Search Results for 'hold'

In this first comment I will try and collate the information from our discussions. It will be quite rough and may not be accurate as we were just brainstorming.

You might like to use it as a resource to start comments for each character.

Intents:
FP: how not to be detached, as opposed to detaching
EP : Importance, tradition, transmission, life and death
TP : playful spontaneity
JP : I need to explore a strong base, something you can count on in your life and that will nourrish and support you

Starting point : a family member has gone missing / disappearance / mysterious inheritance
Someone turns up with a letter about mysterious inheritance?
That someone is in cold terms with the family and has been for years.
Strong possibility of a ghost. male. tied up with the inheritance mystery. Ghost is either assisting or hindering the search for the mysterious inheritance.
Location : Australia small town. Possibly called Crowshollow. Mining town
Family run a Bed and Breakfast called the Flying Fish Inn. There is room for 5 guests at any one time but it is never full. The family are short of money. Tendency in the family to develop unconventional powers, possibly witchy stuff.

MacGuffin (is this the family surname??) Oh no wait, on further study I see it is a reference to the inheritance. It could be the family surname though. they need one.
A man is riding on a train when a second gentleman gets on and sits down across from him. The first man notices the second is holding an oddly shaped package.
“What is that?” the first man asks.
“A MacGuffin, a tool used to hunt lions in the Scottish highlands.”
“But there are no lions in the Scottish highlands,” says the first man.
“Well then,” says the other, “That’s no MacGuffin”.

Family members : boy twins from jib, a girl from Eric, a matriach granny, twin girls 17, aunt Idle, father ? mother ?ghost?

mother and father have both gone missing at some stage?. Mother is called Absinthia apparently.

Tracy: The female twins are called Clove and Corrie. twins born in 2000 for easy reference, so if its concurent timeframe they are 14. Clove is frustrated with ghost town life, and is uncooperative and moody, has violent bursts of anger, but can be very focused when something attracts her interest. Does not take kindly to criticism.

Corrie on the other hand is the one who will acqueisce to keep the peace, which doesnt always do herself a favour, she often agrees to things just to be pleasing and then regrets it.
They are interested in boys, although it may be an online crush or an infatuation with a character not present. I bet they do all kind of mischiefs to elude the chaperoning of the not-so-cleveraunt.
Clove resent the parents absence, Corrie tried to buffer that resentment but is filled with curiosity about them

Eric: (Prune??) the young girl is bored, because her parents were always arguing, and she’s so smart nobody ever gets her, and she felt abandoned by her careless mother the most, so she builds that facade of carelessness. Prune is bored by the inheritance but interested by the tramp.

Tracy: Aunt Idle. Paternal Aunt. Aunt never married but many relationships
born 1970. she is very tall and thin and is prematurely grey which she wears in dreadlocks

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

Accounts of the Journey to the Lower Realm

Eric
I was at a steppe first, like I was meditating in the desert, then went through a forest entrance, and stayed under a tree. There were lots of sounds and animals life, flapping wings sounds, deers, ants, but the most vivid presence was that of snake, and I was a bit suspicious, but it came back very gently, inviting, and after I recognized it, it made me journey, travelling like a dragon or feathered multicolored snake to an ancient place.
The snake analogy with shedding old skin comes to mind, after accepting it, it makes a lot of sense.
I saw green and purple at times.
I felt a horse too but it was just a hooves’ sound.

Flove
I went through the entrance to a cave. I asked my power animal to come. An ancient tortoise came up to me. I asked if this was my power animal but i felt such love for the tortoise that i felt that was my answer. We explored energetically what the tortoise wisdom i need is. I put my hand around the tortoise neck and we swam in the water.
I wanted to cry, I loved the tortoise energy so much. And the protection of the tortoise shell.
I saw a snake.
The horse was the first animal I felt, right as I went in the entrance. I stroked the horse as i went by.
I saw a unicorn too, [and ]was surprised by the unicorn.
I didn’t sense many creatures. just the horse, the snake and the unicorn.

Jib
First I saw little white skulls, whistling like the shells of the guy in the video.
Then I become my shaman self and I have my magic cape. I find the entrance [to the lower realm,] which was kind of difficult at first as if there was some distracting energy.
I finally enter the lower realm and find my horse right away, he’s very excited and I ride with him for some time, just for the pleasure of being with an old friend.
Then I ask him to lead me to Abalone and show me whatever is interesting.
He leads me to see an old shaman, man or woman I don’t know.
The shaman makes me sit in his room and offers me tea, then tells me to relax and wait.
So I relax and I begin to project to Abalone as the Giant beanstalk, I begin to grow and grow and grow and have the city built on top of me. I am the whole island.
I have the impression that the beanstalk is in the center of Gazalbion or very close to it
Then I come back to the place and have the impression the Shaman wants to delay me, so I say thanks and ask my horse to show me the rest.
We go the the old Temple and I feel that there is something special there, once again he tells me to relax and just allow not look for things.
So I wait and feel that the time and space is weird that it flows around the stones in a particular way, like when you follow a certain path or corridor, you may go forward in time and another way lead you back in time. If you take a wrong turn you can end up in a loop.
Then the signal for the return begins, so I go back from where I come from and thank my horse.
It was cool and fun to be there again.
I projected at some point to check if everyone was ok, and felt like it was fine.
I saw a unicorn too.

