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meanwhile in South Africa, an alphabet slaughtering surge made landfall, scattering the inhabitants, celebrities and everyday heroes alike. Some suspected the elusive Wordblade

“Alliteration ascends the assonance of abseiling abstract aspects of anterior antiquities from ancient altars,
Bouldering down blocks of brooks that break the boring & bland borders of bondage,
And blinking through bleak and black boxes of brisk bravery.
Creeping into crops of crooked crocks with crotches of cockroaches cramming into cans of calamity, the crisp cat crackles the calling.
Dreaming of damning devils and demons dancing in droplets of dreary darkness drags the drunken diligence from the draught’s damnation,
Even the everlasting ethereal elves ebbed and eased into the effervescent eloquent estate of eternal elitism.

For the feeble and fumbling fatuous frontiers, the folly frolicked and fornicated with the familiar friend from foes’ fervent fevers;
Greater than gradient grand gestures of gestaltic granite grasses,
The gruesome grizzle grabbed the gore by the gripped grunting.
Higher than homelands of hands in horizons,
Heavens and Hells or Hades hazily hear the honing of the horses and horns-
In internal infernos of inflicting infringes of institutional insurrections Interrogations instigated imminent innate innovations.
Jacknives of jaundiced and jilted jokers jabbed at the jumping jingles of the jesting jackals that jet over jerseys of jeering,
For the Killer Krakens kelp the kites from kids who keep kaleidoscopes of kind and keen keepers.

Longer than languid lads that laze in lost latitudes the lieutenant lounged behind lines of lingering losses-
Maids mellowed around mazes of men and manners of mad moments and made for mates on mattresses on mothered matrimony.
Noisy & never-ending neckties on nests of nicked numbers never nominated the nurses that nosed the nuns for nuns’ nihilism
Beyond the Oligarchs of overt operations of obligating omnipotence ostracizing the omniscience & omitting its ownership to the omnipresent order.
Pilgrims to pentagons by people from poached & palpitated places of placards of propaganda pondered their positions in this power polarity
When quivering quills of quavering queens quelled the quarterly quests of the quaint quarrels.

Because roving rivers of raging ravines and raving reviews raced to the rest of the ripped rampant ravages and revelled at the rambling randomness
Structured subsiding and subsidized societies should string the strongholds of the supreme sultans of seeded senses.
Taking the trusty treaty the trussed toppled truants took the trickling ticking of time to the tables of trampled trees of timber,
For under the ubiquitous umbilical umbrellas of ultra-sounds from upper-level ulcers underground underworlds underestimated the union.

Vivid visions of voracious vampires of vexing vacuum vortexes vilified the vindicated vindictives from the violent vapid vanity
While wild & wily whiskers of whispered whisky whisked the wailing widows
From the wells of wanting when the wanton warriors walked on waters.
Yards of years of yearning the yesterday’s yonder yarns of yellow yolk yawned Into the youth’s yoked yams
For zigzags of zapped zebras to zip the zest in zealous zones.”

“The surge diversion is going well here, Pearl, for the moment. The energy has been channeled into street protests and the vibrations are being changed by an awful lot of banging on saucepans with spoons, somewhat noisy admittedly, but we’re a noisy lot here, and it’s going well. They’ve even adopted the word Tides to describe the surge diversion, and it’s alot more fun on the streets than some other surges I could mention.”

“No need to snort like that, Mari Fe” said Pearl. “We’ve just had word from the remote viewing team, and Ed Steam is in your neck of the woods, and one of your surges must be diverted to take him out.”

“The Three Kings Procession in a few days time might be an opportunity, leave it with me Pearl, I’ll see what I can do. I’d already planned to follow the Three Kings back home after the parade to ancient Tartessos, I’ve been collaberating with the time travel teleport portal people. Did you know that the Pope admitted that the Three Kings were from Andalucia? That was a result of the Occupy The Vatican Library Out of Body team. Anyway, maybe we can send Ed Steam back with them. He won’t be able to cause much trouble from thousands of years ago.”

“Mari Fe, if you’re planning to go back to Tartessos too, you won’t be much help here, will you?”

“Ahhhh!” replied Mari Fe with a cryptic smile. “You wait and see what I bring back with me!”

“Well as long as it’s not Ed Steam, that’s all. Leave him there!”

Petronella had attended many “Occupy Movement” gatherings- she was one of the first to shuffle eagerly to Wall Street when the Yankee Americans were finally awakened from their stupendous slumber, and when the Spanish were shouting “Viva la Revolucion!” she was silently there, capturing every movement with her Canon IX-25 14.0 Megapixel camcorder and reporting to the rest of the world the rumblings of the impending revolution. This occupation was different, felt different, and conducted in a different manner.

She dusted the dirt off the book, looked around to see if nobody spotted her picking the book up, and retreated back into her tent. She brew a fresh pot of coffee, bundled herself in her tiny, yet thick and warm blanket and set the book before her. It was an odd-looking book, none like the books she’d encountered- and she encountered many books! Its cover was plain, covered in a velvet cloth with the title written plainly and boldly on the cover: CANARIA. The name rang a distant bell, but she shook the afterthought and proceeded to open the book. As she opened the first page, another beam of bright energetic light- this time it was blue- swept past her like a hurried flock of bees. This was the fourth beam of light she’d witnessed in the past twelve hours, and she was beginning to think she was going crazy. What made the whole matter even more crazier was that these beams of light seemed to be WHISPERING AND GIGGLING, almost as though they were forlorn inhabitants of the vatican. She ignored the beam of light- yet again- and resumed with her book. Just then, a blip sounded from her tiny Lenovo notebook: Kerry had sent her an instant message on Facebook chat. Slightly chagrined, she leered over and grabbed her notebook, settling the book next to her. Kerry was offline, but she had left a link to a website. Petronella clicked onto the link, and an article popped up on the screen. She skimmed by, having little interest in Kerry’s New Age nonsense. She was just about to close the webpage when a sentence caught her attention: “When you practise remote viewing, you will be accorded a beam of light with its owwn colour that’ll identify with you.”
The mentioned beams of light the sentence mentioned were the same she’d been witnessing, so she silently read on.

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

Blithe Gambol’s report was a trifle unexpected. She had advised her clients to take a closer look at Share’s Novel Attempt and the interesting new developments there before proceeding with the “case” which had rather cleverly turned into a picnic hamper

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

“The thing about continuity, Lavender” remarked Aspidistra “is that when it appears to be elusive or absent, it’s simply that most of the continuity is simply veiled from view.”

“Well how do you know it’s continuous then? If it’s veiled from view, how do you know that the continuity is there?”

“Trust, my dear, simply trust, and add to the continuity impulsively, spontaneously, and don’t worry about anyone elses glimpses of the continuity string.” Aspidistra added, somewhat patronizingly

“Oh like you do, you mean” retorted Lavender with a snort.

“I hope you’re not catching that Swine Flooh, dear” Aspidistra replied kindly, misinterpreting the snort.