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  • #79
    ÉricÉric
    Keymaster

      These are excerpts from Yuki’s diary, explaining some of the details of the experiment called — Malvina’s story —.

      Note: for the reader not familiar with all the names here is a quick reminder:

      • Araili > Yann, Írtak, Sam, Jacob …
      • Armelle > Fiona, Arona, Tina, Qixi …
      • Rafaela > Dory, Illi, Becky, Rodney …
      • Yuki > Quintin, Al, Janice …

      September 12 th, 2007

      Today, an experiment has been launched by Quintin. Time will tell if it will bear some fruit, but the idea sounds good.
      Having people join in a story telling, and see what happens, what are the “lessons” one can draw from this…

      Armelle, Rafaela and Araili are already on the starting-blocks, though Quintin is not quite aware yet.

      I can hear some thoughts: Let’s say for the moment that there are no rules. We will see what prompts the desire for having rules…

      September 13 th

      Some of the people familiar with Janice and her friends’ adventures have already joined in with much enthusiasm.
      This first comment seems very promising.

      Right now, it feels easy and fun.

      Quintin seems to think that everything is very straightforward.
      The magical world with the cave in one part, separated from the “real” world. (Two Worlds, and he thinks that will be enough to content Rafaela, ahaha, how presumptuous)
      The first he sees as a representation of what psychologists think of as “subconscious”, and the other being the conscious, physical part.

      But of course, he thinks he knows better than that. He calls the first one “subjective” rather than subconscious, because it’s a translation of subjects which unfold in many related objects in the “objective” or physical world.
      That’s a good point, though a bit distorted. It would be better to say Malvina’s World is a translation of the subjective, in the manner of a Heroic Dimension.
      But the thing is, that he missed the point in thinking one World is more “real” than the other.
      We’ll be having some fun soon…

      First remark… The second comment of the story has been interrupted abruptly in the middle of a sentence. That is interesting. We will urge Quintin to leave it as it is, despite his feeling of it being awkward.
      We will appeal to his imagination.
      It seems he has heard the suggestion.

      September 14 th

      For the most part, the story starts to get much involvement. Lots of energies are being projected into it, and with every adjunct, each participant’s perception stretches to accommodate the changes and smooth out the bumps in their own sense of continuity.

      But as I expected, some challenges seem to appear already.
      Is it raining or not in that world?
      The question seems simple, but it is very profound and Fiona seems to struggle a bit with it, as is Quintin. The question frame itself [“that World”] shows where the difficulty lies.

      He seems to avoid the discrepancy and pretend that he has not seen it. Mmmm, avoiding the obstacles… that will very soon come right back in front of you dear Quintin, for Dory is quite playful.
      At least Fiona has been challenging Dory for not paying attention… Armelle’s ineffable loving ruthlessness!
      How will it unfold?
      Rafaela seems to be delighting herself as though she’s preparing some mischief, but Dory struggles in the “back”…

      September 15 th

      Dory is indeed very playful and her imagination is unrestrained. I extend much appreciation to this focus of Rafaela, especially as Quintin has to stretch his imagination to make things “fit”.

      Quintin is still avoiding the issues that appear sporadically and prefers to stay focused on his own perception of the story… Careful Quintin :face-smile:

      Yann joins the fun —objectively, that is, for Araili has been present already since the very beginning.

      September 16 th

      Halcyons days…
      My dear friend Archie is answering some of Quintin and Yann’s questions.
      Something starts to dawn on Quintin. But his mind is on other matters.

      He understands that the energies of the writers are melding in writing the story, but he still tends to think that they blend completely.

      September 18 th

      Quintin has been drawing some of the characters of the story. It’s interesting.
      He had good insights, as Yann will tell him later that his clothes today were exactly the same as the colours he had drawn.

