Search Results for 'master'

When Berberus arrived at Gazalbion, still wet from his swim down beanstalk through the City’s sewer waterslides, the Great Processor in person came to great him.

“Dear, dear, what have we here. That’s not so often the P’hope sends someone down here with us poor heathen… To what do we owe the pleasure?”

By the look of his office, the Processor was doing well. Small favours had earned him enough belief of his worth, and his office was full of amenities otherwise hard to come by and much more to sustain, down there.

“Would you share with me some hydromel, made from waterbee honey, you’re not mistaken. That should help you get more… comfortable.” He said his last word intently, giving a look at the hook-leg.

Berberus liked to have people guess at why he kept it so visible, while obviously he could have conjured enough belief to alter it himself. It gave him an edge over them. And the hook gave nasty scars too.

“Not drinking on duty.”
“Very well, suit yourself.” the Processor said drinking his voraciously.

“Any strange people coming lately? Out of the ordinary beliefs to contain?”
The other brushed off the question “No, not really… Now, about this promotion our dear friend the P’hope mentioned back in 2020, what do you think… Any chance to get out of this hellhole? Promised Land my butt. What do we get next? Flying whales?”
“You’re not. Answering. My. Question.” Berberus was already losing his patience and started to mentally conjure the many painful ways he could believe this talk would end.
“I have already answered it, and if you have nothing else to share with me, you might as well me back to your sad master.”

The Processor made a movement to get up from his chair, but a swift and precise swipe of the hook-leg anchored him back in it.

The other was looking at him with empty eyes, and the Processor’s mistake was to think he was an idiot that could be sent away easily.
He poured himself another drink, casually answering with a “We’re done. Get out.”

When Berberus got out, it was of his own volition, leaving a trail of blood up to the door.
He had managed to extract one word from the slob before his soul left his body: Sanso

Jube, the P’hope, was quite alarmed by the rate at which the beanstalk seemed to wilt.
The beanstalk was a symbol of his power, as he was the first to believe about it, that the City of Karmalott could be lifted up of the island. At least, that was how the story grew after years of rewrite and belief honing.
He would usually take such news with passion, and use it to his advantage, but this was different.
Something or someone had started to shift and mess the balance of beliefs that he had carefully put in place during his many years in charge.

If any indication, the mass belief organs’ melody was more frequently played out of tune, and he even noticed the strangest birds fly around and in his garden —birds that weren’t supposed to be created in the first place.

One of the biselords greedier than the others, vying for more power would be a rational explanation. Usually that would happen, and be a good cause for public trial and execution by flying them through the beansdoor. For people’s protection of course.

But this case seemed more profound, more serious.
The last report from the team of magi was filled with such unusual unbelievable rubbish, that he wondered if the hairy scent of a revved olution was coming from down below. Now he had allowed the tool called snorkel into mass beliefs, he had a use for some skilled snorkelling spiessassins. He called for Berberus, his turbaned minion with a hook-leg —he’d lost it to a tiger slug, which then paid for it dearly. Berberus being a defrocked magi meant he had training enough to survive the conditions outside the city, and his skills as a master of arms (and legs) would be required.

After Berberus was gone for his undercover mission, Jube wondered if someone had found out yet the lost ruins of the old temple —they were secured and buried deep under a very long time ago and memory of them erased. He shivered at the thought of them being rediscovered.

Arona knew she was being followed even before Mandrake started to psst her about the dark haired cloaked stranger.

She took a quick turn right (less perilous than left), and quickly grabbed the stranger by the throat when he came through, readying herself to punch him in the throat in a snazzy move she’d learnt from an old racoon-fu master.

“Who are you, why are you following me, creep?” She felt a rush of rudeness washing over her in a delicious arousing way.
The stranger had a cocky smile and a nicely trimmed pointy beard, and a set of gorgeous eyes of different colours. The right one was blue, and the left one green. His face had a golden tan, and she could feel his body was strong and lean.
Get a grip, Arona she exhorted herself mentally, sending the telepathic equivalent of a cold glare at Mandrake’s soft tittering.

“Well, you looked like one in search of an adventure, and I want one too. I need a guide from out of the city walls.”
“What about a magus, that would be an obvious choice, and a sure one?” she retorted, smelling something not entirely honest from him.
“I don’t trust the magi… And I don’t want people to….”

“Don’t care” she interrupted rudely, leaving him hanging there, quite sure he was not here to rob her of her bises. The rest wasn’t her concern, she was on a mission.

