Search Results for 'essence'

Some selected bits from one tag cumulo-cloud:

— “Matter (is) dimensional energies realized”
— “Expect Hector (to) surface, Rafaela!”
— “Leonora gets (to) keep saying ‘play attention!’”
— “Close rain, friend magic, hope water seeing”
— “Far within thinking, Arona sort days, (her) hold gives human comments great meaning”
— “Soon blue seconds, call straight (at the) door, met surely physical; notice move (of) essence (in) fat huge dreams”
— “Universe appear (in) book story”
— “Malvina line although familiar answered busy funny heading”
— “Tina looked love taking lots question indeed”
— “Word usually working (in) short shifting pooh adventure”
— “Seems Armelle starting soft reason; strange perhaps (in the) middle (of) rolling help (one may) spot dragons’ truth past spider times”
— “‘Tell inside reality’: three words step (to) creating”
— “Becky, allow yourself finding single beautiful playing light, dear”
— “Cloud impulse shall house explain surprised black connection”
— “Cool trust(ed) friends, portal plane”
— “Aliens coincidence next talking”
— “Walking arms seem flight silence; stone creature sound already entered field (of) aware(ness); scene trip apparently given reading”
— “Beyond rolled Theresa, lately cave telling unusual morning”
— “Wortex large, merely Glo”

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”

Leörmn was erring through the corridors of his draggilish mind. Some of them were nicely painted he’d found, but apart from some friendly glukenitch glowing droppings, it all seemed a bit empty.

Of course, connections were ever there, floating around, and could be summoned as easily as a pleasant memory in the spacious eternal present. But those were not memories the dragon wanted to interact with.
Since they all had made that move of the cave anchoring point to the past, nothing was quite as it was. A truism of course, but sometimes you can’t do much more than state the obvious first, to be able to change it.

The remnants of the dynemotical ström (another word for wortex, or intercrossing of dimensions, or whatever you want to call this mess) was only starting to fray, and it had left them all in a kind of depressed mood. Depressed, as in less pressure, and a bit deflated.
As soon as he imagined the words, they became reality, for dragon speech is about the very essence of things, and it can make things be what they are said to be.
And so he was now morphed into a deflated rubber skin of a dragon, sliding inside the tunnel doing proutish sounds that he tried to put together into harmonious music notes, to entertain the schpurniatz colonies.

The notes started to take some funny foggy shapes and, using the painted walls as a partition, arranged some pretense of a sentence.

Words seem lamp; gives lost Malvina soon damn door, telling unexpected…

Mmm, a door? Of course, little sweet Arona had been painting a door, but why couldn’t he use it too?

The key was in bridging with the past now… that much he could tell, and perhaps that door may help.

“Okay,” Al started.
“At the essence of I Ching, is the notion that everything is mutable, and changes. Everything changes, except the law that says that everything changes.
“In many ways, the I Ching is like a book where the pages numbering change every time you start to read it. Not unlike our story composition.”

“I get that,” answered Tina, interested by what would come out.

“So,” Al continued, always disagreeably pondering, Tina would say. “usually, when people are drawing to read from the I Ching, they have six numbers that give an hexagram. And these numbers are carrying into them their potential change, which usually gives another hexagram to read.”
“In our stories, the entries have a fixed identity, which is given by the system; this is our starting point. For your comments, this is ’4-191-328’.
“But as everything evolves, our entries are given an order in the book; this order is changeable, and that’s what I will use for the second hexagram; in your case it’s ’2-151-223’.”
“If you say so…” Tina sighed, a bit lost.
“Oh, I’m inventing the rules as we speak,” Al said trying to reassure her somewhat.
“I don’t know if that makes me feel better” she said.

“Okay. Now, I need to create the hexagrams; hexagrams are defined by six straight or broken lines; zero or one, binary system. Here, Chinese usually use the convention that odd is straight, and even is broken… Ahaha, doesn’t seem to make sense, but odd is male, unbalanced into action, and is associated with single, straight things. Broken is paired, complete in reflection, unbalanced in passivity.”

“And I wonder when we actually start to hear something that makes sense?” whispered Tina, a bit crossly.