      Characters drawn:

      • Mavina, Leörmn the dragon and weaszchilla, Írtak, Huÿgens (and Fjutch), Arona and Illi (the gripshawk)
      • Malika, Quintin, Yann, Fiona and Dory

      Interestingly, Fiona resolves her issues in her cave.
      Dory too, but she did not need the cave to do this.

      September 21 st

      For Quintin, the story seems to lose all common sense, as some characters move from World to World. You could have expected that Quintin!
      And Dory pops in and out, in her mind, in her dream state, or in future timeline mixed with present or past one.
      Quintin will soon realize that he himself is doing this constantly, though he does not register it.

      But the worst thing for him is that there are bleedthroughs in between Worlds. The Reality Times newspaper was brilliant Rafaela, a perfect trigger for the beliefs that the Worlds are closed and impermeable to each other!

      Archie has been answering new questions about that story and this had been quite interesting for all of the participants.
      There is much for them to digest from the realization that each of them had been creating their own versions of the stories through their perceptions. And that they were each having their version of the story, drawing from each other’s input, like a conductor of an orchestra incorporating some instruments.

      Of course, some things still matter, and one of the point of the story is also to discover these.

      September 22 nd

      Quintin has been drawing new characters.

      Characters drawn:

      • Båd Al’Guz (Bådul), BelleDora, Buckberry the dragon, the twin dragon eggs, Archibald the parrot, Sanso the Wanderer
      • Illi Fergusson, another Illi that Quintin has tried to sneak in as a bait for Dory, with hints that she is disengaged (or “dead” in common vernacular) and merges with others of her focuses…
      • Jacqueline Bleomelen (Nanny Gibbon), Lord Wrick, his great grand children the twins Cuthbert and India Louise, Manfred, William P. Jobsworth the painter

      A new perception trick: Dory felt relieved upon seeing the moth feelers of BelleDora.
      She had at first thought they were whiskers, which was not Quintin’s intent…

      September 23 rd

      Quintin seems to have connected to a map drawn by Lord Wrick, when the old Lord has started to document his great grand children travels.

      Quintin had tried to put some annotations on this fragment, but he doesn’t yet completely understand that his perception of this World, though accurate, is only valid in this present moment, and may change at any time.

      Up to now, here are the names he could find:

      • North: the Icy Lands, and Dragon Cemeteries
      • Center: Goldfindely, homeland of Arona, connected to the Warring Kingdoms of Lan’ork by the Isthmus of Ghört’s Hammer. The Isthmus of the Dragon Head seems to lead to Malvina’s cave and hideout. Mount Elok’ram is pointed as the highest place of the World yet discovered. Three main rivers are drawn: in the ancient myths of the people of this land, they represent the three Daughters of Ghört, weavers of men’s destinies: Tibreÿa, Uleÿa, and Snimeÿa. Snimeÿa cuts the thread of life, which is shown as the river leads after many meanders to the Marshes of Doom.
      • Far East, North: the Land of Båd Al’Guz, Åsgurdy. A harsh mountainous land of islands and seas.
        Both parts of the World seem to ignore each other till now, as they are separated by the Great Rift, which in the past has deterred many intrepid navigators.
      • South: the Desert Lands. Illi’s birthplace, rarely explored by humans thus unaware of most of its marvels, gripshawks nomadic tribes included.

      When he discussed Arona’s village with Fiona, Quintin had the vision of some dolphin-like creatures, but bright yellow. They are called golfindels and are mostly seen on the northern shores of Arona’s homeland, which is thus called Golfindely.

      #268
      F LoveF Love
      Participant

        Fiona had more or less given up on getting the pebbles from Yann, deciding they must have got lost in the post, so that evening when she happened to check the mailbox when walking past she was very surprised and delighted to see a package from him. It was way too late for the postie to have been, so she was intrigued as to how they had got there and where they had been all this time.

