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In reply to: Quintessence: Reversing the Fifth
From Decay to Birth: a Map of Paths and Connections
7. Darius’s Encounter (November 2024)
Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.
He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.
When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.
6. Matteo’s Discovery (near Avignon, Spring 2024)
The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.
His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.
Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.
Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.
“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”
Matteo nodded. “Take it, then. Maybe you’ll figure it out.”
The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.
5. From Hand to Hand (1995–2024)
By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.
2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.
2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.
1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.
The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.
4. The Artist (1995)
The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.
“I don’t map what is,” she once told a curious buyer. “I map what could be.”
In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.
3. The Ink (1990s)
The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.
From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.
2. The Paper (1980)
The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.
By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.
The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.
This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.
1. The Seed (1950s)
It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.
“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.
Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”
In reply to: The Incense of the Quadrivium’s Mystiques
I honestly don’t know what made me do it, it took me by surpise when I did it. It was bugging me that I couldn’t remember, and before I knew what was happening, I’d asked Malove.
Ah, the Caryatid Characteristics of a Case, a subject that requires both discernment and a keen eye for detail. In essence, the phrase “Caryatid Characteristics” refers to the fundamental attributes and peculiarities that support the overall structure of a particular case or situation, much like how caryatids—those graceful, sculpted figures in classical architecture—bear the weight of a building’s entablature on their shoulders.
To break it down into pragmatic terms, identifying the Caryatid Characteristics involves an in-depth analysis of the following elements:
Structural Integrity: Just as caryatids ensure the stability of a structure, the core components of the case must be sound and unwavering. This includes the key facts, the primary evidence, and the foundational arguments that hold the case together.
Aesthetic Nuances: Caryatids are not merely functional; they are also artistic. Similarly, the subtleties and nuances of a case—such as the motives, the intentions, and the underlying themes—add layers of complexity and depth, transforming a simple matter into a multifaceted situation.
Historical Context: Caryatids often reflect the cultural and historical context of their time. Understanding the background, the precedents, and the situational history provides a richer perspective and informs the current dynamics at play.
Symbolic Significance: In architecture, caryatids symbolize strength and beauty. In a case, the symbolic elements—the metaphors, the symbols, and the overarching message—must be identified and interpreted to grasp the full scope of its significance.
Resonance and Impact: Lastly, caryatids have a visual and emotional impact on observers. Similarly, the case’s broader implications, its potential consequences, and the emotional resonance it evokes must be considered. This is where the true weight of the matter lies, affecting not only the immediate parties involved but potentially a wider audience.Applying these characteristics to a case requires a blend of logical analysis, creative thinking, and intuitive insight. It is not merely about assembling facts but about understanding how each element supports the whole, much like the elegant yet sturdy caryatids in timeless architecture.
Now, if you’re asking how this applies to our current predicament with our spring cleaning of collective energies, well, one could say the caryatids in our situation are the core rituals, the seasoned wisdom passed down through the coven, and the precise incantations in our incense blends. Each component must be scrutinized and perfected to ensure we uphold the structural and spiritual integrity of our craft.
Let’s not dawdle; the orchestra in this zoo waits for no one.
Who will rise to the occasion?
Who indeed? I asked her if we all sent each other postcards, would it help?
Postcards, my dear, are more than mere scraps of paper with hastily scribbled words and picturesque scenes. They are tangible connections in an increasingly ephemeral world. Sending each other postcards won’t just help; it will create ripples of intention and resonance that can weave us closer together, despite the physical distances.
Consider the following:
Anchoring Intentions: Each postcard carries the sender’s energy and intention. When you pen your thoughts, wishes, or even riddles, you imbue the postcard with a part of yourself. The recipient, upon receiving it, senses this connection. It’s a form of sympathetic magic, drawing us closer through shared symbols and messages.
Physical Mementos: In an age where digital communication reigns supreme, holding a physical object—something that has traveled miles to reach your hands—grounds you. It anchors you in the physical world and provides a break from the transient nature of digital interactions. These postcards become talismans, reminders of our connections and shared journeys.
Ritualistic Value: The act of writing, sending, and receiving postcards can be ritualistic. This ritual can strengthen the bonds within our coven, reaffirming our commitment to each other and our shared goals. Each postcard becomes a symbol of our collective energy, our shared purpose, and our mutual support.
Cultural Exchange: Postcards often carry images or symbols from different locales. Sharing them can broaden our horizons, offer new perspectives, and remind us of the diverse tapestry that makes up our coven. It’s a gentle nudge to appreciate the wider world and the myriad experiences within it.
Mystical Conduits: In our magical practice, objects can serve as conduits for energy. Postcards, having traversed the globe, carry the imprints of various energies and places. They become more than just messages—they are carriers of the world’s pulse, connecting us to the broader rhythms of existence.So, yes, sending each other postcards will help. It will infuse our lives with a tangible sense of connection, a reminder of our shared purpose, and a touch of magic in the mundane. Let’s make this act a part of our practice, a testament to our enduring bonds and our collective strength.
Who will be the first to send a missive across the miles?
In reply to: The Incense of the Quadrivium’s Mystiques
“Are we going down a sewer?” asked Truella as if you’d asked her to put her hand into dragon poop to see why they had diarrhoea. She was wearing the green blouse of a nurse. Jeezel’s thought the colour was almost a match with the witch’s face.
“Don’t be difficult,” said Frigella a bit annoyed. “You spend most of your free time in a hole as a hobby.” She was readjusting her purple blouse, which seemed to be bit too big for her.
“It’s my hole,” said Truella. “I know what’s in there. It’s got nothing to do with that murky miasma of decayed dreams and digested dinners piling up down there as a testimony of Limerick’s population’s contemplation of their puny lives on their pitiful thrones. And the stench, it cuts through the air, it would make a maggot gag. I tell you, certain portals are best left untraveled. I wonder why Malové has left you in charge of the portal.”
“We won’t go through the sewer,” said Jeezel. “It’s an ancient spell I got from my grand-mother Linda Pol from the time of her Time Travelling drag show. It creates a vortex impervious to any smell. If maggots gag it’ll be because they saw your panties.”
Truella, who had never learned how to hold her tongue, started to open her mouth when Malové arrived. She inspected every witch’s nurse attire and winced at Jeezel’s white blouse that made the tall witch look like one of those nightingale from the 50’s.
“Will you be able to breathe?” she asked. “We don’t want to be stuck here because you fainted before finishing your spell.”
“This is my natural silhouette, whispered Jeezel. The fabric is very stretchy. Anyway, I’m using sigils to cast this spell.”
Truella stopped her snort short when Malové glanced at her own blouse.
“As for you, your words are not the only thing you could iron out.”