“Okay, the thing I see, is that I have trouble making one hexagram with seven numbers, ahaha”, Al laughed a bit embarrassed.

“Oh, then no point in wiggling like that” said Tina very sweetly, “Scrap any bit that bothers you”.

“Okay, anyway we can go deeper into them afterwards if needed; I’ll scrap the first number rather than the last, because you see, 2 and 4 are both even, and thus there is no mutation here.”

“So here we are, if we scrap the bottom one, we get…”

Orgetak was fond of taking a crocodile as an animal essence.
He was coming from a fragmentation of some big names of Essence Land, and he shared many connections with lots of other “essences siblings”. In that moment, he was having fun observing Rafaela… though he was having a weird sense of wanting to merge more thoroughly with her… perhaps that crocodile disguise was cloaking his judgment… He wasn’t too sure.

He had focused recently, to catch up with one of Rafaela’s own focuses, a rather famous one, whose genetic pool was a magical blend which would be spread in many new enticing physical probabilities. In a haste, despite of no time by which to measure it, he had created himself a past of an Sri Lankan geneticist named Dr. Gayesh Sitharaya, whose interest (or intent) dwelt in exploring the multiplicity of one individual’s aspects…

— What’s the catch then?
— What do you mean Al?
— Oh, come on Tinipooh, you know there’s always a catch… Surely Becky mentioned that on the phone…
— Ahaha, are we speaking of the same Becky?
— Well, why would that guy help her anyway. And I’m not really sure having another her on the loose is of any help for that matter Sounds more like a world domination plan to me…
— Well, you know Becky, always blissfully jumping in the stream, even if it’s full of piranhas. It’s good she even thought of giving us a call…
— Yeah, too bad our thought reading techniques seem to get less and less reliable these days…

From one blink to the other, hung betwixt spaces and times in that now where there is no such thing as space or time, Leörmn was considering the wide network of possibilities through the eyes of his friends to assist their movement.

The “blink” was an opportunity for them; an opportunity to rearrange the space, incorporate new physical aspects, or discard others.

In truth, all was ever here, at their reach. All was surrounding them in a dance of invisible links of consciousness.
These links were, like the grains of sand of a giant glubolin, constantly vibrating in an arrangement made to accommodate and fit those clumps of grains known as “essences” that were playing for a moment the game of having an identity and being separated from the whole vibration moving through the sand —even playing to the point of identifying themselves with the sand at times.

You could see that as a progressive enhanced experience, and while most races he had seen were having fun playing with many filters overlaying the experience of that vibrating scenery of conscious sand, Leörmn was a dragon, and dragons had no need for that many layers.
That was where the energy of Malvina, and Georges, were helpful. In tuning into their filterings, Leörmn could dim the spotlights on the parts of this unbound scenery which was not useful to them. But still retaining this wide awareness of the infinite realm of possibilities, he could also easily spot those most accessible to them.
And even as consummate a traveler Georges was, there were still energy reconfiguration of the overall scenery that were not easily reachable for him.
Tuning into another world or reality was mostly easy. Altering the configuration of the physical reality at a bigger scale was another thing altogether.

That tremendous power had made the dragons almost extinct in the past —a better way to put it would be to say that they slipped into other dimensions, exited that of Alienor—, fearsome as it was for the other races.
The seed that was found in that past they had just visited was already germinating. The whole probability trail looked to the dragon like something radiant and warm as the little creature named Leo, curled-up into Malvina’s aura…

What would be their next move now?

So how do we proceed? asked Armelle a bit weary of the transformergence.

— Easy peasy, answered Yuki, all we need to do is focus on the aspects we want to bring into alignement
— Wait, wait, wait! the tone of urgency in Rafaela was baa’ing in their ears What did you say?… How do we do?! Why do you say we have to focus, I say, bee, Focus on Fun and reel in nonsense, and with gusto,… and pesto too, if there is! What do we care about facts, it’s all in your head, You Create your Herbality, and Go with the Fawn!… Unless it is “You are Goat Also”… I think I’m lost here! But really, what did you say, speak clearly, it’s awful, I can’t hear you! Loud and clear Cotton-tail, Load and Clean! Oh, bugger the typos, There are No Secretions,… and why are those frigging mottherflies all around my side whiskers when I can’t put them on my Chimera?!

