Search Results for 'writer'

Shawn Paul had decided that this particular day was dedicated to his writing. He had warned his friends not to call him and put his phone on silent mode. It was 9am and he had a long day of writing ahead of him.
He almost felt the electricity in his fingers as he touched the keyboard of his laptop. He imagined himself as a pianist of words preparing himself before a concert in front of the crowd of his future readers.
Shawn Paul pushed away the voice of his mother telling him with an irritating voice that he had the attention span of a shrimp in a whirlpool during a storm, which the boy had never truely understood, but today he was willing not to even let his inner voices distract him. He breathed deeply three times as he had learned last week-end during a workshop, and imagined his mother’s voice as a slimy slug that he could put away in a box with a seal into a chest with chains and lots of locks, that he buried in the deepest trench of the Pacific ocean. He was a writer and had a vivid imagination after all, why not use it to his benefit.
A smile of satisfaction wavered on the corner of his mouth while a drop of sweat slowly made its way to the corner of his left eye. He blinked and the doorbell rang.
Shawn Paul’s fragile smile transformed into a fixed grin ready to break down. Someone was laughing, and when the bell rang a second time, Shawn Paul realised it was his own contained hysterical laugh.

He breathed in deeply at his desk and got up too quickly, bumping his knee in one corner.
Ouch! he cried silently.
It would not take long he reminded himself, limping to the door.
What could it be ? The postman ?

Shawn Paul opened the door. An old man he had never seen, was standing there with a packet in his hands. If he was not the postman, at least you had the packet right said a voice in Shawn Paul’s head.
The old man opened his mouth, certainly to speak, but instead started to cough as if he was about to snuff it. It lasted some time and Shawn Paul repulsed by the loose cough retreated a bit into his flat. It was his old fear of contagion creeping out again. He berated himself he should not feel that way and he should show compassion, but at least if the old man could stop, it would be easier.

“For you!” said the old man when his cough finally stopped. He put the packet in Shawn Paul’s hands and left without another word.

Lucinda answered her honking phone, while silently indicating to the waiter whose drink was whose. She smiled as she noticed the reaction of the people sitting at the other tables to the strident honking geese noise she’d chosen for her phone. The mundane daily things that amuses one are more important that you think, she’d say if anyone mentioned it, and the reaction to the honking tickled her every time her phone rang.

“Maeve, darling!” she gushed, showing off a bit in front of Shawn Paul and Jerk, and then her face puckered into a frown as she cringed. “Oh dear, I’m awfully sorry… . No, of course you can’t decorate it all on your own, that wouldn’t be fair at all, but that’s the thing I wanted to tell you,” Lucinda was thinking quickly, “The neighbour, you know that tall one with the nice smile, and the, er..the well dressed one, yes that’s the one, the writer, well he’s going to help us with everything…”

Almost imperceptibly, Shawn Paul’s head jerked back a little upon hearing this, as he wondered what exactly he was expected to help with.

Lucinda continued into the phone, “And you know the guy from the supermarket down the road, the , um, the quiet one, well ok perhaps you haven’t noticed…. what? yes, that’s the one! well he’s going to help too. What? Oh I’m sure he’s only like that at work,” Lucinda glanced at Jerk with a little laugh, mouthing something indecipherable to him and pointing at the phone with a roll of her eyes. Jerk raised a single sardonic eyebrow and sipped his cocktail.

“I tell you what Maeve, come and join us. We’re having drinks at the Red Beans cafe. Where? It’s next to the Karmalott Kafe on the river front, you know it? Good! See you in ten, then.” Lucinda snapped her phone shut and beamed at the two men.

Shawn-Paul lived in a studio apartment, crammed with bookshelves full of books and trinkets that he gathered during his many walks around the city while looking for inspiration. He hadn’t read all of the books, but he always had the intention to do it one day. One day easily became two and three, and so many.
Someone with OCD could dust date the different purchases by measuring the thickness of the layer of dust on the books.

That day, Shawn-Paul was drinking a hot chocolate at his computer on the small desk where some books lied open or closed on top of each others. The top one’s cover claimed in bold red letters “NARRATIVE COACHING, The Definitive Guide to Bring New Stories to Life”. Shawn-Paul had bought it thinking it was a coaching book for writers but it apparently aimed at teaching coaches to tell good stories. The book had proved interesting and especially another occasion to enrich his knowledge about the world or in one word procrastinate.

