Search Results for 'write'

Once upon a fucking time
A writer tried to tow the line
And then got struck
Like Oh my fuck
Ing god I’ve got Tourettes

And once upon that fucking time
No it bloody didn’t rhyme
He tried to shout
Could only prout
And mutter bugger all the time

“No wonder my shoulder’s aching, trying to tow the continuity line, Godfrey, I’m not going to even try anymore. I’m going to have a soak in Musadek Bath Salts, and from now on (notwithstanding you can’t see future sequence unless you’re misinformed, unless I was misinformed about that) I’ll write whatever I want, and I have the Invisible Story Characters behind me!” And with a dramatic flourish, she swept out of the room, slamming the bathroom door behind her.

After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”

perhaps age under dream
yeast speak waiting hot
replied himself dear head
chance heard spiders stoll quote years
writer already headless

“What would you have me do, Lizzie darling?” Godfrey asked slightly puzzled, as he was still longing for a good cup of anything to get him into the present and into the morning.
“You could start a new thread if it would help, I would even reopen the very first one, yes I would do that…” Godfrey continued
“Truth is, things are never quite the same during Finnley’s winterly vacations” He said to the cup that Elizabeth just brought him “She was the one with the brilliant rewrites and scissors magic…”

New Venice, October 2117

Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.

Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.

So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.

Let me see… there were a few threads going on there, and all we need is untangle some of them…

She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.

As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.

Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.

So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.

She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?

It was not before Leörmn suggested at Irtak the overlooked possibility that Irtak seriously considered the option.
After all, the batty toothless woman who had come forth (almost in jest it had seemed at first) wasn’t really an obvious choice to make a dragon rider of the twin Heckle and Jeckle.

Well, who was he to judge anyway? He was even starting to find the idea less and less incongruous. She would perhaps make for a good companion.
As they said, dragon breeders may just be failed dragon riders, but Irtak wasn’t sure that it was close to the truth, or any truth for that matter.

As his choice was finally made, he took a carrier fincheon from a cage smelling of bird’s droppings and started to write on a piece of torn and pissy parchment with a crow’s feather to Lady Peackle Handlebut.

Harvey wasn’t really annoyed nor offended that Ann couldn’t remember him each and every time they met. In fact, it was quite funny, that her version of Harvey was different every time.
He wasn’t bound to be the same old Harvey as with anybody else.

Nonetheless, he wished Ann would express more of her own perception of the Harvey she had in front of her eyes, instead of moaning she couldn’t or should remember anything. After all, it wouldn’t be the first time they would then all conspire to make a stretch (sometimes to the verge of rupture) in the fabric of the story to make it all fit.

And which Harvey and Ann were they? Were they only bound to be one ‘other’, without any substance safe for the fact that they were probable versions of a Prime Ann, and a Prime Harvey in the First Universal Comments Kosher (or kookish?) dimension? The mere thought of it was rather depressing to this probable Harvey.

With all this probable purée, it was as if everything wasn’t really occurring anywhere else but in some even less probable writer’s head… (he couldn’t help to wonder too how this snippet would be interpreted in the near future when it would only be a fragment of a random quote itself…)