Search Results for 'cuthbert'

Leicestershire Blacksmiths

The Orgill’s of Measham led me further into Leicestershire as I traveled back in time.

I also realized I had uncovered a direct line of women and their mothers going back ten generations:

myself, Tracy Edwards 1957-
my mother Gillian Marshall 1933-
my grandmother Florence Warren 1906-1988
her mother and my great grandmother Florence Gretton 1881-1927
her mother Sarah Orgill 1840-1910
her mother Elizabeth Orgill 1803-1876
her mother Sarah Boss 1783-1847
her mother Elizabeth Page 1749-
her mother Mary Potter 1719-1780
and her mother and my 7x great grandmother Mary 1680-

You could say it leads us to the very heart of England, as these Leicestershire villages are as far from the coast as it’s possible to be. There are countless other maternal lines to follow, of course, but only one of mothers of mothers, and ours takes us to Leicestershire.

The blacksmiths

Sarah Boss was the daughter of Michael Boss 1755-1807, a blacksmith in Measham, and Elizabeth Page of nearby Hartshorn, just over the county border in Derbyshire.

An earlier Michael Boss, a blacksmith of Measham, died in 1772, and in his will he left the possession of the blacksmiths shop and all the working tools and a third of the household furniture to Michael, who he named as his nephew. He left his house in Appleby Magna to his wife Grace, and five pounds to his mother Jane Boss. As none of Michael and Grace’s children are mentioned in the will, perhaps it can be assumed that they were childless.

The will of Michael Boss, 1772, Measham:

 

Michael Boss the uncle was born in Appleby Magna in 1724. His parents were Michael Boss of Nelson in the Thistles and Jane Peircivall of Appleby Magna, who were married in nearby Mancetter in 1720.

Information worth noting on the Appleby Magna website:

In 1752 the calendar in England was changed from the Julian Calendar to the Gregorian Calendar, as a result 11 days were famously “lost”. But for the recording of Church Registers another very significant change also took place, the start of the year was moved from March 25th to our more familiar January 1st.
Before 1752 the 1st day of each new year was March 25th, Lady Day (a significant date in the Christian calendar). The year number which we all now use for calculating ages didn’t change until March 25th. So, for example, the day after March 24th 1750 was March 25th 1751, and January 1743 followed December 1743.
This March to March recording can be seen very clearly in the Appleby Registers before 1752. Between 1752 and 1768 there appears slightly confused recording, so dates should be carefully checked. After 1768 the recording is more fully by the modern calendar year.

Michael Boss the uncle married Grace Cuthbert.  I haven’t yet found the birth or parents of Grace, but a blacksmith by the name of Edward Cuthbert is mentioned on an Appleby Magna history website:

An Eighteenth Century Blacksmith’s Shop in Little Appleby
by Alan Roberts

Cuthberts inventory

The inventory of Edward Cuthbert provides interesting information about the household possessions and living arrangements of an eighteenth century blacksmith. Edward Cuthbert (als. Cutboard) settled in Appleby after the Restoration to join the handful of blacksmiths already established in the parish, including the Wathews who were prominent horse traders. The blacksmiths may have all worked together in the same shop at one time. Edward and his wife Sarah recorded the baptisms of several of their children in the parish register. Somewhat sadly three of the boys named after their father all died either in infancy or as young children. Edward’s inventory which was drawn up in 1732, by which time he was probably a widower and his children had left home, suggests that they once occupied a comfortable two-storey house in Little Appleby with an attached workshop, well equipped with all the tools for repairing farm carts, ploughs and other implements, for shoeing horses and for general ironmongery. 

Edward Cuthbert born circa 1660, married Joane Tuvenet in 1684 in Swepston cum Snarestone , and died in Appleby in 1732. Tuvenet is a French name and suggests a Huguenot connection, but this isn’t our family, and indeed this Edward Cuthbert is not likely to be Grace’s father anyway.

Michael Boss and Elizabeth Page appear to have married twice: once in 1776, and once in 1779. Both of the documents exist and appear correct. Both marriages were by licence. They both mention Michael is a blacksmith.

Their first daughter, Elizabeth, was baptized in February 1777, just nine months after the first wedding. It’s not known when she was born, however, and it’s possible that the marriage was a hasty one. But why marry again three years later?

But Michael Boss and Elizabeth Page did not marry twice.