        The three pebbles, well a couple of them were more like small rocks really and she was most impressed that Yann had sent them, were from the cave in Scotland he had visited a few months ago. Yann said the small one was from the cliff, the red one was one of the pebbles outside the cave and the grey one was from the stream inside the cave.

        Fiona held each of them in her hand and got quite a strange feeling from them, and some interesting pictures came into her head…..

        Yann had also sent a furry toy, a little scottish hairy cow. Apparently on his trip these hairy cows had reminded him of her. Fiona was a little perplexed by the seeming similarity but decided to believe it was a good thing. how quaint! she thought bless him :yahoo_big_hug:

        #258
        F LoveF Love
        Participant

          India Louise sat at the end of the extraordinarily long oak dinner table. A tiny figure engrossed in some drawing. The morning sun shone in the window, brightening the otherwise dark room.

          Lord Wrick walked in, not seeming to see India Louise at first. He held a letter in his hand, and some old newspaper clippings. He sat down heavily at the table, opened the letter, and read it. After reading it, he sat staring into space for a long while.

          India Louise looked up from her drawing.

          What is wrong Grandpa? You look sad. She walked over to him and hugged him. See look at this. Look at my drawing of a flower, perhaps that will cheer you up. The painter Bill has been showing me how to use these paint sticks and also how to use my mind to help make the painting have life.

          It is beautiful India Louise.

          What did the letter say Grandpa. Why is it making you so sad?

          It is just an old letter, India Louise.

          Yes it looks very old. Was it bad news?

          Just reminds me of things I wish I had said a long time ago, said her great grandfather, Regret is an awful curse

          The little girl hugged him again. Yes it sounds awful. I think I will draw another flower for you grandpa.

          He smiled. Thank you India Louise. I will be back soon. I will put the letter away now.

          Yes, put it away now. I can’t see any point looking at it if it makes you sad, and then come and see the flower I will draw for you.

          Lord Wrick walked over to the bookshelves and reached up. There was a tin on the top shelf. He opened the tin and got out an old key.

          He walked down the passage way, to the right and then down some stairs leading to the cellar. There was a door, which had not been opened for some time, and he had to use some force to get the key to work in the lock.

          The room was dark, musty, mostly full of what would seem to be junk, which had been thrown there when people did not know what else was to be done with it. There was an old chest of drawers against one wall. He pulled open the top draw, fingering gently some of the items, more old letters, a feather, some pebbles, a diary, some old paintings and photos. He knew each object had a life of it’s own, memories which create worlds. He added the letter and the newspaper article.

          As he left the room, he wondered whether to lock the door again, and decided not to. He had a funny feeling within himself as he made this decision to leave it open, a shift, as though his simple decision had changed things, somehow.

          Silly old fool he thought, laughing at himself. He would go and see the flower that India Louise was drawing for him.

          #257

          When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

          — I saw him too, she said to her brother.
          — I don’t want to see him again, these books are scarey.
          — It’s intriguing, I want to know more, India Louise said, egging on him.
          — When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
          — He has found a friend to help him cross the Dark Forest to the traveling portal.
          — A friend?
          — Yes, a friend. She’s special.
          — Tell me more…
          — She’s a white unicorn, only him can see her.
          — Wow…
          — She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

          :fleuron:

          — Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

          Tina was taken aback…

          — Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
          — Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

          :fleuron:

          — I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

          Quintin had answered distractedly, as he was engrossed by his last painting…

          Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

          She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

          Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
          — Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
          Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
          There are some that are being shone to me on the bottom of the ocean floor.
          What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

          Wow he had thought, she can really see.

          :fleuron:

          Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

          The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

          — Will you stop being so buffoonish! raved Tina again.
          — Perhaps I should let someone else continue then? said Albert.
          — Well, that’s entertaining, replied Becky mechanically.
          — OK. I’ll jump in, said Samuel, with a wide grin.

          It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

          Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

          :fleuron:

          Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

          The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

          :fleuron:

          Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

          Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

          She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

          She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

          When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

          Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

          This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

          She started to move again, de-focusing, past the lazy honey drops.