— What? Rafaela said after an awkward instant.

— Err… Nothing, I think we’ll improvise on that one answered Yuki, a bit overwhelmed.
— Good thinking Einski Armelle retorted. That way, we know for sure we will end up something ridiculous and —how do they say?— mentally challenged?
— Yeah, yeah… As they say, Follow Your Passiflora… encouraged Rafaela with glinting eyes, her whiskers now full of perched yellow mottherflies.

— Okay… At the count of fifty-seven!
— WHAT!?
— Ahaaha, that’s a joke… at the count of five
— ONE… TWO… THREE… FOUR… FIVE!

Can we go now Yurmaela? Akayli was asking to his new reconfigured friend.

Indeed… answered the great winged big-eyed, long-eared, thick-haired creature that had appeared after the three essences had merged together. We’ll fly Claude and Anita on our back to the wortex, on top of the cleared trail. Akayli, you follow our lead with Anita’s parents, and we can all jump to the other dimension and kiss these spiders bye-bye!

It only took a few seconds for Armelle to deflate though she donned off with a hint of reluctance the delightfully filling feeling of power she had acquired notwithstanding the slight overweight (a few grams at best, given her immaterial nature of pristine white hallowy owly essence, but you could not reasonably expect to be really ascended with even no more than a few grams of physicality left, could you?)…

So, it only took a few seconds, which in essence’s inner time was tantamount to a mere eon (a merry myriad of seconds).

But then, all was so clear.
She was seeing the trail that was left unwatched by the spiders, and that her friends would take to the wort-hole.

— Claude, my dear, would you be so kind as to oblige me for a few minutes? she regally asked her host of the branches, taking great care not to be too self-conscious, which would irremediably make her roll her eyes and lose all composure.
— Well… err… I s’pose yes…
— Indeed. Then, take good care of the wort-hole, and wait for us to come back, and then lead us back to the place from whence you came.
— Wouldn’t do that, if I were you… It’s full of magpies there…
— Oh bugger now. Armelle sighed so profusely that it made the hair raise on Claude’s head. The Snoot told me the way would be clear, so… have a little faith in me she said in a cocker’s voice.

And there, in a majestic elan, she went back to the spot where her friends were now gently getting together.

When she arrived, Akayli the were-lynx had just been deposing his precious package of the two silk-wrapped parents at the feet of little Anita. The first minutes of doubt passed, her hesitant face started to show a smile, knowing that her parents would be fine.

Yuki was for himself all very impressed by the transformergence of his friends, and was finding that a very good idea to get more focused.
However, he could hear the yet unvoiced protests of Armelle at his yet unphrased suggestion of a mergence
— Now way I get my white feathers mixed in that bloody smelly goat’s fur!
And of course, he could hear too the yet unvoiced slew of outraged protests
— Smelly goat? Who you bloddy call a smelly goat, you persnickity saucer-eyed shuttlecock?

Yet… Yuki, gazing for a few seconds of essence in the stream of possibilities, weighted again the enticing result that a mergence of the three of them would produce…
Which would be… a… grabbiffon.
A magnificent winged horned cotton-tailed… sort of… gryffun… or grumpfoon.
Well… perhaps Armelle was right in the not-yet-voiced first place.

That would just be plain ridiculous.

…

So… what are we waiting for?! Let’s do it now!! all three of them laughed in unison

Al had just inadvertently telepathically overheard Becky’s long monologue, and was rather amused at the situation that he decided to stay quiet and refrain from intervening.
It was a sort of interesting experience, to see how it would develop…

A voice was starting to make itself heard through Becky’s neuronal pathways though… A feminine voice first… Then a male…
He could even sense a third presence too…

Al was surprised, as he apparently didn’t really care about what kind of probability would express itself. It seemed it was all valid, and yet, there was something that wanted to make itself heard.

Becky was quiet now. She seemed to have finally seen that nothing would happen as intensely and quickly as in her swift imagination.