Elizabeth Page from Smisby was born in 1752 and married Michael Boss on the 5th of May 1776 in Measham. On the marriage licence allegations and bonds, Michael is a bachelor.

Baby Elizabeth was baptised in Measham on the 9th February 1777. Mother Elizabeth died on the 18th February 1777, also in Measham.

In 1779 Michael Boss married another Elizabeth Page! She was born in 1749 in Hartshorn, and Michael is a widower on the marriage licence allegations and bonds.

Hartshorn and Smisby are neighbouring villages, hence the confusion.  But a closer look at the documents available revealed the clues.  Both Elizabeth Pages were literate, and indeed their signatures on the marriage registers are different:

Marriage of Michael Boss and Elizabeth Page of Smisby in 1776:

 

Marriage of Michael Boss and Elizabeth Page of Harsthorn in 1779:

 

Not only did Michael Boss marry two women both called Elizabeth Page but he had an unusual start in life as well. His uncle Michael Boss left him the blacksmith business and a third of his furniture. This was all in the will. But which of Uncle Michaels brothers was nephew Michaels father?

The only Michael Boss born at the right time was in 1750 in Edingale, Staffordshire, about eight miles from Appleby Magna. His parents were Thomas Boss and Ann Parker, married in Edingale in 1747.  Thomas died in August 1750, and his son Michael was baptised in the December, posthumus son of Thomas and his widow Ann. Both entries are on the same page of the register.

 

Ann Boss, the young widow, married again. But perhaps Michael and his brother went to live with their childless uncle and aunt, Michael Boss and Grace Cuthbert.

The great grandfather of Michael Boss (the Measham blacksmith born in 1850) was also Michael Boss, probably born in the 1660s. He died in Newton Regis in Warwickshire in 1724, four years after his son (also Michael Boss born 1693) married Jane Peircivall.  The entry on the parish register states that Michael Boss was buried ye 13th Affadavit made.

I had not seen affadavit made on a parish register before, and this relates to the The Burying in Woollen Acts 1666–80.  According to Wikipedia:

 “Acts of the Parliament of England which required the dead, except plague victims and the destitute, to be buried in pure English woollen shrouds to the exclusion of any foreign textiles.  It was a requirement that an affidavit be sworn in front of a Justice of the Peace (usually by a relative of the deceased), confirming burial in wool, with the punishment of a £5 fee for noncompliance. Burial entries in parish registers were marked with the word “affidavit” or its equivalent to confirm that affidavit had been sworn; it would be marked “naked” for those too poor to afford the woollen shroud.  The legislation was in force until 1814, but was generally ignored after 1770.”

Michael Boss buried 1724 “Affadavit made”:

 

 

 

Elizabeth Page‘s father was William Page 1717-1783, a wheelwright in Hartshorn.  (The father of the first wife Elizabeth was also William Page, but he was a husbandman in Smisby born in 1714. William Page, the father of the second wife, was born in Nailstone, Leicestershire, in 1717. His place of residence on his marriage to Mary Potter was spelled Nelson.)

Her mother was Mary Potter 1719- of nearby Coleorton.  Mary’s father, Richard Potter 1677-1731, was a blacksmith in Coleorton.

A page of the will of Richard Potter 1731:

 

Richard Potter states: “I will and order that my son Thomas Potter shall after my decease have one shilling paid to him and no more.”  As he left £50 to each of his daughters, one can’t help but wonder what Thomas did to displease his father.

Richard stipulated that his son Thomas should have one shilling paid to him and not more, for several good considerations, and left “the house and ground lying in the parish of Whittwick in a place called the Long Lane to my wife Mary Potter to dispose of as she shall think proper.”

His son Richard inherited the blacksmith business:  “I will and order that my son Richard Potter shall live and be with his mother and serve her duly and truly in the business of a blacksmith, and obey and serve her in all lawful commands six years after my decease, and then I give to him and his heirs…. my house and grounds Coulson House in the Liberty of Thringstone”

Richard wanted his son John to be a blacksmith too: “I will and order that my wife bring up my son John Potter at home with her and teach or cause him to be taught the trade of a blacksmith and that he shall serve her duly and truly seven years after my decease after the manner of an apprentice and at the death of his mother I give him that house and shop and building and the ground belonging to it which I now dwell in to him and his heirs forever.”