Tracy
That was interesting, about half way through a zebra started follwing me, well on my right. I saw all kinds of animals, but they were all doing their own thing or turned away, except for the zebra, until the change of tempo and then I was swept up in a flock of cranes I think (or herons or storks but I think cranes), but then the zebra was waiting at the top. I could feel his warm muzzle sort of on my right shoulder.
First was a field full of unicorns on the left but they were just grazing, then a bison head who turned away, then the group of deer I thought, but the zebra walked over to me grazing. Me and the zebra waited for goats to cross our path.
The feeling of being in amongst the cranes was amazing and the zebra fell back while that was happening, but then at the end he was waiting.
I was surprised by the unicorns cos I don’t even think about them usually.
There were lizards sucttlign around under the cranes.
A couple of times I strongly saw purple and green, and thought of Jib.<i> not really ask [the zebra if he was the power animal] in words, but his presence calmly walking beside me with the feeling of his muzzle on my shoulder was comforting.
When the cranes distracted me from him he fell back, but he was waiting at the top.
The cranes feeling was marvelous, really, they were all flapping gracefully all around me on the ascent. So cranes and zebra stand out the most.
[At some point] I started going down old stone steps, at first me and FP were kids holding hands, with jib and eric behind us, then I thought, wait, I’m supposed to be doing this alone.
The unicorns in the very beginning were in a castle courtyard type place but they ignored me.
Then a bison head who turned away these were in niches in the stone walls
I ended up in a stalactites type cave, but there were mostly old old stone steps with stone walls along the sides.
There was a crowd of people, well a small gathering, towards the bottom, but they were, er, faceless. Innocuous.
I am quite amazed at how great that was! and how many creatures actually popped up
and how the feeling was of the zebra and the cranes.
The zebra was stoic and steadfast and comforting, the cranes were exhilarating and uplifting.</i>

The P’hope could be seen everywhere: leading the Builders to work double shifts to strengthen the collapsing structures of the flying City, exhorting the Magi to contain the failing beliefs of people back to virtuous resilience by ways of special masses held throughout Karmalott, and ensuring with the Sentries that all tremors of civil unrest was properly contained and the ring leaders properly admonished into good conduct.

The situation at the secret political prison known as Gazalbion was alarming. With most of the dangerous interlopers free to roam Abalone, and no walls to contain new prisoners, it could take a while to rebuild its walls, and the P’hope didn’t have the luxury of time on his side. It meant that no civil and belief dissidents could be brought there at the moment, and any spark of disobedience could spread like wildfire.

The P’hope dreaded what could happen if, despite all the efforts, the beanstalk was beyond repair. He knew his faltering belief in it could only hasten its fate, but even so, he wanted to be ready for the worst.
Considering the limited amount of rescue storks which were available off the walls of the city, it was likely that the result would be of apocalyptic proportion. Nevertheless, he refused to consider evacuating for the moment, even knowing it would take days for those on foot to climb down the bean’s tendrils.
Especially, as he was now in the perfect position to be the hero of the day.

…

He had been robbed of his share of light many, many years ago.
At the time, a young boy had arrived from the sea and from an outside world to Abalone. Jube, who was not yet the P’hope, was a striving leader of a group of survivors of the island. The bog’s dangerous and foggy emanations and its wild life were a threat of all instants, and he had soon realized there was strength in numbers. Many lost souls had gathered, but didn’t have the strength on their own to remain focused on a reality they wanted, a dream made reality.

He, Jube the Brave, had such strength in himself. But even so, they were only less than a few dozens of men and women in the camp, and the reach of what they could create was only good enough to sustain them for short periods of time.

But the boy named George had arrived from afar, and things had changed gradually. Jube had found out pretty quickly that the boy had the great potential to bring people together, and hold their beliefs like a mighty rope made of the thinnest of strands of hair. So he had offered to mentor him, while at the same time working his words into suggestions, and shaping the boy’s future to fit his own dreams.

That’s how the beanstalk started. The first sprouts were so tiny and frail, but the more people came and believed in the leadership of the one who was to become their King, the more it grew, and lifted them above the clouds and the fog of their minds.
Years had passed, Prince George became King Artie as another suggestion of the P’hope which had the side-effect to cloak Artie from his memories. The P’hope grew in power, always in the shadows however.