“Just don’t follow me, or you’ll regret it.” she said before hurrying Mandrake in the sunny alleys leading to the walls of the city.

Ten meters in the aforementioned direction, after the light drizzle had stopped back to a wondrous sunny blue sky and slight freshening breeze, the robot was waiting for them.

“Ms Merrie, I am your hosts’ robot, also at your service for the duration of your stay in 2222.”
Maurana whispered not very subtly “and how are we supposed to call the tin can?” unaware of the sensitive remote hearing function of said tin can.
“Monsieur can call me anything he likes, but my master usually calls me among many rude manners simply Varjis.”
All three queens looked a bit offended
“Did it call you Monsieur? How rude, your queen bikini was so fitting.”

“As Ms Merrie mentioned, we will be late for the wetsuit fitting and the soirée on the coast, before our trip on the master’s submarine. If you would follow me.”

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

The Cloud then spoke in a cloudy but clear (with slight chance of rain) tone:

“For Blubbits to get rid of
Master the art of Balance you need
But on your Head is the trick
Like Oolong is to a Tea”

“Well, it’s a fiction, she could be anywhere. That and if you stopped changing the facts and names for a moment, you’d be able to knit them together into new understandings.”

Charmille was knitting while answering to impatient young Becky who for all of the birds’ chatter in the apartment couldn’t really concentrate on her schoolwork, and had only one thought in mind (more insistent than the fleeting thousands other ones that is): she wanted to go outside immerse herself in the helter skelter of New York City.

“And why should I care!” Becky was about to start another tirade of self-righteous indignation at the failure to recognize her brilliance when she stopped herself in her tracks. She was suddenly amazed at the intricacy of the pattern Charmille was creating with two simple sticks and the many colourful threads in her black and white box. That was an art in itself, and Becky wasn’t impervious to art, quite the contrary. She could spot art in the slightest and singlest stroke of graffiti on the walls of the City. She could even see them dancing endless farandoles in front of her eyes. She was perhaps the only one she knew who was able to see that, but what her aunt was doing was very much like it.
Sometimes, she’d had people laugh at her when she was younger. She was telling them about her vivid dreams, that she’d spent hours in one dream looking at a single napkin, how soft it was, how superbly almost real it was —even if that was just a dream napkin— while, according to others, she could have done more “lofty” things instead —like go and see ascended masters.

“But I like movement! I don’t want to be stuck in slimy facts!”
“Well dear, you should know that… wherever you are, there you are. Even if wherever is elsewhere.”

The cryptic statement made by the poised lady somehow struck a cord. She wanted to disguise facts into fictions, or fiction as facts, but any way she was going, she was still struggling with herself, the essence at her core. It didn’t matter if she wanted to have the needle jump to another loop (and get out of that particular loop) because it was all part of the same cloth she was creating. It suddenly gave her much to ponder…

Salome was recalling her first steps on the Murtuane as she was fondly turning a small pale greenish stone into her palm. The stone was smooth, with a milky shine and had a diffuse warmth.

It was carrying many of her memories of this time. She’d taken it from the shores of the Kandulim that first night, taking the rough stone as something to cling on, and firmly grasp, to bring herself back to her own senses, and drown her fearfulness and disorientation in the strong presence of feeling alive.

She’d kept it for a while, and then had started to learn how to use stones to encode certain information. Of all the shiny crystals that she could have used, she’d preferred to keep the rough unpolished stone because of its genuineness.
Encoding it wasn’t as easy as for more regular crystalline structures found in more precious stones, yet it was almost as if she’d wanted this one to bear the mark of her mastery at this art.

She wasn’t very educated, and had not seen much of the Earth, but she had known at once that this place where they had docked the dinghy after that epic escape from the Sultan’s palace wasn’t like anything she could have found on Earth. Somehow, even her own body had begun to reflect that alien-ority to her.

The stone was showing her scenes she had conveniently let slip away from her current focus. As she was seeing them, appreciation was overflowing her heart. It had taken her a while to get accustomed to this place and eerily enough, despite that lack of familiarity, she’d had a knowing that she was meant to be there.

Her thirst of discovery was as immense at that time —not that it was less at the moment, but the contrast between her ignorance and the things she knew she could access had been stark and bitterly felt.