To his daughters Margrett and Mary Potter, upon their reaching the age of one and twenty, or the day after their marriage, he leaves £50 each. All the rest of his goods are left to his loving wife Mary.

 

An inventory of the belongings of Richard Potter, 1731:

 

Richard Potters father was also named Richard Potter 1649-1719, and he too was a blacksmith.

Richard Potter of Coleorton in the county of Leicester, blacksmith, stated in his will:  “I give to my son and daughter Thomas and Sarah Potter the possession of my house and grounds.”

He leaves ten pounds each to his daughters Jane and Alice, to his son Francis he gives five pounds, and five shillings to his son Richard. Sons Joseph and William also receive five shillings each. To his daughter Mary, wife of Edward Burton, and her daughter Elizabeth, he gives five shillings each. The rest of his good, chattels and wordly substance he leaves equally between his son and daugter Thomas and Sarah. As there is no mention of his wife, it’s assumed that she predeceased him.

The will of Richard Potter, 1719:

 

Richard Potter’s (1649-1719) parents were William Potter and Alse Huldin, both born in the early 1600s.  They were married in 1646 at Breedon on the Hill, Leicestershire.  The name Huldin appears to originate in Finland.

William Potter was a blacksmith. In the 1659 parish registers of Breedon on the Hill, William Potter of Breedon blacksmith buryed the 14th July.

Board 3, Story 2:
Sophie: “Jesus! What happened to our legs! They’re so skinny I can hardly see them!”
Barbara: “Smart, trying to outdo my beehive with a palm tree Sophie. But you’ll know who’s the boss here.”
Glor: “I got sand stuck everywhere, somebody help!”
India Louise: “Cuthbert, when you’re done with your funny hairy pajamas, you should get tested, that green blob of snot you made on the waxed floor does look terribly suspicious.”
The squirrel: “That scene’s too cute, I’m at a loss for quip.”

After having had a wheel ride in the garden, Grandpa Wrick came back a little less in-tense.

“Mmm, I suppose this game isn’t as much fun as I expected. I want to give it another try, adding a little something more.” he said to the kids when their cartoon had finished. India Louise, Cuthbert, and their friends Flynn and of course Lisbelle (who had been quiet in the background, playing with her pet rabbit Ginger) started listening with a mild interest —the whimsical Lord Wrick having proved countless times he had no qualms at making a fool of himself, and thus at entertaining children.

“What I want to achieve, by playing this game of snowflakes,” he said after a pause “is paying more attention at your stream of consciousness.”

“You see, I’ve been reading the classical Circle of Eights countless times in my young age, and dear old Yurara didn’t have much interest in creating links between her narratives. This is what I want to do with this game: pay attention to the links.

In this game of snowflakes, the stories (flakes) matter less than the links you build between them, and thus the pattern that is created.
We have the choice to continue and detail the previous story, in which case, the link is obvious, or we may want to start another one. But we need to know what, from the previous entry, prompted you to create that special new story you are about to write or tell.

Just like in a dream, when you explore a scene, some object will jump at your attention, and propel you to another dream story. Just like that, I want to spend more time exploring the transitions between each scenes and story blurbs that we tell. The links don’t necessarily have to be an object, of course not.
It can be an idea, a theme, a music, virtually anything, provided that it can make some sense as to why it is used as a transition…”

Seeing the children waiting for more, he pursued: “a good introduction to this game would be for you to try to follow your train of thoughts during the day. Try to do mentally that small exercise before you go to sleep, and remember the transitions of your whole day, and you’ll see how complex it can become, how often you pass and zap from one thing to another.

Take even one event that lasts a few minutes like eating a honey sandwich at breakfast, can make you think of dozens of things like the texture of the bread, the fields of wheat, or the butter, the glass jar filled with honey and the bees that made it, the swarm of bees can carry you even further into another time, or towards a bear or into a movie maybe.

I want that you pause to take time to break this down, so that your audience can follow the transition from one story to another, and that it makes perfect sense for them.”

