-
AuthorSearch Results
-
March 2, 2025 at 10:22 am #7852
In reply to: Helix Mysteries – Inside the Case
“Tundra Finds the Shoat-lion”
FADE IN:
EXT. THE GOLDEN TROWEL BAR — DUSK
A golden, muted twilight paints the landscape, illuminating the overgrown ivy and sprawled vines reclaiming the ancient tavern. THE GOLDEN TROWEL sign creaks gently in the breeze above the doorway.
ANGLE DOWN TO — TUNDRA, a spirited and curious 12-year-old girl with a wild, freckled pixie-cut and striking auburn hair, stepping carefully over ivy-covered stones and debris. She wears worn clothes, stitched lovingly by survivors; a scavenged backpack swings on one shoulder.
Behind her, through the windows of the tavern, warm lantern-light flickers. We glimpse MOLLY and GREGOR smiling and chatting quietly through dusty glass.
ANGLE ON — Tundra as she pauses, hearing a soft rustling near the abandoned beer barrels stacked against the tavern wall. Her green eyes widen, alert and intrigued.
SLOW PAN DOWN to reveal a small creature trembling in the shadows—a MARCASSIN, a tiny wild piglet no larger than a rugby ball, with coarse fur streaked ginger and cinnamon stripes along its body. Large dark eyes stare up, innocence mixed with wary curiosity. It’s adorable yet clearly distinct, with sharper canines already hinting at the deeply mutated carnivorous lineage of Hungary’s lion-boars.
Tundra inhales softly, visibly torn between instinctual cautiousness her elders taught and her own irrepressible instinct of compassion.
TUNDRA
(soft, gentle)
“It’s alright…I won’t hurt you.”She crouches slowly, reaching into her pocket—a small piece of stale bread emerges, held in her outstretched hand.
CLOSE-UP on the marcassin’s wary eyes shifting cautiously to her extended palm. A heartbeat of hesitation, and then it takes a tentative step forward, sniffing gently. Tundra holds utterly still, breath held in earnest hope.
The marcassin edges closer, wet nose brushing her fingers softly. Tundra beams, freckles highlighted by the fading sun, warmth and joy glowing on her face.
TUNDRA
(whispering happily)
“You’re not so scary, are you? I’m Tundra… I think we could be friends.”Movement at the tavern door draws her attention. The worn wood creaks as MOLLY and GREGOR step outside, shadows stretching long in the golden sunset. MOLLY’s eyes, initially alert with careful caution, soften at the touching scene.
MOLLY
(gently amused, warmly amused yet apprehensive)
“Careful now, darling. Even the smallest things aren’t always what they seem these days.”GREGOR
(softly chuckling, eyes twinkling)
“But then again, neither are we.”ANGLE ON Tundra, looking up to meet Molly’s eyes. Her determination tempered only by vulnerability, hope, and youthful stubbornness.
TUNDRA
“It needs us, Nana Molly. Everything needs somebody nowadays.”Molly considers the wisdom in Tundra’s young, earnest gaze. Gregor stifles a smile and pats Molly lightly lovingly on the shoulder.
GREGOR
(warmly, quietly)
“Ah, let her find hope where she sees it. Might be that little thing will change how we see hope ourselves.”ANGLE WIDE — the small group beside the tavern: Molly, her wise and caring gaze thoughtful; Gregor’s stance gentle yet cautiously protective; Tundra radiating youthful bravery, cradling newfound companionship as the marcassin squeaks softly, cuddling gently against her worn sweater.
ASCENDING SHOT ABOVE the tumbledown ancient Hungarian tavern, the warm glow of lantern and sunset mingling. Ancient vines and wild weeds whisper forgotten stories as stars blink awake above.
In that gentle hush, beneath a wild and vast sky reclaiming an abandoned land, Tundra’s act of compassion quietly rekindles hope for humanity’s delicate future.
FADE OUT.
December 14, 2024 at 2:28 pm #7671[Scene opens with an elegant study, filled with books and ornate furniture. Liz Tattler sits comfortably in a plush armchair, draped in her signature flamboyant attire.]
Narrator (warm, engaging voice): “Meet Liz Tattler, the visionary behind countless bestsellers.”
[Quick cuts: Liz passionately gesturing as she describes her creative process, her hands adorned with long, pink nails.]
Narrator: “A master of transforming the mundane into the magical.”
[A playful montage of Liz surrounded by whimsical titles, each book cover a splash of color and intrigue.]
Narrator: “Where outrageous tales and heartfelt truths dance in harmony.”
[End with a close-up of Liz, a twinkle in her eye, the words “A Legacy of Imagination” glowing beneath her.]
Narrator: “Join us for an exclusive glimpse into the world of a storytelling legend.”
[Screen fades to “Liz Tattler: A Lifetime of Bestsellers” with contact details for the interview.]
December 1, 2024 at 8:26 pm #7628In reply to: Quintessence: Reversing the Fifth
The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.
She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.
Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey. She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.
At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.
Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.
Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.
Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.
The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.
By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.
November 18, 2024 at 9:40 pm #7605In reply to: The Incense of the Quadrivium’s Mystiques
Although the small hotel was tucked in a relatively quiet corner, and despite the authentic but delightfully shabby interior of soothing dimensions ~ roomy and airy, but not vast and terrifyingly empty ~ the constant background hum of city life was making Truella yearn for the stillness of home. Not that home was silence, indeed not: the background tranquility was frequently punctuated with noises, many strident. A dog barks, a neighbour shouts, a car drives past from time to time. But the noises have an identifiable individuality and reason, unlike the continual maddening drone of the metropolis.
She was pleased to find her room had a little balcony. Even if the little wooden chair was rickety and uncomfortable, it was enough to perch on to enjoy a cigarette and breathe in the car fumes. Truella slept fitfully, waking to remember Tolkeinesque snapshots of dreams, drifting off again and returning to wakefullness with snatches of conversations in unknown tongues. Sitting on the balcony in the deep dark hours of the night, the street below, now quiet, shivered and changed, her head still swimming with dream images. She caught glimpses of people as they passed, vivid, clear and full of character. Many who passed were carrying bunches of grasses or herbs or wildflowers in their hands, the women with a basket over their arm and a shawl draped over their head or shoulders.
Hardly any men though, I wonder why?
When Truella mentioned it over breakfast the next moring, Eris said “You’ve been reading too much of that new gender and feminist anthropology stuff over on GreenGrotto.”
Laughing, Truella tipped another packet of sugar in her coffee. “I love the colour of the walls in here,” she said, gazing around the breakfast room. “A sort of bright but muted sun shining on a white wall. Nice old furniture, too.”
“Tell me about the old furniture, the mirror in my room is all speckled, makes me look like I have blemishes all over my face,” said Zeezel with a toss of her head. “Can I have your sugar, Frella, if you’re not having it,” adding I’m on holiday by way of excuse.
Absentmindely Frella passed over the paper packet. “I had strange dreams last night too…about that place we’re supposed to be going to a picnic to later.”
Catching everyones attention, she continued, “The abandoned colosseum with Giovanni, with all the vines and flowers. It was like a game board and the stone statues were the players and they moved around the board, Oh! and such a beautiful board it was with all the vines and flowers ….. ”
“Gosh” said Truella, leaning back and folding her hands. What an idea.
June 16, 2024 at 10:30 pm #7486In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
The Morticians Guild:
Nemo Tenebris, and let me tell ya, he’s a character straight out of one of those dark romance novels. Tall, brooding, with tousled hair somewhere between charcoal and mahogany, he’s got that rugged charm that makes even the bravest witches’ hearts skip a beat. His hands are like an artist’s, always deliberate and precise, whether he’s handling ancient texts or, well, more corporeal tasks. His personality? Think intense and enigmatic, with occasional bursts of biting humor. He’s the type who’ll share a grim tale and then light the room with a grin that makes you question your reality. Don’t underestimate him – he’s a master of necromancy and has an uncanny sensitivity to life’s deepest mysteries.
Silas Gravewalker. An older gent, he looks as though he’s always expecting a foggy night – grey cloak, even greyer hair, and eyes the color of storm clouds. His demeanor is gentle but don’t mistake it for weakness. He’s the wise old guardian of the Guild, carrying centuries of rituals, chants, and incantations within him. Silas is a remarkable blend of grandfatherly wisdom and hidden strength, and he’s a calming presence in the midst of chaos. His sense of humor is dryer than the Outback in summer, subtle yet striking at just the right moments. When Silas speaks, you listen, because his words are often tinged with layers of arcane meaning.
Rufus Blackwood: Enter Rufus Blackwood, the stoic guardian of the guild. He’s tall and broad-shouldered, with a presence that commands both respect and a shiver down the spine. His hair is a dusty shade of midnight black, streaked with the occasional silver – probably from the weight of the secrets he carries. His eyes are a pale grey, like the fog rolling off a moor, always scanning, always measuring. He’s perpetually clad in a long, leather duster coat that sweeps the floor as he glides across the room.
Personality-wise, Rufus is the strong, silent type, but when he speaks, it feels like ancient tombs whispering forgotten wisdom. He’s got a dry humor that surfaces in the most unexpected moments, like a ray of moonlight in a pitch-black night. He’s fiercely protective of his coven and guildmates, and there’s a sense of old-world honor about him. Underneath that granite exterior is a surprisingly tender heart that only a select few have glimpsed.
Garrett Ashford: Now, Garrett Ashford, he’s a bit of a dandy, as far as morticians go. Picture a man of average height but with presence larger than life. His hair is a striking ash blonde, always perfectly coiffed, and his attire is meticulously sharp – tailored suits, often in dark, rich fabrics with just a hint of eccentricity, like a red silk handkerchief or a silver pocket watch. His eyes are a sharp, pale blue, twinkling with a touch of playful mischief.
Garrett’s got a personality as polished as his appearance. He’s charismatic, with a knack for easing tensions with a well-timed joke or a charming smile. Though he might come off as a bit of a showman, make no mistake – Garrett’s got depth and a sharp mind. He’s a skilled embalmer and incantation master, knowing just the right touch to handle even the most delicate of cases. His flair for the dramatic doesn’t overshadow his competence; it complements it. He’s the kind of bloke who can discuss the darkest of topics with a light-hearted grace, making him a bit of a paradox but undeniably captivating.
April 11, 2024 at 7:52 am #7426In reply to: The Incense of the Quadrivium’s Mystiques
It was early morning, too early if you asked some. The fresh dew of Limerick’s morn clinged to the old stones of King John’s castle like a blanket woven from the very essence of dawn. The castle was not to open its doors before 3 hours, yet a most peculiar gathering was waiting at the bottom of the tower closest to the Shannon river.
“6am! Who would wake that early to take a bus?” asked Truella, as fresh as a newly bloomed poppy. She had no time to sleep after a night spent scattering truelles all around the city. “And where are the others?” she fumed, having forgotten about the resplendent undeniable presence she had vowed to embody during that day.
Frigella, leaning against a nearby lamppost, her arms crossed, rolled her eyes. “Jeezel? Malové? Do you even want an answer?” she asked with a wry smile. All busy in her dread of balls, she had forgotten she would have to travel with her friends to go there, and support their lamentations for an entire day before that flucksy party. Her attire was crisp and professional, yet one could glimpse the outlines of various protective talismans beneath the fabric.
Next to them, Eris was gazing at her smartphone, trying not to get the other’s mood affect her own, already at her lowest. A few days ago, she had suggested to Malové it would be more efficient if she could portal directly to Adare manor, yet Malové insisted Eris joined them in Limerick. They had to travel together or it would ruin the shared experience. Who on earth invented team building and group trips?
“Look who’s gracing us with her presence,” said Truella with a snort.
Jeezel was coming. Despite her slow pace and the early hour, she embodied the unexpected grace in a world of vagueness. Clumsy yet elegant, she juggled her belongings — a hatbox, a colorful scarf, and a rather disgruntled cat that had decided her shoulder was its throne. A trail of glitters seemed to follow her every move.
“And you’re wearing your SlowMeDown boots… that explains why you’re always dragging…”
“Oh! Look at us,” said Jeezel, “Four witches, each a unique note in the symphony of existence. Let our hearts beat in unison with the secrets of the universe as we’re getting ready for a magical experience,” she said with a graceful smile.
“Don’t bother, Truelle. You’re not at your best today. Jeez is dancing to a tune she only can hear,” said Frigella.
Seeing her joy was not infectious, Jeezel asked: “Where’s Malové?”
“Maybe she bought a pair of SlowMeDown boots after she saw yours…” snorted Truella.
Jeezel opened her mouth to retort when a loud and nasty gurgle took all the available place in the soundscape. An octobus, with magnificently engineered tentacles, rose from the depth of the Shannon, splashing icy water on the quatuor. Each tentacle, engineered to both awe and serve, extended with a grace that belied its monstrous size, caressing the cobblestones of the bridge with a tender curiosity that was both wild and calculated. The octobus, a pulsing mass of intelligence and charm, settled with a finality that spoke of journeys beginning and ending, of stories waiting to be told. Surrounded by steam, it waited in the silence.
Eris looked an instant at the beast before resuming her search on her phone. Frigella, her arms still crossed and leaning nonchalantly against the lamppost, raised an eyebrow. Those who knew her well could spot the slight widening of her eyes, a rare show of surprise.
“Who put you in charge of the transport again?” asked Truella in a low voice as if she feared to attract the attention of the creature.
“Ouch! I didn’t…”, started Jeezel, trying to unclaw the cat from her shoulders.
“I ordered the Octobus,” said Malové’s in a crisp voice.
Eris startled at the unexpected sound. She hadn’t heard their mentor coming.
“If you had read the memo I sent you last night, you wouldn’t be as surprised. But what did I expect?”
The doors opened with a sound like the release of a deep-sea diver’s breath.
“Get on and take a seat amongst your sisters and brothers witches. We have much to do today.”
With hesitation, the four witches embarked, not merely as travelers but as pioneers of an adventure that trenscended the mundane morning commute. As the octobus prepared to resume its voyage, to delve once again into the Shannon’s embrace and navigate the aqueous avenues of Limerick, the citizens of Limerick, those early risers and the fortunate few who bore witness to this spectacle, stood agape…
“Oh! stop it with your narration and your socials Jeez,” said Truella. “I need to catch up with slumber before we arrive.”
January 16, 2024 at 9:30 pm #7294In reply to: The Whale’s Diaries Collection
hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?
Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.
The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.
Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.
The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.
Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.
While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.
Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.
In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.
Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc
Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.
At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.
His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.
Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.
The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.
Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.
Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.
In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.
Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa
Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.
Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.
By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.
His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.
Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.
In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.
Now some portraits of some of the workers at the villa
Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.
First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.
Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.
The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.
Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.
These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.
what were some of the cooks recipes?
Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:
Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.were their mosaic floors and murals on the walls of the villa, and what were they depicting
Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.
The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.
In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.
The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.
In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.
The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.
The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.
The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.
Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.
can you describe the garden and outbuildings
Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.
At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.
Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.
The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.
The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.
Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.
A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.
The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.
January 15, 2024 at 10:18 pm #7293In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
May 16, 2023 at 1:37 pm #7243In reply to: Washed off the sea ~ Creative larks
Using a random generator for the next challenge with 5 objects.