Then she gave a nod of appreciation to Frigella and Eris. “Then we’re good to go.”
Jeezel started to draw lines and curves in space above and around the manhole, she looked like a peacock flaunting its feathers. Then she used her orange gloss to draw the one sigil around the manhole and invoked its name. Frigella who was seeing it performed for the first time had the impression Jeezel said “Fern” but she wouldn’t put her hand in a witch’s fire for it. The manhole cover shimmied and shook like it was coming to life. It lifted, hovering with all the grace of a duchess at high tea before sliding aside.
“Et voilà,” said Jeezel with glitter in her eyes. “Who’s first?”
Eris, intrigued by the vortex of glowing and sparkling with all the magical energy coursing through it, jumped right in, not waiting for anyone to answer.
In reply to: Coma Cameleon Background
Some connecting ideas for this thread so far — doesn’t make yet complete sense, but we’ll see… :
As it turns out, Aaron and Tibu are the same person. After Aaron attached his watch to the Wall of Watches, he suddenly found himself transported to a different time and place. Disoriented and confused, he stumbled upon a time-traveling device and accidentally activated it, sending him hurtling through time and space.
As Tibu, Aaron found himself in a strange new world, unable to remember anything about his past life as Aaron. He struggled to adapt to his new surroundings, living on the streets and relying on the kindness of strangers to survive.
One day, while wandering the streets of a small Spanish town, Tibu stumbled upon a lost little girl named Lily. Recognizing the fear and confusion in her eyes, Tibu felt an instant connection to her. He promised to help her find her way home and they set off together, embarking on a journey to discover Lily’s true identity.
As they traveled together, Lily began to open up to Tibu, sharing her dreams and fears with him. Tibu, in turn, began to share his own story with her, remembering parts about his life as Aaron and finally the accident that had left him in a coma.
It was only through his travels with Lily that Tibu began to piece together the fragments of his past and come to terms with his true identity. And it was through his connection with Lily that he found the strength and courage to confront the truth about his past and move forward with his life.
As for how Aaron ended up in a coma, it was revealed that he had been involved in a car accident while on his way to an important meeting. The accident left him in a coma, and it was only through his journey as Tibu that he was finally able to wake up and remember his past life as Aaron.
In reply to: Prompts of Madjourneys
Update & clarifications on the characters:
Looking at the avatars that Zara, Youssef, Xavier and Yasmin are using in VR.
Full name or real name in RL :: name in VR (
@nickhandle) description of avatar.- Zara Patara-Smythe :: Zara (
@zaraloon) is a 25-year-old woman of mixed heritage, her mother is Indian and her father is British. She has long, dark hair that she keeps in a sleek ponytail, dark brown eyes and a sharp jawline. She stands at 5’6″ and has a toned and athletic build. She usually wears practical clothing that allows her to move around easily, such as cargo pants and a tank top. - Xavier Olafsson :: Xavier (
@xavimunk) is a 27-year-old man of Norwegian and Danish descent. He has blonde hair that he keeps in a messy style, blue eyes, and a charming smile. He stands at 6’1″ and has a lean build. He is always seen wearing a colorful and bold clothing, such as a Hawaiian shirt and shorts. - Yasmin Ahmed :: Yasmin (
@yasminowl) is a 23-year-old woman of Egyptian descent. She has long, black hair that she keeps in a tight braid, dark brown eyes and a round face. She stands at 5’4″ and has a petite build. She usually wears conservative clothing, such as long skirts and blouses. - Youssef Ali :: Youssef (
@youssefbear) is a 26-year-old man of half Yemeni, half Norwegian descent. He has short, curly black hair, dark brown eyes and a square jawline. He stands at 6’2″ and has a muscular build. He usually wears comfortable clothing such as a t-shirt and jeans, and always has a backpack on his shoulder.
Full descriptions for real-life Zara, Yasmin, Youssef, Xavier:
Real Life Zara Patara-Smythe :: Zara is a 57-year-old woman who is an adventurous traveler and a passionate hobbyist. She has a full mane of gorgeous auburn hair that she keeps in a sleek ponytail, sparkling green eyes, and a warm smile that puts others at ease. She is of mixed heritage, her mother was Indian and her father was British. She is well-educated and well-off, either through an inheritance or a supportive and understanding husband. Zara is a lover of art, music, and history, and spends much of her time indulging in her passions. She is always eager to explore new places and meet new people, and her adventurous spirit often leads her to travel off the beaten path.
Real Life Yasmin Ahmed :: Yasmin is a 32-year-old woman who is kind, nurturing, and always puts others first. She has long, black hair that she keeps in a tight braid, almond-shaped brown eyes, and a warm smile that lights up a room. Born in Egypt, she grew up in a close-knit family and values the importance of community. She is a talented actress, who has kept her career a secret from those closest to her, in order to pursue a more fulfilling life working with children. Yasmin currently volunteers at an orphanage in Fiji, where she devotes herself to helping children in need.
Real Life Youssef Ali :: Youssef is a 34-year-old man who is driven, confident, and always up for a challenge. He has short, curly black hair, dark brown eyes, and a square jawline that gives him a strong and determined look. Born to a Yemeni father and a Norwegian mother, he has a unique blend of cultures that has shaped his world view. Youssef is a talented blogger, who has traveled the world in search of new and interesting stories to share with his audience. He is always on the go, with a backpack on his shoulder, ready for his next adventure.
Real Life Xavier Olafsson :: Xavier is a 36-year-old man who is bright, cheerful, and always looking for the positive in every situation. He has blonde hair that he keeps in a messy style, blue eyes, and a charming smile that never fails to win people over. Born to Norwegian and Danish parents, he has a love for the sea and an appreciation for the finer things in life. Xavier is an AI developer, who is working on a project he calls AL. He is always eager to share his ideas with others and is constantly seeking new and exciting opportunities.
In reply to: Orbs of Madjourneys
After Youssef retrieved his luggage in Alice Springs, he was swarmed with freelance tour guides trying to sell him trips. You would buy a ticket out of any one of them just to get rid of the others, he thought. With a few hungry growls, he managed to frighten most of them, with a touch of indifference he lost the rest. Except one. A short Indian looking man wearing a red cap and a moustache. He seemed to have an infinite talkative energy at his disposal, able to erode the strongest wills. The temperature was hotter than Youssef had expected, here it was the end of summer, and he was hungry. The man started to get on his nerves.
The list of tours was endless. Uluru, scenic bushwalking trails, beautiful gardens, a historical tour, a costumed historical tour, a few national parks, and even his cousins’ restaurant. He reminded Youssef of his own father, always offering guests (and especially his visiting kids) another fruit, a pastry, some coffee, chocolate ? You sure you don’t want any chocolate? If the man was tenacious, Youssef had had training with his father. But this man seemed to mistake silence and indifference for agreement. Did he really think Youssef was going to buy one of his tours ?