Shawn-Paul took a sip of the hot chocolate, which was now more lukewarm than hot and felt the impulsion to open his browser and watch a video about narrative coaching on U-stub. That’s when it all went wrong and myriads of ads popped up and covered the screen and his newly bought writer software were the first word of his novel still waited to appear.

At first, he panicked and his sudden movements back and fro almost broke the fragile equilibrium of the desk clutter. But then he shrugged, took his phone to call his friend Jeremiad for help and remembered how that went last time when he had to listen to his friend’s imaginary problems, just like imaginary friends but worse. He put the phone back in the clutter and looked at the last ad. A girl with sensuous cherry red lips winking at him with a packet of granola cookies spinning around her head.

Unaware of what was happening, Shawn-Paul felt hungry and considered his lukewarm chocolate. He smiled as he thought he could make another one and enjoy dipping some cookies in it.
He went to the kitchen and foraged through the clutter of dirty dishes and empty cookie packets. There were none left. The effect of hunger on Shawn-Paul was square grumpiness. Not round, not rectangular. Square. And it didn’t fit the curves of his stomach.

Shawn-Paul put his writer’s jacket and cap on, added a wool scarf because he had a sensitive throat, and it looked cool on him and he winked at his reflection on the mirror hanging on the main door.
He left, unaware of the smile of the granola girl.

Liz had an idea, and was glad that the others were all out on a day trip to the museum so that she could think about it without interruptions. It had occurred to her that there was probably a theme right under their noses regarding the multitudes of non endings in the stories. Where exactly had they all ended without actually ending?

Sure enough, the first one she looked at seemed promising with the mention of sheets:

“Yurick woke up from another spell of dreams. The patterns of the bedsheets where as though his newly inserted tile was creating a strong combination with other tiles.
In his puzzlement, he forgot to take a physical dream snapshot…”

Liz had had a personal breakthrough with bedsheets recently, and was pleased with this encouraging start.

When Liz looked at the next non ending of a story, she wondered if this would prove to be a theme: the characters themselves had gone missing.

“I haven’t heard a word from Lavender for the longest time, Lilac was wondering, When was the last time? Lavender, where ARE you?”

Liz had a slight jolt when she saw the non ending of the story after that, worried that she would find a trend of herself being the last writer to comment. What would that mean, she wondered?

“Minky was looking smug. “Enjoying the ride?”

Ending with a question? Well, that was something to think about. Liz was relived to find she wasn’t the last writer to write in the next story:

“For once, Arona was completely unconcerned about continuity.
“I wonder if we could harness the power of the wind to create a flash mob to amuse and entertain me?” she suggested.
Vincentius pondered for a moment “I did once employ a hamster to power a night light, so I don’t see why not.”

Smiling at the continuity remark, Liz pondered the nature of the message in this one. Anything can be created to amuse… can it be that easy?

Another nasty jolt as Liz read the last entry in the following story, considering the irritating few days she had just had with the online payment company:

“She clicked with her dysfunctionning mouse and invalidated the transaction again.”

Well, Liz said to herself, I certainly hope that little chuckle will have helped change the online transaction situation going on here presently!

“What we all need now”, Liz was thinking out loud, “Is a more relaxed approach. We should stop trying to be proper clever writers and just blather.”

“If it’s supposed to be relaxed blather, why did you just fix three typo’s?” asked Finnley, the annoying maid, who had once again been peering over Elizabeth’s shoulder, looking for something to find fault with.

“Oh come on, that’s a bit much, Liz!” Finnley retorted, accidentally on purpose slopping Liz’s tea into her ashtray, knowing a pet hate of hers was a wet ashtray.

“Do be careful, Finnely! snapped Liz.

“Just taking a relaxed approach to being a maid, Ma’am,” she replied rudely with a flamboyant gesture with her feather duster, which whacked Liz smartly across the back of the head as she swanned out of the room with her nose in the air.

That night Glynnis had a strange dream. She knew that it was no ordinary dream and in the morning diligently recorded it in her dream journal.

