Search Results for 'mention'

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

Ann had to admit it wasn’t a bad idea. She wondered why she hadn’t thought of that herself. Why haven’t I been expressing more of the perecption in front of my eyes, I wonder? The more she thought about it, the more confused she became. It did sound like a good idea, and she was pleased that she had created another ‘her’ as it were, to mention it.

On the other hand, of course, there was nothing stopping Walter (or was it Gordon? No, Godfrey…wait, wasn’t it Al?) from creating another one of his ‘hims’ masked as an Ann to express more of her perceptions in HIS own ‘It’s All You’ story.

Am I getting this right? Ann whispered to her left ear.

“So how was your lunch date with your new best friend?” Harvey sounded distinctly sarcastic, even to Lavender’s forgiving ears.

“Oh, you know …”

Harvey raised his eyebrows. No mean feat when you have a book balancing on your nose. He sighed, and let the book fall. A few months ago he was balancing four poster beds, and now he could barely manage a Lemoine novel. Heavy as they are! He sniggered to himself. Oh well, at least I havn’t lost my sense of humour, along with my sense of smell!

“Well, to be honest Harvey .. I think I may have been possessed by those pesky aliens. I suddenly came to and I was talking all this rubbish about ‘random quote generators’ and using words like ‘dear’.

Lavender shuddered in horror at the memory, and then rolled her beautiful eyes and sighed. “Poor Ann, I think she is a really tortured soul.”

The writer wondered if it was time to add a dark side to Lavender’s personality. All this beautiful eyes business was getting a tad irritating, the beauty of Lavender’s eyes not withstanding. Not to mention her lips which she painted a bright shade of amaranth for every day wear, and on special occasions, rose madder. The writer wondered if the last thought made sense and wondered again how to strike out text. The writer decided to try that last line again.

Lavender shuddered, and then with an enigmatic smile which even her good friend Harvey found hard to decipher, she said softly, “I ate olives for lunch. They were yummy.”

The writer sighed and then noticed the random quote generator said “mean cleaner coming soon.” The writer wondered if it was a sign.

Ann glanced vaguely over the bookcase, wondering where her dictionary was. Did people still use dictionaries in book form? I suppose any book will do for the purpose, she decided, and reached for the nearest book, a book about Rembrandt. She opened it randomly five times, using a ball point pen as a pointer, and selected five words for Prof Underbaker’s assignment.

…now…excite…

What a coincidence, I might be able to kill two birds with one stone here, Ann thought, with a slight shudder at the bird killing metaphor (if it was indeed a metaphor, Ann tended to skip the Labelling Words classes)…

…someone…

Ah, but who? Who shall I excite?

…pointed…

Pointed in the right direction? Addressed someone pointedly? Not to put too fine a point on it…

….time

Ann was interested to note that her selection of words started with the word NOW and ended with TIME, and popped it into her clue box in an effort to stay on course and finish the assigment.

There was no time like the present. Indeed T’Eggy was well aware that All is Now, she’d heard about that theory in Wicks, the online magazine that she’d found so enlightening. She’d been reading a copy of Wicks (a reproduction, the originals were now collectors items and very valuable ~ in an artifact rather than a monetary value kind of way, monetary value having been devalued in the early part of the century) in the teleport waiting room when she met the handsome foreignor in the dusty blue robes. Of course, it was not unusual to meet foreignors in the teleport waiting room, not unusual at all, but the tall, dark, and handsome stranger had excited her. Perhaps it was the flash of long lean tanned thigh that she glimpsed as his robes caught on the door knob. Of course, even the ‘waiting room’ was a retro touch, because there was no need to ‘wait’ for teleport travel. It seemed ironic in a way that folks in the old days had perceived ‘waiting’ as an onerous thing, an somewhat unpleasant period of clock watching and crossword puzzle books. These days ‘waiting rooms’ were popular places to meet people and choose probability pools. The latest trend was Turtle Nights, and Frog Nights, where men and women gathered in waiting rooms to choose partners, to find that special someone, loosely based on the old Hen and Stag nights.

“Do teleport stations have door knobs, Ann?” Pedro interjected.

“Oh!” Ann was momentarily non plussed.

“Non plussed? Is that a word?” asked Pedro.

“Pedro, stop interrupting! The assigment isn’t to design a teleport station!”

