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Arona sighed and flipped randomly through the pages of her book. Try as she might she could not make any sense of it.

“You have a go, Yikesy,” she said. “See if you can figure out what it is about.”

“Stop trying so hard, Snao”

“Who the fuck is Snao?”

“Oooh, poetry! I likes poetry and all, our Sha” replied Mavis. “There once was a grumpy old cat…”

Sharon groaned.

They were thick as theives, freinds for thousands of centuries, or even more; sometimes thick, sometimes theives, and anything else you might imagine. They got together again and again in this time and that, here, there and elsewhere, just for the fun of it. There was nothing they liked more than a puzzling occurance, or a riddle, or a basket full of clues to ponder over, unravel, and turn around and around, toying with meanings until they found one they liked. They had a home in The City, sort of a home base so to speak, where they met regularly each night in the dream state, regardless of which time or place they spent their waking hours. It was sometimes a releif to meet up at home in The City and always a pleasure: sometimes it was hard to stay under the radar back down on the ground, it was part of the job to stand out in the crowd, which often resulted in a lynching, or a ducking, or the stocks, at the very least. All too often it ended up on top of a bonfire, tied to a stake.

One day in one of the Decembers, in amongst all the sweet dreams they often shared, they started having some unsettling group dreams, where they all felt like they were betwixt and between, falling through the cracks you might say. It was a feeling similar to dying of thirst, although it wasn’t really a physical thirst, it was more than that, a hungry yearning sort of thing. Some of them had strange nightmares, of a monstrous beast, and some of them actually saw beasts in the daytime too, especially on those falling through the cracks days. When they met up at home in The City, they compared notes about the beasts, and not always, but sometimes they found they were mirroring each others beasts. That often ended up in a heated debate, because the more mirroring that occurred, the more real the beast seemed. Some said that the beasts that appeared when you fell through the cracks were in a deep ravine, in a manner of speaking, and not of this plane at all. Others argued that if the beasts appeared through the cracks, then they were on this plane.

And so it went on, and on. There were many more puzzling occurances to come, and lots of meanings to be considered, rejected, or taken on board for the friends, as thick as thieves, to turn around and around, and hold up to the mirror for closer inspection and dissection. They were making a tapestry, a huge rich colourful tapestry, and all the puzzling occurences, and even the beasts, were depicted in the colourful threads and patterns. They were the warp, you might say, of the weave. Love was the weft.

“Congratulations, Liz” Godfrey remarked drily. “Are you supposed to use three months worth of creative writing challenges in one entry?”

“Don’t be silly, Godfrey, of course not. Rules are meant to be broken, that’s what they’re for.”

“There is one man to whom I am indebted,” said Shar, with a faraway look in her eyes.

“Blimey, who’s that then Shar?”

“Enric Lemoon is his name. One day he said words to me I will never forget, and at that moment, I knew that the most important thing in the world was that I learn to speak like him.”

“Oh you do tell a good story, Shar. Go on then! I am all goggle eared. What’d that Enric chappy say to you?”

“He said, the grumpy old cat must be white of old age by now.”

“Cor!” said Mavis in awe. “Bloody marvelous! Was it a code? You know, one of them brain teasers like?”

Shar looked at Mavis pityingly and shook her head. “It was poetry, Mavis. Poetry.”

“Stop trying so hard, Snao”

That’s when a particularly shiny object caught Pickel’s eyes. It was on the table, in plain sight, but it was as if the others couldn’t see it. Of course, they don’t have their head, thought Pickel… but he’d forgotten that he’d left his head at home too.
As he was approaching the table, Gnarfle noticed that he wasn’t following the bird keeper and the others in the other room and decided to stay with him. Maybe he wanted to play some game and Gnarfle would be glad to indulge him.

The other room was full of birds, and Silly’s throat got suddenly constricted as she let out a raucous gag.
Which startled both her father and the wise Peamon who let out an indescribable laugh.
PeAAHAHAHAHAHAHAHA, it’s just here, thanks little one!
Pee was a bit confused as he couldn’t see what the wise Peamon was showing them, and the little peagirl was trying not to think of the smell of the aviary… ( how do I know such a word? she thought to herself.)