          The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

          #254
          TracyTracy
          Participant

            Bill, the itinerant artist commissioned to paint portraits of the Wrick family, was uneasy. While he’d been staying in the castle with the eccentric family, he’d lost all track of linear time. It had been altogether too confusing, and his head was spinning. Manon the cook had sent a tray up to his room, with a pot of Earl grey tea, and a plate of Yorkshire parkin for his supper, when he’d claimed to be developing a mysterious ailment and begged leave to retire to his room.

            Bill splashed some malt whiskey into his cup of tea. A good long sleep was what he needed, and with a sigh he drained his cup and climbed into bed, pulling the heavy eiderdown up over his chin. He lay there for awhile staring into space, not really aware of his thoughts. An owl hooted from the oak tree outside his window. Twit whoohooo twit whoo hooooooo…

            Bill blinked and then frowned. On the top of the Queen Anne highboy facing the end of his bed was a large carved stone face. How odd, he thought, I don’t recall seeing that there before.

            #248

            New York, October, 4 th 2033

            Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

            (click for article)

            :fleuron:

            Dublin, October 5 th 2033

            Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

            That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

            He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

            He was pleased to read from her, and wanted to enjoy it fully.

            So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

            Dear Sean, Becky was writing

            I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

            I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

            I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

            In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

            Love,

            Becky.

            :fleuron:

            Orkney Islands, October 4 th, 2057

            This year again, Sean Doran had not answered his father’s calls.

            This September 23 th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

            Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

            Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…

            #246

            Huÿgens was not much of a cat person.

            He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.

            Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.

            That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.

            When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat

            Huÿgens had already lost some, especially during the shearing season.

            And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.

            Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.

            So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.

            But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.

            The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.

            As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.

            When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.

            And off she was… free and unfettered as a gripshawk

            ***

            When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…

            How quaint said Illi for herself.
            — Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
            — I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
            — Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
            — What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
            — Oh, you are so sluggishly gloomy! That was just to help you…
            — Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
            — Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.

            They were interrupted by some munching sounds and ruffling heavy breath.

            — What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
            — Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
            — A WHAT? I HATE DRAGONS!
            — Ahahah, relax, I was just pulling your leg.
            — That’s not funny.
            — Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
            — That’s REALLY NOT FUNNY!
            — Why so? You can’t see it anyway…
            — And what if he sees me? Dragons are vicious creatures.
            — He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
            — A chance! A vegetarian dragon!
            — OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
            — Oh, by the eyeballs of the Mighty Shrimp, you tell me…
            — No, you choose.
            — No, you.
            — You…
            — Ooooh, bugger off…

            #243
            ÉricÉric
            Keymaster

              William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

              The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

              The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

              But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

              It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

              « Suffering is not good for the soul, unless it teaches you to stop suffering. »

              He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

              The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

              Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

              But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

              Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

              Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

              Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

              Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

              Oh… said Bill who did not expect them to come back so quickly.

              Appendix: The Wrick family tree

              #238

              Sanso was beginning to feel an urge to move. Waiting under the door in the ceiling in the cave tunnel, just watching India Louise and Illi fade in and out of view, and waiting for Dory and the parrot to return was getting boring. He was a wanderer by nature, and so he wandered off along the tunnel. He didn’t stop to wonder which tunnel to choose when he came to a junction, he just went with whatever one he happened to choose. He didn’t really mind where he ended up, that was the thing. This philosophy had always seemed to work well for him, because he ALWAYS ended up somewhere interesting; somewhere where he couldn’t imagine not being, once he was there, as if it was always the ‘right’ place to be, and at the ‘right’ time to be there.

              The cave tunnel was becoming wider and less cramped. Sanso straightened his back and quickened his pace, and started to sing.

