Search Results for 'vera'

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

The entrances to Faerie (and indeed to other alternate realities and dimensions) had been shrouded in disbelief for several centuries, but times were changing and the fog of scepticism was dissipating, evaporating like river mist on a hot summer morning. Looking for the entrances deliberately, Blithe found, wasn’t the most efficacious method. Sat Nav alone would be unlikely to reveal them, unless the locating device was used in conjunction with impulse and intuition. Any device and method could be used effectively when combined with random impulse, even Google Earth or Google Moon. Blithe’s friend and colleage Dealea Flare was making good use of this device on her travels, using it as a personal non physical airline and space shuttle service. Dealea could get from A to B and back again in no time at all, or even from A to well beyond Z and back again in no time at all using this device in conjunction with impulse and large dose of intention and focus. Blithe had the impulse down pat but still had difficulty with the focus, which was largely a case of having too many intentions at once, most of them somewhat vague.

The more random and impulsive Blithe was, the better her investigations went, often leading her into a new and exciting exploration which may or may not be linked to the current intention. Such was the case when she went on a mundane shopping trip to the Rock of Gibber. As she sat sipping coffee at the Counterpart Cabana sidewalk cafe listening to the locals conversing in Gibberish, she noticed the extraordinary tangle of pipework on the building opposite. It reminded her of the steampunk world she had been investigating in her spare time. The text book steampunk world was intriguing to say the least, but rather grim, and tediously full of victims and fear. The inhabitants always seemed to be running away from someone. The steampunk world she was beginning to sense in Gibber was quite different in that it was a sunny cheerful alternate reality held together with a vast labyrinthine network of water pipes, scaffold, and connecting cables.

Blithe paid for her coffee and strolled off, noticing more and more scaffolding and tangles of pipes as she climbed the warren of narrow winding streets. The air was different the higher she climbed up the winding uneven steps, the sunlight was sharper and the shadows denser, and there was a crackling kind of hush as if the air was shimmering. Cables festooned the crumbling shuttered buildings like cobwebs, and centuries of layers of crackled sun faded pastel paint coated the closed doors. Open doors revealed dark passageways and alleys with bright rectangles of light glowing in the distance, and golden dry weeds sprouted from vents and windowsills casting dancing shadows on the uneven walls.

The usual signs of life were strangely absent and present at the same time; an occasional voice was heard from inside one of the houses, and there were pots of flowers growing here and there, indicating that a human hand had watered them with water from the pipe network. There was no music to be heard though, or any indication that the cable network was in use, and there were virtually no people on the streets. A lady in a brilliant blue dress who was climbing the steps from Gibber Town below paused to chat, agreeing with Blithe who remarked on the peaceful beauty of the place. The lady in blue said “Si, it’s very nice, but there are many steps, so many steps. If you are coming from below there are SO many steps!”

There was a boy watching a white dog watching an empty space on the pavement, so Blithe stopped to watch the boy watching the dog watching nothing. Eventually Blithe inquired “What is he looking at?” and the boy shrugged and continued to watch the dog watching nothing. Blithe watched for a little while, and then wandered off. A small child was giggling from inside a doorway, and a mothers voice asked what he was laughing at. The child was looking out of the door at nothing as far as Blithe could see.

As the sun climbed higher, Blithe began to descend into Gibber town, winding and weaving through the alleys, wondering how she had failed to notice this place half way up the Rock until now. She came to a crumbling wall with a doorway in it that looked out over the bay beyond the town below. This must be one of the entrances, she deduced, to this alternate world in Gibber. “Entrance”! Blithe had a revelation. “I never noticed that the word ENtrance and enTRANCE are spelled the same.” Later, back at the office, Frolic Caper-Belle said she thought it was probably a very significant clue. “I’ll file that in the Clue Box, Blithe”, she said.

{link: entrance}

Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.

“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”

How very strange that he’d forgotten that. That brocolli was powerful stuff.

“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”

Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.

For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.

There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.

Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.

However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.

Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete

“Thank Flove for that!” Ann (or was it Elizabeth?) exclamied. She continued to read the contents of the large manila envelope that had been delivered several weeks late due to the postal strike.

“Postal strike?” Gordon (or was it Godfrey?) inquired sarcastically. “Ann ~ or is it Liz? ~ surely you just made that up! Do you need an excuse?”

LizAnn chose to ignore her old freind Pig Littleton and continued to read.

And she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into.

LizAnn snorted.

She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Reaching for her handkerchief, LizAnn snorted again. “No the writer bloody can’t follow it” she muttered. “But does it bloody matter!”

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes;

“Aha Ha Ha Ha”

she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations

“Yes, where the devil IS Becky, Gordfry? or is it Godon?”

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

Two students of the Free the Fiction Writer Within evening course were whispering in a corridor of the Academy before it began.

— Did you hear about prof. Moose?
— Yes, you mean what happened with Pedro last night?

They turned their head at the same time to look at Pedro, another student who arrived recently in town. He was sitting on the floor, reading a book and apparently unaware that he was the subject of several discussions.

— Well, yes. Max the janitor was passing by one of the service room when he heard some odd noise. I don’t know if it’s out of curiosity or because it was a service room, but he opened the door and found them half naked between brooms and mops.
— What I heard was that she told him bluntly that she was busy helping one of her students with the assignment she gave her students last time…
— No! she told that?
— Yes, apparently Pedro never had sex before and he went after the class to see her and asked her if she could help him. And after what Max said she was more than happy to help him out.

Yoland was disgruntled. Despite not worrying about money, and regardless of generally feeling abundantly lucky, several large bills had inexplicably all come at once. And then, as if to underline her feeling of losing control, her car skidded badly while she was slowing down for a speed control bump, causing her to career over it at full speed. Rather shaken, Yoland frowned, wondering where she was going wrong. Suddenly she felt a million miles away from ease. Change your energy, she said to herself, but she couldn’t remember how to. She managed to make it home relatively unscathed, and then one of her big dogs accidentally trampled on the new puppy. His squeals of pain as he held up his leg made her even more determined to change her friggen energy, and change it fast. Sheesh, she said. Pfft.

Yoland was inordinately pleased with her purchases, trifling though they were. She smiled at the little bottle of cherry red nail varnish, imagining how it would look on sun browned and callous free toes. Painted toe nails was one of life’s simple pleasure, she reckoned. Nothing fancy or expensive or uncomfortable, like her new brassiere, which had never the less given her spirits a bit of a lift, as well as her breasts, with its bright blue moulded foam shape. She wondered if she could suspend the brassiere and its contents from something other than her shoulders for once, but couldn’t see how it could be arranged and still allow a modicum of freedom of movement. Perhaps some of the new scientific discoveries that she was eagerly awaiting would include some kind of gravity and weight defying device, possibly helium filled foam support. Perhaps even in the future, anyone with a high squeaky voice would be described as a bra sucker. Or perhaps one day breasts worn on the waist would be fashionable. This thought made Yoland a bit uncomfortable, as she hadn’t really believed she was following fashion, but maybe she was after all.

Yoland wondered if she was verging on the ridiculous again, and decided that it didn’t matter if she was. There was something rather splendid, she was beginning to discover, about the mundane and the silly. Something serenely pleasurable about ~ well about everything she’d been taking for granted for so many years. The things she hadn’t really noticed much, while her mind was busy thinking and pondering, replaying old conversations, and imagining new ones, sometimes with others, but often with herself, inside the vast jumble of words that was her mind.

It was always a wonderful change of pace to go away on a trip, with its wealth of new conversations and words, events and symbols to ponder over later at her leisure, the many photographic snapshots providing reminders and clues and remembered laughs, but it was the renewed sense of appreciation for the mundane that was ultimately most refreshing about returning home.

The word home had baffled Yoland for many years. For most of her 51 years, if the truth be told. So many moves, so many houses, so many people ~ where, really, was home? She’d eventually compromised and called herself a citizen of the world, but she still found herself at times silently wailing “I want to go home”, but with the whole world as her home, it didn’t make a great deal of sense why she would still yearn for that elusive place called home.