Quite frankly, Midora didn’t know how and where to look for Badul. She had spent lots of time delving into the labyrinth of chapters that composed the book, at first to no avail.
Only after some familiarization with the narrative had she come to roughly understand that the two books where rewriting the pages —or even, rewiring them— so that each time she started over, it was like a similar yet different story. Most of the alternate versions did occur within the same kind of environment, or the same dimensions as the previous ones, but there were always all kinds of small hints that made her get a small hunch that it was not quite the same story she had read before that was taking place now.
She had even become quite good at tracking down these flimsy moments where she found herself wondering what felt “different”, at odds, or simply not quite at the same place. Like in her dreams, these were precious cues telling her to pay attention. More than simple cues, of course some of them where howling at her face that something required her attention. The additions made by her distant relative Dory, or later on by her step-daughter Becky were compelling cases of such occurrences. Asynchronous apparitions of mummies sometimes reminded her of stories told by one of her father and where more generally speaking of symbolic death and regeneration, but when all of these cues where as many portals the details of which she could lose herself in…

Naasir had told her to find Badul. She knew Badul… Like Midora herself, Badul was a facet of the dreaming dragon who was exploring the many facets of itself in an intricate play, and it felt to her that Badul was stuck somewhere in the process and required some attention. In fact, she remembered that in all the versions of the stories that she had read about, Badul’s history was never ended. Each time, he was on his way to explore the new land he had discovered, and somehow, he just never get there.
When she was trying to get to the rest of the story, as much as she would search for it, there were only blank pages.
Perhaps it was for her to write them, like Indy did after she encountered that mummy decades ago, not necessarily to exorcise the experience, but rather to learn more about her connections.

What were her own connections? She wondered.
What did happen to Badul on his way to the clandestine traveling portal of Gralm Tur? And why did it matter? Did he found something about the network, and some link to the skulls which have been an obsession for quite some time for some of the major and most intriguing characters of this inter-dimensional sopoohpera?

Truth was, Badul felt a bit like an oddball to her. She didn’t know how to get close to him. Apparently, when she had read the early articles from her great-uncle Cuthbert, she had found out that he had connected quite well to the daunting character. As a matter of fact, most of his comments had helped flesh out the character, while most of the other participants in the books had been only remotely observing his deeds. However priceless these clues were, Midora knew by now that they were not absolute, and would rewrite differently if the story was asking for it. And in fact, perhaps her own addition would change whatever his fate would have been.

Midora could feel Badul differently now… a young boy, whom she is babysitting, in another life.
Bastian is baby Badul’s name and he’s a toddler, a toddler exploring an unknown world made of colourful toys.
Midora (her name’s Ada in that focus) likes to work for little Bastian’s family. The woman, his mother, looks a bit odd like Morticia Addams, or like a Cher just out of her bed, but Ada likes her. She’s busy traveling alot, and doesn’t have much time to care for the baby.

Midora thinks she has read about his woman somewhere in the books…
Could it be that? Yes,… there is little doubt about it.
It seems like she’s just run into young Carla…

The glowing light was showing a familiar face…

— So the boy is wavering?
— Yes. He is uncertain of the path… Does seem to have difficulty to trust his calling and take responsibilities being the owner of…
— He’ll do that. We can’t let him run away from it, nor afford the time of little vacationing. Did you secure the item?
— Yes. But you know it is worthless unless willingly handed over by the previous owner, right?
— Certainly. But I feel he’ll soon wish it back.
— I have words of cankerous corruption, endemic to where he was sent.
— Precisely.

Glasgow, Scotland, February 25 ^th 2068, Wrick Fundation

— So Cuthbert has refused?
— Yes. With his sister busy with her first-born, she can’t take on that much responsibility either.
— This is most regrettable. Lord Wrick’s will was perfectly clear though. Should none of the twins accept running his empire, all of its wealth would be used for humanitarian projects of the Fundation.

A week before, Orkney Islands

— Cuthbert, you must accept.
— Please, don’t wear yourself out Pope. Your body is weak.

Cuthbert’s face was drenched by emotion. Despite his small frame and his scrawny body, Lord Hilarion Wrick’s strong will was still present, as if etched on his face by all the years of reign. He wouldn’t take a “no” for answer, even now he was dying, just as he had never accepted it in his nearly 120 years of existence.