              Hello Dolly, oh helloooo Dolly, do de dooo de do do dodedodedooooo……. chuckling to himself and wondering where on earth did THAT come from….. Oh helloooooo Dolly……

              and walked right into a coatstand, of all things, getting splodged in the face with a rather smelly wet blue cape. The coatstand teetered and Sanso grabbed it to stop it falling over. There was a note pinned onto it:

              Watch my shifting, Tell the time; Shape me wet, and Lose me dry; Colour me pink and grey and gold, and Find the secrets that I hold, What am I?

              Sanso didn’t hesitate for a single moment. SAND!

              Sanso grinned with delight at guessing the riddle so quickly, and then laughed out loud. How clever am I, he said, I guessed the answer to my own riddle! Still chortling, Sanso gave the wet cape a fond pat and set off again.

              The tunnel was widening and eventually broadened into a cavern. Bright sparkling shafts of sunlight were beaming down from several holes in the cavern roof.

              Sanso blinked a few times and squinted until his eyes became accustomed to the light. The cavern was huge, and everywhere he looked were paintings and markings on the walls, even the places impossible to reach. Some were creatures, some were symbols, in black and red and yellow and orange.

              Sanso was entranced. He sank down to a sitting position, and then stretched out flat on his back, gazing at the markings on the walls. He stretched his arms out, filling his palms with sand and then letting it go, and trailing his fingers through the sand…sand…..

              Sand! I may have got the riddle, thought Sanso, but I didn’t get the POINT of the riddle being there in the first place!

              HHMM, I’m not so clever after all……

              #229

              Georges smiled a bit toothy grin and said ‘I won’t spoil you’

              You mean I have to guess? asked Dory, who thought it was beginning to seem like an odd way to make someones acquaintance; first them appearing out of nowhere, and then expecting one to guess where they came from.

              Hahahahah! You may offer your impression, Dory, not your guess! laughed Georges.

              Well, pffft, thought Dory, I didn’t ask you to come, here you arrive, unannounced, unexpected and you expect me to play your guessing games!

              #215

              After Arona said she was hungry, the energy of Malvina disappeared, and once again Arona found herself alone in the cave.

              She found this quite irritating. They are really bit rude around here, she muttered.

              Arona sat down on the floor of the cave and considered her options. She was tired of the cave and could barely remember what had drawn her here in the first place.

              It had been the music of course. She had wanted to find the source of the music. However for the most part she decided her experience had been rather disappointing.

              (Arona was never at her best when hungry and this was causing her to quickly forget some of the wonderful experiences with the music and the paintings, and take a rather negative view of events.)

              All I have done is wander around dark passageways really.

              And now, to top it all off, apparently things are shifting. In the name of heaven what does that mean?

              AND if one more person tells me to use my magic I will probably scream or something!

              Perish the thought, came a grumpy voice from a particularly dark corner. Your moaning is quite sufficiently bad enough.

              And Mandrake the cat emerged from the shadows and made himself comfortable on Arona’s lap. This is great, much more comfortable than the ground he purred.

              Oh cute, said Arona, a talking cat.

              Cute yourself, responded Mandrake, love your cape by the way.

              (Mandrake was prone to sarcasm, considering it a perfectly valid form of humour.)

              Arona stroked Mandrake’s soft black coat and tried her hardest to work out what to do. It was all feeling a bit bleak at the moment, the ever changing cave, the half light, the heat and humidity… and especially her hunger.

              Mandrake sighed in an impatiently eggsagerated sort of a way.

              Heavens to murgatroyd¹, how can I relax with your incessant thinking? Okay so here’s an easy one for you: what’s the most important thing about magic?

              All of a sudden Arona felt a flash of lightness and a sense of new energy moving within her.

              of course! She exclaimed delightedly, hugging the less than enthusiastic Mandrake, you have to believe in it!

              [¹] Note from the editor: Mandrake being a very educate cat from noble ancestors, some of its speech may be difficult to grasp for the average reader, which was certainly not the case for the astute Arona.
              Anyway, here is some complement on that ‘Murgatroyd’ .