She couldn’t help but smile at the scene of her past self learning to read and write. When Madame Chesterhope had taken her under her wing in her schemes to approach the Sultan with a worthy price, she had begun to learn from her a modicum of English language, but she would never have dreamt of learning how to read.

And there, how ironic that the first place she would learn that, of all the many languages she would learn over the course of their explorations with Georges, was a place from another dimension, with a language she only started to feel she could utter the sonorities of.

It was no mistake Leonard had brought them here first. Now she was thinking back, reminiscing this period of time, she recognized how much she loved the languages of the Turmakis. For her, it was as close as “home” a foreign culture could be called.

That was it. She had enough for the time being. Ever since the management had agreed to hire him for the new show, the Freakus was not as Fabulously Great as it once was.

Not that he was a bad guy, but he was all so closeted, he was imprinting it to the circus, and she wanted to breathe some different kind of air. Of course, never been a freak himself, Morgan the Mentalist wouldn’t ever come close as to understand what having been closeted your all life would mean. Being the Lobster girl of the show, she knew quite a bit about that.
It had took her awhile to know that there wasn’t anything wrong with her expression, so no one would told her how to express. Not the Mentalist of all others.

Damo, the guy who was setting up the tents had seen her leave the Freakus without a word, her little piece of luggage on her “normal” hand, while her claw-like one was tucked in a glove under her bosom. Sweet-hearted as he was, he had tried to convince her to stay, that surely there was some misunderstanding.
“Lyla, don’t be stoopid, ain’t got nothin’ fur you out there” he’d said to her.

She didn’t know how to tell him that all was good. She didn’t want to tell too much either, for Fama, his teen daughter wasn’t really loving the life at the circus either, and would easily have taken the bait to get out of there too. So she had moved saying that she would come back, “when it’s safe for kids” she’d added mysteriously.

Strange at it seemed, it was like taking a breathe of air, and yet, she couldn’t help but think over and over at how she could have changed anything in what had happened. Perhaps it was just a pretext for her to do her next step.
When Morgan first came to the show, he wasn’t in a good shape, and had begged Pat Elson to hire him. As he was kind of smart guy, he didn’t stay long in Damo’s team of workers. Pat saw his potential as a sort of empathic guy, and devised the Mentalist act with him.

He was good at cold-reading, mostly guessing at people problems; in the beginning, some of the freakus’ people would play a part with him, to amaze the audience, but it became less and less necessary, and he would do a nice job buy himself, with lots of “it wouldn’t happen to be that your mother gave the watch to you? No… not your mother… but someone close… I can feel blah blah” and then picking on the subtle hints the guy was giving off unwittingly.

Lately, he had started to kind of feel stuff for real. And he started to freak out. After all this time, not many people remembered Morgan as he first came to the circus, and for most he was the Outstandingly Great Mentalist. Yeah, he had been pimping up a bit his name too… Those things happen in the milieu.
But Lyla remembered. She was a girl at this time, but your work at the circus starts very early when you’re a freak.
She had seen how he gained a little confidence in himself, as long as it stayed within closed tents and half-lit veils. He was truly a master of illusion games, and he didn’t want people to see him differently than the way he was presenting himself. He’d first tried his little games of séances with some close trusty friends, and Lyla had been quite encouraging; he deserved to blossom his potential; no one deserved to be maintained at a place where you can’t reach your highest.

A few days before, Lyla had had the pleasure of seeing Jenny, who’d been snake charmer many years ago, and had quit to become a singer in a bar: “tired me to travel so much, ya see” she’d said to Lyla “Now my life ain’t so complicated”.
Then Jenny had then asked about the guys she’d known in the freakus, first of all was Morgan the Mentalist. “How’s that old fart of Morgy?” she’d asked with a giggle “still scamming around?”

Lyla had said innocently that he’d been practicing doing it more genuinely, even to some success with local peasants in a few séances. Jenny had greeted the news with a cheer. “Wonderful, hey!”

The next day, Lyla had had the Mentalist erupt in the caravan she shared with Zarafina and Venus, since Twi had gone to sing too. He was looking furious and once they were out of earshot (how could there be any need of making secrets with the others, Lyla had wondered, they shared everything, even the tiny bar of soap) told her with his sweetest voice how he appreciated Jenny. Of course she wasn’t a Mentalist, but she knew when someone was beating around the bush; and she needn’t be Moses to know the bush was smelling of burning.