— Cuthbert, listen to me. All this time you and your sister have spent at the Manor, all of the time I spent with you, this was not meant for naught, you know that. I was not some old decrepit rag of an elder waiting for his death cushioned between the laughters of his great-grand children. I noticed how you and your sister handled at an early age what I have been showing to you. The books,… the mummy even. This was only a test. What I had not found in Sean, nor in his son, I found out in you and your sister. Mind you, it took me that long, but it was worth the wait, and I know how to be patient.
— You’re repeating yourself Pope, I know this story. I am very grateful for all that you did, all the knowledge I owe to you, but I can’t accept. It’s just… too much! I just want to spend these moments with you.
— You just cannot whine throughout all of your existence Cuthbert. You chose to be born here, at this moment, in that family. There is no point in refusing what you have placed on your path.
— I’m not whining! It’s just that… I just want a normal life! answered Cuthbert vehemently
— Very well then. The face on the Lord was resolute despite his writhing in pain. You will have to see how much life is nothing meant to be normal. In the meantime, I would appreciate your letting me die alone.

The wolf in Cuthberts dream came from the Dreaming Methods bulletin received yesterday. Dreaming Methods is the website connected to Bill Johnson ( Bill Jobsworth connection in the story; the itinerant artist), the Yorkshire stone head carver.

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

December, 21 ^st, 2057

It was almost Christmas, and the Wrick Manor had been buzzing with preparation for the coming of Sean and Becky .

Manon was diligently busy cooking, having already planned many mouth-watering dishes on her menu, like poêléed (pan-seared) foie gras on roquette fig salad, lobster in ginger and scallion soy sauce, ostrich fillets with dauphine potatoes, and loads of exotic desserts and tarts.

Lord Wrick had told Manon that Becky was a vegetarian, but even Lord Wrick had trouble telling the cook what she should cook or not. Manon considered it a matter of rude interference upon her artistic culinary tastes, and no one was to tell her how to stir her sheep, so to speak. And secretly, she was sure that Becky would love her delicious Christmas menu.

In the meantime, Nanny Gibbon was having India Louise and Cuthbert prepare the twinkling Christmas tree. The garlands were a bright electric blue crisscrossing the branches of the huge silver fir, dangling under the weight of shiny red balls. The children were delighted to see Granddad Sean and they could hardly keep in place, and were giggling with joy.

This past month, with the settling down of winter, the light had been scarce, and even with knowing that all was purposeful, they’d rather create purposeful adventures in the Equatorial part of the world, where days were longer and temperatures balmier. They could almost tell that Manfred the cat was agreeing.

New Venice, year 2101

In the waiting hall, Bart was pacing the floor recklessly. They were having their first baby, but the doctors had hushed him out, because there were some complications…
All he could do was wait.
They were one of the first couple to have tested the new program that allowed same-sex couples to procreate without requiring the assistance of a third-party so to speak. In fact, it had been hypothesized to be possible a long time ago already. Well, theoretically… because the most challenging part had been to bring acceptance to the people, as the old beliefs were still alive in a few moribund activist groups. But what,… nature was doing even more exotic things in the realm of creatures…

Now he was thinking of Oscar, who had chosen to be the bearer of the child —a girl that would be… will be, mentally corrected Bart to himself. Funny thing about genetics was that male-male couples could have either girls or boys, but female-female couples could only have girls. Only because the male “Y” chromosome was carried by men.
It had been a painstakingly long subject of discussion among scientists and philosophers as to the unbalance it would create, but well, for the time being, it was the chosen design for our human natures.
As long as new ways of bypassing this restriction had not been invented, better enjoy it than stretching one’s mind around it.

Looking at the window which showed the stilted structures above the waters, Bart was thinking how it was all an incredible story… What were the probabilities for that to happen?
Bart couldn’t help but feel grateful for all of his blessings.

At the same moment, the big breasted nurse appeared at the door crying with a large smile “it’s a healthy girl!”
Bart burst into the room.

They had already decided how she would be called. Midora, they had agreed.

When he entered, Oscar Wrick’s young face was tired and sprinkled with beads of perspiration, but he had the happiest look on his face. He was still feeling a bit self-conscious about the changes the pregnancy had generated in his body, but for now he was all absorbed by the little breathing thing resting in his arms.

After a warm embrace, Bartholomew Jobsworth thought that he should spread the good news to the family, at least to his mother, dear sparkling Indy and Bart’s parents, Eugenia and Cuthbert. He also had felt the presence of his Dad, Bill, during his wait and was deeply thankful for all of their support.

When Cuthbert came back to bed after having had his cup of cocoa, India Louise was awake too.