              #214

              Speaking of dreams, Quintin suddenly remembered he had dreamed of a woman detective, by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials.

              Strangely enough, he felt the woman detective was linked to the story, and was in fact Dory. He could feel the other participants were people closely related to the woman too…

              He didn’t really expect Dory would be giving him her two pence on this quaint dream…



              Actually, thinking of Dory made Quintin remember a notepad photocopy that she had sent him last year when she had been in Madagascar for the first time, visiting some local caves. He never actually gave much thought to these funny drawings, but now they seemed to have some kind of interesting connection to all of this…

              #200
              TracyTracy
              Participant

                Lord Wrick was reading a bedtime story to his great grandson, Cuthbert. A huge open fire roared beneath the stone mantelpiece, and cast tall flickering shadows in the dark corners of the room. Cuthbert snuggled in to his great grandad, who pulled the red tartan shawl up under his chin. The Orkney Islands were cold in September, and a chill draught was ever present in the ancient castle. Cuthbert’s twin sister India Louise had already been taken to bed by Nanny Gibbon, who would read her a story in the nursery.

                “Back from the depths of his sleep, the dragon Naasir exhaled in a puff of smoke” read Great grandfather Wrick. “He’d just woven a wonderful dream…”

                A parcel had arrived at the castle yesterday, delivered by a travelling artist, who had been invited to paint portraits of the Wrick family. There was no message with the parcel, and the artist, Bill Jobsworth, explained that an old woman in black had given it to him at the crossroads, asking him to deliver it to Cuthbert and India Louise Wrick.

                #188

                This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

                Quintin: Your story was great!

                Fiona: Thank you :) So was yours.

                Have you written any more since I last looked at the story?

                Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

                Fiona: no, wrap it up if you feel.

                I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

                Quintin: Ahahaha! Don’t restrict yourself ;)

                Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

                Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

                Fiona: The endearing dragons…

                Quintin: Yeah…

                But I had strictly no idea about the rest. It was just a bet, on luck…

                That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

                Fiona: And did she have any impression of what form that could take? Like books, or games or what…

                Quintin: No, it was much more “real” in fact…

                Fiona: you know like the card-captor game which I suppose is interactive, so real

                Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

                Fiona: So a little bit like I have done with the story, to resolve something

                Quintin: yeah, exactly, or with your paintings

                Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

                Quintin: Yeah, people can unleash their imagination.

                And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

                Fiona: such as? eggsamples?

                Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

                Fiona: Yeah, I told you I did, but you just said some riddle!

                Quintin: Did I? That’s not like me ;)

                Fiona: Ahahhaha! It is you to the core

                Quintin: LOL, damn me!

                Fiona: Well, that is a bit strong, but …

                Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

                Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

                Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

                Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

                Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

                Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

                Quintin: Ahahaha, the story has a willing of its own too…

                Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

                Quintin: And actually, I don’t think everyone will be interested in dragons…

                Fiona: How does a dragon help one learn magic powers?

                Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

                Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

                Fiona: And how having a baby dragon could help unleash our magic powers then?

                Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

                Fiona: I am not sure if i have dark corners ;)

                Quintin: it was a metaphor :D

                Fiona: ahahahhahahahahahah

                Fiona: I know, so was mine :D

                Quintin: ahahahahah

                Fiona: I was thinking I feel really accepting of myself

                Quintin: Yeah, that’s the point in the little adventure before you meet it.

                You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

                Fiona: Well I think it sounds scarey now, what if no dragon picked me…

                Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

                Fiona: True.

                Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

                Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

                Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

                Fiona: Ahahahaha yes

                Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

                Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

                Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

                Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

                Quintin: Of course, you know :)

                Fiona: That I related most to the figure of blue hat… and big feet

                Quintin: Ahahaha, stomping on the poor key-fish

                Fiona: Nearly…

                Quintin: Have to go now, thank you for this enjoyable conversation

                Fiona: See you! :)

                #186
                F LoveF Love
                Participant

                  Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

                  She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

                  She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

                  Use your magic, she had said.