There’s something, er, fishy, about this here dead cow, Sanso surmised. He was still a little fuzzy after his peregrinations in the Dense Dimension. Suddenly he slapped his forehead and exclaimed D’Oh! This dead cow is no accident! He shook his head, as if trying to shake the cobwebs loose. The effects of the brocolli hadn’t worn off completely yet. I can’t beleive I chose the Brocolli from the ‘You Fool’ Jar instead of the ‘Thank You’ Jar. I should have realized, Sanso was still shaking his head, what the ramifications would be of choosing discounting instead of appreciation. D’OH! he exclaimed again. Really, I had no idea how far reaching and all encompassing the effects would be of that Brocolli choice. I suppose it’s no accident the vegetable in question was brocolli, either, with all those probability branches and probable florets.

Right then Sanso, Old Bean, pull yourself together, he told himself firmly. This here dead cow is a sign. He approached the dead cow slowly, sniffing the ether, in a manner of speaking, for clues. He recalled the Dead Cow Cult
from another elsewhen, and their affiliation with the Arduino
Time Travelling Internet Server, and wondered if there might be a connection.

The Fool Fog of Discounting, caused by the brocolli Choice, in Sanso’s head was starting to clear, and he began to access information. The Cult of the Dead Cow had merged with the Arduino Enterprise at some point, creating an offshoot called the Pirates Association of Time Hackers, otherwise known as P.A.T.H. They had been recruiting members from many times and places, and as usual, had attracted large numbers of teenagers.

One teenager in particular appeared to stand out in Sanso’s mind, a peculiar young man who went by the alias “Holy Cow”.

Oh My God! Sanso slapped his forehead again. (I really must get these AHA moments under control, he said to himself, rubbing his bruised head) It can’t be! Yes, it is! It’s Yikesy!

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

Ann realized she was late for her Flimsy Unravelled Continuity Knowledge class. A couple of months late, in point of fact, as Worserversity classes had resumed two months previously.

“Where have you BEEN?” Lavender whispered as Ann slid as inconspicuously as possible into the seat beside her, while the professor at the front of the class was facing the blueboard.

“Do I know you?” asked Ann, with a puzzled expression. The girl beside her did look vaguely familiar.

“Oh how rude you are, Ann. Are you trying to be funny?”

“Oh no, not at all!” Ann’s eyes filled with tears.

Lavender frowned. It wasn’t like Ann to start blarting and blubbering in public. “What’s the matter?” she asked kindly.

“I’ve lost my memory!” exclaimed Ann. “I can’t remember a thing!”

“Oh, is that all,” replied Lavender dismissively. “I’d have thought you’d be used to that by now.”

“No, no, you don’t understand! I can’t remember anything at all now, it’s all gone, poof! Gone!” Ann wept and started to wring her hands.

“Well the first thing you need to do is stop that bloody snivelling and wipe your nose. Here” she said, handing Ann a tissue. “And the next thing you need to do is stop worrying about it, and just fake it until you get your memory back. Worrying about it won’t help, you must focus on the things you do remember.”

“But it’s all jumbled up and muddled in my head, I remember bits, you know? But I can’t fit them all together. I CAN’T FIT THEM ALL TOGETHER!”

“SHHH!” snapped Lavender. “Try not to draw any attention to yourself! I’ll help you, don’t worry.”

“You’re so kind” Ann smiled weakly. “What did you say your name was?”

“Lavender. My name is Lavender, and I’m going to help you remember. Just remember this, for now: what you can’t remember, don’t worry about, the important thing is to carry on. Just CARRY ON REGARDLESS, ok?”

“OK.” Ann sighed with releif. “What’s the Professor going on about?”

“The next assignment. We’re to read that cryptic old classic book Circle of Eights and try to decipher it.”

“Good greif! Nobody has ever managed to decipher that book!”

“You see?” said Lavender. “You can remember that! Well done, girl!”

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

The sky was most unusual. Something definitely weird was happpening.

Yann was looking at a TV show in which a clown was trying to juggle with his clothes.

Yann switched off the tv set and chose to go the cat in her basket.

“There you are!”

“Absolutely Sir”.

“Good very Good.”

Taking deep puffs of his pipe, he looked like a botle green velvet sofa, and that, combined with the crazy Baron of the nearby village, was the surest way of being left alone.

“The curious police want to know the details?” asked the Baron

“Not really … well now you make me think of it .. I reckon a bit.”

“ahahahahaha!” the manic laughter was infectious. Strange bugs were dancing. little dark skinned performers, tickling like an army of ants.

Rather than laughing, he’d taken a moment to consider the options. Obviously he couldn’t refuse help as his business had recently been pregnant, giving birth to conjoined twins.

So to speak.