- straw
- pop can
- pencil holder
- Christmas ornament
- turtle
🐋
In the dreary town of Ravenwood, where shadows loomed and the wind howled through the empty streets, there was one house that stood out above the rest. It was the old mansion at the end of the road, shrouded in mystery and secrets. No one had lived there for years, but whispers of strange happenings and eerie lights could be heard wafting through the air.
One stormy night, a young writer named Edgar arrived in Ravenwood seeking inspiration for his latest story. Drawn to the mansion by a strange force, he ventured inside, and found himself face to face with a peculiar sight. A straw sat on the table, next to a pop can and a pencil holder, and a Christmas ornament hung from a cobweb in the corner. But it was the turtle, a giant terrapin that seemed to be staring back at him with knowing eyes, that caught his attention.
Edgar couldn’t shake the feeling that something was amiss, that the objects in the room were connected in some strange way. As he looked closer, he noticed that a thick layer of dust had settled on everything, as if no one had been there in years. And yet, the pop can still seemed to be fizzing, the straw stirred as if someone had just taken a sip, and the turtle’s eyes seemed to glow in the dim light.
Suddenly, a voice from behind him made Edgar jump. It was the ghost of the previous owner, who had died under mysterious circumstances years ago. The ghost revealed that the objects in the room had been cursed by a vengeful witch who had once lived in the nearby forest. Each object was imbued with a terrible power, and whoever possessed them would be consumed by darkness.
Edgar knew he had to escape, but as he turned to run, he felt a strange force pulling him towards the turtle. He tried to resist, but the turtle’s eyes seemed to hypnotize him, drawing him in closer and closer. Just as he was about to touch it, the turtle suddenly snapped its jaws shut, and Edgar woke up back in his own bed, drenched in sweat.
He realized it had all been a nightmare, but as he looked down at his feet, he saw the turtle from his dream, sitting innocently at the end of his bed. Suddenly, he remembered the words of the ghost, and knew he had to destroy the cursed objects before it was too late. With trembling hands, he picked up the turtle, and opened his window to cast it out into the night. But as he did so, he caught a glimpse of his own reflection in the glass, and saw that his eyes had turned a bright shade of red. The curse had already taken hold, and Edgar knew he was doomed to a life of darkness and despair.
Bit dark, Whale!
May 12, 2023 at 12:19 pm #7231In reply to: Washed off the sea ~ Creative larks
photo: Lara Maiklen, London mudlark.
“a tiny window into the 18th century: a cast-off shoe, a lost halfpenny, broken pipes and smashed plates and tea bowls….”
The Whale:
As the muddy banks of the Thames river receded, a treasure trove of small, lost items were revealed. Among them, a cast-off shoe, a lost halfpenny, broken pipes, and smashed plates and tea bowls. It was as if a tiny window into the 18th century had been opened, offering a glimpse into the lives of those long gone. As archaeologists carefully examined each item, they pieced together a story of a bustling riverfront community, where goods were transported and traded, and daily life was filled with both hardships and small joys. The lost halfpenny spoke of a hard day’s work, the broken pipes of moments of relaxation, and the smashed plates and tea bowls of hurried meals and perhaps even some arguments. Although these items may have been considered insignificant in their time, they now offer a precious insight into a bygone era, reminding us of the rich history that lies just beneath the muddy surface of the Thames river.March 14, 2023 at 8:37 pm #7166In reply to: The Precious Life and Rambles of Liz Tattler
Godfrey had been in a mood. Which one, it was hard to tell; he was switching from overwhelmed, grumpy and snappy, to surprised and inspired in a flicker of a second.
Maybe it had to do with the quantity of material he’d been reviewing. Maybe there were secret codes in it, or it was simply the sleep deprivation.
Inspired by Elizabeth active play with her digital assistant —which she called humorously Whinley, he’d tried various experiments with her series of written, half-written, second-hand, discarded, published and unpublished, drivel-labeled manuscripts he could put his hand on to try to see if something —anything— would come out of it.
After all, Liz’ generous prose had always to be severely edited to meet the editorial standards, and as she’d failed to produce new best-sellers since the pandemic had hit, he’d had to resort to exploring old material to meet the shareholders expectations.
He had to be careful, since some were so tartied up, that at times the botty Whinley would deem them banworthy. “Botty Banworth” was Liz’ character name for this special alternate prudish identity of her assistant. She’d run after that to write about it. After all, “you simply can’t ignore a story character when they pop in, that would be rude” was her motto.
So Godfrey in turn took to enlist Whinley to see what could be made of the raw material and he’d been both terribly disappointed and at the same time completely awestruck by the results. Terribly disappointed of course, as Whinley repeatedly failed to grasp most of the subtleties, or any of the contextual finely layered structures. While it was good at outlining, summarising, extracting some characters, or content, it couldn’t imagine, excite, or transcend the content it was fed with.
Which had come as the awestruck surprise for Godfrey. No matter how raw, unpolished, completely off-the-charts rank with madness or replete with seeming randomness the content was, there was always something that could be inferred from it. Even more, there was no end to what could be seen into it. It was like life itself. Or looking at a shining gem or kaleidoscope, it would take endless configurations and had almost infinite potential.
It was rather incredible and revisited his opinion of what being a writer meant. It was not simply aligning words. There was some magic at play there to infuse them, to dance with intentions, and interpret the subtle undercurrents of the imagination. In a sense, the words were dead, but the meaning behind them was still alive somehow, captured in the amber of the composition, as a fount of potentials.
What crafting or editing of the story meant for him, was that he had to help the writer reconnect with this intent and cast her spell of words to surf on the waves of potential towards an uncharted destination. But the map of stories he was thinking about was not the territory. Each story could be revisited in endless variations and remain fresh. There was a difference between being a map maker, and being a tour-operator or guide.
He could glimpse Liz’ intention had never been to be either of these roles. She was only the happy bumbling explorer on the unchartered territories of her fertile mind, enlisting her readers for the journey. Like a Columbus of stories, she’d sell a dream trusting she would somehow make it safely to new lands and even bigger explorations.
Just as Godfrey was lost in abyss of perplexity, the door to his office burst open. Liz, Finnley, and Roberto stood in the doorway, all dressed in costumes made of odds and ends.
“You are late for the fancy dress rehearsal!” Liz shouted, in her a pirate captain outfit, her painted eye patch showing her eye with an old stitched red plush thing that looked like a rat perched on her shoulder supposed to look like a mock parrot.
“What was the occasion again?”
“I may have found a new husband.” she said blushing like a young damsel.
Finnley, in her mummy costume made with TP rolls, well… did her thing she does with her eyes.
March 12, 2023 at 6:53 pm #7163In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle
Contention
Endless legal squabbling,
Eventually it comes to blows.
Zhang Ji has a speech defect,
Hair loose, turning northward.I don’t know what the dickens that I Ching is supposed to mean, I was hoping it would give me a clue about that new guest. There’s something about her but I can’t put my finger on it. I must remember to ask Bert about her, see if he’s noticed anything funny. Not that she’s acting funny, not unusual for a guest who’s travelled far to get here ~ and anyone getting here has travelled, let’s face it ~ to stay in their room catching up on sleep, but I don’t know, there is something niggling me about her. I barely caught a glimpse of her but she seemed familiar somehow. I’ll ask Bert, but we’re all so busy now what with the lager and cart race coming up, and those four friends staying, and god only knows when that dust storm comes what we’re supposed to do to entertain them all when they can’t go outside, and they’ll be expecting poor old Finly to keep the place dusted and the windows cleaned. I sometimes think I prefered it here when nobody hardly came.
Hardly got a moment to myself and our Prune is up to something but god knows I don’t have time to follow her around, and there’s no weaseling anything out of her when she’s got one of her secret missions going on. Mater’s pulled her finger out, it has to be said, she’s been as good as gold with the guests, she can turn the old dear charm on when she wants to, and she’s pulled out all the stops playing the gracious hostess, and I can’t say a word against good old Finly. She’s a cheeky minx when we’re not busy but she’s been a real trooper. I think I’ll speak to Mater about a little bonus for her. Yes, I think that might sweeten her up for when I ask her to do my roots tomorrow which reminds me to put pink dye on Berts list for when he goes to Alice in the morning.
Honestly there’s too much to think about, I haven’t had a minute to get a costume ready for the cart race, maybe I’ll ask the twins. Gotta say it, they’ve been brilliant organizing the cart decorating with the four friends. They’re a lovely group, I just wish I had more time to hang out with them, especially the big guy, oh my. Maybe after the cart race, anything can happen after a cart race, lord knows ~ it was after a cart race in a dust storm that Howard and I had a fling and thank god Betsy never found out, she’s have had my guts for garters and nobody would have blamed her. I still wonder what happened to Howard. We always had a soft spot for each other, but he felt so guilty he never strayed from Betsy again. I’d have been game, I’ll be honest, but I didn’t push it. Betsy was a big girl back in those days, but nowhere near as big as she is now. Must be hard for her wondering what happened to her husband all these years, no wonder she got sucked into all that mumbo jumbo and stuffing her chops all day long.
And not being able to claim the inheritance that would have been Howards, that must have been hard. They could have lived in the lap of luxury for the rest of their lives when Howard’s father died, and he hasn’t died yet, must be pushing 90 by now. I know she’s hoping Howard didn’t die in the mines ~ obviously ~ and that he’ll come back one day somehow, and you can bet your bottom dollar she’s hoping he comes back before the old man dies and it all gets left to someone else.
That new guest went in Betsy’s before she even checked in here, Corrie saw her, I guess she’s into mumbo jumbo in a big way if she had to get supplies of crystals or amulets or whatever they sell in there, before checking in to the hotel.
January 29, 2023 at 3:15 pm #6468In reply to: Orbs of Madjourneys
At the former Chinggis Khaan International Airport which was now called the New Ulaanbaatar International Airport, the young intern sat next to Youssef, making the seats tremble like a frail suspended bridge in the Andes. Youssef had been considering connecting to the game and start his quest to meet with his grumpy quirk, but the girl seemed pissed, almost on the brink of crying. So Youssef turned off his phone and asked her what had happened, without thinking about the consequences, and because he thought it was a nice opportunity to engage the conversation with her at last, and in doing so appear to be nice to care so that she might like him in return.
Natalie, because he had finally learned her name, started with all the bullying she had to endure from Miss Tartiflate during the trip, all the dismissal about her brilliant ideas, and how the Yeti only needed her to bring her coffee and pencils, and go fetch someone her boss needed to talk to, and how many time she would get no thanks, just a short: “you’re still here?”
After some time, Youssef even knew more about her parents and her sisters and their broken family dynamics than he would have cared to ask, even to be polite. At some point he was starting to feel grumpy and realised he hadn’t eaten since they arrived at the airport. But if he told Natalie he wanted to go get some food, she might follow him and get some too. His stomach growled like an angry bear. He stood more quickly than he wanted and his phone fell on the ground. The screen lit up and he could just catch a glimpse of a desert emoji in a notification before Natalie let out a squeal. Youssef looked around, people were glancing at him as if he might have been torturing her.
“Oh! Sorry, said Youssef. I just need to go to the bathroom before we board.”
“But the boarding is only in one hour!”
“Well I can’t wait one hour.”
“In that case I’m coming with you, I need to go there too anyway.”
“But someone needs to stay here for our bags,” said Youssef. He could have carried his own bag easily, but she had a small suitcase, a handbag and a backpack, and a few paper bags of products she bought at one of the two the duty free shops.
Natalie called Kyle and asked him to keep a close watch on her precious things. She might have been complaining about the boss, but she certainly had caught on a few traits of her.
Youssef was glad when the men’s bathroom door shut behind him and his ears could have some respite. A small Chinese business man was washing his hands at one of the sinks. He looked up at Youssef and seemed impressed by his height and muscles. The man asked for a selfie together so that he could show his friends how cool he was to have met such a big stranger in the airport bathroom. Youssef had learned it was easier to oblige them than having them follow him and insist.
When the man left, Youssef saw Natalie standing outside waiting for him. He thought it would have taken her longer. He only wanted to go get some food. Maybe if he took his time, she would go.
He remembered the game notification and turned on his phone. The icon was odd and kept shifting between four different landscapes, each barren and empty, with sand dunes stretching as far as the eye could see. One with a six legged camel was already intriguing, in the second one a strange arrowhead that seemed to be getting out of the desert sand reminded him of something that he couldn’t quite remember. The fourth one intrigued him the most, with that car in the middle of the desert and a boat coming out of a giant dune.
Still hungrumpy he nonetheless clicked on the shapeshifting icon and was taken to a new area in the game, where the ground was covered in sand and the sky was a deep orange, as if the sun was setting. He could see a mysterious figure in the distance, standing at the top of a sand dune.
The bell at the top right of the screen wobbled, signalling a message from the game. There were two. He opened the first one.
We’re excited to hear about your real-life parallel quest. It sounds like you’re getting close to uncovering the mystery of the grumpy shaman. Keep working on your blog website and keep an eye out for any clues that Xavier and the Snoot may send your way. We believe that you’re on the right path.
What on earth was that ? How did the game know about his life and the shaman at the oasis ? After the Thi Gang mess with THE BLOG he was becoming suspicious of those strange occurrences. He thought he could wonder for a long time or just enjoy the benefits. Apparently he had been granted a substantial reward in gold coins for successfully managing his first quest, along with a green potion.
He looked at his avatar who was roaming the desert with his pet bear (quite hungrumpy too). The avatar’s body was perfect, even the hands looked normal for once, but the outfit had those two silver disks that made him look like he was wearing an iron bra.
He opened the second message.
Clue unlocked It sounds like you’re in a remote location and disconnected from the game. But, your real-life experiences seem to be converging with your quest. The grumpy shaman you met at the food booth may hold the key to unlocking the next steps in the game. Remember, the desert represents your ability to adapt and navigate through difficult situations.
🏜️🧭🧙♂️ Explore the desert and see if the grumpy shaman’s clues lead you to the next steps in the game. Keep an open mind and pay attention to any symbols or clues that may help you in your quest. Remember, the desert represents your ability to adapt and navigate through difficult situations.
Youssef recalled that strange paper given by the lama shaman, was it another of the clues he needed to solve that game? He didn’t have time to think about it because a message bumped onto his screen.
“Need help? Contact me 👉”
Sands_of_time is trying to make contact : ➡️ACCEPT <> ➡️DENY ❓
January 23, 2023 at 10:28 pm #6454In reply to: Prompts of Madjourneys
YASMIN’S QUIRK: Entry level quirk – snort laughing when socially anxious
Setting
The initial setting for this quest is a comedic theater in the heart of a bustling city. You will start off by exploring the different performances and shows, trying to find the source of the snort laughter that seems to be haunting your thoughts. As you delve deeper into the theater, you will discover that the snort laughter is coming from a mischievous imp who has taken residence within the theater.
Directions to Investigate
Possible directions to investigate include talking to the theater staff and performers to gather information, searching backstage for clues, and perhaps even sneaking into the imp’s hiding spot to catch a glimpse of it in action.
Characters
Possible characters to engage include the theater manager, who may have information about the imp’s history and habits, and a group of comedic performers who may have some insight into the imp’s behavior.