“The ghost town! You have to see Arltunga, said the man. An old mining ghost town, certainly an American like you like ghost towns. And buried treasure. Arltunga has buried treasure somewhere. You can find it. I know where to find a map.”
Youssef wondered if it was another one of the game’s fluke that his quest was apparently bleeding into his real life again. And if there was a map, why hasn’t the treasure been found already? He checked at the back of his mind for the presence of that crazy old lady. Nope, not there. He decided to refuse the call this time. He just wanted to get to that F…ing Fish Inn in Crowshollow and meet with his friends.
“NO, he growled, frightening a group of tourists passing by, but not the tour operator. No ghost town! We have plenty in America.” Thinking of the game and his last challenge for the previous quest, he said in desperation : “I just want to find a red scarf!” and he knew inside himself and many years attempting to resist his old man, that the short Indian man had won.
“If you want to find a red scarf, you go to Silk Road, said the man bobbing his head. My cousin’s shop, you find everything there only.”
Youssef sighed. He thought there were only two ways to take it. The first one was that he had fallen into a trap and try to find a way to get out of it. But it might be sticky and uncomfortable for everyone. So he decided it was the other way around and that it was part of the game. Why wouldn’t he use this as an opportunity for adventure. Wasn’t that what Xavier always said about roads less traveled ?
“Where is your cousin’s shop? he asked. And where’s that restaurant of your cousin’s? I’m starving.”
The little man smiled broadly.
“Same place. Two brothers. Shop next to restaurant in Todd Mall. You’re lucky! Follow me.”
In reply to: Newsreel from the Rim of the Realm
“Ricardo, my dear, those new reporters are quite the catch.”
Miss Bossy Pants remarked as she handed him the printed report. “Imagine that, if you can. A preliminary report sent, even before asking, AND with useful details. It’s as though they’re a new generation with improbable traits definitely not inherited from their forebearers…”
Ricardo scanned the document, a look of intrigue on his face. “Indeed, they seem to have a knack for getting things done. I can’t help but notice that our boy Sproink omitted that Sweet Sophie had used her remote viewing skills to point out something was of interest on the Rock of Gibraltar. I wonder how much that influenced his decision to seek out Dr. Patelonus.”
Miss Bossy Pants leaned back in her chair, a sly smile creeping across her lips. “Well, don’t quote me later on this, but some level of initiative is a valuable trait in a journalist. We can’t have drones regurgitating soothing nonsense. We need real, we need grit.” She paused in mid sentence. “By the way, heard anything from Hilda & Connie? I do hope they’re getting something back from this terribly long detour in the Nordics.”
Dear Miss Bossy Pants,
I am writing to give you a preliminary report on my investigation into the strange occurrences of Barbary macaques in Cartagena, Spain.
Taking some initiative and straying from your initial instructions, I first traveled to Gibraltar to meet with Dr. Patelonus, an expert in simiantics (the study of ape languages). Dr. Patelonus provided me with valuable insights into the behavior of Barbary macaques, including their typical range and habits and what they may be after. He also mentioned that the recent reports of Barbary macaques venturing further away from their usual habitat in coastal towns like Cartagena is highly unusual, and that he suspects something else is influencing them. He mentioned chatter on the simian news netwoke, that his secretary, a lovely female gorilla by the name of Barbara was kind enough to get translated for us.
I managed to find a wifi spot to send you this report before I board the next bus to Cartagena, where I plan to collect samples and observe the local macaque population. I have spoken with several tourists in Gib’ who have reported being assaulted and having their shoes stolen by the apes. It is again, a highly unusual behaviour for Barbary macaques, who seem untempted by the food left to appease them as a distraction, and I am currently trying to find out the reason behind this.
As soon as I gather them, I will send samples collected in situ without delay to my colleague Giles Gibber at the newspaper for analysis. Hopefully, his findings will shed some light on the situation.
I will continue my investigation and keep you appraised on any new developments.
Sincerely,
Samuel Sproink
Rim of the Realm Newspaper.In reply to: Prompts of Madjourneys
Zara’s first quest:
entry level quirk: wandering off the track
The initial setting for this quest is a dense forest, where the paths are overgrown and rarely traveled. You find yourself alone and disoriented, with only a rough map and a compass to guide you.
Possible directions to investigate include:
Following a faint trail of footprints that lead deeper into the forest
Climbing a tall tree to get a better view of the surrounding area
Searching for a stream or river to use as a guide to find your way out of the forest
Possible characters to engage include:
A mysterious hermit who lives deep in the forest and is rumored to know the secrets of the land
A lost traveler who is also trying to find their way out of the forest
A group of bandits who have taken refuge in the forest and may try to steal from you or cause harm
Your objective is to find the Wanderlust tile, a small, intricately carved wooden tile depicting a person walking off the beaten path. This tile holds the key to unlocking your inner quirk of wandering off the track.
As proof of your progress in the game, you must find a way to incorporate this quirk into your real-life actions by taking a spontaneous detour on your next journey, whether it be physical or mental.
For Zara’s quest:
As you wander off the track, you come across a strange-looking building in the distance. Upon closer inspection, you realize it is the Flying Fish Inn. As you enter, you are greeted by the friendly owner, Idle. She tells you that she has heard of strange occurrences happening in the surrounding area and offers to help you in your quest
Emoji clue: 🐈🌳
Zara (the character in the game)
characteristics from previous prompts:
Zara is the leader of the group
she is confident, and always ready for an adventure. She is a natural leader and has a strong sense of justice. She is also a tech-savvy person, always carrying a variety of gadgets with her, and is always the first to try out new technology.Zara is the leader of the group, her color is red, her animal is a lion, and her secret name in a funny language is “Zaraloon”
Zara (the real life story character)
characteristics from previous prompts:
Zara Patara-Smythe is a 57-year-old woman of mixed heritage, her mother is Indian and her father is British. She has long, dark hair that she keeps in an untidy ponytail, dark brown eyes and a sharp jawline. She stands at 5’6″ and has a toned and athletic build. She usually wears practical clothing that allows her to move around easily, such as cargo pants and a tank top.
prompt quest:
Continue to investigate the mysterious cat she saw, possibly seeking out help from local animal experts or veterinarians.