Of all the words that swam in her head some of them seemed to keep bobbing up to the surface, attracting her attention from time to time. That was the funny thing about words, Yoland mused, not for the first time, You hear them and hear them and you understand what they mean, but only in theory. The suddenly something happens and you shout AHA, and then you can’t find any words to explain it! Repeating the words you’ve already heard a hundred times somehow doesn’t even come close to describing what it actually feels like to understand what those words mean. That kind of feeling always left her wondering if everyone else had known all along, except her.

Yoland was often finding words in unexpected places, and these were often the very words that were the catalysts. (Even the word catalyst had been one of those words that repeatedly bobbed to the surface of her sea of words). Her trip had been in search of words, supposedly, channeled words (although Yoland suspected the trip had been more about connections than words) and yet there had only really been one word that had stood out as significant, and oddly enough, that word had been watermelon.

That had been a lesson in itself, if indeed lesson is the right word. Yoland had been attempting to exercise her psychic powers for six months or more, trying to get Toobidoo, the world famous channeled entity, to say the word watermelon ~ just for fun. She couldn’t even remember how it all started, or why the word watermelon was significant ~ perhaps a connection to a symbol etched on a watermelon rind in Marseilles, which later became a Tile of the City. (Yoland wasn’t altogether sure that she understood the tiles, but she did think it was a very fun game, and that aspect alone was sufficient to hold her interest.) By the end of the last day of the channeling event Toobidoo still hadn’t said the word watermelon which was somewhat of a disappointment, so when Yoland saw Gerry Jumper, Toobidoo’s channel, in the vast hotel foyer, she ran up to him saying “Say watermelon.” The simple direct method worked instantly, where months of attempts the hard way had failed. Yoland felt that she learned alot from this rather silly incident about the nature of everyday magic, and this particular lesson, or we might prefer to call it a communication, was repeated for good measure the following day in the park.

Wailon, the other world famous channeled entity who was the star attraction of the Words Event, had proudly displayed photographic evidence of orbs at the lecture. Like Yoland had tried with the watermelon, he was choosing an esoteric and unfamiliar method of creating orbs, suggesting that the audience meditate and conjure them up to show on photographs, rather than simply creating physical orbs. Yoland and her friends Meldrew and Franklyn had chanced upon a beautiful glass house full of real physical glass orbs in the park, underlining the watermelon message for Yoland: not to discount the spontaneous magic of the physical world in the search for the esoteric.

It had, for example, been rather magical and wonderful to hear Gerry Jumper explain how he had mentioned watermelon to his wife on the previous day in the dining room ~ mundane, yes, but magical too. It would have been marvellous to create Toobidoo channeling the word watermelon for sure, but how much more magical to create an actual slice of physical watermelon in the dining room and have Gerry remark on it, and to have an actual physical conversation with him about it. Who knows, he may even remember the nutcase who spent six months trying to get him to say watermelon whenever he sees one, at least for awhile. It might be quite often too, as his wife is partial to watermelon. Yoland wondered if this was some kind of connecting link, perhaps the connection to Gerry and Cindy started in Marseilles and watermelon was the physical clue, the pointer towards the connection.

Perhaps, Yoland wondered, the orbs were the connecting link to Wailon, although she didn’t feel such a strong connection to him as she did to Toobidoo and Gerry Jumper. She had been collecting coloured gel orbs for several months ~ just for fun. There was often a connecting link to be found in the silly and the fun, the pointless and the bizarre, and even in the mundane and everyday things.

In the days following her return home ~ or the house that Yoland lived in, shall we say ~ she felt rather sleepy, as if she was in slow motion, but the feeling was welcome, it felt easy and more importantly, acceptable. There was nothing that she felt she should be doing instead, for a change, no fretting about starting projects, or accomplishing chores, rather a slow pleasant drifting along. Yes, there were chores to be done, such as watering plants and feeding animals and other things, but they no longer felt like chores. She found she wasn’t mentally listing all the other chores to be done but was simply enjoying the one she was doing. Even whilst picking up innumerable dog turds outside, she heard the birds singing and saw the blossom on the fruit trees against the blue sky, saw shapes in the white clouds, heard the bees buzzing in the wisteria. The abundance of dog shit was a sign of a houseful of happy healthy well fed dogs, and the warm spring sun dried it and made it easier to pick up.