Task
Your task is to find a key or tile that represents the imp, and take a picture of it in real life as proof of completion of the quest. Good luck on your journey to uncover the source of the snort laughter!
THE SECRET ROOM AND THE UNDERGROUND MINES
1st thread’s answer:
As the family struggles to rebuild the inn and their lives in the wake of the Great Fires, they begin to uncover clues that lead them to believe that the mines hold the key to unlocking a great mystery. They soon discover that the mines were not just a source of gold and other precious minerals, but also a portal to another dimension. The family realizes that Mater had always known about this portal, and had kept it a secret for fear of the dangers it posed.
The family starts to investigate the mines more closely and they come across a hidden room off Room 8. Inside the room, they find a strange device that looks like a portal, and a set of mysterious symbols etched into the walls. The family realizes that this is the secret room that Mater had always spoken about in hushed tones.
The family enlists the help of four gamers, Xavier, Zara, Yasmin, and Youssef, to help them decipher the symbols and unlock the portal. Together, they begin to unravel the mystery of the mines, and the portal leads them on an epic journey through a strange and fantastical alternate dimension.
As they journey deeper into the mines, the family discovers that the portal was created by an ancient civilization, long thought to be lost to history. The civilization had been working on a powerful energy source that could have changed the fate of humanity, but the project was abandoned due to the dangers it posed. The family soon discovers that the civilization had been destroyed by a powerful and malevolent force, and that the portal was the only way to stop it from destroying the world.
The family and the gamers must navigate treacherous landscapes, battle fierce monsters, and overcome seemingly insurmountable obstacles in order to stop the malevolent force and save the world. Along the way, they discover secrets about their own past and the true origins of the mines.
As they journey deeper into the mines and the alternate dimension, they discover that the secret room leads to a network of underground tunnels, and that the tunnels lead to a secret underground city that was built by the ancient civilization. The city holds many secrets and clues to the fate of the ancient civilization, and the family and the gamers must explore the city and uncover the truth before it’s too late.
As the story unfolds, the family and the gamers must come to grips with the truth about the mines, and the role that the family has played in the fate of the world for generations. They must also confront the demons of their own past, and learn to trust and rely on each other if they hope to save the world and bring the family back together.
second thread’s answer:
As the 4 gamers, Xavier, Zara, Yasmin and Youssef, arrived at the Flying Fish Inn in the Australian outback, they were greeted by the matriarch of the family, Mater. She was a no-nonsense woman who ran the inn with an iron fist, but her tough exterior hid a deep love for her family and the land.
The inn was run by Mater and her daughter Dido, who the family affectionately called Aunt Idle. She was a free spirit who loved to explore the land and had a deep connection to the local indigenous culture.
The family was made up of Devan, the eldest son who lived in town and helped with the inn when he could, and the twin sisters Clove and Coriander, who everyone called Corrie. The youngest was Prune, a precocious child who was always getting into mischief.
The family had a handyman named Bert, who had been with them for decades and knew all the secrets of the land. Tiku, an old and wise Aborigine woman was also a regular visitor and a valuable source of information and guidance. Finly, the dutiful helper, assisted the family in their daily tasks.
As the 4 gamers settled in, they learned that the area was rich in history and mystery. The old mines that lay abandoned nearby were a source of legends and stories passed down through the generations. Some even whispered of supernatural occurrences linked to the mines.
Mater and Dido, however, were not on good terms, and the family had its own issues and secrets, but the 4 gamers were determined to unravel the mystery of the mines and find the secret room that was said to be hidden somewhere in the inn.
As they delved deeper into the history of the area, they discovered that the mines had a connection to the missing brother, Jasper, and Fred, the father of the family and a sci-fi novelist who had been influenced by the supernatural occurrences of the mines.
The 4 gamers found themselves on a journey of discovery, not only in the game but in the real world as well, as they uncovered the secrets of the mines and the Flying Fish Inn, and the complicated relationships of the family that ran it.
THE SNOOT’S WISE WORDS ON SOCIAL ANXIETY
Deear Francie Mossie Pooh,
The Snoot, a curious creature of the ages, understands the swirling winds of social anxiety, the tempestuous waves it creates in one’s daily life.
But The Snoot also believes that like a Phoenix, one must rise from the ashes, and embrace the journey of self-discovery and growth.
It’s important to let yourself be, to accept the feelings as they come and go, like the ebb and flow of the ocean. But also, like a gardener, tend to the inner self with care and compassion, for the roots to grow deep and strong.The Snoot suggests seeking guidance from the wise ones, the ones who can hold the mirror and show you the way, like the North Star guiding the sailors.
And remember, the journey is never-ending, like the spiral of the galaxy, and it’s okay to take small steps, to stumble and fall, for that’s how we learn to fly.The Snoot is here for you, my dear Francie Mossie Pooh, a beacon in the dark, a friend on the journey, to hold your hand and sing you a lullaby.
Fluidly and fantastically yours,
The Snoot.
February 4, 2022 at 3:17 pm #6269In reply to: The Elusive Samuel Housley and Other Family Stories
The Housley Letters
From Barbara Housley’s Narrative on the Letters.
William Housley (1781-1848) and Ellen Carrington were married on May 30, 1814 at St. Oswald’s church in Ashbourne. William died in 1848 at the age of 67 of “disease of lungs and general debility”. Ellen died in 1872.
Marriage of William Housley and Ellen Carrington in Ashbourne in 1814:
Parish records show three children for William and his first wife, Mary, Ellens’ sister, who were married December 29, 1806: Mary Ann, christened in 1808 and mentioned frequently in the letters; Elizabeth, christened in 1810, but never mentioned in any letters; and William, born in 1812, probably referred to as Will in the letters. Mary died in 1813.
William and Ellen had ten children: John, Samuel, Edward, Anne, Charles, George, Joseph, Robert, Emma, and Joseph. The first Joseph died at the age of four, and the last son was also named Joseph. Anne never married, Charles emigrated to Australia in 1851, and George to USA, also in 1851. The letters are to George, from his sisters and brothers in England.
The following are excerpts of those letters, including excerpts of Barbara Housley’s “Narrative on Historic Letters”. They are grouped according to who they refer to, rather than chronological order.
ELLEN HOUSLEY 1795-1872
Joseph wrote that when Emma was married, Ellen “broke up the comfortable home and the things went to Derby and she went to live with them but Derby didn’t agree with her so she left again leaving her things behind and came to live with John in the new house where she died.” Ellen was listed with John’s household in the 1871 census.
In May 1872, the Ilkeston Pioneer carried this notice: “Mr. Hopkins will sell by auction on Saturday next the eleventh of May 1872 the whole of the useful furniture, sewing machine, etc. nearly new on the premises of the late Mrs. Housley at Smalley near Heanor in the county of Derby. Sale at one o’clock in the afternoon.”Ellen’s family was evidently rather prominant in Smalley. Two Carringtons (John and William) served on the Parish Council in 1794. Parish records are full of Carrington marriages and christenings; census records confirm many of the family groupings.
In June of 1856, Emma wrote: “Mother looks as well as ever and was told by a lady the other day that she looked handsome.” Later she wrote: “Mother is as stout as ever although she sometimes complains of not being able to do as she used to.”
Mary’s children:
MARY ANN HOUSLEY 1808-1878
There were hard feelings between Mary Ann and Ellen and her children. Anne wrote: “If you remember we were not very friendly when you left. They never came and nothing was too bad for Mary Ann to say of Mother and me, but when Robert died Mother sent for her to the funeral but she did not think well to come so we took no more notice. She would not allow her children to come either.”
Mary Ann was unlucky in love! In Anne’s second letter she wrote: “William Carrington is paying Mary Ann great attention. He is living in London but they write to each other….We expect it will be a match.” Apparantly the courtship was stormy for in 1855, Emma wrote: “Mary Ann’s wedding with William Carrington has dropped through after she had prepared everything, dresses and all for the occassion.” Then in 1856, Emma wrote: “William Carrington and Mary Ann are separated. They wore him out with their nonsense.” Whether they ever married is unclear. Joseph wrote in 1872: “Mary Ann was married but her husband has left her. She is in very poor health. She has one daughter and they are living with their mother at Smalley.”
Regarding William Carrington, Emma supplied this bit of news: “His sister, Mrs. Lily, has eloped with a married man. Is she not a nice person!”
WILLIAM HOUSLEY JR. 1812-1890
According to a letter from Anne, Will’s two sons and daughter were sent to learn dancing so they would be “fit for any society.” Will’s wife was Dorothy Palfry. They were married in Denby on October 20, 1836 when Will was 24. According to the 1851 census, Will and Dorothy had three sons: Alfred 14, Edwin 12, and William 10. All three boys were born in Denby.
In his letter of May 30, 1872, after just bemoaning that all of his brothers and sisters are gone except Sam and John, Joseph added: “Will is living still.” In another 1872 letter Joseph wrote, “Will is living at Heanor yet and carrying on his cattle dealing.” The 1871 census listed Will, 59, and his son William, 30, of Lascoe Road, Heanor, as cattle dealers.
Ellen’s children:
JOHN HOUSLEY 1815-1893
John married Sarah Baggally in Morely in 1838. They had at least six children. Elizabeth (born 2 May 1838) was “out service” in 1854. In her “third year out,” Elizabeth was described by Anne as “a very nice steady girl but quite a woman in appearance.” One of her positions was with a Mrs. Frearson in Heanor. Emma wrote in 1856: “Elizabeth is still at Mrs. Frearson. She is such a fine stout girl you would not know her.” Joseph wrote in 1872 that Elizabeth was in service with Mrs. Eliza Sitwell at Derby. (About 1850, Miss Eliza Wilmot-Sitwell provided for a small porch with a handsome Norman doorway at the west end of the St. John the Baptist parish church in Smalley.)
According to Elizabeth’s birth certificate and the 1841 census, John was a butcher. By 1851, the household included a nurse and a servant, and John was listed as a “victular.” Anne wrote in February 1854, “John has left the Public House a year and a half ago. He is living where Plumbs (Ann Plumb witnessed William’s death certificate with her mark) did and Thomas Allen has the land. He has been working at James Eley’s all winter.” In 1861, Ellen lived with John and Sarah and the three boys.
John sold his share in the inheritance from their mother and disappeared after her death. (He died in Doncaster, Yorkshire, in 1893.) At that time Charles, the youngest would have been 21. Indeed, Joseph wrote in July 1872: “John’s children are all grown up”.
In May 1872, Joseph wrote: “For what do you think, John has sold his share and he has acted very bad since his wife died and at the same time he sold all his furniture. You may guess I have never seen him but once since poor mother’s funeral and he is gone now no one knows where.”
In February 1874 Joseph wrote: “You want to know what made John go away. Well, I will give you one reason. I think I told you that when his wife died he persuaded me to leave Derby and come to live with him. Well so we did and dear Harriet to keep his house. Well he insulted my wife and offered things to her that was not proper and my dear wife had the power to resist his unmanly conduct. I did not think he could of served me such a dirty trick so that is one thing dear brother. He could not look me in the face when we met. Then after we left him he got a woman in the house and I suppose they lived as man and wife. She caught the small pox and died and there he was by himself like some wild man. Well dear brother I could not go to him again after he had served me and mine as he had and I believe he was greatly in debt too so that he sold his share out of the property and when he received the money at Belper he went away and has never been seen by any of us since but I have heard of him being at Sheffield enquiring for Sam Caldwell. You will remember him. He worked in the Nag’s Head yard but I have heard nothing no more of him.”
A mention of a John Housley of Heanor in the Nottinghma Journal 1875. I don’t know for sure if the John mentioned here is the brother John who Joseph describes above as behaving improperly to his wife. John Housley had a son Joseph, born in 1840, and John’s wife Sarah died in 1870.
In 1876, the solicitor wrote to George: “Have you heard of John Housley? He is entitled to Robert’s share and I want him to claim it.”
SAMUEL HOUSLEY 1816-
Sam married Elizabeth Brookes of Sutton Coldfield, and they had three daughters: Elizabeth, Mary Anne and Catherine. Elizabeth his wife died in 1849, a few months after Samuel’s father William died in 1848. The particular circumstances relating to these individuals have been discussed in previous chapters; the following are letter excerpts relating to them.
Death of William Housley 15 Dec 1848, and Elizabeth Housley 5 April 1849, Smalley:
Joseph wrote in December 1872: “I saw one of Sam’s daughters, the youngest Kate, you would remember her a baby I dare say. She is very comfortably married.”
In the same letter (December 15, 1872), Joseph wrote: “I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Brimingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”
(Sam, however, was still alive in 1871, living as a lodger at the George and Dragon Inn, Henley in Arden. And no trace of Sam has been found since. It would appear that Sam did not want to be found.)
EDWARD HOUSLEY 1819-1843
Edward died before George left for USA in 1851, and as such there is no mention of him in the letters.
ANNE HOUSLEY 1821-1856
Anne wrote two letters to her brother George between February 1854 and her death in 1856. Apparently she suffered from a lung disease for she wrote: “I can say you will be surprised I am still living and better but still cough and spit a deal. Can do nothing but sit and sew.” According to the 1851 census, Anne, then 29, was a seamstress. Their friend, Mrs. Davy, wrote in March 1856: “This I send in a box to my Brother….The pincushion cover and pen wiper are Anne’s work–are for thy wife. She would have made it up had she been able.” Anne was not living at home at the time of the 1841 census. She would have been 19 or 20 and perhaps was “out service.”
In her second letter Anne wrote: “It is a great trouble now for me to write…as the body weakens so does the mind often. I have been very weak all summer. That I continue is a wonder to all and to spit so much although much better than when you left home.” She also wrote: “You know I had a desire for America years ago. Were I in health and strength, it would be the land of my adoption.”
In November 1855, Emma wrote, “Anne has been very ill all summer and has not been able to write or do anything.” Their neighbor Mrs. Davy wrote on March 21, 1856: “I fear Anne will not be long without a change.” In a black-edged letter the following June, Emma wrote: “I need not tell you how happy she was and how calmly and peacefully she died. She only kept in bed two days.”
Certainly Anne was a woman of deep faith and strong religious convictions. When she wrote that they were hoping to hear of Charles’ success on the gold fields she added: “But I would rather hear of him having sought and found the Pearl of great price than all the gold Australia can produce, (For what shall it profit a man if he gain the whole world and lose his soul?).” Then she asked George: “I should like to learn how it was you were first led to seek pardon and a savior. I do feel truly rejoiced to hear you have been led to seek and find this Pearl through the workings of the Holy Spirit and I do pray that He who has begun this good work in each of us may fulfill it and carry it on even unto the end and I can never doubt the willingness of Jesus who laid down his life for us. He who said whoever that cometh unto me I will in no wise cast out.”
Anne’s will was probated October 14, 1856. Mr. William Davy of Kidsley Park appeared for the family. Her estate was valued at under £20. Emma was to receive fancy needlework, a four post bedstead, feather bed and bedding, a mahogany chest of drawers, plates, linen and china. Emma was also to receive Anne’s writing desk. There was a condition that Ellen would have use of these items until her death.