“I greatly appreciate Jenny, but I’d love to choose when I disclose my information to her” that’s what he said. At first, she’d thought, well, why the theatrics? Cool for you guy, peace off now. Then she slowly understood that he wanted to tell her to shut her mouth. How could she know what part to shut and which to tell? She hadn’t done anything wrong did she? Why was he having the same tone than the frigging priests with their sermons telling that you’re sinful, and when you’ve got a crooked arm, it’s because you’re born evil and such guilt shit.”

Well, she didn’t want to stay in a position where she had to figure out which of his sharing was a real sharing or was not. So she better bugger off, take some fresh air.

She thought how she loved to hear the radio, and her lifelong dream was to work there, in a place where people would hear her before judging from her appearance… Maybe she would thank Morgy in the future for giving her the last excuse to do what she wanted.

Arona was fretting.

“Now, what is this all about? Can someone explain me? The purple sand is pretty, the green sky too, however it looks just like an insane dream from a deranged mind having abused smoke of robjane leaves.”

Framing Irtak —who was having a funny pout on his face— the dragons Heckle and Jeckle were too busy considering with an amused attention the new form and energy field that their progenitor had taken.

No words were spoken to answer Arona’s plea for answers, but answers were starting to come to them in the form of a bundle of energy which would be difficult to translate in a linear manner.

They started to understand a few things. That for one, N’meôrl the Nirgual was not here by chance, at this place and time. Again, they had travelled far in the past of the history of their dimension, and events of great importance were in motion, that they were given to witness.

At first, the flow of information they were having was like a stream they thought they had no control of, but as questions were forming they noticed that it was altering the flow which was then encompassing the answers to those questions.

Like when Jeckle wondered if he and his twin had big birdies counterparts like this one to merge with, and got the following answer “No. For you are quite new essences fragments, and thus do not yet hold focuses in similar extent to your progenitor.”

Arona was quite pleased by this new mode of getting answers, especially as she could visibly get the answers she was genuinely looking for, not those coming from questions she was only remotely interested in.

N’meôrl was showing them also, that unlike him, they were not quite physically focused into that environment, and were not noticed by the small surrounding creatures like the little red scrabs crawling in the sand. They were mainly there to observe and draw their own conclusions, as soon some events would occur.

As they’d finished absorbing the information, they started to notice a feeling of expectation in the air. N’meôrl conveyed to them that they would have to stay quiet in his peripheral awareness for “they” were coming, and he was on a delicate mission.

Footsteps on the beach.
A man approaching. He looks like Irtak and Arona, as if he had just come into this alien world from the same door they had taken. But he fails to notice them.

He stays, facing the deep green waters of the ocean brushing the shore, as if expecting someone.

A strange buzz starts to fill the space. A point of focused light the size of a pinhole appears in front of him, expands quickly with an elastic quality, and pops with a soft sound, revealing an improbably tall figure under a cloak.

The man greets the new-comer with deference
“Master Sinadron”
“Jarvis, my good friend.”

They start to walk on the beach at the unspoken invitation of the one with the smooth voice named Sinadron.

“So, I’ve been told our little matter is going very well.”
“Yes, very well, Master; I am deeply grateful for your intervention; without your help I’ve been told, my dear would not have been allowed to…”
“Let’s not talk of such things any longer; it was such a delight to help two sweet young souls so deeply in love”

Somehow, despite the words of kindness which are slithering with ease, the invisible witness got the uncanny feeling that they are but a deceptive fragment of the truth.

“Now. Tell me”, the one named Sinadron continues in a mellifluous voice “Why have you called me for?”
“The settlement you have suggested us to start on this land…”
“Yes, I am aware, please go to the point instead of labouring things I am well aware of.” The voice had sharpened a bit.
“I am sorry Master.”
“Continue”
“There is a growing dissent that…”
“And from who that shall come?”
“Err… I hear Pelorus has spoken to the Zentauras…”
“Pelorus is but a nuisance.” The voice wasn’t asking for contradiction, though an imperceptible grin was floating on the half-hidden face.
He continued “But I shall help you, once again”
“Master, you are too generous…”
“Let me finish. I will provide you with more men and women, willing to start a new life under your command, to help you grow your settlement. There are a few slaves on the Duane, that place from where you come who will do great.”
“Master…”
“They will be there in an hexade. Make sure you stand your ground until then, even if that means confronting those nasty Zentauras.”

And without waiting for the confused thanks, he disappeared, grinning widely.

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”