It was, somewhat unexpectedly, while Yoland was picking up dog shit that she finally realized what some of those bobbing words meant about home, and presence, and connection to source. It seemed amusingly ironic after travelling so far (not just the recent trip, but all the years of searching) to finally find out where home was, where the mysterious and elusive source was. (Truth be told, some printed words she found the previous day had been another catalyst, by Vivian channeled by Wanda, but she couldn’t recall the exact words. Yoland had to admit that words, used as a catalyst, were really rather handy.)

Wherever you go, there you are ~ they were words too, and they were part of the story. Now that Yoland had come to the part where she wanted to express in words where home, and source, was, she found she couldn’t find the right words. In a funny kind of way the word vacant popped into her head, as if the place where the vast jumble of words was usually housed became vacant, allowing her to be present in her real physical world. It really was quite extraordinary how simple it was. Too simple for words.

Aspidistra was packing her suitcase. Shopping for parasites wasn’t as straightforward as she had imagined it would be. The particular parasites that she required were anti nut phobia parasites, and could only be found in the eighth world. The third world had eventually succumbed to nut phobia, swiftly followed by several more worlds. Aspidistra had to hurry to the eighth world, as news had just filtered through the networks of a new case of nutterophobia in Shift Creek, in the seventh world.

Siobhan was settling into her new job at the Freakus, fitting like a duck to water into her position as Head Cage Rattler. It wasn’t an easy job to do which was why the rewards were so high; it certainly wasn’t everyones cup of tea, and good Cage Rattlers were hard to find. Oh, there were plenty of Cage Rattlers, true, but not good ones. A good Cage Rattler had to have a certain “je ne say kwah”, an impermeability, much like the oily feathers of a duck, enabling the Cage Rattler to glide easily through troubled waters without sinking ~ without even getting wet, if they were very skilled.

The success of the Freakus show depended on new ideas and inspirations. The audience, as well as the participants of course, wanted something new, something challenging, something inspiring, something ‘out of the box’ for each show, not the same old boring routines. There was nothing entertaining about the same old tricks rehashed over and over again, even if they were well known and easy to perform. True, there were many of the general public who preferred the familiar acts, but they generally weren’t fans of the innovative and forward thinking Freakus show. Freakus was new, exciting, thought provoking and entrancingly different, hence the importance of the Cage Rattlers.

When the performers and cast members of Freakus got too complacent or too boring, it was Siobhan’s job to disturb them, to rattle their cages, yes, to upset them. Clearly it was undeniably important that Siobhan not take their retaliations personally; after all, she was just doing her job. She was shaking things up purposefully for the overall benefit of the show, it was a simple as that. It wasn’t her job to direct or lead those in the rattled cages, simply to disturb them from their boring old routines. Freakus, after all, wasn’t about the old and boring, it was about the new and exciting, and it was up to the individual performers to come up with a new act.

Everyone had been disappointed that the Day of the Dead Party had been a wash out, cancelled because of the torrential rain. An alternative date had not yet been set for the boulder moving party, and the interior of the mysterious mound was to remain an enigma for a while longer.

Dan had been frankly relieved about the cancellation, preferring to get sodden on the Volderama golf course instead. He’d been delighted to meet Sergio Garcia there, especially as his old friend Juani Ramirez had had a dream several years previously about him and Sergio.

Dory and Becky were disappointed though. They’d both been consumed with curiosity about the mound and it’s blue tiled interior and were eager to explore the inside physically, rather than with the customary psychic investigations and meditations. Never the less, they were both aware that when the time was right, everything would slot into place.