— I saw him too, she said to her brother.
— I don’t want to see him again, these books are scarey.
— It’s intriguing, I want to know more, India Louise said, egging on him.
— When I close my eyes, I got all these roots and webs crawling, it’s mad… I can’t…
— He has found a friend to help him cross the Dark Forest to the traveling portal.
— A friend?
— Yes, a friend. She’s special.
— Tell me more…
— She’s a white unicorn, only him can see her.
— Wow…
— She’s named Mirÿnda. She’s glowing white, and he hears her speak in his mind, she shows him the way through the forest…

— Mirÿnda?! A fool in saffron robe gallivanting in the forest with a unicorn now? That’s all you could find?

Tina was taken aback…

— Well, I could have used a grizzly bear too, now I think of it… Al answered flippantly.
— Tsk tsk, replied Tina a bit annoyed. And why not a humpback whale, or an arctic lemming, or even… why, a leopard gecko for that matter?… And who’s that Mÿrinda anyway?

— I don’t know any Amanda, Fiona said to Quintin that night. Don’t really know many of Michaela & Elias’ students. She’s Yann friend, right?

Quintin had answered distractedly, as he was engrossed by his last painting…

Later that night, he couldn’t find sleep, as the dragon he was painting was still expanding his web of roots and branches in his mind’s eye. He opened his computer to see that Malika was online.

She told him something that night, something Quintin found abysmally profound and perplexing about his dragon…

— Dragons can shape shift, into anything they want to. There are several doorways/portals that they use for travel into this dimension. Malika said
— Yes, said Quintin, this drawing has something to do with these portals initially, but I struggle a bit to represent them…
— Yes, so you can just depict it to be flowing, liquid-like energy in the center, when the portal is active.
There are some that are being shone to me on the bottom of the ocean floor.
What is being shown to me, is a dragon with a tail much like a mermaid, and hands with webs, big yellow eyes…

Wow he had thought, she can really see.

Jadra, guided by Mirÿnda, had been moving quite easily through the Dark Forest. Of course, he wouldn’t have dared touch the holy creature, and so he was walking hesitantly behind, taking care of where his bare feet were touching the ground.

The Dark Forest was bordering the Marshes of Doom, and at times the limits between the two were almost indiscernible. It was said that every foul, err… fool… damn,…

— Will you stop being so buffoonish! raved Tina again.
— Perhaps I should let someone else continue then? said Albert.
— Well, that’s entertaining, replied Becky mechanically.
— OK. I’ll jump in, said Samuel, with a wide grin.

It was said that every full moon, the Mighty Shrimp would come from the shores of the Southern Seas and haunt the Marshes in search for souls to be turned into krill, so that he could be the WALRUS (Wrathful Almighty Lord Ruler of Undersea Souls).

Well, at least, that’s what Jadra had heard in his youth, when you tend to believe everything… So he was weary of the hiki-hiki sounds in the night that might have been the dreaded call of the Mighty Shrimp.

Quintin was having a strange dream. He was a huge whale, along with another one he knew was Yann, swimming powerfully in the vast ocean, passing by strange creatures that could have been mermaids or improbable fishes, when his gaze was attracted by a stream of glittering particles of light.

The lights were enticing, he would have said even “mouth-watering”, had he not had the baleens full of water already…

Salome was moving through layers of consciousness, something humans focused in physical dimensions would have found difficult to grasp, as it was nothing that could be easily conceptualized. She was, as best as she could put, like a huge cloud of lightness coalescing into a form, when she decided to project her aspect.

Taking form into a dimension required no effort in actuality, the consensus reality created by all the essences focused into the reality making quite a strong pull. She only needed to move her attention to what she wanted to manifest. Altering her reality slowly around her, to move closer to the desired effect.

She was not only traveling through time and space, but also through multitudinous layers of dimensions unnoticed to many humans —in fact, she was not really moving, but that was a convenient way of telling things for humans…

She said “humans”, because she was fond of this particular dimension, where she’d had lots of experiences.

When moving through the dimensions, it had her projected focus of attention constantly and naturally adapt its form to the psychological environment.

Here, she had just moved through a honey-drops dimension, where focuses were drops of golden honey-like substance, and as she moved through it, her own aspect had changed to that of a sand-glass shaped drop of honey.

This was great fun for her to see the ease with which she could focus into this infinite variety of adventures, but for now, her pull was to some more complex physical dimensions.

She started to move again, de-focusing, past the lazy honey drops.