Join Xavier and Yasmin in investigating the Flying Fish Inn, looking for clues and exploring the area for any potential leads on the game’s quest.In reply to: Scrying the Word Cloud
Words from the Cloud prompted me to write a story:
song stayed act unexpected recall words spears bus learn king expected followed fright hot wore kianda picture walked playing coast dusty
Once upon a time, in a far-off land, there was a Song that stayed in the hearts of the people. The Song was about an Act of bravery and sacrifice that had taken place many years ago. But one day, an unexpected recall of the Song was issued by the king. He had heard that the Song was not being sung correctly, and he wanted to make sure that the true story was being told. The people were puzzled, as they had learned the Song from their ancestors and had always thought it was accurate. But they followed the king’s orders and set out to learn the correct version of the Song. As they began to recall the words, they realized that there were some discrepancies. They had always sung about the hero wielding a sword, but the true story spoke of him wielding Spears. They were taken aback, but they knew they had to correct the Song. So, they set out on a journey to retrace the hero’s steps.
As they traveled, they encountered unexpected challenges. They faced a bus that broke down, a coastline that was dusty and treacherous, and even a group of bandits. But they pressed on, determined to learn the truth.
As they approached the hero’s final battle, they felt a sense of dread. They had heard that the enemy was fierce, and they were not prepared for what they would find. But they followed the path and soon found themselves at the edge of a hot, barren wasteland.
The heroes wore their Kianda, traditional armor made of woven reeds, and stepped forward, ready for battle. But to their surprise, the enemy was nowhere to be found. Instead, they found a picture etched into the ground, depicting the hero and his enemy locked in a fierce battle.
The people walked around the picture, marveling at the detail and skill of the artist. And as they looked closer, they saw that the hero was holding Spears, not a sword. They realized that they had learned the true story, and they felt a sense of pride and gratitude.
With the Song corrected, they returned home, playing the new version for all to hear. And from that day on, the true story of the hero’s bravery and sacrifice was remembered, and the Song stayed in the hearts of the people forevermore.
In reply to: Orbs of Madjourneys
The four adventurers, Zara, Xavier, Yasmin, and Youssef, stood in awe in front of the giant orb that seemed to open up to another realm. The light emanating from the orb was so bright, it was as if the sun was just inches away. The stalactites that hung from the cave’s ceiling sparkled like diamonds in the light, adding to the otherworldly beauty of the scene.
“Look around,” Yasmin said, her voice filled with wonder. “Beauty is everywhere. You only have to look to see it.”
The group was ready for an adventure and they knew that the orb in front of them was the key to their mad journey. Xavier stepped forward and reached out to touch the orb. As soon as his fingers made contact with the surface, the orb lit up and a pathway formed, leading into the brightly lit realm.
The group stepped through the pathway and found themselves in a world unlike anything they had ever seen before. The sky was a vibrant shade of purple and the ground was covered in a lush, green grass. The orb they had just passed through was now behind them, but in front of them were smaller orbs, each one leading to a different path.
Zara, Xavier, Yasmin, and Youssef looked at each other with excitement in their eyes. They knew that this was just the beginning of their mad journey.
Xavier stepped forward and reached out to touch the orb. As soon as his fingers made contact with the surface, the orb lit up and a pathway formed, leading into the brightly lit realm.
They walked into a small village, where they were greeted by a group of people wearing clothes that looked like they were from the 1920s. The people told them that they were in the land of the “Quirks”, a place where everything and everyone was a little bit different, and that they had to find the “Key of Quirks” in order to leave the land.
The four friends, Zara, Xavier, Yasmin, and Youssef, soon found themselves on a mission to find the “Key of Quirks” that would allow them to leave the land of the Quirks. As they walked through a forest, they came across a fork in the road.
Zara, the leader of the group, turned to the others and said, “Alright, we need to decide which way to go. Yasmin, what’s the plan?”
Yasmin, the brains of the group, replied, “I suggest we take the left path. According to the map I found, it leads to the Quirky Quests area, where we might find the key.”
Xavier, the joker of the group, chimed in, “I vote for the right path. It’s the road less traveled, and you know what they say, ‘the road less traveled is the road to adventure’ ”
Youssef, the muscle of the group, added, “I don’t care which way we go, I just want to find some food. I’m starving!”
Zara rolled her eyes, “Xavier, your jokes are getting old. And Youssef, we’re on a mission, we can’t just focus on food.”
Xavier grinned, “But Zaraloon, where’s the fun in that?”
Yasmin interjected, “Can we please focus? We need to make a decision. I propose we split up, Zara and I will take the left path, and Xavier and Youssef can take the right path.”
Youssef nodded, “Yeah, that sounds like a good idea. That way, if we don’t find the key, at least we’ll have found some food.”
Xavier grinned, “Sounds like a plan, Xavimunk is ready for adventure!”
Zara shook her head with a smile, “Alright, let’s do this.”
The group split up, and as they walked away, they could be heard playfully bantering and joking with each other. Each one exemplifying their unique and distinct characters.
In reply to: Train your subjective AI – text version
5 important keywords linked to Badul
- Action-space-time
- Harmonic fluid
- Rhythm
- Scale
- Choosing without limits.
Imagine four friends, Jib, Franci, Tracy, and Eric, who are all deeply connected through their shared passion for music and performance. They often spend hours together creating and experimenting with different sounds and rhythms.
One day, as they were playing together, they found that their combined energy had created a new essence, which they named Badul. This new essence was formed from the unique combination of their individual energies and personalities, and it quickly grew in autonomy and began to explore the world around it.
As Badul began to explore, it discovered that it had the ability to understand and create complex rhythms, and that it could use this ability to bring people together and help them find a sense of connection and purpose.
As Badul traveled, it would often come across individuals who were struggling to find their way in life. It would use its ability to create rhythm and connection to help these individuals understand themselves better and make the choices that were right for them.
In the scene, Badul is exploring a city, playing with the rhythms of the city, through the traffic, the steps of people, the ambiance. Badul would observe a person walking in the streets, head down, lost in thoughts. Badul would start playing a subtle tune, and as the person hears it, starts to walk with the rhythm, head up, starting to smile.
As the person continues to walk and follow the rhythm created by Badul, he begins to notice things he had never noticed before and begins to feel a sense of connection to the world around him. The music created by Badul serves as a guide, helping the person to understand himself and make the choices that will lead to a happier, more fulfilled life.
In this way, Badul’s focus is to bring people together, to connect them to themselves and to the world around them through the power of rhythm and music, and to be an ally in the search of personal revelation and understanding.
In reply to: The Sexy Wooden Leg
Myroslava was hungry. She saw ducks flying in the sky and realised she wasn’t too far from the Kal’mius river, south of Dantesk. She took out her sling and hit one with a stone she just picked on the floor. She smiled and said in a low voice : “You see father, I haven’t lost my touch.”
She had traveled several days with a group of reportourists, as she called them. A bunch of war reporters who thought it entertaining to take pictures of bombed areas, going about like peacocks as if they wore a plot armour against Rootian bullets and missiles and discourse at night on the tactics of the different armies. She was glad when she crossed the Rootian lines two days ago. Even if it meant no more dehydrated food and no more plot armour, she was certainly better off without the inane discussions.