But Al was intrigued… Who were those presence, they felt lively, very humorous too. But they were concerned about Becky’s changes of mood. They were considering probabilities too, as though Becky’s choices were important to them.

— We are the first-borns of Becky answered the feminine voice who had keep still.
— Potential first sniggered the male voice.
— Oh, shut up, Oliver the third one said you know well enough we are creating our realities, so better give her some time… No need to freak her out… After all, it’s like for Dory’s nine dogs, they only came gradually, and she just accepted them…

Dory? Al was wondering… He had heard that name recently… At the wedding party perhaps?

— Dory’s a past overlapping focus of Becky and her step-mother too… answered Léan, the quiet one.

Al was befuddled. He had first thought these voices were only Becky’s playing games with herself.

— Oh sure it was, answered Oliver, we’ve just be using that wave of thoughts to bring us through. It’s very multi-layered.
— See, take the dogs which Illana talked about right now. You know some of these dogs Dory had (or has, or will have), they have “flecks” of people close to Dory, other essences’ energies. Some are very clearly noticeable, other are more mingled. These voices are multiplexes of voices, more or less subtle energies being expressed. Some are very deep. We were riding the surface of them.

So, Illana, Lean and Oliver? That’s it?… Nice to meet you… Al was still thinking aloud (like in big characters printed on a silent kaleidoscopic screen)
And that will be your focus names? Oh, yes… probable ones.
It’s funny you know, it’s like you are becoming more real now. I can feel some associations coming that help bring you into form. Like Oliver, I associate him with a black dog of Dory. A little grumpy one with funny black eyes.

The two female laughters mingled into one delightful chorus. Ahaha, we will give you a point for accurate connection!

“And Léan,” Al continued, “you feel like a young blond woman, friend of Dory ready to get married… Yet, I can see you have a black complexion in this probable focus, unlike your siblings… Sounds a bit confusing…”

— Ahaha, another point!

“Let me see, Illana now… I got you connected with another friend of Dory… An paleontologist or geologist, living in the US, blond lively woman with painted nails, and… the image is just gone now…”

— Hehehe, that’s close enough, said Illana’s voice. I can see we’ll meet soon Al…

And the moment after, the wisps of light were gone.

Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

Here follows a list of pictures related to various threads of the story.

Various sketches and early comments on the story inception — most of which can be now also found in the thread named Yuki’s Livrary — including sketches of some of the early characters (Malvina, Leormn, Dory, Fiona/Finn, Yann, Quintin/Yurick etc.), Dory’s map from her sketching book, a partial map of the Duane, and also Chiara and Buckberry…

Concept Sketches, with Badul in Asgurdy, Tomkin Sharple on the shores of Golfindely, and Becky in New Venice

Naasir’s dream, an immersive panorama, where you may find some of the recurring animal representations in a dream-like essence land…

Princesses and fairies are to be acknowledged too with Mævel, and her legend and the Weaving Princess

Georges, and Salomé

Other-dimensional creatures, like The Snoot and a Nirgual (found on the Murtuane)

I must be talking to an angel Yurick thought, as he was feeling the presence of the lady he had seen in his dreams a few times before. Her presence was remarkably soft, yet, she was unmistakably here, like a loving sisterly figure. Yurick could see at times streaks of a shimmering blue-green halo when he was thinking of her, and this morning, walking in the underground corridors, as he was humming and thinking of this angel, his gaze landed on a movie poster, with beautiful women profiles. None of these profiles had attracted his gaze at first, but a name. Salomé.
Then only, the poster slowly began to unfold itself into focus around that name…
The women were beautiful and seemed to be like beams of a multitude of variations from a single energy essence, like some traditional Avalokiteshvara (Kuan Yin) representations.
The title of that movie was “Les Femmes de l’Ombre” (Women of the Shadow), and that “Salomé” he had seen was the name of the director… How interesting symbolic information…

While she reminded him not of the Salomé of Wilde’s play, but of another biblical figure, the Salomé of the New Testament, follower of the Christ, and likely sister of Mary, Yurick decided he would call that gentle feminine presence “Salomé”…
A woman of the Shadow. For now…