The money that Anne was to receive from her grandfather, William Carrington, and her father, William Housley was to be distributed one third to Joseph, one third to Emma, and one third to be divided between her four neices: John’s daughter Elizabeth, 18, and Sam’s daughters Elizabeth, 10, Mary Ann, 9 and Catharine, age 7 to be paid by the trustees as they think “most useful and proper.” Emma Lyon and Elizabeth Davy were the witnesses.
The Carrington Farm:
CHARLES HOUSLEY 1823-1855
Charles went to Australia in 1851, and was last heard from in January 1853. According to the solicitor, who wrote to George on June 3, 1874, Charles had received advances on the settlement of their parent’s estate. “Your promissory note with the two signed by your brother Charles for 20 pounds he received from his father and 20 pounds he received from his mother are now in the possession of the court.”
Charles and George were probably quite close friends. Anne wrote in 1854: “Charles inquired very particularly in both his letters after you.”
According to Anne, Charles and a friend married two sisters. He and his father-in-law had a farm where they had 130 cows and 60 pigs. Whatever the trade he learned in England, he never worked at it once he reached Australia. While it does not seem that Charles went to Australia because gold had been discovered there, he was soon caught up in “gold fever”. Anne wrote: “I dare say you have heard of the immense gold fields of Australia discovered about the time he went. Thousands have since then emigrated to Australia, both high and low. Such accounts we heard in the papers of people amassing fortunes we could not believe. I asked him when I wrote if it was true. He said this was no exaggeration for people were making their fortune daily and he intended going to the diggings in six weeks for he could stay away no longer so that we are hoping to hear of his success if he is alive.”
In March 1856, Mrs. Davy wrote: “I am sorry to tell thee they have had a letter from Charles’s wife giving account of Charles’s death of 6 months consumption at the Victoria diggings. He has left 2 children a boy and a girl William and Ellen.” In June of the same year in a black edged letter, Emma wrote: “I think Mrs. Davy mentioned Charles’s death in her note. His wife wrote to us. They have two children Helen and William. Poor dear little things. How much I should like to see them all. She writes very affectionately.”
In December 1872, Joseph wrote: “I’m told that Charles two daughters has wrote to Smalley post office making inquiries about his share….” In January 1876, the solicitor wrote: “Charles Housley’s children have claimed their father’s share.”
GEORGE HOUSLEY 1824-1877
George emigrated to the United states in 1851, arriving in July. The solicitor Abraham John Flint referred in a letter to a 15-pound advance which was made to George on June 9, 1851. This certainly was connected to his journey. George settled along the Delaware River in Bucks County, Pennsylvania. The letters from the solicitor were addressed to: Lahaska Post Office, Bucks County, Pennsylvania.
George married Sarah Ann Hill on May 6, 1854 in Doylestown, Bucks County, Pennsylvania. In her first letter (February 1854), Anne wrote: “We want to know who and what is this Miss Hill you name in your letter. What age is she? Send us all the particulars but I would advise you not to get married until you have sufficient to make a comfortable home.”
Upon learning of George’s marriage, Anne wrote: “I hope dear brother you may be happy with your wife….I hope you will be as a son to her parents. Mother unites with me in kind love to you both and to your father and mother with best wishes for your health and happiness.” In 1872 (December) Joseph wrote: “I am sorry to hear that sister’s father is so ill. It is what we must all come to some time and hope we shall meet where there is no more trouble.”
Emma wrote in 1855, “We write in love to your wife and yourself and you must write soon and tell us whether there is a little nephew or niece and what you call them.” In June of 1856, Emma wrote: “We want to see dear Sarah Ann and the dear little boy. We were much pleased with the “bit of news” you sent.” The bit of news was the birth of John Eley Housley, January 11, 1855. Emma concluded her letter “Give our very kindest love to dear sister and dearest Johnnie.”
In September 1872, Joseph wrote, “I was very sorry to hear that John your oldest had met with such a sad accident but I hope he is got alright again by this time.” In the same letter, Joseph asked: “Now I want to know what sort of a town you are living in or village. How far is it from New York? Now send me all particulars if you please.”
In March 1873 Harriet asked Sarah Ann: “And will you please send me all the news at the place and what it is like for it seems to me that it is a wild place but you must tell me what it is like….”. The question of whether she was referring to Bucks County, Pennsylvania or some other place is raised in Joseph’s letter of the same week.
On March 17, 1873, Joseph wrote: “I was surprised to hear that you had gone so far away west. Now dear brother what ever are you doing there so far away from home and family–looking out for something better I suppose.”The solicitor wrote on May 23, 1874: “Lately I have not written because I was not certain of your address and because I doubted I had much interesting news to tell you.” Later, Joseph wrote concerning the problems settling the estate, “You see dear brother there is only me here on our side and I cannot do much. I wish you were here to help me a bit and if you think of going for another summer trip this turn you might as well run over here.”
Apparently, George had indicated he might return to England for a visit in 1856. Emma wrote concerning the portrait of their mother which had been sent to George: “I hope you like mother’s portrait. I did not see it but I suppose it was not quite perfect about the eyes….Joseph and I intend having ours taken for you when you come over….Do come over before very long.”
In March 1873, Joseph wrote: “You ask me what I think of you coming to England. I think as you have given the trustee power to sign for you I think you could do no good but I should like to see you once again for all that. I can’t say whether there would be anything amiss if you did come as you say it would be throwing good money after bad.”
On June 10, 1875, the solicitor wrote: “I have been expecting to hear from you for some time past. Please let me hear what you are doing and where you are living and how I must send you your money.” George’s big news at that time was that on May 3, 1875, he had become a naturalized citizen “renouncing and abjuring all allegiance and fidelity to every foreign prince, potentate, state and sovereignity whatsoever, and particularly to Victoria Queen of Great Britain of whom he was before a subject.”
ROBERT HOUSLEY 1832-1851
In 1854, Anne wrote: “Poor Robert. He died in August after you left he broke a blood vessel in the lung.”
From Joseph’s first letter we learn that Robert was 19 when he died: “Dear brother there have been a great many changes in the family since you left us. All is gone except myself and John and Sam–we have heard nothing of him since he left. Robert died first when he was 19 years of age. Then Anne and Charles too died in Australia and then a number of years elapsed before anyone else. Then John lost his wife, then Emma, and last poor dear mother died last January on the 11th.”Anne described Robert’s death in this way: “He had thrown up blood many times before in the spring but the last attack weakened him that he only lived a fortnight after. He died at Derby. Mother was with him. Although he suffered much he never uttered a murmur or regret and always a smile on his face for everyone that saw him. He will be regretted by all that knew him”.
Robert died a resident of St. Peter’s Parish, Derby, but was buried in Smalley on August 16, 1851.
Apparently Robert was apprenticed to be a joiner for, according to Anne, Joseph took his place: “Joseph wanted to be a joiner. We thought we could do no better than let him take Robert’s place which he did the October after and is there still.”In 1876, the solicitor wrote to George: “Have you heard of John Housley? He is entitled to Robert’s share and I want him to claim it.”
EMMA HOUSLEY 1836-1871
Emma was not mentioned in Anne’s first letter. In the second, Anne wrote that Emma was living at Spondon with two ladies in her “third situation,” and added, “She is grown a bouncing woman.” Anne described her sister well. Emma wrote in her first letter (November 12, 1855): “I must tell you that I am just 21 and we had my pudding last Sunday. I wish I could send you a piece.”
From Emma’s letters we learn that she was living in Derby from May until November 1855 with Mr. Haywood, an iron merchant. She explained, “He has failed and I have been obliged to leave,” adding, “I expect going to a new situation very soon. It is at Belper.” In 1851 records, William Haywood, age 22, was listed as an iron foundry worker. In the 1857 Derby Directory, James and George were listed as iron and brass founders and ironmongers with an address at 9 Market Place, Derby.
In June 1856, Emma wrote from “The Cedars, Ashbourne Road” where she was working for Mr. Handysides.
While she was working for Mr. Handysides, Emma wrote: “Mother is thinking of coming to live at Derby. That will be nice for Joseph and I.”Friargate and Ashbourne Road were located in St. Werburgh’s Parish. (In fact, St. Werburgh’s vicarage was at 185 Surrey Street. This clue led to the discovery of the record of Emma’s marriage on May 6, 1858, to Edwin Welch Harvey, son of Samuel Harvey in St. Werburgh’s.)
In 1872, Joseph wrote: “Our sister Emma, she died at Derby at her own home for she was married. She has left two young children behind. The husband was the son of the man that I went apprentice to and has caused a great deal of trouble to our family and I believe hastened poor Mother’s death….”. Joseph added that he believed Emma’s “complaint” was consumption and that she was sick a good bit. Joseph wrote: “Mother was living with John when I came home (from Ascension Island around 1867? or to Smalley from Derby around 1870?) for when Emma was married she broke up the comfortable home and the things went to Derby and she went to live with them but Derby did not agree with her so she had to leave it again but left all her things there.”
Emma Housley and Edwin Welch Harvey wedding, 1858:
JOSEPH HOUSLEY 1838-1893
We first hear of Joseph in a letter from Anne to George in 1854. “Joseph wanted to be a joiner. We thought we could do no better than let him take Robert’s place which he did the October after (probably 1851) and is there still. He is grown as tall as you I think quite a man.” Emma concurred in her first letter: “He is quite a man in his appearance and quite as tall as you.”
From Emma we learn in 1855: “Joseph has left Mr. Harvey. He had not work to employ him. So mother thought he had better leave his indenture and be at liberty at once than wait for Harvey to be a bankrupt. He has got a very good place of work now and is very steady.” In June of 1856, Emma wrote “Joseph and I intend to have our portraits taken for you when you come over….Mother is thinking of coming to Derby. That will be nice for Joseph and I. Joseph is very hearty I am happy to say.”
According to Joseph’s letters, he was married to Harriet Ballard. Joseph described their miraculous reunion in this way: “I must tell you that I have been abroad myself to the Island of Ascension. (Elsewhere he wrote that he was on the island when the American civil war broke out). I went as a Royal Marine and worked at my trade and saved a bit of money–enough to buy my discharge and enough to get married with but while I was out on the island who should I meet with there but my dear wife’s sister. (On two occasions Joseph and Harriet sent George the name and address of Harriet’s sister, Mrs. Brooks, in Susquehanna Depot, Pennsylvania, but it is not clear whether this was the same sister.) She was lady’s maid to the captain’s wife. Though I had never seen her before we got to know each other somehow so from that me and my wife recommenced our correspondence and you may be sure I wanted to get home to her. But as soon as I did get home that is to England I was not long before I was married and I have not regretted yet for we are very comfortable as well as circumstances will allow for I am only a journeyman joiner.”
Proudly, Joseph wrote: “My little family consists of three nice children–John, Joseph and Susy Annie.” On her birth certificate, Susy Ann’s birthdate is listed as 1871. Parish records list a Lucy Annie christened in 1873. The boys were born in Derby, John in 1868 and Joseph in 1869. In his second letter, Joseph repeated: “I have got three nice children, a good wife and I often think is more than I have deserved.” On August 6, 1873, Joseph and Harriet wrote: “We both thank you dear sister for the pieces of money you sent for the children. I don’t know as I have ever see any before.” Joseph ended another letter: “Now I must close with our kindest love to you all and kisses from the children.”
In Harriet’s letter to Sarah Ann (March 19, 1873), she promised: “I will send you myself and as soon as the weather gets warm as I can take the children to Derby, I will have them taken and send them, but it is too cold yet for we have had a very cold winter and a great deal of rain.” At this time, the children were all under 6 and the baby was not yet two.
In March 1873 Joseph wrote: “I have been working down at Heanor gate there is a joiner shop there where Kings used to live I have been working there this winter and part of last summer but the wages is very low but it is near home that is one comfort.” (Heanor Gate is about 1/4 mile from Kidsley Grange. There was a school and industrial park there in 1988.) At this time Joseph and his family were living in “the big house–in Old Betty Hanson’s house.” The address in the 1871 census was Smalley Lane.
A glimpse into Joseph’s personality is revealed by this remark to George in an 1872 letter: “Many thanks for your portrait and will send ours when we can get them taken for I never had but one taken and that was in my old clothes and dear Harriet is not willing to part with that. I tell her she ought to be satisfied with the original.”
On one occasion Joseph and Harriet both sent seeds. (Marks are still visible on the paper.) Joseph sent “the best cow cabbage seed in the country–Robinson Champion,” and Harriet sent red cabbage–Shaw’s Improved Red. Possibly cow cabbage was also known as ox cabbage: “I hope you will have some good cabbages for the Ox cabbage takes all the prizes here. I suppose you will be taking the prizes out there with them.” Joseph wrote that he would put the name of the seeds by each “but I should think that will not matter. You will tell the difference when they come up.”
George apparently would have liked Joseph to come to him as early as 1854. Anne wrote: “As to his coming to you that must be left for the present.” In 1872, Joseph wrote: “I have been thinking of making a move from here for some time before I heard from you for it is living from hand to mouth and never certain of a job long either.” Joseph then made plans to come to the United States in the spring of 1873. “For I intend all being well leaving England in the spring. Many thanks for your kind offer but I hope we shall be able to get a comfortable place before we have been out long.” Joseph promised to bring some things George wanted and asked: “What sort of things would be the best to bring out there for I don’t want to bring a lot that is useless.” Joseph’s plans are confirmed in a letter from the solicitor May 23, 1874: “I trust you are prospering and in good health. Joseph seems desirous of coming out to you when this is settled.”
George must have been reminiscing about gooseberries (Heanor has an annual gooseberry show–one was held July 28, 1872) and Joseph promised to bring cuttings when they came: “Dear Brother, I could not get the gooseberries for they was all gathered when I received your letter but we shall be able to get some seed out the first chance and I shall try to bring some cuttings out along.” In the same letter that he sent the cabbage seeds Joseph wrote: “I have got some gooseberries drying this year for you. They are very fine ones but I have only four as yet but I was promised some more when they were ripe.” In another letter Joseph sent gooseberry seeds and wrote their names: Victoria, Gharibaldi and Globe.
In September 1872 Joseph wrote; “My wife is anxious to come. I hope it will suit her health for she is not over strong.” Elsewhere Joseph wrote that Harriet was “middling sometimes. She is subject to sick headaches. It knocks her up completely when they come on.” In December 1872 Joseph wrote, “Now dear brother about us coming to America you know we shall have to wait until this affair is settled and if it is not settled and thrown into Chancery I’m afraid we shall have to stay in England for I shall never be able to save money enough to bring me out and my family but I hope of better things.”
On July 19, 1875 Abraham Flint (the solicitor) wrote: “Joseph Housley has removed from Smalley and is working on some new foundry buildings at Little Chester near Derby. He lives at a village called Little Eaton near Derby. If you address your letter to him as Joseph Housley, carpenter, Little Eaton near Derby that will no doubt find him.”
George did not save any letters from Joseph after 1874, hopefully he did reach him at Little Eaton. Joseph and his family are not listed in either Little Eaton or Derby on the 1881 census.
In his last letter (February 11, 1874), Joseph sounded very discouraged and wrote that Harriet’s parents were very poorly and both had been “in bed for a long time.” In addition, Harriet and the children had been ill.