I was walking on a windy path through the forest. A young woman with bizarre hair and a cackling laugh appeared before me, blocking my path.
“Tell me your name!” I commanded.
“My name is Eleri, and I have a parrot to accompany you on your journey.”
“A parrot! What would I do with a parrot?”
“This is no ordinary parrot. This parrot can tell jokes,” responded the woman.
“A funny parrot! Well why didn’t you tell me that in the first place. Give me the parrot and I will be on my way.”
“Hold your horses. It’s not such an easy thing as that,” said the woman. “It never is you know. First you must tell me what is going on.”
I sighed and handed her a manuscript. “Read this a dozen times and all will be made clear.”
A look of petulant fury distorted the young woman’s face.
“ Tell me what is going on, you rude tart!“ she said crossly.
Here is what I told her:

Glynnis is a young woman living in the enchanted forest in an abandoned mansion. She practices magic and has a great affinity for nature. She also has the face of dragon after she annoyed a powerful sorcerer. She is being troubled by dreams which seem to be calling her on a mission—the purpose of which she is unsure. Glynnis sells her potions at a stall in the city. One day she finds a map hidden behind a painting and knows that she needs to follow the path shown on the map.
Rushkan is fae. He works as the city ‘chief overseer’ looking after the clock tower. He isn’t that keen on his job. Rushkan has a half-formed vision to assemble a team but for what purpose he is not sure. He has also discovered something worrying, dark even, about the clock tower.
One day, Rushkan uses his magic to call for an Oliphant. He packs a small bag of belongs and departs on a journey. Before departing, he leaves a gift for Olliver, the office errand boy.
Rushkan is a little irritated to find that the forest has been fenced off and a toll-booth erected—who wouldn’t be annoyed by this needless bureaucracy? Anyway, after farewelling the helpful Oliphant he continues his journey on foot.
He hears a cry for help and comes across a dying Gibbon. The Gibbon entrusts her infant to his care. He takes the baby—named Tak—to an old woman who lives in a lodge close to the Dragon Heartwood: Margoritt Loursenoir, a writer. It seems Tak is a shape-shifter and can also take the form of a child. Perhaps that is his true form. Rushkan stays with Margoritt for a while to recoup but it isn’t very long before he feels compelled to continue his journey to find the hermit, Kumihimo,in the forest. Kumihimo seems to be weaving seven braids.
To get to the hermit Rushkan has to cross Fae land. He isn’t overjoyed about this because he has left the ‘old ways’ of his people. Rushkan has to declare his presence to the Fae people—it’s a rule. The Queen is a bit annoyed because her empire is not as powerful as it once was and she has had to use precious resources to protect Rushkan on his journey. Anyway, she doesn’t stay uppity for long and ends up in bed with him.
Gorash is a dwarf statue who abides in the grounds of the deserted mansion in the enchanted forest. At night he comes to life. He has a friend called Rainbow. Gorash assists Rainbow in stealing Glynis’s magic potions and they make seven colourful eggs which Rainbow is infatuated with.
Mr Fox lives in a hut outside the city walls. At sunset he can shapeshift into a fox. He prefers being in animal form. Fox is quite a character. Not much gets past him.
Fox’s master is a Gibbon who taught him how to shapeshift. After going on a journey into the forest to find Gibbon, Fox is told that it is time to learn the wisdom of the Heart. Gibbon gives Fox an assignment: “You’ll find a lost soul in the enchanted forest. Bring it back to its rightful owner. Then you shall find your master.”
Fox goes back to the mansion in the deserted forest just as Glynnis is leaving on her journey. He befriends Gorash who has become increasingly lonely since Rainbow now has the eggs.

“That’s brilliant,” said the woman called Eleri. “You should probably get lots of points for doing that.” She gave one more loud cackle and shouted: “I am off to pick some mushrooms. You will find the parrot when you wake up from this crazy dream!”

past writer ask godfrey
kitchen hope hear stories comment
outside ones soon morning
immediately latest staff sort mission

“Oh. how ridiculous!” exclaimed Elizabeth, throwing a transcript at Godfrey.

Deftly catching the paper being tossed in the whirlwind of a forceful exhalation of Liz’s cigarette smoke, he raised an eyebrow but remained silent.