                  When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

                  Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

                  :fleuron: :fleuron: :fleuron:

                  The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

                  Thank you for having me room, she said as she left.

                  No, thank YOU, replied the sleepy glukenitch.

                  :fleuron: :fleuron: :fleuron:

                  The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

                  Why sad?

                  I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

                  You always know, just feel it

                  So Arona closed her eyes tightly and allowed herself to feel the answer.

                  Because you know who you are, and it made me realise I have no idea who I am.

                  Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

                  Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

                  The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
                  The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

                  Arona, who had felt immediately connected with the young child frowned.

                  Doesn’t the little girl feel left out?

                  Go in, said the woman, Go inside the picture and feel the answer.

                  Oh, and you might want to leave your cloak behind.

                  So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
                  I remember feeling like that, thought Arona, before the magic went.
                  She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
                  As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

                  :fleuron: :fleuron: :fleuron:

                  Arona returned to the cave.

                  You look troubled

                  Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

                  On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

                  Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

                  Arona shuddered a little. I might not jump into that one .

                  The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

                  Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

                  Well I gave her the same advice, years ago.

                  More damn riddles, Arona thought to herself, and the woman laughed.

                  One final painting of yours I would like to show you. It is beautiful is it not?

                  Arona stared mesmerised for a moment, and then leapt right in.

                  She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

                  Dance Arona, she heard the woman’s voice

                  I can’t dance like that, I’m not good enough.

                  It doesn’t matter

                  And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

                  :fleuron: :fleuron: :fleuron:

                  Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

                  Things are shifting she said

                  Oh lordy, are they said Arona, What should I do now?

                  Feel the answer

                  Arona felt. I am very hungry, eggceptionally so.

                  #184

                  The transmugrification was about to start.

                  Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.

                  He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.

                  But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.

                  Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.

                  As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.

                  Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.

                  As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.

                  The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.

                  So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.

                  Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.

                  He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.

                  And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.

                  And a new egg was laid somewhere in the cave, glowing of an emerald tint.

                  This “one” was a bit different though…

                  #180

                  A middle-aged man was looking upon her when Illi woke up.

                  — Where am I? Who are you?, she asked a bit uncomfortable, her body swollen from the many bumps she had had in her recent adventures.
                  — Don’t move too much, answered the man, I found you near the gulch, you were exhausted and delirious. Actually, you can thank my dogs for having found you, though you were so anxious that you still found the strength to run away from them…

                  Illi smiled faintly.

                  — And, I’m Huÿgens.
                  — Thank you for your hospitality, finally said Illi, who was not accustomed to such kindness from the people of this land, especially towards her kind.
                  — Don’t mention it, that’s all natural, said Huÿgens. You know, my dogs have found you near a hole where my son had fallen some time ago. He had been lucky enough not to break his bones, because we humans are less prone to acrobatics than your kind… but well, I would have appreciated that someone take care of him, if he had been in the same predicament.
                  — I don’t have children, said Illi dreamily, that’s also why I left my tribe, I wanted to live a free life… What’s his name?
                  Írtak, answered the stocky man with a hint of pride in his smile. It means “arrow head” in the Old Speech…
                  — That’s lovely, smiled Illi, feeling now much more comfortable on the rough bed.
                  — Now, take some rest. There is some pruidgee in the bowl here, if you want some, it’s made with milk of my langoats. That’ll make you stronger. If you need anything, just howl. I won’t be far.
                  — Thank you, answered Illi with gratitude.

                  #169

                  The quiet voice of Leörmn, who was not only shaping the cave but also aware of the living creatures in it, upon feeling the trouble of the poor flattened glukenitch, mentally told it not to worry.