The move to Little Eaton may indicate that Joseph received his settlement because in August, 1873, he wrote: “I think this is bad news enough and bad luck too, but I have had little else since I came to live at Kiddsley cottages but perhaps it is all for the best if one could only think so. I have begun to think there will be no chance for us coming over to you for I am afraid there will not be so much left as will bring us out without it is settled very shortly but I don’t intend leaving this house until it is settled either one way or the other. “Joseph Housley and the Kiddsley cottages:
February 2, 2022 at 11:53 am #6265In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued ~ part 6
With thanks to Mike Rushby.
Mchewe 6th June 1937
Dearest Family,
Home again! We had an uneventful journey. Kate was as good as gold all the
way. We stopped for an hour at Bulawayo where we had to change trains but
everything was simplified for me by a very pleasant man whose wife shared my
compartment. Not only did he see me through customs but he installed us in our new
train and his wife turned up to see us off with magazines for me and fruit and sweets for
Kate. Very, very kind, don’t you think?Kate and I shared the compartment with a very pretty and gentle girl called
Clarice Simpson. She was very worried and upset because she was going home to
Broken Hill in response to a telegram informing her that her young husband was
dangerously ill from Blackwater Fever. She was very helpful with Kate whose
cheerfulness helped Clarice, I think, though I, quite unintentionally was the biggest help
at the end of our journey. Remember the partial dentures I had had made just before
leaving Cape Town? I know I shall never get used to the ghastly things, I’ve had them
two weeks now and they still wobble. Well this day I took them out and wrapped them
in a handkerchief, but when we were packing up to leave the train I could find the
handkerchief but no teeth! We searched high and low until the train had slowed down to
enter Broken Hill station. Then Clarice, lying flat on the floor, spied the teeth in the dark
corner under the bottom bunk. With much stretching she managed to retrieve the
dentures covered in grime and fluff. My look of horror, when I saw them, made young
Clarice laugh. She was met at the station by a very grave elderly couple. I do wonder
how things turned out for her.I stayed overnight with Kate at the Great Northern Hotel, and we set off for
Mbeya by plane early in the morning. One of our fellow passengers was a young
mother with a three week old baby. How ideas have changed since Ann was born. This
time we had a smooth passage and I was the only passenger to get airsick. Although
there were other women passengers it was a man once again, who came up and
offered to help. Kate went off with him amiably and he entertained her until we touched
down at Mbeya.George was there to meet us with a wonderful surprise, a little red two seater
Ford car. She is a bit battered and looks a bit odd because the boot has been
converted into a large wooden box for carrying raw salt, but she goes like the wind.
Where did George raise the cash to buy a car? Whilst we were away he found a small
cave full of bat guano near a large cave which is worked by a man called Bob Sargent.
As Sargent did not want any competition he bought the contents of the cave from
George giving him the small car as part payment.It was lovely to return to our little home and find everything fresh and tidy and the
garden full of colour. But it was heartbreaking to go into the bedroom and see George’s
precious forgotten boots still standing by his empty bed.With much love,
Eleanor.Mchewe 25th June 1937
Dearest Family,
Last Friday George took Kate and me in the little red Ford to visit Mr Sargent’s
camp on the Songwe River which cuts the Mbeya-Mbosi road. Mr Sargent bought
Hicky-Wood’s guano deposit and also our small cave and is making a good living out of
selling the bat guano to the coffee farmers in this province. George went to try to interest
him in a guano deposit near Kilwa in the Southern Province. Mr Sargent agreed to pay
25 pounds to cover the cost of the car trip and pegging costs. George will make the trip
to peg the claim and take samples for analysis. If the quality is sufficiently high, George
and Mr Sargent will go into partnership. George will work the claim and ship out the
guano from Kilwa which is on the coast of the Southern Province of Tanganyika. So now
we are busy building castles in the air once more.On Saturday we went to Mbeya where George had to attend a meeting of the
Trout Association. In the afternoon he played in a cricket match so Kate and I spent the
whole day with the wife of the new Superintendent of Police. They have a very nice
new house with lawns and a sunken rose garden. Kate had a lovely romp with Kit, her
three year old son.Mrs Wolten also has two daughters by a previous marriage. The elder girl said to
me, “Oh Mrs Rushby your husband is exactly like the strong silent type of man I
expected to see in Africa but he is the only one I have seen. I think he looks exactly like
those men in the ‘Barney’s Tobacco’ advertisements.”I went home with a huge pile of magazines to keep me entertained whilst
George is away on the Kilwa trip.Lots of love,
Eleanor.Mchewe 9th July 1937
Dearest Family,
George returned on Monday from his Kilwa safari. He had an entertaining
tale to tell.Before he approached Mr Sargent about going shares in the Kilwa guano
deposit he first approached a man on the Lupa who had done very well out of a small
gold reef. This man, however said he was not interested so you can imagine how
indignant George was when he started on his long trip, to find himself being trailed by
this very man and a co-driver in a powerful Ford V8 truck. George stopped his car and
had some heated things to say – awful threats I imagine as to what would happen to
anyone who staked his claim. Then he climbed back into our ancient little two seater and
went off like a bullet driving all day and most of the night. As the others took turns in
driving you can imagine what a feat it was for George to arrive in Kilwa ahead of them.
When they drove into Kilwa he met them with a bright smile and a bit of bluff –
quite justifiable under the circumstances I think. He said, you chaps can have a rest now,
you’re too late.” He then whipped off and pegged the claim. he brought some samples
of guano back but until it has been analysed he will not know whether the guano will be
an economic proposition or not. George is not very hopeful. He says there is a good
deal of sand mixed with the guano and that much of it was damp.The trip was pretty eventful for Kianda, our houseboy. The little two seater car
had been used by its previous owner for carting bags of course salt from his salt pans.
For this purpose the dicky seat behind the cab had been removed, and a kind of box
built into the boot of the car. George’s camp kit and provisions were packed into this
open box and Kianda perched on top to keep an eye on the belongings. George
travelled so fast on the rough road that at some point during the night Kianda was
bumped off in the middle of the Game Reserve. George did not notice that he was
missing until the next morning. He concluded, quite rightly as it happened, that Kianda
would be picked up by the rival truck so he continued his journey and Kianda rejoined
him at Kilwa.Believe it or not, the same thing happened on the way back but fortunately this
time George noticed his absence. He stopped the car and had just started back on his
tracks when Kianda came running down the road still clutching the unlighted storm lamp
which he was holding in his hand when he fell. The glass was not even cracked.
We are finding it difficult just now to buy native chickens and eggs. There has
been an epidemic amongst the poultry and one hesitates to eat the survivors. I have a
brine tub in which I preserve our surplus meat but I need the chickens for soup.
I hope George will be home for some months. He has arranged to take a Mr
Blackburn, a wealthy fruit farmer from Elgin, Cape, on a hunting safari during September
and October and that should bring in some much needed cash. Lillian Eustace has
invited Kate and me to spend the whole of October with her in Tukuyu.
I am so glad that you so much enjoy having Ann and George with you. We miss
them dreadfully. Kate is a pretty little girl and such a little madam. You should hear the
imperious way in which she calls the kitchenboy for her meals. “Boy Brekkis, Boy Lunch,
and Boy Eggy!” are her three calls for the day. She knows no Ki-Swahili.Eleanor
Mchewe 8th October 1937
Dearest Family,
I am rapidly becoming as superstitious as our African boys. They say the wild
animals always know when George is away from home and come down to have their
revenge on me because he has killed so many.I am being besieged at night by a most beastly leopard with a half grown cub. I
have grown used to hearing leopards grunt as they hunt in the hills at night but never
before have I had one roaming around literally under the windows. It has been so hot at
night lately that I have been sleeping with my bedroom door open onto the verandah. I
felt quite safe because the natives hereabouts are law-abiding and in any case I always
have a boy armed with a club sleeping in the kitchen just ten yards away. As an added
precaution I also have a loaded .45 calibre revolver on my bedside table, and Fanny
our bullterrier, sleeps on the mat by my bed. I am also looking after Barney, a fine
Airedale dog belonging to the Costers. He slept on a mat by the open bedroom door
near a dimly burning storm lamp.As usual I went to sleep with an easy mind on Monday night, but was awakened
in the early hours of Tuesday by the sound of a scuffle on the front verandah. The noise
was followed by a scream of pain from Barney. I jumped out of bed and, grabbing the
lamp with my left hand and the revolver in my right, I rushed outside just in time to see
two animal figures roll over the edge of the verandah into the garden below. There they
engaged in a terrific tug of war. Fortunately I was too concerned for Barney to be
nervous. I quickly fired two shots from the revolver, which incidentally makes a noise like
a cannon, and I must have startled the leopard for both animals, still locked together,
disappeared over the edge of the terrace. I fired two more shots and in a few moments
heard the leopard making a hurried exit through the dry leaves which lie thick under the
wild fig tree just beyond the terrace. A few seconds later Barney appeared on the low
terrace wall. I called his name but he made no move to come but stood with hanging
head. In desperation I rushed out, felt blood on my hands when I touched him, so I
picked him up bodily and carried him into the house. As I regained the verandah the boy
appeared, club in hand, having been roused by the shots. He quickly grasped what had
happened when he saw my blood saturated nightie. He fetched a bowl of water and a
clean towel whilst I examined Barney’s wounds. These were severe, the worst being a
gaping wound in his throat. I washed the gashes with a strong solution of pot permang
and I am glad to say they are healing remarkably well though they are bound to leave
scars. Fanny, very prudently, had taken no part in the fighting except for frenzied barking
which she kept up all night. The shots had of course wakened Kate but she seemed
more interested than alarmed and kept saying “Fanny bark bark, Mummy bang bang.
Poor Barney lots of blood.”In the morning we inspected the tracks in the garden. There was a shallow furrow
on the terrace where Barney and the leopard had dragged each other to and fro and
claw marks on the trunk of the wild fig tree into which the leopard climbed after I fired the
shots. The affair was of course a drama after the Africans’ hearts and several of our
shamba boys called to see me next day to make sympathetic noises and discuss the
affair.I went to bed early that night hoping that the leopard had been scared off for
good but I must confess I shut all windows and doors. Alas for my hopes of a restful
night. I had hardly turned down the lamp when the leopard started its terrifying grunting
just under the bedroom windows. If only she would sniff around quietly I should not
mind, but the noise is ghastly, something like the first sickening notes of a braying
donkey, amplified here by the hills and the gorge which is only a stones throw from the
bedroom. Barney was too sick to bark but Fanny barked loud enough for two and the more
frantic she became the hungrier the leopard sounded. Kate of course woke up and this
time she was frightened though I assured her that the noise was just a donkey having
fun. Neither of us slept until dawn when the leopard returned to the hills. When we
examined the tracks next morning we found that the leopard had been accompanied by
a fair sized cub and that together they had prowled around the house, kitchen, and out
houses, visiting especially the places to which the dogs had been during the day.
As I feel I cannot bear many more of these nights, I am sending a note to the
District Commissioner, Mbeya by the messenger who takes this letter to the post,
asking him to send a game scout or an armed policeman to deal with the leopard.
So don’t worry, for by the time this reaches you I feel sure this particular trouble
will be over.Eleanor.
Mchewe 17th October 1937
Dearest Family,
More about the leopard I fear! My messenger returned from Mbeya to say that
the District Officer was on safari so he had given the message to the Assistant District
Officer who also apparently left on safari later without bothering to reply to my note, so
there was nothing for me to do but to send for the village Nimrod and his muzzle loader
and offer him a reward if he could frighten away or kill the leopard.The hunter, Laza, suggested that he should sleep at the house so I went to bed
early leaving Laza and his two pals to make themselves comfortable on the living room
floor by the fire. Laza was armed with a formidable looking muzzle loader, crammed I
imagine with nuts and bolts and old rusty nails. One of his pals had a spear and the other
a panga. This fellow was also in charge of the Petromax pressure lamp whose light was
hidden under a packing case. I left the campaign entirely to Laza’s direction.
As usual the leopard came at midnight stealing down from the direction of the
kitchen and announcing its presence and position with its usual ghastly grunts. Suddenly
pandemonium broke loose on the back verandah. I heard the roar of the muzzle loader
followed by a vigourous tattoo beaten on an empty paraffin tin and I rushed out hoping
to find the dead leopard. however nothing of the kind had happened except that the
noise must have scared the beast because she did not return again that night. Next
morning Laza solemnly informed me that, though he had shot many leopards in his day,
this was no ordinary leopard but a “sheitani” (devil) and that as his gun was no good
against witchcraft he thought he might as well retire from the hunt. Scared I bet, and I
don’t blame him either.You can imagine my relief when a car rolled up that afternoon bringing Messers
Stewart and Griffiths, two farmers who live about 15 miles away, between here and
Mbeya. They had a note from the Assistant District Officer asking them to help me and
they had come to set up a trap gun in the garden. That night the leopard sniffed all
around the gun and I had the added strain of waiting for the bang and wondering what I
should do if the beast were only wounded. I conjured up horrible visions of the two little
totos trotting up the garden path with the early morning milk and being horribly mauled,
but I needn’t have worried because the leopard was far too wily to be caught that way.
Two more ghastly nights passed and then I had another visitor, a Dr Jackson of
the Tsetse Department on safari in the District. He listened sympathetically to my story
and left his shotgun and some SSG cartridges with me and instructed me to wait until the
leopard was pretty close and blow its b—– head off. It was good of him to leave his
gun. George always says there are three things a man should never lend, ‘His wife, his
gun and his dog.’ (I think in that order!)I felt quite cheered by Dr Jackson’s visit and sent
once again for Laza last night and arranged a real show down. In the afternoon I draped
heavy blankets over the living room windows to shut out the light of the pressure lamp
and the four of us, Laza and his two stooges and I waited up for the leopard. When we
guessed by her grunts that she was somewhere between the kitchen and the back door
we all rushed out, first the boy with the panga and the lamp, next Laza with his muzzle
loader, then me with the shotgun followed closely by the boy with the spear. What a
farce! The lamp was our undoing. We were blinded by the light and did not even
glimpse the leopard which made off with a derisive grunt. Laza said smugly that he knew
it was hopeless to try and now I feel tired and discouraged too.This morning I sent a runner to Mbeya to order the hotel taxi for tomorrow and I
shall go to friends in Mbeya for a day or two and then on to Tukuyu where I shall stay
with the Eustaces until George returns from Safari.Eleanor.
Mchewe 18th November 1937
My darling Ann,
Here we are back in our own home and how lovely it is to have Daddy back from
safari. Thank you very much for your letter. I hope by now you have got mine telling you
how very much I liked the beautiful tray cloth you made for my birthday. I bet there are
not many little girls of five who can embroider as well as you do, darling. The boy,
Matafari, washes and irons it so carefully and it looks lovely on the tea tray.Daddy and I had some fun last night. I was in bed and Daddy was undressing
when we heard a funny scratching noise on the roof. I thought it was the leopard. Daddy
quickly loaded his shotgun and ran outside. He had only his shirt on and he looked so
funny. I grabbed the loaded revolver from the cupboard and ran after Dad in my nightie
but after all the rush it was only your cat, Winnie, though I don’t know how she managed
to make such a noise. We felt so silly, we laughed and laughed.Kate talks a lot now but in such a funny way you would laugh to her her. She
hears the houseboys call me Memsahib so sometimes instead of calling me Mummy
she calls me “Oompaab”. She calls the bedroom a ‘bippon’ and her little behind she
calls her ‘sittendump’. She loves to watch Mandawi’s cattle go home along the path
behind the kitchen. Joseph your donkey, always leads the cows. He has a lazy life now.