“She had a dream, you see,” continued Liz. “A dream about a writer and her maid. She mentioned it to me because she had one of those funny feelings it was about me, and when she told me, well the first thing I thought about was, well, you know….”

But Godfrey wasn’t listening, he was winking at Finnley who was reading over his shoulder. The maid stifled a giggle.

“So then I said to her,” Elizabeth explained, “‘I wonder what she’s been up to, left to her own devices?” and then she asked him all about it, and that’s what he said. Thrown me for a loop, I must say.”

E: (chuckling) Left to her own devices, she generates considerable intensity in extremes.

A: is this a character that has become a focus?

E: Reverse.

A: So it’s a focus that has become a character…. is there any information on the focus itself that I could offer her to play with that?

E: The focus is a past focus, but a recent past focus…a past focus in the timeframework of the 1940s…

A: in the Americas?

E: This focus travels, but I would express is based in Britain.

A: That makes sense.

E: And in actuality is involved with early computers…with large cables. LARGE cables…

A: [babble babble ohh ahh blah blah] …and she is female?

E: Yes.

“I recalled a dream last night. One thing led to another, maybe I’ll tell you about that later, but it is connected, so remind me later. Then I was reminded of a story. Then I had a message from someone about a dream about a writer with a maid called Agnes, and she had recalled another story about Brooklyn. And of course, that got me thinking about stories. And story characters! And us!”

At this point in Liz’s monologue she paused and looked meaningfully at Godfrey, Finnley and Roberto. She repressed an urge to slap Roberto, who was gazing out of the window (thinking about mountain tajines no doubt), to get his attention for the meaningful look that she wanted to give him, and cleared her throat loudly instead.

Not a moment later she had to control the urge to slap Finnley, who was just about to make another remark about the length of her sentences.

“I didn’t say a word!” Finnley exclaimed with righteous indignation. “I only thought about it!”

“And I didn’t slap you, did I. I only thought about it too!” retorted Liz.

“Ah, but you’re the one who wrote it down. You’ve gone and done it once you write it down.”

“Don’t be daft,” replied Liz. But she wondered, what if?

“Thanks,” said Bossy taking her cup of tea.

“So, tell me more about this evil fruit-loop doctor,” said Ricardo with an encouraging smile.

Bossy looked intently at him. “It’s no joke,” she admonished him sharply.

“Oh, no. No, of course not. I mean, yeah, I really want to know. It all sounds very … intriguing. And sort of creepy, to be honest. But definitely not a joke.”

Bossy relented and gestured imperatively for Ricardo to be seated.

“The doctor could best be described as a mad genius. He believed he had found the answer to looking eternally youthful but didn’t want to go through the time and expense of clinical trials through the normal channels. So he set up a testing laboratory on a small and relatively unknown Pacific Island. Tifikijoo, I believe it was called.”

“Uh huh. Actually I do vaguely remember something about that story.”

“We got the story first,” Bossie said proudly, “but there was a media ban on publishing some of the information, unfortunately. The Doctor managed to get funding for his tests through an undercover organisation whose hidden agenda was to hide an ancient crystal skull while at the same time providing them with a facility where they could continue their own secret testing into spider genomes. I can’t tell you too much about that — it was all hush hush. So, you wouldn’t have read about that in the news, I bet,” she added with a smug smile.

“Uh, no,” answered Ricardo, privately wondering if Bossy was the mad one. It was all starting to feel a bit surreal to him.

“Did the doctor know about the skull stuff?”

“No, the doctor was genuinely only interested in preserving beauty. Unfortunately, to this end, he killed one of his first guinea pigs. And tried to disguise his crime by mummifying the body. That’s when it all began to implode on him.”

“What happened to him?”

“He had some good lawyers and was found not competent to stand trial on the grounds of insanity. And the fact that all his clients had signed liability waivers helped a bit. He was sent to a high security psychiatric institution but managed to escape by reverting to his female identity—he was transsexual—and hiding in a laundry trolley.

“The doctor hated the way he was portrayed in the media and most of his venom was focused on our people. We had a guy working with us then, John Smith, and he covered the story with Connie. They got the brunt of the hate emails. John nearly had a nervous breakdown with the stress of it and moved to the country. Pity, he was a good writer.”

“So what makes you think Santa Claus and the doctor are one and the same?”