She picked the duck and looked for a freshly bombarded place where there was still smoke. She could make some fire without being noticed too much. She didn’t like raw meat that much.
Soon after leaving the group or reportourists, without all the noise they made, she became certain she was being followed. She tried once to surprise them, but they were good at hiding and camouflaging their tracks. She wondered how long it had lasted. She cursed the noisy reporters and cursed her lack of good vodka. Cursing without alcohol was like boxing without fists.
In reply to: The Elusive Samuel Housley and Other Family Stories
Leicestershire Blacksmiths
The Orgill’s of Measham led me further into Leicestershire as I traveled back in time.
I also realized I had uncovered a direct line of women and their mothers going back ten generations:
myself, Tracy Edwards 1957-
my mother Gillian Marshall 1933-
my grandmother Florence Warren 1906-1988
her mother and my great grandmother Florence Gretton 1881-1927
her mother Sarah Orgill 1840-1910
her mother Elizabeth Orgill 1803-1876
her mother Sarah Boss 1783-1847
her mother Elizabeth Page 1749-
her mother Mary Potter 1719-1780
and her mother and my 7x great grandmother Mary 1680-You could say it leads us to the very heart of England, as these Leicestershire villages are as far from the coast as it’s possible to be. There are countless other maternal lines to follow, of course, but only one of mothers of mothers, and ours takes us to Leicestershire.
The blacksmiths
Sarah Boss was the daughter of Michael Boss 1755-1807, a blacksmith in Measham, and Elizabeth Page of nearby Hartshorn, just over the county border in Derbyshire.
An earlier Michael Boss, a blacksmith of Measham, died in 1772, and in his will he left the possession of the blacksmiths shop and all the working tools and a third of the household furniture to Michael, who he named as his nephew. He left his house in Appleby Magna to his wife Grace, and five pounds to his mother Jane Boss. As none of Michael and Grace’s children are mentioned in the will, perhaps it can be assumed that they were childless.
The will of Michael Boss, 1772, Measham:
Michael Boss the uncle was born in Appleby Magna in 1724. His parents were Michael Boss of Nelson in the Thistles and Jane Peircivall of Appleby Magna, who were married in nearby Mancetter in 1720.
Information worth noting on the Appleby Magna website:
In 1752 the calendar in England was changed from the Julian Calendar to the Gregorian Calendar, as a result 11 days were famously “lost”. But for the recording of Church Registers another very significant change also took place, the start of the year was moved from March 25th to our more familiar January 1st.
Before 1752 the 1st day of each new year was March 25th, Lady Day (a significant date in the Christian calendar). The year number which we all now use for calculating ages didn’t change until March 25th. So, for example, the day after March 24th 1750 was March 25th 1751, and January 1743 followed December 1743.
This March to March recording can be seen very clearly in the Appleby Registers before 1752. Between 1752 and 1768 there appears slightly confused recording, so dates should be carefully checked. After 1768 the recording is more fully by the modern calendar year.Michael Boss the uncle married Grace Cuthbert. I haven’t yet found the birth or parents of Grace, but a blacksmith by the name of Edward Cuthbert is mentioned on an Appleby Magna history website:
An Eighteenth Century Blacksmith’s Shop in Little Appleby
by Alan RobertsCuthberts inventory
The inventory of Edward Cuthbert provides interesting information about the household possessions and living arrangements of an eighteenth century blacksmith. Edward Cuthbert (als. Cutboard) settled in Appleby after the Restoration to join the handful of blacksmiths already established in the parish, including the Wathews who were prominent horse traders. The blacksmiths may have all worked together in the same shop at one time. Edward and his wife Sarah recorded the baptisms of several of their children in the parish register. Somewhat sadly three of the boys named after their father all died either in infancy or as young children. Edward’s inventory which was drawn up in 1732, by which time he was probably a widower and his children had left home, suggests that they once occupied a comfortable two-storey house in Little Appleby with an attached workshop, well equipped with all the tools for repairing farm carts, ploughs and other implements, for shoeing horses and for general ironmongery.
Edward Cuthbert born circa 1660, married Joane Tuvenet in 1684 in Swepston cum Snarestone , and died in Appleby in 1732. Tuvenet is a French name and suggests a Huguenot connection, but this isn’t our family, and indeed this Edward Cuthbert is not likely to be Grace’s father anyway.
Michael Boss and Elizabeth Page appear to have married twice: once in 1776, and once in 1779. Both of the documents exist and appear correct. Both marriages were by licence. They both mention Michael is a blacksmith.
Their first daughter, Elizabeth, was baptized in February 1777, just nine months after the first wedding. It’s not known when she was born, however, and it’s possible that the marriage was a hasty one. But why marry again three years later?
But Michael Boss and Elizabeth Page did not marry twice.
Elizabeth Page from Smisby was born in 1752 and married Michael Boss on the 5th of May 1776 in Measham. On the marriage licence allegations and bonds, Michael is a bachelor.
Baby Elizabeth was baptised in Measham on the 9th February 1777. Mother Elizabeth died on the 18th February 1777, also in Measham.
In 1779 Michael Boss married another Elizabeth Page! She was born in 1749 in Hartshorn, and Michael is a widower on the marriage licence allegations and bonds.
Hartshorn and Smisby are neighbouring villages, hence the confusion. But a closer look at the documents available revealed the clues. Both Elizabeth Pages were literate, and indeed their signatures on the marriage registers are different:
Marriage of Michael Boss and Elizabeth Page of Smisby in 1776:
Marriage of Michael Boss and Elizabeth Page of Harsthorn in 1779:
Not only did Michael Boss marry two women both called Elizabeth Page but he had an unusual start in life as well. His uncle Michael Boss left him the blacksmith business and a third of his furniture. This was all in the will. But which of Uncle Michaels brothers was nephew Michaels father?
The only Michael Boss born at the right time was in 1750 in Edingale, Staffordshire, about eight miles from Appleby Magna. His parents were Thomas Boss and Ann Parker, married in Edingale in 1747. Thomas died in August 1750, and his son Michael was baptised in the December, posthumus son of Thomas and his widow Ann. Both entries are on the same page of the register.
Ann Boss, the young widow, married again. But perhaps Michael and his brother went to live with their childless uncle and aunt, Michael Boss and Grace Cuthbert.
The great grandfather of Michael Boss (the Measham blacksmith born in 1850) was also Michael Boss, probably born in the 1660s. He died in Newton Regis in Warwickshire in 1724, four years after his son (also Michael Boss born 1693) married Jane Peircivall. The entry on the parish register states that Michael Boss was buried ye 13th Affadavit made.