I am glad you had such fun on Guy Fawkes Day. You will be sad to leave
Plumstead but I am sure you will like going to England on the big ship with granny Kate.
I expect you will start school when you get to England and I am sure you will find that
fun.God bless my dear little girl. Lots of love from Daddy and Kate,
and MummyMchewe 18th November 1937
Hello George Darling,
Thank you for your lovely drawing of Daddy shooting an elephant. Daddy says
that the only thing is that you have drawn him a bit too handsome.I went onto the verandah a few minutes ago to pick a banana for Kate from the
bunch hanging there and a big hornet flew out and stung my elbow! There are lots of
them around now and those stinging flies too. Kate wears thick corduroy dungarees so
that she will not get her fat little legs bitten. She is two years old now and is a real little
pickle. She loves running out in the rain so I have ordered a pair of red Wellingtons and a
tiny umbrella from a Nairobi shop for her Christmas present.Fanny’s puppies have their eyes open now and have very sharp little teeth.
They love to nip each other. We are keeping the fiercest little one whom we call Paddy
but are giving the others to friends. The coffee bushes are full of lovely white flowers
and the bees and ants are very busy stealing their honey.Yesterday a troop of baboons came down the hill and Dad shot a big one to
scare the others off. They are a nuisance because they steal the maize and potatoes
from the native shambas and then there is not enough food for the totos.
Dad and I are very proud of you for not making a fuss when you went to the
dentist to have that tooth out.Bye bye, my fine little son.
Three bags full of love from Kate, Dad and Mummy.Mchewe 12th February, 1938
Dearest Family,
here is some news that will please you. George has been offered and has
accepted a job as Forester at Mbulu in the Northern Province of Tanganyika. George
would have preferred a job as Game Ranger, but though the Game Warden, Philip
Teare, is most anxious to have him in the Game Department, there is no vacancy at
present. Anyway if one crops up later, George can always transfer from one
Government Department to another. Poor George, he hates the idea of taking a job. He
says that hitherto he has always been his own master and he detests the thought of
being pushed around by anyone.Now however he has no choice. Our capitol is almost exhausted and the coffee
market shows no signs of improving. With three children and another on the way, he
feels he simply must have a fixed income. I shall be sad to leave this little farm. I love
our little home and we have been so very happy here, but my heart rejoices at the
thought of overseas leave every thirty months. Now we shall be able to fetch Ann and
George from England and in three years time we will all be together in Tanganyika once
more.There is no sale for farms so we will just shut the house and keep on a very small
labour force just to keep the farm from going derelict. We are eating our hens but will
take our two dogs, Fanny and Paddy with us.One thing I shall be glad to leave is that leopard. She still comes grunting around
at night but not as badly as she did before. I do not mind at all when George is here but
until George was accepted for this forestry job I was afraid he might go back to the
Diggings and I should once more be left alone to be cursed by the leopard’s attentions.
Knowing how much I dreaded this George was most anxious to shoot the leopard and
for weeks he kept his shotgun and a powerful torch handy at night.One night last week we woke to hear it grunting near the kitchen. We got up very
quietly and whilst George loaded the shotgun with SSG, I took the torch and got the
heavy revolver from the cupboard. We crept out onto the dark verandah where George
whispered to me to not switch on the torch until he had located the leopard. It was pitch
black outside so all he could do was listen intently. And then of course I spoilt all his
plans. I trod on the dog’s tin bowl and made a terrific clatter! George ordered me to
switch on the light but it was too late and the leopard vanished into the long grass of the
Kalonga, grunting derisively, or so it sounded.She never comes into the clearing now but grunts from the hillside just above it.
Eleanor.
Mbulu 18th March, 1938
Dearest Family,
Journeys end at last. here we are at Mbulu, installed in our new quarters which are
as different as they possibly could be from our own cosy little home at Mchewe. We
live now, my dears, in one wing of a sort of ‘Beau Geste’ fort but I’ll tell you more about
it in my next letter. We only arrived yesterday and have not had time to look around.
This letter will tell you just about our trip from Mbeya.We left the farm in our little red Ford two seater with all our portable goods and
chattels plus two native servants and the two dogs. Before driving off, George took one
look at the flattened springs and declared that he would be surprised if we reached
Mbeya without a breakdown and that we would never make Mbulu with the car so
overloaded.However luck was with us. We reached Mbeya without mishap and at one of the
local garages saw a sturdy used Ford V8 boxbody car for sale. The garage agreed to
take our small car as part payment and George drew on our little remaining capitol for the
rest. We spent that night in the house of the Forest Officer and next morning set out in
comfort for the Northern Province of Tanganyika.I had done the journey from Dodoma to Mbeya seven years before so was
familiar with the scenery but the road was much improved and the old pole bridges had
been replaced by modern steel ones. Kate was as good as gold all the way. We
avoided hotels and camped by the road and she found this great fun.
The road beyond Dodoma was new to me and very interesting country, flat and
dry and dusty, as little rain falls there. The trees are mostly thorn trees but here and there
one sees a giant baobab, weird trees with fantastically thick trunks and fat squat branches
with meagre foliage. The inhabitants of this area I found interesting though. They are
called Wagogo and are a primitive people who ape the Masai in dress and customs
though they are much inferior to the Masai in physique. They are also great herders of
cattle which, rather surprisingly, appear to thrive in that dry area.The scenery alters greatly as one nears Babati, which one approaches by a high
escarpment from which one has a wonderful view of the Rift Valley. Babati township
appears to be just a small group of Indian shops and shabby native houses, but I
believe there are some good farms in the area. Though the little township is squalid,
there is a beautiful lake and grand mountains to please the eye. We stopped only long
enough to fill up with petrol and buy some foodstuffs. Beyond Babati there is a tsetse
fly belt and George warned our two native servants to see that no tsetse flies settled on
the dogs.We stopped for the night in a little rest house on the road about 80 miles from
Arusha where we were to spend a few days with the Forest Officer before going on to
Mbulu. I enjoyed this section of the road very much because it runs across wide plains
which are bounded on the West by the blue mountains of the Rift Valley wall. Here for
the first time I saw the Masai on their home ground guarding their vast herds of cattle. I
also saw their strange primitive hovels called Manyattas, with their thorn walled cattle
bomas and lots of plains game – giraffe, wildebeest, ostriches and antelope. Kate was
wildly excited and entranced with the game especially the giraffe which stood gazing
curiously and unafraid of us, often within a few yards of the road.Finally we came across the greatest thrill of all, my first view of Mt Meru the extinct
volcano about 16,000 feet high which towers over Arusha township. The approach to
Arusha is through flourishing coffee plantations very different alas from our farm at Mchewe. George says that at Arusha coffee growing is still a paying proposition
because here the yield of berry per acre is much higher than in the Southern highlands
and here in the North the farmers have not such heavy transport costs as the railway runs
from Arusha to the port at Tanga.We stayed overnight at a rather second rate hotel but the food was good and we
had hot baths and a good nights rest. Next day Tom Lewis the Forest Officer, fetched
us and we spent a few days camping in a tent in the Lewis’ garden having meals at their
home. Both Tom and Lillian Lewis were most friendly. Tom lewis explained to George
what his work in the Mbulu District was to be, and they took us camping in a Forest
Reserve where Lillian and her small son David and Kate and I had a lovely lazy time
amidst beautiful surroundings. Before we left for Mbulu, Lillian took me shopping to buy
material for curtains for our new home. She described the Forest House at Mbulu to me
and it sounded delightful but alas, when we reached Mbulu we discovered that the
Assistant District Officer had moved into the Forest House and we were directed to the
Fort or Boma. The night before we left Arusha for Mbulu it rained very heavily and the
road was very treacherous and slippery due to the surface being of ‘black cotton’ soil
which has the appearance and consistency of chocolate blancmange, after rain. To get to
Mbulu we had to drive back in the direction of Dodoma for some 70 miles and then turn
to the right and drive across plains to the Great Rift Valley Wall. The views from this
escarpment road which climbs this wall are magnificent. At one point one looks down
upon Lake Manyara with its brilliant white beaches of soda.The drive was a most trying one for George. We had no chains for the wheels
and several times we stuck in the mud and our two houseboys had to put grass and
branches under the wheels to stop them from spinning. Quite early on in the afternoon
George gave up all hope of reaching Mbulu that day and planned to spend the night in
a little bush rest camp at Karatu. However at one point it looked as though we would not
even reach this resthouse for late afternoon found us properly bogged down in a mess
of mud at the bottom of a long and very steep hill. In spite of frantic efforts on the part of
George and the two boys, all now very wet and muddy, the heavy car remained stuck.
Suddenly five Masai men appeared through the bushes beside the road. They
were all tall and angular and rather terrifying looking to me. Each wore only a blanket
knotted over one shoulder and all were armed with spears. They lined up by the side of
the road and just looked – not hostile but simply aloof and supercilious. George greeted
them and said in Ki-Swahili, “Help to push and I will reward you.” But they said nothing,
just drawing back imperceptibly to register disgust at the mere idea of manual labour.
Their expressions said quite clearly “A Masai is a warrior and does not soil his hands.”
George then did something which startled them I think, as much as me. He
plucked their spears from their hands one by one and flung them into the back of the
boxbody. “Now push!” he said, “And when we are safely out of the mud you shall have
your spears back.” To my utter astonishment the Masai seemed to applaud George’s
action. I think they admire courage in a man more than anything else. They pushed with a
will and soon we were roaring up the long steep slope. “I can’t stop here” quoth George
as up and up we went. The Masai were in mad pursuit with their blankets streaming
behind. They took a very steep path which was a shortcut to the top. They are certainly
amazing athletes and reached the top at the same time as the car. Their route of course
was shorter but much more steep, yet they came up without any sign of fatigue to claim
their spears and the money which George handed out with a friendly grin. The Masai
took the whole episode in good heart and we parted on the most friendly terms.After a rather chilly night in the three walled shack, we started on the last lap of our
journey yesterday morning in bright weather and made the trip to Mbulu without incident.Eleanor.
Mbulu 24th March, 1938
Dearest Family,
Mbulu is an attractive station but living in this rather romantic looking fort has many
disadvantages. Our quarters make up one side of the fort which is built up around a
hollow square. The buildings are single storied but very tall in the German manner and
there is a tower on one corner from which the Union Jack flies. The tower room is our
sitting room, and one has very fine views from the windows of the rolling country side.
However to reach this room one has to climb a steep flight of cement steps from the
court yard. Another disadvantage of this tower room is that there is a swarm of bees in
the roof and the stray ones drift down through holes in the ceiling and buzz angrily
against the window panes or fly around in a most menacing manner.Ours are the only private quarters in the Fort. Two other sides of the Fort are
used as offices, storerooms and court room and the fourth side is simply a thick wall with
battlements and loopholes and a huge iron shod double door of enormous thickness
which is always barred at sunset when the flag is hauled down. Two Police Askari always
remain in the Fort on guard at night. The effect from outside the whitewashed fort is very
romantic but inside it is hardly homely and how I miss my garden at Mchewe and the
grass and trees.We have no privacy downstairs because our windows overlook the bare
courtyard which is filled with Africans patiently waiting to be admitted to the courtroom as
witnesses or spectators. The outside windows which overlook the valley are heavily
barred. I can only think that the Germans who built this fort must have been very scared
of the local natives.Our rooms are hardly cosy and are furnished with typical heavy German pieces.
We have a vast bleak bedroom, a dining room and an enormous gloomy kitchen in
which meals for the German garrison were cooked. At night this kitchen is alive with
gigantic rats but fortunately they do not seem to care for the other rooms. To crown
everything owls hoot and screech at night on the roof.On our first day here I wandered outside the fort walls with Kate and came upon a
neatly fenced plot enclosing the graves of about fifteen South African soldiers killed by
the Germans in the 1914-18 war. I understand that at least one of theses soldiers died in
the courtyard here. The story goes, that during the period in the Great War when this fort
was occupied by a troop of South African Horse, a German named Siedtendorf
appeared at the great barred door at night and asked to speak to the officer in command
of the Troop. The officer complied with this request and the small shutter in the door was
opened so that he could speak with the German. The German, however, had not come
to speak. When he saw the exposed face of the officer, he fired, killing him, and
escaped into the dark night. I had this tale on good authority but cannot vouch for it. I do
know though, that there are two bullet holes in the door beside the shutter. An unhappy
story to think about when George is away, as he is now, and the moonlight throws queer
shadows in the court yard and the owls hoot.However though I find our quarters depressing, I like Mbulu itself very much. It is
rolling country, treeless except for the plantations of the Forestry Dept. The land is very
fertile in the watered valleys but the grass on hills and plains is cropped to the roots by
the far too numerous cattle and goats. There are very few Europeans on the station, only
Mr Duncan, the District Officer, whose wife and children recently left for England, the
Assistant District Officer and his wife, a bachelor Veterinary Officer, a Road Foreman and
ourselves, and down in the village a German with an American wife and an elderly
Irishman whom I have not met. The Government officials have a communal vegetable
garden in the valley below the fort which keeps us well supplied with green stuff.Most afternoons George, Kate and I go for walks after tea. On Fridays there is a
little ceremony here outside the fort. In the late afternoon a little procession of small
native schoolboys, headed by a drum and penny whistle band come marching up the
road to a tune which sounds like ‘Two lovely black eyes”. They form up below our tower
and as the flag is lowered for the day they play ‘God save the King’, and then march off
again. It is quite a cheerful little ceremony.The local Africans are a skinny lot and, I should say, a poor tribe. They protect
themselves against the cold by wrapping themselves in cotton blankets or a strip of
unbleached sheeting. This they drape over their heads, almost covering their faces and
the rest is wrapped closely round their bodies in the manner of a shroud. A most
depressing fashion. They live in very primitive comfortless houses. They simply make a
hollow in the hillside and build a front wall of wattle and daub. Into this rude shelter at night
go cattle and goats, men, women, and children.Mbulu village has the usual mud brick and wattle dukas and wattle and daub
houses. The chief trader is a Goan who keeps a surprisingly good variety of tinned
foodstuffs and also sells hardware and soft goods.The Europeans here have been friendly but as you will have noted there are
only two other women on station and no children at all to be companions for Kate.Eleanor.