“Call it a very strong hunch. The Doctor was born in Iceland and had strong family ties there. And now I fear he has lured Connie and Sophie there in order to exact his evil revenge!”

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

“Bird poo is good for your hair,” said Tina scathingly, once again reading Quentin’s thoughts. “When these little ones hatch… “ She trailed off, not feeling the need to elaborate further.

Meanwhile in another part of town (or possibly in another dimension … it is not clear to the writer at this point but the writer is determined to carry on regardless — the editorial staff can clean it up later), Miss Bossy Pants managed to crawl her way out of bed, just long enough to send an urgent message:

Can’t possibly write today. One of you will need to do my contribution for the story. Thanks.

She contemplated adding a smile emoticon but feeling such a strong urge to punch it in the face decided that it was extraneous.

“Godfrey, shouldn’t you DO something about that? The characters are wandering all over the place, on the wrong threads, wandering right out of stories, whether they’ve been written out or not. They’re all just doing whatever they damn well want, it’s getting ridiculous!”

Obligingly Godfrey cackled loudly, in what Liz presumed was a game attempt to restore some order in the threads (mistakenly assuming momentarily that they were in Caketown) .

“Are they all turning into anarchists?” he asked, raising an eyebrow.

“Don’t be daft, Godfrey, you can have characters that are anarchists, but you can’t have anarchists that are characters, where will it end? Who will be in control, and lead the story?”

“The writer will have to follow the lead of the characters, then, and support their moves with filler and back story.”

Elizabeth felt faint. “What are you suggesting?” she whispered, filled with dread and uncertainty.

Lisa awoke first, sticky with sweat. Quietly, she jiggled her leg which was dead from lack of circulation, letting the others sleep. There may not be much time for rest, she reasoned, we know not what the next chapter will bring, or where it will lead. She closed her eyes again, and contemplated the feeling of restriction, thinking about other times when she had felt restricted or blocked.

There was that time when she joined the creative collaberative writing group many years ago, with the intention of developing a free flow of inspiration and imagination. Indeed that was what the advertising bumph had professed, that it was to assist people to release themselves from their writers blocks, unleash their imaginative potential, free their souls to express themselves unhindered by protocol or hidebound tradition. It had all seemed like just the ticket, just what she wanted, and she had dived into the project and gloried in the unexpected things that were born from simply letting the words flow. But then a strange thing started to happen. Every time she went to the class, her contributions were criticized, scoffed at for not following the plan, despite that there was no plan ~ no plan had been mentioned in the small print when she signed up, anyway. But other people had made plans for what she was to write, and it confused her greatly. It was troublesome because the more she enjoyed the process of writing itself, the more discouraging the group became with it’s constant criticisms of the right way to approach the process. Instead of promoting less restrictions, it was constantly advocating more restrictions, more rules to follow, endlessly complicating it all. What made it all the worse was that she so enjoyed it, looked forward to it, and benefited so much from it. Well, she had used the experience to practice not minding about other peoples opinions and to carry on regardless, not restricting herself to acquiesce to other peoples expectations, exploring her own stories and connecting links and layers with other stories ~ wasn’t that what life was all about? take what you want, and leave the rest? Steer your own ship?

Her meandering thoughts led her to the words of the old dead guru, Elbutt. Love doesn’t mean liking every comment, he had said, Love means knowing and appreciating the whole story, the whole scenario. It didn’t mean you had to find something likable about each and every role, but to acknowledge and appreciate the whole and that the roles that were played within it were a part of that whole, regardless of whether you liked them or not. That definition of love had made a great deal of sense to Lisa, who was not one to use the love word overmuch.

A cockroach climbing on her foot distracted Lisa from her thoughts, and she absentmindedly brushed it off. The cockroach was not deterred, and returned to climb on her foot repeatedly until Lisa suddenly remembered Pseu. The cockroach, once it was sure it had Lisa’s attention, scurried out into the courtyard adjoining the Processing department waiting room, stopping on a manhole cover, and then returning to Lisa’s foot, and then returning to the manhole cover.

“Are we to go down there?” whispered Lisa, pretending to cough as a guard walked past. The cockroach did a pirouette as if to confirm. Lisa furtively looked around. The guard had gone; it was time to wake Ivan and Fanella.