For a while, people were happy. Truly happy. But progress was inevitable, consciousness had to move and grow, otherwise their dream of a City would have been another foggy and soul-numbing projection of their feeble minds.

The first real threat happened when Abalone, in one of its inexplicable changes of time and space, drew to them a stranger. True to their principles, they had welcomed her, nursed her, and given her a place of choice in the Magi’s ranks despite her young age. But she could see clearly between the cracks and the varnish of order. Worse, she could see the P’hope’s intentions were not so pure.

So it become soon apparent to Jube that the young Gwinie had to disappear, and her followers had to be contained. For the sake of the great Karmalott, and to shield everyone from the impending chaos, the same chaos they had came from victorious many years ago.

He and his minions had struck in a very swift and coordinated movement. Gwinie was tragically lost in the bog during her rite of passage. A truce was arranged with her followers, and they were allowed a concession, with enough resources to survive. They ultimately built Gazalbion, which also became, in a mutual arrangement, a political prison for Karmalott, unknown to virtually everyone in the City. The Processor, one of Gwinie’s former followers, was glad to receive prisoners who would add to the strength and mass beliefs of his encampment. The P’hope in return, was glad to be rid of difficult problems.

That was so long ago, but it rang like a warning from no further than yesterday.

They had never found out what the old temple’s ruins were for, or by which civilization before them they were built. They were as old as the island itself, and seemed to be doomed, full of an ominous power he couldn’t and feared to harness. If anything else failed, he would go back there. Maybe that was his only solution.

Cheung Lok felt himself fall suddenly with nothing to hold on to, when the elephant he was riding suddenly shrank to human size knocking him down to the ground, partly unconscious after the event.
This Sanso, sure is 麻烦 [¹]. I must to start to believe harder in my luck was his thought before he lost consciousness.

On the other side of Sanso, a strange man with a turban was struggling with a bizarre striped dog-sized sea cucumber with teeth. Meanwhile, his target, Sanso seemed to leave back to the encampment’s ruins with… his elephant turned… something else.

That was all he could remember when he woke up a few minutes later and wondered what had happened and how Sanso could have slipped away again.
Noticing how he was tracking a man that seemed to make a point at having no discernible pattern, the realization came in a flash of blinding certainty that Sanso knew probably nothing at all about Irina, and surely didn’t care at all about warning her. In other words, Cheung Lok was on his own, and the painful clarity was soothed in equal measure by the other realization that he could let go of this 王八蛋^².

Looking around, he noticed the guy with the turban still struggle with the appetizing stripped sea cucumber.
“Hold steady pal, I’ll ezap that bugger.”
The other who had turned almost purple took a series of short breaths when he was released from the monster. “Thanks mate, those things are my bane.”
“No need to thank me, I’ll deep-fry it for us later. Care to join?”
“Hell why not. Name’s Berberus by the way. And you shouldn’t trust elephants here. It is known.”
“Thanks for the tip, pal. Cheung Lok.”
“You’re going back after Sanso?”
“No, it’s pointless, I just happened to find him on my way to a series of turbulences on the island and couldn’t pass the opportunity, but that one is more slippery than a wet snail during monsoon.”
“What is monsoon?” Berberus asked perplexed by the yellow faced man with the strange accent.
“Don’t you mind that. Shall we go?”

___

[¹] 麻烦 máfan in Chinese, can be roughly translated as ‘irritating piece of hemp’, meaning being trouble or vexatious —or some may argue, in this case, unbelievably lucky and difficult to keep track of, in a continuous way or any other way.

[²] 王八蛋 wángbā dàn : “The King’s eighth egg”, a colourful Chinese way of insulting people, meaning roughly “bastard”.

“I don’t know!” Jeremy shouted at the guy with the round spectacles and the Chinese traditional garments full of intricate Chinese button knots.

The guy showed no sign of losing patience although they’d asked him the question whole morning long.
“That is unfortunate, Jeremy” the guy in charge said slowly. He was stroking Max in long broad stokes, flattening the ears with his palms, while the cat was purring like an engine oblivious to the danger in the room. “As you know, there are many ways to skin a cat…”

“Don’t you dare harm Max!”

“So let us recap from the start” the Chinese man said. “You told us you don’t know the man, or his companion. That they appeared and disappeared in a rag, to destination unknown.”
Jeremy nodded, trembling of rage at the way the man was holding his cat.

The Chinese man gave a brush of hand, which all the goons in the apartments took as a cue to leave them two alone.
When they were all gone, he tightened his grip around the cat’s soft neck, and leaned closer to Jeremy:

“My friend, the trace we left in our fugitive’s stomach led us to your place, so there is no doubt he was there. How he disappeared again is a mystery you will help us solve, whether you want it or not.”

Jeremy looked at him quizzically “so why don’t you use your trace to locate him again?”