                  Glukenitches were slimy wet creatures fearing light, and thus kept most of their time living underground. They lived in colonies generated from a single individual, and they shared the same mind. It was thus quite easy to communicate with all of them at the same time, and that often proved quite useful, for people not at ease with teleportation, as glukenitches, despite their not very engaging looks, were most helpful creatures.

                  They especially liked the cave where Malvina had settled down, because there was this moisture and steam coming from the hot springs which allowed them to live a relatively peaceful life. They used to eat almost everything, not too regarding as to the nature of the things they consumed, and were quite useful recyclers of garbage. Their droppings had a bluish halo to them, which made the inside of the tunnels glow with them until they had completely dried up, and coalesced into a glassy substance.

                  That is, until Leörmn had it all changed again.

                  So Leörmn was quite fond of these creatures as they were of a great help to keep the natural balance of the cave.

                  Don’t worry he told the glukenitch mind, gripshawks are not as carefree as they seem; most of them are simply known for their dreadful sense of direction, and also at times for their limited attention span…

                  Oh yes, answered the mind now I understand, this one buggered off without any notice… Could have asked for directions, but we guess it would have been useless anyway… Perhaps this one thought I would eat it. As if we were such undiscerning creatures…

                  As the adage goes, “Not even the Elders could know what’s in the mind of a gripshawk”… answered Leörmn enigmatically…

                  You know, added the mind, without meaning to be disrespectful, it’s twice now we’ve got people falling inside this hole… Perhaps for your next transmugrification you’ll like to block it. At least, the first one, that boy, was much more polite and engaging, but you know, we cannot have all the Worlds move in here as if it were Shaint Lejüs Festival…

                  #168
                  F LoveF Love
                  Participant

                    The silent humid inky darkness closed in on Arona as she chose her path. She could not see the way but it did not matter. She trusted the darkness and the silence. She knew the way and yet could not have explained that even to herself..

                    She felt the music before she heard it. She did not know where it came from but the sound grew in intensity until it filled the whole space. She heard voices singing and could not understand the words and yet she felt her spirit soar and fly though her body did not move. The music was achingly beautiful and Arona felt her face wet with tears of happiness that something so beautiful existed.

                    Arona did not know how long she stood like that listening, but even after it ended she could still hear the music softly in her mind.

                    As she moved forward on her journey Arona saw a faint glimmer of light up ahead and moved towards it. The source of light was a burning candle, valiantly offering some respite from the darkness, and illuminating a door at the end of the tunnel.

                    #161
                    AvatarJib
                    Participant

                      Yann had been having these strange dreams and impressions since he’d been in that cave during his last trip to Scotland. In the cave he had that strange impression of a dragon roaring, but he’d rationalized that with the noise of the falls, it was quite deafening. It’d been raining for so much time that the amount of water streaming through that cave was amazing… the visits had been suspended because they feared floods and they couldn’t really explore the cave then. All he could do then was picking up a pebble for Fiona, a pebble he had still to send her :D

                      After that, he’d had the weirdest impression to be observed by dragons… they felt quite big, and event though he tried to tell himself it was some effect of his imagination, he was still uneasy about that.

                      The imagery of dragons had continued with his discussion with Quintin, who told him he had drawn that very cave… in which there were dragon eggs and their keeper. A strange harper woman. When he’d been shown the painting, Yann had that feeling of déjà vu, and the kid attending the newborn dragon on the upper right of the picture had aroused an intense desire to do that very action.

                      “The tunnels had been changed again”, he thought first.

                      That weird thought made him laugh and he couldn’t tell to Quintin why… yet.

                      And last week there was his friend Anastasia who was coming back from a trip to Budapest where she had seen so many dragons in the hotel, in the museums, and there was that parade, they were calling that the dragon’s parade, and it was music and parties all the Saturday night. She enjoyed that tremendously. She even told him she had the impression of being a dragon when looking in the mirror right after that night.

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