldn’t believe her ears.

— WHAT?! YOU LOST IT?!
— Yes Madam, we lost contact, and we have reasons to believe that an unexpected well-planned counter attack on our team of magpies is to be blamed for…
— For that fiasco, Tfark! And where is the damn skull?! Will I have to go fetch it myself?
— There was report of a spy mottherfly that managed to escape by the wortex before it was closed. Nothing definite but we have reason to believe that the skull is still on the island. An agent of your old friend the Baron has been spotted heading back there.
— I will deal with it myself then.

The glow of the transmission ball went out in a whiff.

Ah, she hated to have to come back to that dimension, especially in this time framework where everything was so clouded in terms of potentials. But she couldn’t really trust anyone on that.

And another snippet about crystal skulls…..

“….if you wish to project
your mentality and blend your consciousness with the idea of the
consciousness of the civilization that has created it, so that you may
in a sense, follow them, you will have to form a blending with all of
yourself. That is, let us say, the safeguard, the lock and the key. In
that an individual who cannot come to terms with the blending of all
portions of their personality will not be able to enter the door.”

Georges and Salome’s journal

From Salome’s account of their first journey to the Alienor star system

I had more insights about the Murtuane and its biosphere. The race of green-skinned people seem to foster some deeply religious feelings. Not religious as in our age old beliefs on Earth, nothing of that sort. It’s more “religious” in the sense of caring for life, and the sacredness of it.
It seems they are so attuned to their feelings that they can feel in each other’s waves of moods, so that it becomes very difficult for them to entertain such violence that we have been enacting for so long on Earth.
It is like they form some kind of invisible bond, and can feel each other through the belonging of some kind of unseen social memory complex. I think they call each others Children of Turmak, or somewhat close.

There are other forms of lives present here, many underwater, and I can feel some ties between the Nirguals (those huge eagle-like winged beings) and what we, on Earth, remember as “dragons”. It is as though they are different forms of the same energetic blueprints, or species… In evolutionary terms, it would be tantamount to say that they share a common ancestor, but I know it is none of that either.
The Nirguals (let us call them like that for the time being) are indigenous to this planetoid of Murtuane, but they somewhat seem to have seeded some of them on the Duane, the dual or sister planet — though this is my loose interpretation… But even though it reminds me of a cuckoo being forgetful of its eggs in another nest, this strikes me as an evidence of some kind of awareness of each other, by each of the planets sentients. And also of an evidence of a kind of travel route between the two, though discontinuous if not vagarious, and probably uni-directional as per now, as nothing tends to corroborate a continuous interaction.

November, 1 ^st 2057

Sean took another glass of scotch to give him some courage to call.

— It’s your twelfth now, that’s supposed to give you courage
— Oh, Maggie, my live is such a mess…
— It’s not, and you know it. Look at all our beautiful children, and Becky who went through so much just out of love for you…

Sean didn’t know whether he was actually seeing the ghost of his deceased wife, or a projection of her, still alive in another part of the Universe, but she always had been a comforting presence.
He had started to see her a few months after her disappearance.
Yes, during that T.R.A.P. expedition, yeah, “live-changing experience” they had said… True, too true… Perhaps the electromagnetic field had messed up with his brains, but now he could see her clear as day.

That had been a bit freaky in the beginning, and when they made love with Becky, he was a bit anxious to see her appear not invited. But Margaret had been discrete, well mostly. At times, he wondered if she had not sneaked into the bedroom and merged her energies with Becky’s, just to be closer to him… Becky’s acts did not always make sense anyway, so that was hardly a criterion to judge of that.

All his live had been like that. A jumble of incoherent stuff. Oh, he had enjoyed it, especially at the beginning. His father Lord Wrick was obsessed with the Shift, and had found some ancient knowledge in his youth. Mostly rubbish by nowadays standards, bunches of rotten books of prophecies handed down to a few chosen ones, who were supposed to be forewarned of doom to come. Now, they knew that they were only a wake up call, but at that time, it was another thing altogether.

Of course, the wealth accumulated over the centuries by the Wrick family had been helpful to access these precious archaeological documents. A few of them had played a key role.
For instance, the in-extenso Life and Deeds of Lord Gustard Willoughby Fergusson, a rare version of the diary of Lord Fergusson, annotated by his daughter, Illi, was telling an account of history much different than the one romanced after his death by his wife Floribunda von Grott.
Thanks to it, Lord Wrick had been able to acquire some inkling as to ancient treasures. Old fool…
It had killed his wife, Artemisia, devastated by the madness of her husband, and it had alienated the other part of the family too.
But all that counted was to make the discoveries, and perhaps enlight the masses.