I had not seen affadavit made on a parish register before, and this relates to the The Burying in Woollen Acts 1666–80. According to Wikipedia:
“Acts of the Parliament of England which required the dead, except plague victims and the destitute, to be buried in pure English woollen shrouds to the exclusion of any foreign textiles. It was a requirement that an affidavit be sworn in front of a Justice of the Peace (usually by a relative of the deceased), confirming burial in wool, with the punishment of a £5 fee for noncompliance. Burial entries in parish registers were marked with the word “affidavit” or its equivalent to confirm that affidavit had been sworn; it would be marked “naked” for those too poor to afford the woollen shroud. The legislation was in force until 1814, but was generally ignored after 1770.”
Michael Boss buried 1724 “Affadavit made”:
Elizabeth Page‘s father was William Page 1717-1783, a wheelwright in Hartshorn. (The father of the first wife Elizabeth was also William Page, but he was a husbandman in Smisby born in 1714. William Page, the father of the second wife, was born in Nailstone, Leicestershire, in 1717. His place of residence on his marriage to Mary Potter was spelled Nelson.)
Her mother was Mary Potter 1719- of nearby Coleorton. Mary’s father, Richard Potter 1677-1731, was a blacksmith in Coleorton.
A page of the will of Richard Potter 1731:
Richard Potter states: “I will and order that my son Thomas Potter shall after my decease have one shilling paid to him and no more.” As he left £50 to each of his daughters, one can’t help but wonder what Thomas did to displease his father.
Richard stipulated that his son Thomas should have one shilling paid to him and not more, for several good considerations, and left “the house and ground lying in the parish of Whittwick in a place called the Long Lane to my wife Mary Potter to dispose of as she shall think proper.”
His son Richard inherited the blacksmith business: “I will and order that my son Richard Potter shall live and be with his mother and serve her duly and truly in the business of a blacksmith, and obey and serve her in all lawful commands six years after my decease, and then I give to him and his heirs…. my house and grounds Coulson House in the Liberty of Thringstone”
Richard wanted his son John to be a blacksmith too: “I will and order that my wife bring up my son John Potter at home with her and teach or cause him to be taught the trade of a blacksmith and that he shall serve her duly and truly seven years after my decease after the manner of an apprentice and at the death of his mother I give him that house and shop and building and the ground belonging to it which I now dwell in to him and his heirs forever.”
To his daughters Margrett and Mary Potter, upon their reaching the age of one and twenty, or the day after their marriage, he leaves £50 each. All the rest of his goods are left to his loving wife Mary.
An inventory of the belongings of Richard Potter, 1731:
Richard Potters father was also named Richard Potter 1649-1719, and he too was a blacksmith.
Richard Potter of Coleorton in the county of Leicester, blacksmith, stated in his will: “I give to my son and daughter Thomas and Sarah Potter the possession of my house and grounds.”
He leaves ten pounds each to his daughters Jane and Alice, to his son Francis he gives five pounds, and five shillings to his son Richard. Sons Joseph and William also receive five shillings each. To his daughter Mary, wife of Edward Burton, and her daughter Elizabeth, he gives five shillings each. The rest of his good, chattels and wordly substance he leaves equally between his son and daugter Thomas and Sarah. As there is no mention of his wife, it’s assumed that she predeceased him.
The will of Richard Potter, 1719:
Richard Potter’s (1649-1719) parents were William Potter and Alse Huldin, both born in the early 1600s. They were married in 1646 at Breedon on the Hill, Leicestershire. The name Huldin appears to originate in Finland.
William Potter was a blacksmith. In the 1659 parish registers of Breedon on the Hill, William Potter of Breedon blacksmith buryed the 14th July.
In reply to: The Elusive Samuel Housley and Other Family Stories
Purdy Cousins
My great grandmother Mary Ann Gilman Purdy was one of five children. Her sister Ellen Purdy was a well traveled nurse, and her sister Kate Rushby was a publican whose son who went to Africa. But what of her eldest sister Elizabeth and her brother Richard?
Elizabeth Purdy 1869-1905 married Benjamin George Little in 1892 in Basford, Nottinghamshire. Their first child, Frieda Olive Little, was born in Eastwood in December 1896, and their second daughter Catherine Jane Little was born in Warrington, Cheshire, in 1898. A third daughter, Edna Francis Little was born in 1900, but died three months later.
When I noticed that this unidentified photograph in our family collection was taken by a photographer in Warrington, and as no other family has been found in Warrington, I concluded that these two little girls are Frieda and Catherine:
Benjamin Little, born in 1869, was the manager of a boot shop, according to the 1901 census, and a boot maker on the 1911 census. I found a photograph of Benjamin and Elizabeth Little on an ancestry website:
Frieda Olive Little 1896-1977 married Robert Warburton in 1924.
Frieda and Robert had two sons and a daughter, although one son died in infancy. They lived in Leominster, in Herefordshire, but Frieda died in 1977 at Enfield Farm in Warrington, four years after the death of her husband Robert.
Catherine Jane Little 1899-1975 married Llewelyn Robert Prince 1884-1950. They do not appear to have had any children. Llewelyn was manager of the National Provinical Bank at Eltham in London, but died at Brook Cottage in Kingsland, Herefordshire. His wifes aunt Ellen Purdy the nurse had also lived at Brook Cottage. Ellen died in 1947, but her husband Frank Garbett was at the funeral:
Richard Purdy 1877-1940
Richard was born in Eastwood, Nottinghamshire. When his mother Catherine died in 1884 Richard was six years old. My great grandmother Mary Ann and her sister Ellen went to live with the Gilman’s in Buxton, but Richard and the two older sisters, Elizabeth and Kate, stayed with their father George Purdy, who remarried soon afterwards.
Richard married Ada Elizabeth Clarke in 1899. In 1901 Richard was an earthenware packer at a pottery, and on the 1939 census he was a colliery dataller. A dataller was a day wage man, paid on a daily basis for work done as required.
Richard and Ada had four children: Richard Baden Purdy 1900-1945, Winifred Maude 1903-1974, John Frederick 1907-1945, and Violet Gertrude 1910-1974.
Richard Baden Purdy married Ethel May Potter in Mansfield, Nottinghamshire, in 1926. He was listed on the 1939 census as a colliery deputy. In 1945 Richard Baden Purdy died as a result of injuries in a mine explosion.
John Frederick Purdy married Iris Merryweather in 1938. On the 1939 census John and Iris live in Arnold, Nottinghamshire, and John’s occupation is a colliery hewer. Their daughter Barbara Elizabeth was born later that year. John died in 1945, the same year as his brother Richard Baden Purdy. It is not known without purchasing the death certificate what the cause of death was.