Mbulu 20th June 1938
Dearest Family,
Here we are on Safari with George at Babati where we are occupying a rest
house on the slopes of Ufiome Mountain. The slopes are a Forest Reserve and
George is supervising the clearing of firebreaks in preparation for the dry weather. He
goes off after a very early breakfast and returns home in the late afternoon so Kate and I
have long lazy days.Babati is a pleasant spot and the resthouse is quite comfortable. It is about a mile
from the village which is just the usual collection of small mud brick and corrugated iron
Indian Dukas. There are a few settlers in the area growing coffee, or going in for mixed
farming but I don’t think they are doing very well. The farm adjoining the rest house is
owned by Lord Lovelace but is run by a manager.George says he gets enough exercise clambering about all day on the mountain,
so Kate and I do our walking in the mornings when George is busy, and we all relax in
the evenings when George returns from his field work. Kate’s favourite walk is to the big
block of mtama (sorghum) shambas lower down the hill. There are huge swarms of tiny
grain eating birds around waiting the chance to plunder the mtama, so the crops are
watched from sunrise to sunset.Crude observation platforms have been erected for this purpose in the centre of
each field and the women and the young boys of the family concerned, take it in turn to
occupy the platform and scare the birds. Each watcher has a sling and uses clods of
earth for ammunition. The clod is placed in the centre of the sling which is then whirled
around at arms length. Suddenly one end of the sling is released and the clod of earth
flies out and shatters against the mtama stalks. The sling makes a loud whip like crack and
the noise is quite startling and very effective in keeping the birds at a safe distance.Eleanor.
Karatu 3rd July 1938
Dearest Family,
Still on safari you see! We left Babati ten days ago and passed through Mbulu
on our way to this spot. We slept out of doors one night beside Lake Tiawa about eight
miles from Mbulu. It was a peaceful spot and we enjoyed watching the reflection of the
sunset on the lake and the waterhens and duck and pelicans settling down for the night.
However it turned piercingly cold after sunset so we had an early supper and then all
three of us lay down to sleep in the back of the boxbody (station wagon). It was a tight
fit and a real case of ‘When Dad turns, we all turn.’Here at Karatu we are living in a grass hut with only three walls. It is rather sweet
and looks like the setting for a Nativity Play. Kate and I share the only camp bed and
George and the dogs sleep on the floor. The air here is very fresh and exhilarating and
we all feel very fit. George is occupied all day supervising the cutting of firebreaks
around existing plantations and the forest reserve of indigenous trees. Our camp is on
the hillside and below us lie the fertile wheat lands of European farmers.They are mostly Afrikaners, the descendants of the Boer families who were
invited by the Germans to settle here after the Boer War. Most of them are pro-British
now and a few have called in here to chat to George about big game hunting. George
gets on extremely well with them and recently attended a wedding where he had a
lively time dancing at the reception. He likes the older people best as most are great
individualists. One fine old man, surnamed von Rooyen, visited our camp. He is a Boer
of the General Smuts type with spare figure and bearded face. George tells me he is a
real patriarch with an enormous family – mainly sons. This old farmer fought against the
British throughout the Boer War under General Smuts and again against the British in the
German East Africa campaign when he was a scout and right hand man to Von Lettow. It
is said that Von Lettow was able to stay in the field until the end of the Great War
because he listened to the advise given to him by von Rooyen. However his dislike for
the British does not extend to George as they have a mutual interest in big game
hunting.Kate loves being on safari. She is now so accustomed to having me as her nurse
and constant companion that I do not know how she will react to paid help. I shall have to
get someone to look after her during my confinement in the little German Red Cross
hospital at Oldeani.George has obtained permission from the District Commissioner, for Kate and
me to occupy the Government Rest House at Oldeani from the end of July until the end
of August when my baby is due. He will have to carry on with his field work but will join
us at weekends whenever possible.Eleanor.
Karatu 12th July 1938
Dearest Family,
Not long now before we leave this camp. We have greatly enjoyed our stay
here in spite of the very chilly earl mornings and the nights when we sit around in heavy
overcoats until our early bed time.Last Sunday I persuaded George to take Kate and me to the famous Ngoro-
Ngoro Crater. He was not very keen to do so because the road is very bumpy for
anyone in my interesting condition but I feel so fit that I was most anxious to take this
opportunity of seeing the enormous crater. We may never be in this vicinity again and in
any case safari will not be so simple with a small baby.What a wonderful trip it was! The road winds up a steep escarpment from which
one gets a glorious birds eye view of the plains of the Great Rift Valley far, far below.
The crater is immense. There is a road which skirts the rim in places and one has quite
startling views of the floor of the crater about two thousand feet below.A camp for tourists has just been built in a clearing in the virgin forest. It is most
picturesque as the camp buildings are very neatly constructed log cabins with very high
pitched thatched roofs. We spent about an hour sitting on the grass near the edge of the
crater enjoying the sunshine and the sharp air and really awe inspiring view. Far below us
in the middle of the crater was a small lake and we could see large herds of game
animals grazing there but they were too far away to be impressive, even seen through
George’s field glasses. Most appeared to be wildebeest and zebra but I also picked
out buffalo. Much more exciting was my first close view of a wild elephant. George
pointed him out to me as we approached the rest camp on the inward journey. He
stood quietly under a tree near the road and did not seem to be disturbed by the car
though he rolled a wary eye in our direction. On our return journey we saw him again at
almost uncomfortably close quarters. We rounded a sharp corner and there stood the
elephant, facing us and slap in the middle of the road. He was busily engaged giving
himself a dust bath but spared time to give us an irritable look. Fortunately we were on a
slight slope so George quickly switched off the engine and backed the car quietly round
the corner. He got out of the car and loaded his rifle, just in case! But after he had finished
his toilet the elephant moved off the road and we took our chance and passed without
incident.One notices the steepness of the Ngoro-Ngoro road more on the downward
journey than on the way up. The road is cut into the side of the mountain so that one has
a steep slope on one hand and a sheer drop on the other. George told me that a lorry
coming down the mountain was once charged from behind by a rhino. On feeling and
hearing the bash from behind the panic stricken driver drove off down the mountain as
fast as he dared and never paused until he reached level ground at the bottom of the
mountain. There was no sign of the rhino so the driver got out to examine his lorry and
found the rhino horn embedded in the wooden tail end of the lorry. The horn had been
wrenched right off!Happily no excitement of that kind happened to us. I have yet to see a rhino.
Eleanor.
Oldeani. 19th July 1938
Dearest Family,
Greetings from a lady in waiting! Kate and I have settled down comfortably in the
new, solidly built Government Rest House which comprises one large living room and
one large office with a connecting door. Outside there is a kitchen and a boys quarter.
There are no resident Government officials here at Oldeani so the office is in use only
when the District Officer from Mbulu makes his monthly visit. However a large Union
Jack flies from a flagpole in the front of the building as a gentle reminder to the entirely
German population of Oldeani that Tanganyika is now under British rule.There is quite a large community of German settlers here, most of whom are
engaged in coffee farming. George has visited several of the farms in connection with his
forestry work and says the coffee plantations look very promising indeed. There are also
a few German traders in the village and there is a large boarding school for German
children and also a very pleasant little hospital where I have arranged to have the baby.
Right next door to the Rest House is a General Dealers Store run by a couple named
Schnabbe. The shop is stocked with drapery, hardware, china and foodstuffs all
imported from Germany and of very good quality. The Schnabbes also sell local farm
produce, beautiful fresh vegetables, eggs and pure rich milk and farm butter. Our meat
comes from a German butchery and it is a great treat to get clean, well cut meat. The
sausages also are marvellous and in great variety.The butcher is an entertaining character. When he called round looking for custom I
expected him to break out in a yodel any minute, as it was obvious from a glance that
the Alps are his natural background. From under a green Tyrollean hat with feather,
blooms a round beefy face with sparkling small eyes and such widely spaced teeth that
one inevitably thinks of a garden rake. Enormous beefy thighs bulge from greasy
lederhosen which are supported by the traditional embroidered braces. So far the
butcher is the only cheery German, male or female, whom I have seen, and I have met
most of the locals at the Schnabbe’s shop. Most of the men seem to have cultivated
the grim Hitler look. They are all fanatical Nazis and one is usually greeted by a raised
hand and Heil Hitler! All very theatrical. I always feel like crying in ringing tones ‘God
Save the King’ or even ‘St George for England’. However the men are all very correct
and courteous and the women friendly. The women all admire Kate and cry, “Ag, das
kleine Englander.” She really is a picture with her rosy cheeks and huge grey eyes and
golden curls. Kate is having a wonderful time playing with Manfried, the Scnabbe’s small
son. Neither understands a word said by the other but that doesn’t seem to worry them.Before he left on safari, George took me to hospital for an examination by the
nurse, Sister Marianne. She has not been long in the country and knows very little
English but is determined to learn and carried on an animated, if rather quaint,
conversation with frequent references to a pocket dictionary. She says I am not to worry
because there is not doctor here. She is a very experienced midwife and anyway in an
emergency could call on the old retired Veterinary Surgeon for assistance.
I asked sister Marianne whether she knew of any German woman or girl who
would look after Kate whilst I am in hospital and today a very top drawer German,
bearing a strong likeness to ‘Little Willie’, called and offered the services of his niece who
is here on a visit from Germany. I was rather taken aback and said, “Oh no Baron, your
niece would not be the type I had in mind. I’m afraid I cannot pay much for a companion.”
However the Baron was not to be discouraged. He told me that his niece is seventeen
but looks twenty, that she is well educated and will make a cheerful companion. Her
father wishes her to learn to speak English fluently and that is why the Baron wished her
to come to me as a house daughter. As to pay, a couple of pounds a month for pocket
money and her keep was all he had in mind. So with some misgivings I agreed to take
the niece on as a companion as from 1st August.Eleanor.
Oldeani. 10th August 1938
Dearest Family,
Never a dull moment since my young companion arrived. She is a striking looking
girl with a tall boyish figure and very short and very fine dark hair which she wears
severely slicked back. She wears tweeds, no make up but has shiny rosy cheeks and
perfect teeth – she also,inevitably, has a man friend and I have an uncomfortable
suspicion that it is because of him that she was planted upon me. Upon second
thoughts though, maybe it was because of her excessive vitality, or even because of
her healthy appetite! The Baroness, I hear is in poor health and I can imagine that such
abundant health and spirit must have been quite overpowering. The name is Ingeborg,
but she is called Mouche, which I believe means Mouse. Someone in her family must
have a sense of humour.Her English only needed practice and she now chatters fluently so that I know her
background and views on life. Mouche’s father is a personal friend of Goering. He was
once a big noise in the German Airforce but is now connected with the car industry and
travels frequently and intensively in Europe and America on business. Mouche showed
me some snap shots of her family and I must say they look prosperous and charming.
Mouche tells me that her father wants her to learn to speak English fluently so that
she can get a job with some British diplomat in Cairo. I had immediate thought that I
might be nursing a future Mata Hari in my bosom, but this was immediately extinguished
when Mouche remarked that her father would like her to marry an Englishman. However
it seems that the mere idea revolts her. “Englishmen are degenerates who swill whisky
all day.” I pointed out that she had met George, who was a true blue Englishman, but
was nevertheless a fine physical specimen and certainly didn’t drink all day. Mouche
replied that George is not an Englishman but a hunter, as though that set him apart.
Mouche is an ardent Hitler fan and an enthusiastic member of the Hitler Youth
Movement. The house resounds with Hitler youth songs and when she is not singing,
her gramophone is playing very stirring marching songs. I cannot understand a word,
which is perhaps as well. Every day she does the most strenuous exercises watched
with envy by me as my proportions are now those of a circus Big Top. Mouche eats a
fantastic amount of meat and I feel it is a blessing that she is much admired by our
Tyrollean butcher who now delivers our meat in person and adds as a token of his
admiration some extra sausages for Mouche.I must confess I find her stimulating company as George is on safari most of the
time and my evenings otherwise would be lonely. I am a little worried though about
leaving Kate here with Mouche when I go to hospital. The dogs and Kate have not taken
to her. I am trying to prepare Kate for the separation but she says, “She’s not my
mummy. You are my dear mummy, and I want you, I want you.” George has got
permission from the Provincial Forestry Officer to spend the last week of August here at
the Rest House with me and I only hope that the baby will be born during that time.
Kate adores her dad and will be perfectly happy to remain here with him.One final paragraph about Mouche. I thought all German girls were domesticated
but not Mouche. I have Kesho-Kutwa here with me as cook and I have engaged a local
boy to do the laundry. I however expected Mouche would take over making the
puddings and pastry but she informed me that she can only bake a chocolate cake and
absolutely nothing else. She said brightly however that she would do the mending. As
there is none for her to do, she has rescued a large worn handkerchief of George’s and
sits with her feet up listening to stirring gramophone records whilst she mends the
handkerchief with exquisite darning.Eleanor.
Oldeani. 20th August 1938
Dearest Family,
Just after I had posted my last letter I received what George calls a demi official
letter from the District Officer informing me that I would have to move out of the Rest
House for a few days as the Governor and his hangers on would be visiting Oldeani
and would require the Rest House. Fortunately George happened to be here for a few
hours and he arranged for Kate and Mouche and me to spend a few days at the
German School as borders. So here I am at the school having a pleasant and restful
time and much entertained by all the goings on.The school buildings were built with funds from Germany and the school is run on
the lines of a contemporary German school. I think the school gets a grant from the
Tanganyika Government towards running expenses, but I am not sure. The school hall is
dominated by a more than life sized oil painting of Adolf Hitler which, at present, is
flanked on one side by the German Flag and on the other by the Union Jack. I cannot
help feeling that the latter was put up today for the Governor’s visit today.
The teachers are very amiable. We all meet at mealtimes, and though few of the
teachers speak English, the ones who do are anxious to chatter. The headmaster is a
scholarly man but obviously anti-British. He says he cannot understand why so many
South Africans are loyal to Britain – or rather to England. “They conquered your country
didn’t they?” I said that that had never occurred to me and that anyway I was mainly of
Scots descent and that loyalty to the crown was natural to me. “But the English
conquered the Scots and yet you are loyal to England. That I cannot understand.” “Well I
love England,” said I firmly, ”and so do all British South Africans.” Since then we have
stuck to English literature. Shakespeare, Lord Byron and Galsworthy seem to be the
favourites and all, thank goodness, make safe topics for conversation.
Mouche is in her element but Kate and I do not enjoy the food which is typically
German and consists largely of masses of fat pork and sauerkraut and unfamiliar soups. I
feel sure that the soup at lunch today had blobs of lemon curd in it! I also find most
disconcerting the way that everyone looks at me and says, “Bon appetite”, with much
smiling and nodding so I have to fight down my nausea and make a show of enjoying
the meals.The teacher whose room adjoins mine is a pleasant woman and I take my
afternoon tea with her. She, like all the teachers, has a large framed photo of Hitler on her
wall flanked by bracket vases of fresh flowers. One simply can’t get away from the man!
Even in the dormitories each child has a picture of Hitler above the bed. Hitler accepting
flowers from a small girl, or patting a small boy on the head. Even the children use the
greeting ‘Heil Hitler’. These German children seem unnaturally prim when compared with
my cheerful ex-pupils in South Africa but some of them are certainly very lovely to look
at.Tomorrow Mouche, Kate and I return to our quarters in the Rest House and in a
few days George will join us for a week.Eleanor.
Oldeani Hospital. 9th September 1938
Dearest Family,
You will all be delighted to hear that we have a second son, whom we have
named John. He is a darling, so quaint and good. He looks just like a little old man with a
high bald forehead fringed around the edges with a light brown fluff. George and I call
him Johnny Jo because he has a tiny round mouth and a rather big nose and reminds us
of A.A.Milne’s ‘Jonathan Jo has a mouth like an O’ , but Kate calls him, ‘My brother John’.