The honey drops were now shape-shifting to a whole immense field of snake-like strings of light, and they all started to converge to a direction. She knew the feeling. She followed the strong pull.

William Percival Jobsworth, or “Bill” for short, was finding the old creaking manor as freaky as their owners.

The Wrick family was known around for being shrouded in mystery, and few people had actually been invited inside the manor, after its acquisition by Lord Wrick.

The manor itself was full of ghost stories, as every mansion worth its salt in that part of the country. But this one has been a wreck on which he would not have invested two pence of his money, after it had been abandoned for many decades after the sudden death of the previous owner, the Crazy Baron.

But Lord Wrick was an eccentric, and had bought the manor and restored it to its previous grandeur.

It had been thrice now that Bill had come to the manor to paint the family portraits. The first time he had also delivered that strange parcel, given to him by that strange lady. Looking straight into his eyes, she had also told him something that had lingered in his mind quite vividly.

« Suffering is not good for the soul, unless it teaches you to stop suffering. »

He couldn’t see exactly why it applied to him, but the lady had seemed so authoritative about that, that he had agreed and felt like thanking her.

The parcel had come a bit unexpected to the Lord, though he was quite artful in hiding his emotions, Bill could say. He had questioned him about the lady, but Bill had not dared to share with him the thing about the suffering. Actually the Lord looked in pretty good shape considering the age he was likely to be. He pretended to be a bit incapacitated, but Bill would have bet that if he had fallen from a window, he would have landed on his feet as a cat.

Speaking of which, their old cat with its worn-out blackish fur was a bit freaky too. Bill had felt at times he could hear it answer the Lord’s gibberish.

But all in all, that was easy money, and he thanked the opportunity to be able to do these paintings while the winter was coming.

Now was something else. He almost startled when he was opened the big entrance door, to be revealed an improbable shape, two or three heads taller than him. It took him a short while to recognize the smile of the children’s nurse, topped by a funny hat that made him laugh heartily, after the initial shock was dissipated.

— Hahaha, sorry, that was unexpected… he managed to say to Jacqueline, who was not unaccustomed to these odd kinds of reactions.

— Not to worry she said with a slight French accent. Monsieur and Madame Wrick have come back from their trip to Mogadishu, and you will be able to have their portraits done. They will stay here for a few weeks…

Linda and Peregrine Wrick were Cuthbert and India Louise proud (and a bit insouciant) parents, Lord Wrick had explained without much more details. Peregrine was the son of Lord Wrick’s only son, Sean Doran Wrick, but Bill had felt some restrain to ask about Sean Doran, as the Lord had seemed a bit umbrageous only speaking his name.

— Oh… said Bill who did not expect them to come back so quickly.

Appendix: The Wrick family tree

Today, which was the day of the autumn equinox, had been a bright day over the Orkney Islands, quite unusual for this time of the year.

Nanny Gibbon had been taking the twins for a walk into the nearby woods of the domain, were they could enjoy the wood dewberries that were ripe and delicious at this season. The twins loved picking them directly on the thorny bushes and eating them until their hands were full of the dark stains left by the sweet juice of the fruits.

They knew that Nanny Gibbon would pick enough to make some delicious jam, perhaps to accompany some of her famous sweet pumpkin pies.

When they came back to the Manor, they were exhausted by the afternoon spent in the lovely sunlight. After having washed their hands thoroughly, they didn’t really care for anything else but some sleep.

But as they moved inside the corridors, Cuthbert noticed he had carelessly left opened his bedroom’s door, and a prick of fear for the precious books had him immediately rush to the room.

And Cuthbert gasped in horror as he saw his book flown open on the floor, and the old grumpy cat Manfred, asleep on top of one of the blank pages.

Manfred had the nasty habit of clawing everything, especially the huge soft armchair of Lord Wrick, but his antics were elegantly accepted by the old gaunt Lord.

When he heard Cuthbert enter the room, the old fluffy cat raised an inquisitive eyebrow and moved very slowly and deliberately out of the book pages, only to reveal the immaculate pages, as whole as if the book had been brand new.

Cuthbert was thrilled with joy. Manfred had not done anything to the precious book. He would have stroked the cat with gratitude, but the creature had moved out of the room very swiftly for its old age, in a haughty look of total disregard for the little boy.

At least the book was intact. But what if… Cuthbert wondered… He started to look at the page, and new images started to form before his eyes…