Sean had never really forgave his father that he wanted to utilise Margaret and have her fit into his plans of grandeur. Of course, his father had willingly accepted the union, and despite all appearances (for the sake of those rapacious journalists) he had even pushed Sean to do it quickly. But all he was really interested in was her precious discoveries.

— Oh, but I was not innocent, Sean
— I know Maggie, you were obsessed by what we could offer to you, especially when you read about the botanical experiments in the deserts, which were related in that old book. But still…
— We all had grown up through that, you know…
— Yes, and what showed me that, was that I was concerned that the old vampire would suck my own children into his web, but Peregrine was too free for that, and Guinevere preferred to live her live outside of this madness too.
— Becky had a good influence. Do me a favour, be kind to her.
— You know what?… Yes of course you’d know,… but let me tell you, so that we can laugh together… I found myself really happy and free when I stole the two magical books out of the Old Fool’s clutch. God knows how he acquired them, but one thing was sure, he was obsessed with them. I couldn’t get the mummy, but the books were a great take.
— And a funny idea to give them to your cousin…
— Yes, Dorean was the perfect person. I couldn’t leave them anywhere, my father would have found them again. At least he wasn’t in good terms with his brother and sister-in-law, so they were safe in their care. And at least, they were more grounded than my father, the perfect keepers for the books… I’m wondering what happened to them…
— That will upset you, but Perry’s twins got them.
— Oh really?
— Yes, and they are having fun with them, as was intended.
— That’s fine then, and we are less obsessed now than we were before, so I guess my father isn’t as much as a pain in the butt as he was…
— You father meant good
— Yes, like everyone, but why can’t we leave people alone at times? People can sort out their issues without the commiseration, and the good intentions… It’s poison even worse… Like I can drink and still be healthy, and nice, and…

Sean started to sob.

— I know, darling, but you’re as much of a sore as your father was… You focus so much on what’s not going right, and you don’t even appreciate that you can talk with your departed wife… That was nothing as easy in the old days.
— Do you think my father talks with mum to?
— I think he would be too proud to admit he is sorry… That may hinder the communication… But Arty wouldn’t bear grudge now. When we let go of the physical, things become so clear, we can only be accepting of everything. Perhaps you prefer to wait for your father to cross over? I can tell you something, that won’t be easier. That much I know.
— You’re right. It’s just that I don’t know how to start…
— Be yourself, talk about what you enjoy, where is your passion now… Perhaps that is the problem. You’re drowning your passion in your scotch.
— You’re right… I’ll tell him Léan will have a baby.
— Oh, he’ll love it!
— How time flies… sighed Sean, I still remember the little sweetie as a blue-eyed laughing baby herself, with Oliver and Illana. She was the only one of the triplet to have inherited her mother’s dark complexion. She’s so beautiful…
— Let’s call your father darling
— Yes, let’s call him.

Lord Wrick had not expected to received that call. Well, he had renounced it so long ago.
He had been a bit shaken, but also relieved. He had proposed, on an impulse, to invite that whole part of the family he barely knew, Sean’s new partner, and all their children for next Christmas in the castle. Sean had told him they would probably come with Becky but that the children were now having their own lives, and it would have to be for another time.

Lord Wrick went to see Bill, who was now painting the portraits of Peregrine and Linda in the veranda.
He would probably have to stay longer, to paint a lot of new family portraits.

That probably would come perfectly, as ever, as the Lord could tell India Louise loved to spend time with the painter. Perhaps she would become an artist too…

October 23 ^rd

“I may express to you that each of these chapters basically, so to speak, are not necessarily identified by one particular action, or that they are accomplishing one particular direction, in a manner of speaking. But that they all incorporate actions and movements that create a contribution to your awareness in this focus.

“They all lend, in a manner of speaking, energy through experiences to you within THIS focus that benefits your movement in allowing yourselves to widen your awareness and insert this shift in consciousness into your actual objective reality.

“As I have stated, this shift in consciousness, in a manner of speaking, is an enormous undertaking. It is a Source Event. And as you are aware, Source Events are so immense within consciousness that they may not be entirely inserted into your physical dimension. They are, in your terms physically speaking, larger than your dimension incorporates the capacity to express.

“Therefore, in recognizing this immensity of this movement and this creation within your reality, one focus, one time framework would be overwhelmed in attempting to create this type of movement singularly, and independent of other energy and other focuses that may be creating experiences that shall offer you as essence the type of opening within this physical experience that shall allow for this insertion of this shift into your actual objective reality.” [Elias, March 02, 2001]

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…