George was not here when he was born on September 5th, just two minutes
before midnight. He left on safari on the morning of the 4th and, of course, that very night
the labour pains started. Fortunately Kate was in bed asleep so Mouche walked with
me up the hill to the hospital where I was cheerfully received by Sister Marianne who
had everything ready for the confinement. I was lucky to have such an experienced
midwife because this was a breech birth and sister had to manage single handed. As
there was no doctor present I was not allowed even a sniff of anaesthetic. Sister slaved
away by the light of a pressure lamp endeavouring to turn the baby having first shoved
an inverted baby bath under my hips to raise them.What a performance! Sister Marianne was very much afraid that she might not be
able to save the baby and great was our relief when at last she managed to haul him out
by the feet. One slap and the baby began to cry without any further attention so Sister
wrapped him up in a blanket and took Johnny to her room for the night. I got very little
sleep but was so thankful to have the ordeal over that I did not mind even though I
heard a hyaena cackling and calling under my window in a most evil way.
When Sister brought Johnny to me in the early morning I stared in astonishment.
Instead of dressing him in one of his soft Viyella nighties, she had dressed him in a short
sleeved vest of knitted cotton with a cotton cloth swayed around his waist sarong
fashion. When I protested, “But Sister why is the baby not dressed in his own clothes?”
She answered firmly, “I find it is not allowed. A baby’s clotheses must be boiled and I
cannot boil clotheses of wool therefore your baby must wear the clotheses of the Red
Cross.”It was the same with the bedding. Poor Johnny lies all day in a deep wicker
basket with a detachable calico lining. There is no pillow under his head but a vast kind of
calico covered pillow is his only covering. There is nothing at all cosy and soft round my
poor baby. I said crossly to the Sister, “As every thing must be so sterile, I wonder you
don’t boil me too.” This she ignored.When my message reached George he dashed back to visit us. Sister took him
first to see the baby and George was astonished to see the baby basket covered by a
sheet. “She has the poor little kid covered up like a bloody parrot,” he told me. So I
asked him to go at once to buy a square of mosquito netting to replace the sheet.
Kate is quite a problem. She behaves like an Angel when she is here in my
room but is rebellious when Sister shoos her out. She says she “Hates the Nanny”
which is what she calls Mouche. Unfortunately it seems that she woke before midnight
on the night Johnny Jo was born to find me gone and Mouche in my bed. According to
Mouche, Kate wept all night and certainly when she visited me in the early morning
Kate’s face was puffy with crying and she clung to me crying “Oh my dear mummy, why
did you go away?” over and over again. Sister Marianne was touched and suggested
that Mouche and Kate should come to the hospital as boarders as I am the only patient
at present and there is plenty of room. Luckily Kate does not seem at all jealous of the
baby and it is a great relief to have here here under my eye.Eleanor.
December 18, 2021 at 10:02 am #6242In reply to: The Elusive Samuel Housley and Other Family Stories
The Housley Letters
We discovered that one of Samuel’s brothers, George Housley 1826-1877, emigrated to America in 1851, to Solebury, in Pennsylvania. Another brother, Charles 1823-1856, emigrated to Australia at the same time.
I wrote to the Solebury Historical Society to ask them if they had any information on the Housleys there. About a month later I had a very helpful and detailed reply from them.
There were Housley people in Solebury Township and nearby communities from 1854 to at least 1973, perhaps 1985. George Housley immigrated in 1851, arriving in New York from London in July 1851 on the ship “Senator”. George was in Solebury by 1854, when he is listed on the tax roles for the Township He didn’t own land at that time. Housley family members mostly lived in the Lumberville area, a village in Solebury, or in nearby Buckingham or Wrightstown. The second wife of Howard (aka Harry) Housley was Elsa (aka Elsie) R. Heed, the daughter of the Lumberville Postmaster. Elsie was the proprietor of the Lumberville General Store from 1939 to 1973, and may have continued to live in Lumberville until her death in 1985. The Lumberville General Store was, and still is, a focal point of the community. The store was also the official Post Office at one time, hence the connection between Elsie’s father as Postmaster, and Elsie herself as the proprietor of the store. The Post Office function at Lumberville has been reduced now to a bank of cluster mailboxes, and official U.S. Postal functions are now in Point Pleasant, PA a few miles north of Lumberville.
We’ve attached a pdf of the Housley people buried in Carversville Cemetery, which is in the town next to Lumberville, and is still in Solebury Township. We hope this list will confirm that these are your relatives.It doesn’t seem that any Housley people still live in the area. Some of George’s descendents moved to Wilkes-Barre, PA and Flemington, NJ. One descendent, Barbara Housley, lived in nearby Doylestown, PA, which is the county seat for Bucks County. She actually visited Solebury Township Historical Society looking for Housley relatives, and it would have been nice to connect you with her. Unfortunately she died in 2018. Her obituary is attached in case you want to follow up with the nieces and great nieces who are listed.
Lumberville General Store, Pennsylvania, Elsie Housley:
I noticed the name of Barbara’s brother Howard Housley in her obituary, and found him on facebook. I knew it was the right Howard Housley as I recognized Barbara’s photograph in his friends list as the same photo in the obituary. Howard didn’t reply initially to a friend request from a stranger, so I found his daughter Laura on facebook and sent her a message. She replied, spoke to her father, and we exchanged email addresses and were able to start a correspondence. I simply could not believe my luck when Howard sent me a 17 page file of Barbara’s Narrative on the Letters with numerous letter excerpts interspersed with her own research compiled on a six month trip to England.
The letters were written to George between 1851 and the 1870s, from the Housley family in Smalley.
Narrative of Historic Letters ~ Barbara Housley.
AND BELIEVE ME EVER MY DEAR BROTHER, YOUR AFFECTIONATE FAMILY
In February 1991, I took a picture of my 16 month old niece Laura Ann Housley standing near the tombstones of her great-great-great-grandparents, George and Sarah Ann Hill Housley. The occassion was the funeral of another Sarah Housley, Sarah Lord Housley, wife of Albert Kilmer Housley, youngest son of John Eley Housley (George and Sarah Ann’s first born). Laura Ann’s great-grandfather (my grandfather) was another George, John Eley’s first born. It was Aunt Sarah who brought my mother, Lois, a packet of papers which she had found in the attic. Mom spent hours transcribing the letters which had been written first horizontally and then vertically to save paper. What began to emerge was a priceless glimpse into the lives and concerns of Housleys who lived and died over a century ago. All of the letters ended with the phrase “And believe me ever my dear brother, your affectionate….”
The greeting and opening remarks of each of the letters are included in a list below. The sentence structure and speech patterns have not been altered however spelling and some punctuation has been corrected. Some typical idiosyncrasies were: as for has, were for where and vice versa, no capitals at the beginnings of sentences, occasional commas and dashes but almost no periods. Emma appears to be the best educated of the three Housley letter-writers. Sister-in-law Harriet does not appear to be as well educated as any of the others. Since their mother did not write but apparently was in good health, it must be assumed that she could not.
The people discussed and described in the following pages are for the most part known to be the family and friends of the Housleys of Smalley, Derbyshire, England. However, practically every page brings conjectures about the significance of persons who are mentioned in the letters and information about persons whose names seem to be significant but who have not yet been established as actual members of the family.To say this was a priceless addition to the family research is an understatement. I have since, with Howard’s permission, sent the file to the Derby Records Office for their family history section. We are hoping that Howard will find the actual letters in among the boxes he has of his sisters belongings. Some of the letters mention photographs that were sent. Perhaps some will be found.
December 31, 2019 at 6:35 pm #5049In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle:
Bert tells me it’s new years eve today. Looking forward to the champagne and fireworks I said to him. Joking of course. The wonder is that I even remembered what such things were. Bert looked sharply at me then, bit strange it was. Then he relaxed a bit and had a peculiar secretive smile on his face. Of course that’s easy to say in retrospect, that he had a secretive smile on his face. But little did I know at the time.
I’d been in the doldrums ever since that hot air balloon thing didn’t materialize into anything. I told Bert about it, and he went off down to the Brundy place, gone ages he was, and came back saying it was nothing. He had an odd spring in his step though which puzzled me a bit at the time, but I was so deflated after the excitement of thinking something might actually happen for a change, and when it didn’t, well, I couldn’t be bothered to think about Bert acting funny.
When Bert had a shower and asked me to iron ~ iron, I ask you! ~ his best shirt, I was more depressed than ever. If Bert goes mad as well, then where will we be? I was already wondering if I’d started hallucinating and if that was a sign of madness. I’d been catching glimpses of things out of the corner of my eye all week. I’d even heard stifled giggles. It was unnerving, I tell you.
When Bert suggested I have a shower as well, and asked if I still had that red sequinned dress I started to worry. What was he thinking? Then ~ get this ~ he asked if I had red knickers on.
Bert! I said, aghast.
He mumbled something about it being a tradition in Spain to wear red underpants on new years eve, and surely I hadn’t forgotten?
I gently reminded him that we weren’t in Spain, and he said, You’re damn right this isn’t Kansas anymore, hooted with laughter, and fairly skipped out of the room.
I sat there for a bit pondering all this and then thought, Hell, why not? Why not wear red knickers and that old red sequinned dress? Why not have a shower as well?
And much to my surprise I found I was humming a song and smiling to myself as I went to find that old red dress.
July 14, 2019 at 8:30 pm #4666In reply to: Pop﹡in People Tribulations
Granola, with all the expounding of new information felt a bit dizzy and in need of a quiet recap.
The squishy giraffe was a place as good as any for a bit of rest, but to be perfectly honest, the pets around the place didn’t make the greatest conversationists. And she didn’t want to look like she didn’t do her homework and get admonished by her bleu friend.“Think,” she said “by now, you can go about any place in their expansively creative stories.” —which was actually, like travelling inside her friends’ memories, considering the time they all spent in these universes, they were almost real, quite tangible.
“Think about one of their character, one who always seems to hold answers…”Bam swoosh
“It didn’t take long.”
She could squint in the dark and see a faint glow. “Wait… Don’t tell me I’m in one of these… kluknish… what’s these bat things with the impossible name…”
It’s glükenitch actually the voice was coming from below, but speaking directly in her head. And you don’t have to hide in one, really. Don’t you have some better character to be?
She recognized the dragon. “Shit,” she muttered, “that’s not the one I was thinking about; always answering in riddles, that much I remember; don’t need to add more confusion! As if speaking through the whale last time wasn’t messy enough.”
True, but you got a glimpse of one of the keys, haven’t you?
She froze in her tracks. “What do you know about these keys?”
Not much, I’m loath to say. Besides, what should I know about it, I’m not from this world, am I now?
“Damn riddles,” she said. But the dragon had a point. She wasn’t in the right world to check on her friends.
“Can you tell me something useful at least?” she asked the dragon before deciding to pop-out.
Maybe, yes… See, you pop-in naturally where the action is. It’s only natural that the bigger the action, the stronger the pull…
Granola hadn’t thought of that. She had been a bit too focused in getting more physical and interacting outside. But the last week (in her friends’ time continuity), there has been more targeted jumps, less chaotic, and more frequent. It’s like she could tune in.
And for now, the pull was in Australia.
Come to think of it, she may have had a concurrent focus there. She only had to believe she could be there, right place, right time, right person… An Aboriginal woman, what was her name?Tiku…
July 11, 2018 at 5:24 am #4502In reply to: Pop﹡in People Tribulations
Shawn-Paul exited Finn’s Bakery on the crowded Cobble street with his precious cargo of granola cookies. They were wrapped in a cute purple box pommeled with pink hearts. He put on a disdainful attitude, adjusting his scarf for better effect, while already salivating in anticipation of the granola melting in his hot chocolate at home. He was sure that would revive his fleeting inspiration for his novel.
It was hard not to swallow as saliva accumulated in his mouth, but he had had years of practices since he was eight. His aunt Begonia had just given him a snicker bar that he had swallowed in one gulp, spreading some chocolate on his face in the process. She had accused him of being a dirty little piglet and he was so upset of being compared to the animal, that he had vowed to never show his love for food again. Instead he developed a public dislike of food and a slender frame quite fitting his bohemian lifestyle, while always having some cookies in store.Shawn-Paul turned right on Quagmire street. It was bordered with Plane trees that kept it cool and bearable in summer. He was thinking about the suggestion of his writing coach to spend some time with his artist self, thinking that he had not done it for quite some time, but immediately felt guilty about not writing and firmed his resolution to go back home and write. He walked past a group of two elder woman and a man arguing in front of Liz’s Antique. One of the woman had a caved in mouth and used her hands profusely to make her point to the man. She was wearing pink slippers with pompon.
Italian tourists, Shawn-Paul thought rolling his eyes.
He swallowed and almost choked on his saliva when he glimpsed an improbable reflection on the Antique’s window. A woman, smiling and waving at him from a branch of a plane tree behind him, balancing her legs. He particularly noticed her feet and the red sandals, the rest of the body was a blur.
As Shawn-Paul turned, the toothless Italian tourist whirled her arms about like an inflated tubewoman, frightening a nearby sparrow. The bird took off and followed a curve around Shawn-Paul. Caught together in a twirl worthy of the best dervishes, the man and the bird connected in one of those perfect moment that Shawn-Paul would long but fail to transcribe into words afterwards.
There was no woman in the tree. A male dog stopped to mark his territory. A bit disappointed and confused, Shawn-Paul felt the need to talk.
“Did you see her?” he asked the Italian tourists. They stopped arguing and looked at him suspiciously for a moment. “She was right there with her red sandals,” he said showing the branch where he was sure she had sat. “I saw her in the window,” he felt compelled to add, not sure if they understood him.
The other tourist woman, who had all her teeth, rolled her eyes and pointed behind him.
“There’s a woman in red right over there!” she said with a chanting accent.
Shawn-Paul turned and just had the time to glimpse a woman dressed all in red, skirt, vest, hat and sandals before she disappeared at the corner of Fortune street.
Moved by a sudden impulse and forgetting all about his writing, he thanked the tourist and ran after the red woman.
-
AuthorSearch Results
Search Results for 'glimpse'
-
Search Results
-
[Scene opens with an elegant study, filled with books and ornate furniture. Liz Tattler sits comfortably in a plush armchair, draped in her signature flamboyant attire.]
Narrator (warm, engaging voice): “Meet Liz Tattler, the visionary behind countless bestsellers.”
[Quick cuts: Liz passionately gesturing as she describes her creative process, her hands adorned with long, pink nails.]
Narrator: “A master of transforming the mundane into the magical.”
[A playful montage of Liz surrounded by whimsical titles, each book cover a splash of color and intrigue.]
Narrator: “Where outrageous tales and heartfelt truths dance in harmony.”
[End with a close-up of Liz, a twinkle in her eye, the words “A Legacy of Imagination” glowing beneath her.]
Narrator: “Join us for an exclusive glimpse into the world of a storytelling legend.”
[Screen fades to “Liz Tattler: A Lifetime of Bestsellers” with contact details for the interview.]