“The problem is, by now, either he’s digested and dumped it somewhere in a hot steaming pile of shit, or he’s managed to cloak the signal. Those things were to be expected. I guess he went to you for a reason. He wasn’t able to locate our thief’s location without your help. So now, you will help us do the same.”

Jeremy protested “But we tried it already, with the cucumber and all, but it didn’t work!”
Somehow, a thought came with brief and intense clarity to him. The Chinese man noticed the glimmer in Jeremy’s eye and smiled thinly.
“What is it?”
“The map was working for him, as well as the cucumber, for some unexplainable reason. But not for you or me, it doesn’t mean anything! Of course! We have to try something different, focus on finding the person or thing you want, and let me draw another map.”

Cheung Lok was starting to feel closer than he had been in months. He untied Jeremy, and gave him the cat. “Do it, do it now.”

Jeremy lifted Max, tenderly wrapping the cat’s soft body like a scarf on his shoulders. He reached for the wall and took a coloured pin off the cork-board.

While the Chinese guy was busy calling back his goons, Jeremy quickly started to draw on the skin of his arm a symbol with swirly lines, and going in a trance, started to dance into a swirling vortex.

“He’s escaping!” Cheung Lok shouted in Chinese to the others, “Catch him!” he said, striving, but only too late, to catch the youngster who had just disappeared with his cat inside the vortex which was already rapidly closing around them.

Jeremy didn’t understand what “sorry about the Chinese” meant when Sanso and his near naked woman friend had left.
For one, it was a bit traumatizing to see them shrink again in the fat ugly mess of a cloth that was supposed to look vaguely like a doll of sorts, then disappear inside the map he’d been drawing for them.

He looked at the map. A precious detailed map of an island, he’d been encouraged to draw for them. As usual he danced in a trance to make it, holding a cucumber in his hand as an anchor, the loon guy had said.
Frankly, why he’d went along with their nonsense was now a bit beyond him. Probably seeing them getting out of Max had shaken his believability limit to a new level.

The map was beautiful, drawn in fine green isopleths ; looking like the finest intaglio printing he’d ever seen that seemed to shift and move in gorgeous optical illusion patterns. He couldn’t bring himself to destroy it, as he’d promised them.

There was a light knock on the door.
When he saw the man’s face with his round sunglasses though the peephole, it dawned on him what Sanso had meant with his cryptic “sorry about the Chinese”, and Jeremy already regretted, too late, not having destroyed the map.

“Mind joining me on an adventure?” Sanso said while continuing to walk at a rapid pace on the trail in the middle of running people carrying buckets of water, as though he knew exactly were he was going. “Of course not” he took no time to wait for an answer, as clearly the young lady was way over her head in her first attempt to teleport.

“I should be called the Sanso Bernar of Teleporting Mishaps, you know, it’s like I have this seventh sense to precisely arrive where stranded teleporters need me… that and lost socks, but that’s an entire different story, although I could recall quite many times where both had me landing on dirty launderettes…”

He paused to look at the panting Fanella. “But you don’t get a word of what I’m saying do you?”
She shrugged timidly, batting her doe eyes in a seductive manner, as she had learnt to do at the Versailles Palace when caught her hand in the honeypot, so to speak.

“Oh, never mind.” He went on. “Well,… ugh, burp, excuse me, this sea cucumber isn’t sitting well me…”
Fanella signaled she needed a moment to catch her breath too, and sat on a flat rock, covering her legs with her arms, suddenly self-conscious of her modesty.
“What was i saying already? Oh, yes, I have to deliver a message to a sea cucumber, sorry, I mean a lady cucumber, who may be in grave danger of death… possi—blurp— by sea cucumber indigestion.”

He looked at her from head to toes: “Well, you look reasonably pliable… That trick should work. I suppose you don’t have any wax, clay, salt dough or… well never mind, I have… just what I need here…”

All the while babbling on, he started to unfold a large piece of patchwork, which was somehow folded in his satchel.

“The map dancer, you see… well, he’s a bit of a pain in the butt to find. But here, hold that for a moment. With that bit of,… there, put your finger there, no, not here, yes, riiight there… with a bit of patience, and… tada!”

Fanella looked puzzled at the cloth now wrapped around them, snug and tight.

“Oh well, I know, the resemblance is passable, but that will do. Believe it or not, I have done a lot of sewing in the past, patchwork quilts, miniature needlepoint rugs for doll houses, curtains, upholstery… Oh sweet times. It’s been a while I’ve had to travel via rag doll. A bit rough, but leaves little trace to follow.”

Fanella broke her silence “are you making it along as you go, or you really have a plan to get us out of this awful middle age place?”

Sanso tittered softly, apparently pleased with himself.

“Now, you may want to relax, the trick is in letting go and drifting through Time’s flow.”