There was much to keep them occupied, what with the time travelling mouse that was camped behind the microwave oven, and the impending arrival of Granny Hill.
Becky had named the mouse Will, short for Will O’ The Wisp, but that was before she knew that he was a time traveller. She left him a variety of tasty morsels next to the toaster, which Will took to his hide-out — Marie biscuits, dried cranberries, little chunks of Swiss cheese, and sometimes an almond or two. She left him a piece of lettuce and two sweet corn kernels once, but he hadn’t been at all interested. Obviously Will wasn’t a victim of nutrition beliefs, and Becky was impressed.

Wondering what else Will might like to eat for variety, and because she was beginning to realize that this wasn’t just any old ordinary mouse, Becky sent a message to Dory’s friend Mac Brock, who always seemed to be able to pull interesting information out of his hat. Mac’s wife Wanda replied first, confirming Becky’s impression that this was no ordinary mouse, but in fact contained an energy fleck of Tarkin, the Brocks non-physical friend from the future. Shortly afterwards, Mac replied, saying that Will-Tarkin liked asparagus.

Asparagus! Becky found that quite funny, because ‘asparagus’ had been the code word that the time travellers had said that they would use. She had been looking forward to meeting a time traveller. Little did she know that the first time traveller to come and stay at her house would be a mouse!

Tikfijikoo Island (continued)

(see this comment for previous part)

Mahiliki comes crashing down the island (with the pilot) having Veranassessee dumbfounded and speechless.

Rafaela leads Paquita and Jose through their dreams into acceptance of their facial conditions, and out of the island’s experiments through a secret passageway underground.
As well, Anita leads her parents away from the island, through a tunnel, thanks to the intervention of her favourite team of “invisible” essence friends. She bids Akita goodbye as he’s drawn to the impromptu fiesta by Mavis and tells him he shall see his spirit dog again.

Meanwhile, Sha and Glo discover some strange hairiness side-effects to their absorption of honeycomb.

[Fast forward a few weeks later.]

Apparently Dory and young Becky who were going to Tikfijikoo discover the island is placed under quarantine.
All clues indicate the vortex activities, cyclones, and mad spider experiments have put the international security at risk.

Veranassessee is reporting the situation at the local headquarters of the Confregation (likely to be fired), while Mahiliki and the pilot are under scrutiny to check their stories…

We find the three divas, Sharon, Gloria and Mavis with a little more hair, but not less slickness, in a military hospital on nearby Antarctica. Akita was brought there too, in solitary confinement because he pretends to be a WWII soldier and to be guided by a speaking dog (which is all real of course, but you never know). They soon plan to escape.

Madame Chesterhope, who was unwillingly rescued on the submarine of captain Pavel is placed in some sort of detention.
Meanwhile, Claude has visibly gotten back to Jarvis who had managed to get the crystal skull amidst the island’s confusion. They now both are on the submarine, toasting on the success of the operation of crystal skull’s retrieval.

Balbina, an old lady living in the future timeline in Venezuela (same timeline as Anita and her parents) is moved to her son’s home, nearby old caves were she expects Anita and her parents may soon resurface.

“Oh My God” exclaimed Bea. “I had a dream about the DOOR!”

“Oh, well done! The question is, did you remember it?” asked Leonora.

“As a matter of fact, Leo, I did!” replied Bea with a happy smile. “As a matter of fact, although I’m not too sure how factual matter really is, but anyway, I did remember the dream, and I wrote it all down.”

“Gosh, up early this morning, weren’t you?” asked Leo, who was sipping coffee at the kitchen table and watching the sun come up over the mountains through the open door.

“Oh I didn’t write it down this morning, silly! I wrote it all down last week.”

Leo placed her cup on the table and rubbed her eyes, frowning. “Wait a minute, let me get this straight…..”

Bea laughed ~ she was in rather a jolly mood, despite the early hour. “I had the dream last week, Leo, but I only just realized this morning that the dream was about THE DOOR”

“So what did you learn about the door, then?”