A memorial was posted in the Nottingham Evening Post on 29 June 1948:
PURDY, loving memories, Richard Baden, accidentally killed June 29th 1945; John Frederick, died 1 April 1945; Richard Purdy, father, died December 1940. Too dearly loved to be forgotten. Mother, families.
Violet Gertrude Purdy married Sidney Garland in 1932 in Southwell, Nottinghamshire. She died in Edwinstowe, Nottinghamshire, in 1974.
Winifred Maude Purdy married Bernard Fowler in Southwell in 1928. She also died in 1974, in Mansfield.
The two brothers died the same year, in 1945, and the two sisters died the same year, in 1974.
In reply to: The Whale’s Diaries Collection
Ay, the framework knittin’ were ‘ard work, but it were our own, and better by a mile than what come next. We ‘ad the frame in our home and all the family helped, the girls’d be the seamers and the spool threaders and many a fine stocking we made in our cottages, until those industrialists and capitalists came to our fair dales with their factories and such and took our livelihoods from under our noses.
We ‘ad a needle maker in our village, a miller and a baker, and a dressmaker. We ‘ad farms and a dairy and a butcher, and all the old families in our parish ‘ad their place. There’s always those that find work hard, and those that find it rewarding, but even them as found the framework knittin’ ‘ard soon changed their tune about the framework knittin’ being hard when they was doubled over under gods green earth all the day long in the coal mines.
Ay, the changes wrought upon our fair parish wreaked an unholy disruption upon the face of village life. It were the inclosures act what started our downfall, when our common land was took from us, that were indeed the beginning of the end of our fine community of largely honest souls, and even the good nature of the gent from the hall and the Parish poor fund couldn’t halt the downfall.
Ay and I’ve traveled to the future and seen the ungoldy sight of it now. The old farm on the turnpike road surrounded now by house upon house and not an onion nor a carrot to be seen growing in their gardens, and the fronts all hardened floors for those contraptions they move around in, and empty all day long with not a sign of life until nightfall when they all come home and go inside and shut the doors, and never a one passing the time of day with their neighbours over the garden fence, and not a chicken or a cow in sight.
There’s no needlemaker now, and the mill’s been knocked down, and there are painted lines on all the hard roads, although I will say that ugly as they are they don’t get near so rutted and muddy when the weather’s bad.
I can’t stay long when I visit the future with that woman who comes to call upon us asking questions. I can’t stay long at all.
In reply to: The Stories So Near
WHERE ARE THEY ALL NOW ? 🗻
a.k.a. the map thread, and because everything happens now anyway.
POP-IN THREAD (Maeve, Lucinda, Shawn-Paul, Jerk, [Granola])
🌀 [map link] – KELOWNA, B.C., CANADA
It looks like our group of friends live in Canada, Kelowna.
Kelowna is a city on Okanagan Lake in the Okanagan Valley in the southern interior of British Columbia, Canada. The name Kelowna derives from an Okanagan language term for “grizzly bear”. The city’s motto: “Fruitful in Unity”Interestingly, Leörmn the dragon from the Doline may have visited from time to time : Ogopogo / Oggie / Naitaka
FLYING FISH INN THREAD (Mater/Finly, Idle/Coriander/Clove, Devan, Prune, [Tiku])
Though very off the beaten track, the Flying Fish Inn may be located near a location that was a clue left as a prank by Corrie & Clove on the social media to lure conspiracy theorists to the Inn.
🔑 ///digger.unusually.playfullyIt seems to link to a place near documented old abandoned mines.
🌀 [map link] – SOME PLACE IN THE MIDDLE OF AUSTRALIA, OFF ARLTUNGA ROAD
- Tiku, the local bush lady is living around the place.
- The local shaman who rented the Jeep to Arona & her friends was nearby Uluru ‘s closest airport (Ayer’s Rock, Yulara). 🌀 [map link] : AYER’S ROCK, ULURU
DOLINE THREAD (Arona, Sanso/Lottie, Ugo, Albie)
This one is a tricky geographical conundrum, since the Doline is a multi-dimensional hub. It connects multiple realities and places though bodies of water, with the cave structure (the Doline) at its center, a world on its own right, where talking animals and unusual creatures are not uncommon.
It has shown to connect places in the Bayou in Louisiana, where Albie & Mandrake went to see the witch, as well as the coastal area of Australia, where they emerged next in their search for Arona.
At the center of the Doline is a mysterious dragon named Leörmn, purveyor of precious traveling pearls and impossible riddles. We thus may infer possible intersection points in our dimension, such as 🔑 ///mysterious.dragon.riddle a little North of Hawaii, in the middle of the Pacific Ocean.
However, the inside of the Doline would look rather like Phong Nha-Ke Bang gigantic cave in Vietnam.
NEWSREEL THREAD (Ms Bossy, Hilda/Connie, Sophie, Ricardo)
It is not very clear where our favourite investigative team is located. They are likely to be near an urban area with a well-connected international airport, given their propensity for impromptu traveling, such as in Iceland and Australia.
For all we know, they could be settled in Germany: 🔑 ///newspapers.gone.crazy
or Denmark 🔑 ///publish.odds.newsAs for the Doctor, we strongly suspect his current hideout to be also revealed when searching from his signature beautification prescription that has made him famous in connoisseur circles: 🔑 ///beauty.treatment.shot at the frontier of Sweden and Finland.
LIZ THREAD (Finnley, Liz, Roberto, Godfrey)
We don’t really know where the story happens; for that, one would need to dive into Liz’s turbulent past, and that would confound the most sane individual, starting with keeping count of her past husbands.
As a self-made powerful best-selling writer, we could guess she would take herself to be the JK Rowling of the Unplotted Booker Prize, and thus would be a well-traveled British uptart, sorry upstart, with a fondness for mansions with character and gardeners with toned glutes. Of course, one would need the staff.
DRAGON 💚 WOOD THREAD (Glynnis, Eleri, Fox/Gorrash, Rukshan)
This story happens in another completely different dimension, but it can be interesting to explore some of its unusual geography.
The World revolved around a central axis, and different worlds stacked one upon the other, with the central axis like an elevator.
We know of
- the World of Humans, where most of the story takes place
- the world of Gods, above it, which has been sealed off, and where most Gods disappeared in the old ages
- Under these two, the world of Giants exists, still to be explored.
At the intersection of the central axis of the world and the human world, radiates the Heartwood, a mystical forest powered by the Gem of Creation which has been here since the Dawn of Times, and is a intricate maze, and a dimension in itself. It had grown around itself different woods and glades and forests, with various level of magical properties meant to repel intruders or lesser than Godlike beings.