The teleport station had been designed in retro style, a facsimile of the Atocha train station in Madrid. Lack of need for physical details had not resulted in a lack of appreciation for physical detail simply for it’s artistic merit, not to mention historical educational value, and the TRANS (Teleport Relative to Any Now Space) Station was an award winning example of old fashioned detail. Why, it even had doorknobs, even though doors had been dispensed with several decades ago.

“I thought the assigment wasn’t to design a teleport station?” asked Pedro.

“Does it bloody matter?” retorted Ann, with a hint of exasperation. “The overall point is to write rubbish, and that’s what I’m doing!”

“I’m glad you pointed that out, Ann” remarked Pedro helpfully.

“Oh my god, look at the time!” Ann exclaimed. “It’s time for class!”

“Bugger that!” snorted Pedro. “I’d rather hear about what happened with T’Eggy and that tall dark stranger!”

“Any idea what this is all about?” Beattie asked, to nobody in particular. A crowd was gathering at the crossroad.

The crossroad reminded Bea of a movie she’d watched some years previously, called, coincidentally enough, Crossroads. A symbolic sort of place, although real enough, a junction seemingly in the middle of nowhere. There was a large oak tree looming above the intersection, but nothing else could be seen in any direction but endless expanses of fields. There was a wooden signpost, the old fashioned kind, with two slats of wood pinned crosswise in the middle to a leaning post, but the place names had long since weathered away.

It was an odd sort of place and not much traffic passed by. In fact, the only traffic to pass by the crossroad stopped and disengorged itself of passengers..

“Is that a word, Bea?” asked Leonora. “Disengorged?”

“Don’t butt in to the narrative part Leo, or the story won’t make any sense.” hisssed Beattie, “Wait until you’re supposed to speak as one of the characters.”

“Well alright, but I don’t suppose it will have much effect on the making sense aspect, either way. Do continue.”

To say it was a motley crew gathering would be an understatement.

“You got that right,” Leonora said, sotto voce, surupticiously scanning the assortment of individuals alighting from the rather nautical looking yellow cab. Bea glared at Leo. “I suppose I’ll have to include your interrupions as a part of the story now.”

“Good thinking, Batman!”

“Oh for Pete’s sake, Leo, don’t go mad with endless pointless remarks then, ok? Or I will delete you altogether, and that will be the end of it.”

“You can’t delete me. I exist as a character, therefore I am.”

“You might have a nasty accident though and slide off the page,” Bea replied warningly.

“Why don’t you just get on with it, Bea? Might shut me up, you never know…”. Leo smirked and put her ridiculously large sunglasses on, despite the swirling fog..

“Oh I thought it was sunny” said Leonora, taking her sunglasses back off again. “You hadn’t mentioned weather.” She put her sunglasses back on again anyway, the better to secretly examine the others assembled at the crossroads.

“Why don’t you go and introduce yourself to them and see if anyone knows why we’re here, Leo, while I get on with the story.”

“Who will write what they say, though?”

“I’ll add it later, just bugger off and see if anyone knows who sent us that mysterious invitation.”

“Right Ho, sport, I’m on the bobbins and lace case” replied Leo. Bea shuddered a bit at the mixture of identities bleeding through Leonora’s persona. “Och aye the noo!”

Dear god, thought Beattie, I wish I’d never started this.

AH HA! shouted Harvey, with his distinctive nasal twang. I KNEW it was you really you Heliptrope! This is about W.A.R.P.E.D. and the dreaming fiasco isn’t it!

Dreaming fiasco? I can assure you that this is not about any dreaming fiasco. Although I shall be sure to mention this “dreaming fiasco” to the Fellowship upon my return, said Heliptrope, snarkily, feeling a little put out that his cover had been blown so quickly. No this is a message for Lavvie.

What is it? Is it about the piglets? I still feel guilty about giving them away.

Heliptrope sighed. Quiet both of you. The message is this: “Eau de Nil”

What? Eau de Nil? What in the name of Flove is Eau de Nil?

Heliptrope smiled mysteriously and took his leave.