Bea frowned. “Well I’m not really sure. But it seemed so significant because it was that scary door, you know, the dreams I’ve been having for years about that door in that bedroom that’s too scary to get near, never mind go through….would you like to read it? Maybe you can interpret it for me.”

“If I must” sighed Leonora “You better pour me another cup of coffee then and pass me those cigarettes.”

Leonora read from Bea’s Dream Journal:

I was sorting winter clothes out on an upstairs landing of a cottagey gabled house,
and decided to use the upstairs bedroom instead of the downstairs one.
The bedroom was a recurring dream one, gabled attic with dormer windows kind of room.
Then I saw the door and remembered this was the door I was always too terrified
in dreams to open; it was so scary that I always wanted to use this bedroom
but never could because of that terrifying door and whatever lay beyond it.

“Didn’t you do a waking dream and go through that door?” Leonora asked. “Oh, yes here is is…”

Remembering that I had done a waking dream and gone beyond the door once,
I marched up to the door, flung it open and strode through.
Suddenly an almost overpowering fear and dread stopped me in my tracks
but I carried on anyway.

“Oh, bloody well done, Bea! Good for you, girl!” Leonora could be a bit waspish at times, but she was a kind old soul underneath.

 It was a bit like a old slightly shabby but once grand hotel foyer, high ceilings
(not the same as when I went through in the waking dream, which was then rows
of closed doors on either side).  The foyer opened out on the left into a large old
fashioned restaurant dining room, with one person over on the far side sitting at
a table.  I carried on straight ahead through opaque etched glass double doors
onto an upstairs outdoor terrace.  There was a city scene below.  On the left
was a shallow ornately shaped ornamental pool.

“Reminds me a bit of our trip to Barcelona, this does, eh” Leo commented.

“Yeah, I’m sure that had something to do with the gargoyle imagery” replied Bea.

A woman squeezed past me holding a small thick book and I knew she was
going to jump off the terrace which was several storeys up.  She collapsed into
the pool, writhing backwards, baring a flat white breast and dropping the book.

“Flat breast, hahah Bea, that weren’t you then, obviously, was it!”

Bea chuckled. “Not bloody likely! I reckon that bit slipped in the dream because I can’t find a comfortable bra lately”

“You and me both” replied Leo. She continued reading from the journal.

I picked up the book, and somehow ended up with two books, which seemed like guide books. I couldn’t hold onto the two books with the creature in my hand, which was weird, like a very heavy small furry grey reptile, or gargoyle.

“Maybe it was a baby dragon?”

“Don’t say that!” retorted Bea, who had a horror of dragons. “The thought did cross my mind too, though” she admitted.

I was holding it with one hand round its middle and the fat grey belly of it
was bulging out under my fingers.  It was unbelievably heavy for such a small creature
and I didn't want to hold it, so I passed it to a boy. (Twice I was holding the creature,
and twice I passed it to the boy, but I can't recall the other time)

Back inside the building, I followed the boy down a big wide staircase that
curved round to the right at a landing below.  I started to fall down the stairs and
knew it was because of the book that I was holding that the woman had been holding
when she collapsed into the pool, so I threw the book down the stairs to save myself,
and felt the tumbling down from the books perspective, although I stayed in
the same place, clutching the banister.

“Well I am amazed that you remembered so much, Bea! Going through the doors and finding the books reminds me of Jane’s Library you know”. Leo was starting to go into an altered state.

“Are you going into an altered state, Leo?” asked Bea. “Are you channeling Juani Ramirez again?”

“The creature, the gargoyle, was representing ‘a different species of awareness, of consciousness’” continued Leonora, as Bea hastily started taking notes. Leo wouldn’t remember what she’d said while she was channeling Juani, so it was essential that Bea record what was said.

“The weight was a marker to help you recall the creature, as well as being symbolic of denseness”

Bea couldn’t help making a snirking noise. Dense eh, she said under her breath.

“The door” continued Leonora “Is a signpost, a marker.”

Just then the phone rang, snapping Leonora out of the trance. Bea picked up the telephone, but there was nobody there.

“Pffft” said Bea.

“More coffee?”