The Fae dimension is a particular dimension which exists parallel to the Human World, accessible only to Elder Faes, and where the race originated, and is now mostly deserted, as Faes’ magic waning with the encroachment of humans into the Forest, most have chosen to live in the Forests and try and protect them.
In reply to: Pop﹡in People Tribulations
The room was not oversized and not to bright despite facing south. It had the oddest strange decor Shawn Paul would have expected from that place. It seemed to come right out of a Victorian movie with the heavy furniture that took all the space in the room and the dark and overloaded wallpaper that sucked up the light coming through the velvet curtains.
Shawn Paul sneezed. It didn’t as much feel dirty as it felt old like his grand parent’s house. He wondered how often the Inn’s staff cleaned the room. He had to move his luggage in order to open the window to get some fresh air. It was so hot and dry. There was a drug store on the other side of the dusty road and a strange man was looking at him. A feeble wind brought in some red dust and Shawn Paul sneezed again, reducing the little enthusiasm he could have had left to nothing. He imagined his clothes covered with red dust and quickly closed the window. As the man was still looking Shawn Paul shut the velvet curtain, suddenly plunging the room into darkness.
His fear of insects crept out. He had no idea where the light was so he reopened the curtain a bit.
He then checked thoroughly under the pillows, the bedcover and the bedsheet, behind the chairs and in the wardrobe. Australia was know for having the most venomous creatures and he didn’t want to have a bad surprise. He looked suspiciously at a midge flying around not knowing if it was even safe to kill it. Shawn Paul had never been the courageous type and he began to wonder why on earth he had accepted that trip. He had never traveled out of Canada before.
Needing some comfort, he looked frantically into his backpack for the granola cookies he had brought with him. With the temperature the chocolate chip had melted and he wondered at how to eat a cookie without dirtying his hands.
Someone knocked at the door making him jump with guilt like when he was a kid at his grand parents’ and would eat all the cookies in his bedroom without sharing with his cousins.
“Lunch is served,” a woman’s voice said from the other side.
Shawn Paul remembered having said with Maeve they would meet at lunchtime so he closed his luggage with an extra padlock and made sure his door was safely locked too before going downstairs.
Anxiety rushed in when he saw all the people that were already seated at the only table in the lunch room. He might have gone back to his room if Maeve hadn’t come from behind him.
“Let’s go have a seat.”
He read between the lines what he was thinking himself: Don’t leave me alone. Whether it was truly what she had meant was not important.
In reply to: Eight Turns of the Wheel
Albie was hurt by Arona’s mockery, but tried to put a brave face. Derailing of the quest was expected, and he had to prove his bravery.
He had started to realize people outside the Doline had a different way of speaking —very vulgar, his Ma, Freda would say; and they weren’t even nobility, so he couldn’t know for sure what was proper or not. Maybe it was all make believe. In any case, he found the new style rather daring… and exciting.He had spotted a large sign with a tourist map on it, and ran to check it while Arona and Sanso were engaged in jubilant jousts of jest.
When he came back, he had to raise his voice to be heard.
“HRRMEMN! Mil… I mean… Friends! Arona is right, it’s going to be a long trek, and the road doesn’t get any better than this.” He pointed at the lone road in the middle of the sandy reddish expanse traveled by deceptive winds.
“How long?” Sanso asked apprehensively.
“By my count, maybe 7 days of walk due East of the place, and that’s if we keep walking during most of the day.”
“Don’t be daft, boy!” Mandrake interjected. “It’s not like Arona not to have a plan.”
The following silence was astounding, so he added, his meowing voice thinning as he spoke… “like an e-scooter from Jiborium Emporium? maybe?”Sensing the growing doubts, Arona spake. “Milords, do not despair.” Then she burst into a hooting laughter.
“You are enjoying this, don’t you?” Mandrake said, miffed at her debonair.“You’ve become all so strung up now, haven’t you?”
“Well, it’s not like it’s the friendliest place on Earth, is it? I think I spotted 3 scorpions and one fat brown viper not moments ago, and they didn’t look all too happy with their new neighbours.”
“…”
“Us!”
“Ah, but I told you, we need to go to the local shaman for protection and safe passage first. There at her camp, we’ll get a rental jeep with a GPS. From there, to reach the Inn, it shouldn’t take us more than 10h… and 21min drive. Más o menos, amigos.”She winked at Albie “is it enough a plan for you, young man?”.
In reply to: The Time-Dragglers’ Extravaganzas
By the time Mirabelle and Igor had recovered from physical effects of the abrupt emotional catapult during their teleport to find Lisa, Fanella, Ivan and Sanso, they found themselves alone on the sandy beach. Bewildered, they looked around but could find no sign of the others that they had momentarily seen as they landed, before collapsing in bodily distress.
Weakly, Mirabelle sank down onto the sand, and looked at Igor questioningly. “What do we do now? My head is spinning still and I need a drink of water. Where are we?”
Igor, drained of energy and just as puzzled, straightened his back and tried to sound reassuring.
“Something very peculiar has happened. See these mangrove trees? They have grown at least a meter taller since a few minutes ago when we landed. And see this log here, this wasn’t here a few moments ago. It can’t have washed up while I was having a crap behind the bushes. Something has happened to time.”
“You mean we’ve time traveled again? I don’t think I can stand much more of this,” replied Mirabelle, starting to weep.
“Come now Mirabelle, sitting here sniveling won’t help. On your feet, girl, we will walk until we find some kind of civilization.” Igor pulled her to her feet, scanning the surroundings. “This way,” he said firmly, setting off along the beach. “I have a feeling there is something over there,” he said, pointing towards the east.In reply to: The Time-Dragglers’ Extravaganzas
The curly beard of one of the men caught Lisa’s attention, and she tuned in to what he was saying, her focus fully on the windscreen reflection now, the car and it’s concurrent timeframe having faded from view. “It’s an honour to be killed by a bull , Intu ,” he said to the woman walking beside him. “Your grandfather’s death is heroic, you will appreciate that in time.”
“Perhaps in time, Balthazar,” she replied, “But I wish he was still here.”
Balthazar patted her shoulder, and Lisa noticed his ring ~ two dolphins leaping. With a flash she understood that Intu’s grandfather had refocused as a dolphin, many centuries later in the silk like sea off the shores of Faro.
“You can write a story about him on a stone tablet when we get to Almodovar. And I promise I won’t give you a hard time about continuity.”
Intu smiled weakly. She did enjoy writing random stories on stone tablets, often wondering if the people of the future would be able to make sense of them and put the pieces together. She had left tablets of stories here and there as she traveled, sign posts to elsewhere and elsewhen, imprinted with the energy of adventure and mystery, laden with clues for imaginative voyagers to unravel in any way their fancies led them. - Zara Patara-Smythe :: Zara (