~ “We are broadcasting today from planet Xavier.”~ wrote Rich Kendall, who was also online having a go at the radio exercise. ~ “The Happiness index on the Xavier stock exchange has gone up 75 points. It seems that a fellow named Morris Fishbaum has decided to stop berating himself for his supposed failures in the past, and has embraced a new self image. This change in Mr. Birnbaum has had a ripple effect automatically lifting up many others who also had been dwelling on past “mistakes.” Mr. Fishbaum’s metamorphosis leads analysts to forecast a new all time high for the Happiness Index within the next month. That’s the story from the Xavier financial markets and have a nice day.” ~

He continued: ~ “Morris Fishbaum is alive and well and living off the coast of Gibraltar
And rumor has it Morris has become very good friends with a local celebrity in Gibraltar that shall not be named except for the initials TM” ~

“Otherwise known as Teleport Moll”, Yoland pointed out.

~ “Roy Gilroy was also mentioned in an article as to spending lots of time with Morris Fishbaum but that’s a whole other story.” ~

Arthur Bickerswell-Snodley had been delighted to receive Ann’s invitation to stay with her at Little Big Hopeswell for the May Day weekend. He hadn’t seen Ann for 570 years, although they had remained in contact through the years, at first by old fashioned handwritten letters, and later by email —as well, of course, by telepathic means and out of body rendezvous— but this was to be an actual physical visit.

Arthur travelled by train to Chipping Else Hampton, where Jibblington, Ann’s chauffeur and general dogsbody, met him in the old jalopy, a rather grand old Silver Ghost Rolls.
Jibblington, it must be stated, worked part time for Ann, as did the enigmatic cleaning lady, Franlise — both were merely aspects of much larger personalities elsewhere engaged in myriad pursuits. Jibblington was a much of a mystery to Ann as dear Franlise was, not to mention old Godfrey Pig Littleton. Godrey’s flooh, in point of fact, had been the catalyst behind Ann’s invitation to Arthur.

While Jibblington and Bickerswell-Snodley glided along the country lanes, cushioned and buoyant in the silver car’s plush, if a trifle vulgar, crimson upholstery, Ann tutted in exasperation as Godfrey pestered her to finish her latest entry to the Play.

“I haven’t finished it yet, Godfrey, sheesh!” she exclaimed. “OK, OK!” Godfrey was rather rudely drumming his fingers on her desk. “Here, you can read what I’ve written so far.”

“Franlise, your words gave hope where once there was despair” Ann said to her cleaning lady. “Thank you.”

“Oh don’t mention it, Ann” Franlise replied modestly.

“You are so humble, Franlise, as well as outwardly beautiful” replied Ann. “And inwardly lovely” she added.

I told you it is my feeling that in a sense these communications took place one afternoon while I was half dozing.

They could make no sense to me then. The use of unconscious knowledge could not then take place. I do not know the state of your wife’s consciousness, or of your own, at that time in my own past. In any case, your own conscious knowledge of such events apparently had to wait until certain intersections happened.

Awareness of these communications conceivably could have taken place at any time, but certain levels of comprehension had to touch all of our personalities before such communications jelled, or became strong enough to make sense in both of our worlds.

I do not believe that I was aware of these communications either when they first happened. I would have had no way to evaluate or understand them. I assume that the same is true on your parts. At the same time, in a manner of speaking, the communications are enriched as my knowledge of my world when I was alive blends with your present knowledge of your world in your time.

It is as if the three of us all wrote portions of a letter, the words fitting together meticulously, and yet forming a fine puzzle that had to work itself out as we each made our moves in our own realities. It is one thing to send a letter from one portion of the planet to another, as in your mail system — but it is something else when the three individuals involved are constantly changing their alignment, position, and probable activities.

It is like trying to send a letter to a certain address while the mailbox keeps appearing or disappearing, or changing its position entirely, for all three of us are a portion of that one communication, while the position of our consciousness constantly alters.

It is a wonder that such communications take place at all considering the changing coordinates that constantly apply. The communications could all have remained in the dream state on all of our parts, but we were all determined to bring them into some kind of actuality in the same way that the idea of a painting is changed into the physical painting itself.

“Godfrey, that’s got me thinking, you know. Seem to have a bit of an idea brewing, old bean,” Ann said with an enigmatic smile.

“What are you on about now, Ann?” he replied. “Why don’t you tell me what that book is you’re reading, you can’t quote books without mentioning the name of them, so you may as well tell me now.”

“I was wondering how to slide it in, Godfrey” she replied with a snort. “It’s The World View of Rembrandt, by Jane Roberts.”